Thursday, 18 October 2018

FIRST MAN : Tuesday 16th October 2018.

'FIRST MAN' which I saw at my local multiplex this week, is an American biographical drama film based on the 2005 book by James R. Hansen titled 'First Man : The Life of Neil A. Armstrong' and is Directed and Co-Produced by Oscar winner Damien Chazelle of 'Whiplash' and 'La La Land' fame. Made for US$65M the film saw its World Premier screening at the Venice International Film Festival back in August, and was subsequently screened at the Telluride Film Festival and then the Toronto International Film Festival in early September. The film went on general release in the US last week too having received generally widespread critical praise for Chazelle's Direction, the performances of Ryan Gosling and Claire Foy especially, the score and the cinematography. Box Office receipts so far amount to US$30M.

The film charts the riveting story of NASA’s mission to land a man on the moon by the time the clock ticks over into 1970, focusing on Neil Armstrong and the years 1961-1969. Launching (literally) in 1961, we see Neil Armstrong (Ryan Gosling) struggling at the controls as a NASA test pilot of an X-15 experimental hypersonic rocket powered aircraft that was able to reach the edge of outer space, when after a moment of weightlessness the plane inadvertently bounces off the atmosphere. Even though he successfully manages to navigate the plane to a safe landing somewhere in the Mojave Desert, his superiors air their concerns about his recent spate of mishaps, and therefore choose to ground him. Meanwhile, his young daughter Karen, has a brain tumour, and is receiving cutting edge treatment. But despite this, Armstrong is distracted and pours over books, keeps copious notes on her symptoms, treatment and searches out some possible cure. But, before long Karen passes, and as any father would be, Armstrong is gutted.

Shortly afterwards Armstrong applies for Project Gemini (NASA's second human spaceflight programme) and is accepted, requiring Armstrong, his wife Janet (Claire Foy) and son Rick (Luke Winters) to move to Houston, together with a bunch of other astronauts chosen to take part in the Gemini Programme. Here he befriends Elliot See (Patrick Fugit) and Ed White (Jason Clarke) whilst under the watchful eye of Deke Slayton (Kyle Chandler) - NASA's first Chief of the Astronaut Office. Up to this point, them pesky Russians have eclipsed Uncle Sam in every aspect of the '60's Space Race, as so Slayton states in no uncertain terms the importance of Project Gemini as a precursor to the Apollo missions and the ultimate aim of putting a man on the moon by the close of the decade. Armstrong and the chosen handful of hopefuls are put through a rigorous training regime that tests them to the very limits of their endurance . . . and beyond.

Meanwhile, Janet gives birth to another son, Mark (Connor Blodgett). After the Ruskies notch up another first by performing an EVA (ExtraVehicular Activity - a spacewalk performed outside a craft orbiting the Earth), Armstrong is advised by Slayton that he has been chosen to be the Commander of Gemini 8 which would see the first docking of two spacecraft in orbit, with David Scott (Christoper Abbott) as his pilot. Armstrong and Scott successfully launch on Gemini 8 and dock as planned with the Agena Target Vehicle in space. After celebrating their success, things go rapidly pair shaped as the docked pairing of space craft begins to spin uncontrollably. Armstrong is able to successfully undock the two craft, but Gemini continues to spin at an ever increasing rate. After almost blacking out, Armstrong is able to bring the rapidly rotating craft under control and safely aborts the mission, saving their lives in the process. Janet, however, has had the privilege of listening in to their radio transmission is none too impressed with her husbands near death experience and promptly berates Slayton saying that they are all 'just a bunch of boys playing with balsa wood models . . .  you don't have anything under control'.

In due course Ed White announces that he has been selected for the Apollo 1 Mission together with Gus Grissom (Shea Whigham) and Roger Chaffee (Cory Michael Smith). During a launch simulation test on Apollo 1 on 27th January 1967, a fire inside the cabin and the resultant explosion takes the lives of White, Grissom and Chaffee. Armstrong meanwhile is representing NASA at a White House function, when he is interrupted by an urgent phone call from Slayton, advising him of this tragedy. A year or so later Armstrong is testing a Lunar Landing Research Vehicle and is nearly killed in the process, ejecting over a field and being dragged along the ground by his parachute, while the test vehicle crashes to the ground in a ball of flame.

Shortly afterwards Armstrong is advised by Slayton that he has been chosen to command the Apollo 11 Mission with a view to this culminating in a Moon landing. His crew will be Buzz Aldrin (Corey Stoll) and Michael Collins (Lukas Haas). Collins will pilot the command module Columbia alone in orbit while Armstrong and Aldrin are on the lunar surface. Shortly after, the three astronauts hold a Press Conference where Armstrong is particularly blunt and succinct in his answers to the gathered world press, leaving Aldrin to interject with more broader and lighthearted answers.

The night before the launch while Armstrong is needlessly busying himself with packing, Janet confronts him about the strong possibility that he won't survive the Mission, and steadfastly demands that he explains the risks to both Rick and Mark - his young sons. Armstrong is evasive and is clearly uncomfortable with such a confronting and potentially emotional conversation with his two boys, let alone his wife. After a brief conversation around the dinner table before the boys bedtime, Armstrong bids his boys farewell and kisses his wife goodbye, and departs for the Moon.

The day arrives, and Apollo 11 successfully launches, and within four days of flight touches down on the surface of the Moon on 20th July 1969. Armstrong became the first person to step onto the lunar surface six hours after landing on 21st July, with those immortal words 'one small step for man, one giant leap for mankind', with Aldrin joining him some twenty minutes later. After exploring the surface for some time, Armstrong walks over to a small crater and gently drops into it a bracelet that was his daughter's - forever leaving a memento to her memory on the surface of that far away place. Having spent the best part of whole day collecting samples, taking photographs, observing the Moon's surface, and going walkabout, the pair take off to rejoin Collins aboard the Columbia and head back to Earth landing in the North Pacific Ocean on the afternoon of 24th July 1969. The crew are placed in quarantine for a month. Janet visits Armstrong and through the glass panels of his temporary isolation, the pair share a quiet moment of contemplation, touching hands through the plate glass.

The film also stars Ciaran Hinds as Robert R. Gilruth - the first Director of NASA's Manned Spacecraft Centre and Pablo Schreiber as Jim Lovell, the backup Commander on Armstrong's Apollo 11 Mission.

Here, continuing with his run of Academy Award success, Damien Chazelle has crafted a nuanced film that will be surely worthy of some Oscar consideration come nomination season. Rather than the all too common chest beating and hero worship associated with such space age films, here 'First Man' paints a picture of a an everyday ordinary man pushed to extraordinary lengths in his quiet determination to be the first man on the Moon. In equal measure we see the emotion, the joy and the tragedy of Armstrong's every day family life coupled with the errors, flaws, accidents and incidents and the all too many deaths experienced by NASA and Armstrong's fellow astronaut colleagues during the course of those Gemini and Apollo Missions. Gosling gives a stoic and reserved performance as both the troubled and completely focused on his day job at the expense of his family Armstrong; while Foy more than ably supports as the no bullshit tell it as it is supportive, caring and understanding (to a point) wife. Chazelle's attention to detail throughout the film cannot be faulted, and his recreation of the era, the inner workings of NASA, and the failures and successes of the technology of the time really make this film. Concentrating on the '60's era only and the events leading up to the first Moon landing was Chazelle's choice and who can argue with that, but perhaps an insight into the reserved man post that heroic journey to go boldly where no man has gone before would have rounded out the film more completely. Nonetheless, certainly worth the price of your ticket, and you should see this on the big screen for sure.

'First Man' merits four claps of the Odeon Online clapperboard, out of a possible five.
-Steve, at Odeon Online-

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