One day while out scouring a derelict part of the city, Dunn brushes up against Crumb in his nine year old 'Hedwig' persona, and using his powers of extra sensory perception is able to locate the cheerleaders whereabouts. He frees them, just as Kevin returns in the guise of 'The Beast' and immediately sets upon Dunn. The pair fight, with The Beast surprised at Dunn's strength and resilience. They crash through a window and fall to the ground several storey's below, but are captured by heavily armed Police authorities who escort the pair to the Raven Hill Memorial Psychiatric Hospital for observation and treatment.
Inside the heavily fortified psychiatric hospital, Dunn is placed into a room with powerful showers that will flood his room instantly in the event of an attempted escape, erratic behaviour or anything else that gives cause for concern. This is because Dr. Ellie Staple (Sarah Paulson) the head Doctor in charge of the facility, knows of Dunn's weakness when he is exposed to water. Similarly, The Horde are placed in a room with movement sensitive lights and cameras that flash on an off in an instant, so causing Crumbs multiple personalities to change with each flash of the high intensity bright lights, so effectively disarming The Beast. Staple's chosen field of medical expertise is in working with patients who claim to have special powers, and be superhuman, and to persuade them otherwise.
In the fullness of time, Staple assembles Elijah Price who has been confined to a wheelchair and remains mute and almost motionless the whole time, and who has been a long term resident of the hospital for some years now, with Crumb and Dunn in a room together. Her aim is to evaluate how the three interact with each other and debunk their theories that they are something special and convince them that are just normal human beings who may possess some kind of special skill but nothing extraordinary that can't be learned by anyone else. She also reveals that she has been given just three days to convince the three that they are normal, and if they can't be convinced then they'll have to suffer the consequences of a very long term stay in her facility under constant observation, scrutiny and treatment.
Meanwhile Joseph, Mrs. Price (Elijah's mother, played by Charlayne Woodard) and Casey Cooke all visit the hospital on separate occasions and meet individually with Staple and try to persuade her that Mrs. Price's son, Joseph's Dad, and Casey's former captor all have merits, are simply misunderstood and have good inside them. Staple is however, unconvinced.
The evaluation awakens something in Elijah, giving him the motivation to make his play. One night when the facility is quiet, the care staff are between shifts and otherwise distracted and security is at a minimum, Elijah breaks into The Hordes room wanting to meet with The Beast. After an introduction and time running out before the next care giver starts his shift, Elijah sets up a meeting for the next night, at which he will also see to it that David Dunn is freed too. Upon leaving the room, Crumb asks Elijah what he should call him, to which Elijah turns in his wheelchair and says 'first name Mister, last name Glass'.
Staple has however, recently extended her comprehensive network of security cameras across the complex, and Elijah's movements were caught on camera. Knowing that he cannot be trusted, having managed to successfully pull the proverbial wool of everyone's eyes for so long, Staple announces to Elijah, (back in his catatonic state) that they are bringing forward to the next day surgery on him to render his alleged superhuman thinking redundant.
The next day, post surgery, Elijah slashes the throat of one of his care givers with a shard of glass taken from a picture hanging in his room. It is also revealed in flashback that Elijah sabotaged the laser device (used in his surgery) the previous evening by removing the lens rendering its power useless. He visits The Horde with the notion of awakening The Beast, with a plan to pitch The Beast against David Dunn in a grand showdown in full view of the media at the grand opening of the city's tallest skyscraper later that same day. Elijah taunts Dunn with his plan, saying that if he doesn't comply he'll destroy the tower and all those inside it. Consequently, Dunn breaks the reinforced steel door down with his third shoulder barge attempt, knocking it clean off its hinges.
Meanwhile, Mr. Glass and Kevin Wendell Crumb are making it out of the hospital using a network of basement tunnels. They are intercepted by several guards, who are quickly dispensed with by The Beast, while Mr. Glass continues to wheel himself out into the open, to be joined by The Beast when his work is done with the guards.
Outside in the hospital grounds, The Beast and David Dunn face off and are pretty evenly matched - The Beast's raw unfettered aggression against anyone and everyone pitched against Dunn's considered unbreakable brute strength and resilience and his unwavering desire to protect those at risk and ultimately use his skills for good.
Staple has by now arrived, as have Mrs. Price, Joseph and Casey Cooke. Armed Police arrive in riot gear. She orders four armed men to fend off The Beast and Dunn but they are no match for the duelling pair and are quickly subdued. Looking on from his wheelchair, Mr. Glass tells The Beast that water is Dunn's weakness, but Joseph comes between them and reveals to The Beast that Elijah orchestrated the train crash that killed Kevin's father, the same train crash from which Elijah came to meet up with Dunn.
Staple's men then fire on Kevin while he is weak with a single laser pointed gun shot to the stomach. Three others then set upon a now weakened Dunn and begin to drown him in a flooded pothole. Staple lets Dunn touch her as he is drowned, giving him a vision of her participation in a secret society trying to keep the existence of superhumans a secret. Mr. Glass dies of his multiple bone fractures looked over by his weeping mother. Kevin dies of his gunshot wound in the arms of Casey, and Joseph arrives after Dunn was drowned, and is distraught by the death of his superhuman father whom he idolised. Staple promptly wipes clean all the footage from the one hundred or so internal and external security cameras so destroying any and all evidence of superhuman behaviours and what went down earlier that day. She also reports that her mission had been a complete success.
However, what is unknown to Staple, is that all the cameras around the psychiatric hospital had been hacked by Mr. Glass earlier in the day and had been live-streaming that coverage to a private network. Subsequently, Mrs. Price, Joseph, and Casey all receive a copy of the footage. They choose to release that footage to the public at large, and sitting together on a bench in a busy train station, they watch people increasingly accessing their mobile devices to watch the footage so creating an awareness of the existence of superhumans, and before you know it, it makes the primetime television news channels too.
I enjoyed 'Glass' but not nearly a much as I would have hoped. The film meanders in the mid-section, regurgitates old tropes that we have seen before, short delivers on the action and suspense spectacle and the ending is something and nothing and lacks the punch of a grand finale to a trilogy that up until the final few frames of 'Split' nobody saw coming. McAvoy gives a fine turn once again flexing his multi-personality The Horde by switching from one persona to another without missing a beat. This is his film, and it is richer for his performance. As for Jackson - well he really does diddly squat for the first half except stare blankly at the screen in a near comatose state save for the occasional facial twitch; and Willis is the stoic, expressionless die hard character that he has played in a hundred movies. Paulson just keeps on repeating herself, and Taylor-Joy is also underplayed when her back story could have been explored more. There are a few twists and turns in the film, and any levity comes from McAvoy's rapid fire ever changing character voices, mannerisms, quirks and traits which he nails every time. And as for the trademark Shyamalan surprise at the end, well don't hold your breath this time, because when it does eventuate, its not up to the standard of some of his more noteworthy offerings. All that said, I would describe this glass as half full, rather than half empty.
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