After the gathering has ended and most of the other nomads have moved on, Fern remains in no hurry to go anywhere. She gets to know Swankie, a fellow nomad who has also stayed behind to repaint her own van before hitting the road again. Some days later, Fern's notices a blown tyre on her van, so she asks Swankie for a ride into town to buy a spare. Swankie berates Fern for not being better prepared, and invites her to learn more road survival skills, during which time the pair bond. Swankie tells Fern about her cancer diagnosis and shortened life expectancy of about eight months, and her plan to make good memories on the road rather than waste away in a hospital. They eventually go their separate ways.
Fern lands a new job at the beet harvest, but her van breaks down and the cost of the repairs comes to US$2,300 which she can't afford. After calling friends to ask to borrow money and drawing a resounding blank, she visits her sister and her husband at their home. Her sister loans her the money, but questions why Fern was never around in their life and why Fern stayed in Empire after her husband died. Fern later visits David and his son's family - the grandchild is now five months old and she learns that David has elected to stay with them for the long-term. He offers her a room to stay in permanently in a guest house on the property, but she decides to leave after only a few days, becoming uncomfortable in a real bed with a solid roof over her head.
A year has now passed and Fern returns to her seasonal job at Amazon and when that stint comes to an end she revisits the Arizona commune. There she learns that Swankie has died, and she and the other nomads pay tribute to her life around the camp fire at night. Fern later opens up with Bob about her relationship with her husband, and Bob shares the story of his adult son's suicide five years ago at the age of 28. This particular day would have been his 33rd birthday. Bob expresses a love for the fact that goodbyes are not final in the nomad community, as they always promise to see each other again 'down the road'. Later, Fern returns to the ghost town of Empire and clears out the lock up garage of all her possessions saying to the manager that she no longer has any use for them. She visits the now vacant factory and the home she shared with her husband before getting back on the road again, and continuing with her journey wherever the road takes her.
Apart from a small handful of professional Actors, the nomads in 'Nomadland' are real vandwellers and nomads living on the fringe of society and who have turned their back on consumerism, commercialism and the very culture that has rejected them. Make no mistake, in case you were unaware there is no sex, no violence, no explosions, or car chases, no gun play or close quarter hand to hand toe to toe head to head combat in this film. Instead what Zhao and McDormand, who is in every scene, manage so deftly to do is capture the spirit, the empathy and the imagery in a completely understated way to propel the viewer right into the very heart of Fern for all her regrets, her struggles and her dogged resilience for the first time in her life to be free and to make the most of the open road and explore the vast wide expanse of the American mid-west. This is a slow, meandering, thought provoking film from a Director standing on the edge of greatness, an Actress who is already there combined with non-Actors portraying fictionalised versions of themselves, impressive cinematography and a haunting piano soundtrack that all add up to a film that is worthy of the many accolades already bestowed up on it, and the early Oscar buzz. Catch it on the big screen - you won't be disappointed.
'Nomadland' merits four claps of the Odeon Online clapperboard from a possible five claps.
-Steve, at Odeon Online-
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