Thursday 18 February 2021

PROMISING YOUNG WOMAN : Tuesday 16th February 2021.

I finally got around to seeing 'PROMISING YOUNG WOMAN' this week following its release in Australia on 7th January. This MA15+ Rated American thriller offering is Directed, Written and Co-Produced by Emerald Fennell in her feature film making debut. The film saw its World Premier screening at the Sundance Film Festival back in January 2020 and went on general release Stateside on 25th December 2020 having so far taken approaching US$9M at the Box Office and garnered positive Reviews. It was named one of the ten best films of 2020 by the National Board of Review, with Carey Mulligan also winning Best Actress, and has received fifty-three award wins so far plus a further 114 nominations including four nods at the upcoming 78th Golden Globe Awards on 1st March, including Best Motion Picture, Drama.

The opening scene of the film sees three male colleagues in a bar late one evening all ridiculing a female colleague. One of the men, Jerry (Adam Brody) notices what's look to be a very drunk young and particularly attractive woman sat all alone. Egged on by his colleagues he siddles up to the woman playing the concerned and caring gentlemen who offers to share a cab home with her to ensure she arrives safely. On the journey he suggests a stop off at his place which is close by for a nightcap. She complies with his wishes and once home and after said nightcap, the woman says she needs to lie down. Jerry seizes the opportunity to get her onto his bed and starts groping, kissing and removing her underwear. At this, the woman sits bolt upright and asks what the hell he thinks he's doing, now as sober as a judge. Jerry is somewhat surprised to say the least at the woman's sudden sobriety, and starts to backtrack as the woman gives him a very stern dressing down.  

It turns out that the woman in question is thirty year old Cassandra 'Cassie' Thomas (Carey Mulligan) who lives with her parents Susan and Stanley (Jennifer Coolidge and Clancy Brown respectively). They have breakfast together every morning and Cassie's mother especially berates her for not having a boyfriend, having no friends, for still living at home, and for having a near non-existent social life. Cassie responds saying that's just the way she likes it. Cassie works at a coffee shop owned by Gail (Laverne Cox), and there one day comes in Ryan Cooper (Bo Burnham) whom nine years previously she was in medical school with. Ryan is now a paediatric surgeon, while Cassie who was the brains of their class is working in a dead end coffee shop! Ryan asks Cassie out, but she initially refuses his advances. 

A few nights later and Cassie is with Neil (Christopher Mintz-Plasse), once again pretending to be very drunk in his apartment. Neil snorts a couple of lines of coke and encourages Cassie to do the same, but she blows instead of snorts. Neil comes on all sympathetic and caring about Cassie's inebriated state and starts to grope and kiss her and puts his hand up her dress. At which point, Cassie reverts back to her completely sober state and asks what he thought he was doing. Neil is taken aback and starts to be fearful of the repercussions that Cassie might bestow up on him, and is left defenceless as she pins him against the wall and reads him the riot act. 

The next days Ryan is back in the coffee shop and again asks her out on a dinner date - this time Cassie responds in the affirmative. On their first date Ryan mentions that their former classmate Alexander 'Al' Monroe (Chris Lowell) is getting married soon. Now it comes out that at medical school Cassie was very close friends with a Nina Fisher who was raped by Al Monroe nine years ago. As a result, both the school and the legal system failed Nina and as a consequence both Nina and Cassie dropped out of medical school despite being Grade A students, and subsequently Nina committed suicide. 

Hearing the news of Al's forthcoming wedding, Cassie begins plotting her revenge on those she considers responsible for the rape and death of her best friend. She first invites an old friend from medical school, Madison McPhee (Alison Brie), who didn't believe Nina's accusations, to lunch at an upmarket restaurant and gets her drunk on Champagne and red wine, then has a man she hired take Madison to her hotel room. After the incident, Cassie ignores all of her many calls. 

Next, Cassie targets Elizabeth Walker (Connie Britton), the medical school dean who dismissed Nina's case due to lack of evidence. Cassie pretends to be a makeup artist for a band called 'Wet Dream' that Walker's teenage daughter Amber (Francisca Estevez) loves and tricks the teenager into getting into her car. Later, Cassie meets Walker under the pretense of resuming her education and questions her about the events that led to Nina's dropout and death. When Walker explains away her actions, Cassie tells her she dropped Amber off at a dorm room with a bunch of drunk male students, and not to worry!! After a fearful Walker apologises for her inaction, Cassie reveals Amber is safe at a local diner. 

Next up Cassie pays a visit to Jordan Green (Alfred Molina), Al's lawyer who harassed Nina into dropping her charges. When Green expresses remorse for his actions, having suffered a mental breakdown over his guilt and now on a forced sabbatical from his law firm, Cassie forgives him. After visiting Nina's mother (Molly Shannon), who urges her to move on, Cassie abandons the rest of her plans for revenge. And so Cassie's relationship with Ryan goes from strength to strength, so much so that the pair find themselves falling in love with each other. 

One day when returning home, Cassie finds Madison waiting outside her house, still distraught and desperate to know what happened after their lunch having woken up in a hotel room with a strange man with whom she has no memory. Cassie reassures her that nothing happened. In response, Madison gives Cassie an old phone containing a video of Nina's rape before telling her to never make contact with her again. As she watches the video, Cassie is shocked to see Ryan among the onlookers. She confronts him at the hospital where he works and threatens to release the video unless he tells her where Al's bachelor party is being held. Ryan tells her and begs for forgiveness, but Cassie refuses and turns her back on him.

Cassie arrives at Al's bachelor party as a stripper in a nurses uniform, plying Al's friends with spiked alcohol to knock them all out and takes Al upstairs to be alone. She handcuffs him to the bed which he willingly volunteers to, and then reveals her true identity to him. However, as she tries to carve Nina's name into Al's stomach, he breaks free from one pair of cuffs, overpowers her and suffocates Cassie under a pillow. 

The next morning, Al's friend Joe (Max Greenfield) comes up to the room, discovers a sobbing Al and the lifeless body of Cassie still under the pillow, consoles him and helps him burn Cassie's body to destroy any evidence. A couple of days later Cassie's parents file a missing person report, and the Police begin an investigation. A Detective questions Ryan at the hospital, but Ryan does not reveal where Cassie was going and states that they split up five days ago and suggests she was mentally unwell and possibly suicidal.

During Al's wedding reception in the grounds of the house where the bachelor party was held, it is revealed that Cassie had sent Jordan Green the phone with the video of Nina's rape, along with information on where she was headed and who would be responsible if she went missing. The Police begin to arrive immediately after the wedding ceremony, and with Police tracker dogs uncover the burnt remains of Cassie's body. At the reception in front of all the gathered guests, the Police arrest Al and cart him away handcuffed, while Joe flees the scene and Ryan receives several scheduled texts from Cassie, explaining that this is not the end, until it is. She signs off in her name and a ; )

This is a thought provoking, of the moment, pitch black revenge thriller comedy that starts of light but culminates in a real sucker punch by the time the end credits roll, that will leave an impression firmly planted in your brain long after you have left the theatre. For her debut movie making outing, Director and Writer Emerald Fennell has here delivered a bold, audacious, never boring and highly relevant film underpinned by perhaps a career best performance from Carey Mulligan playing completely against type, and she absolutely nails it. The rest of the principle cast are alas undercooked in the often fleeting scenes they are in, but carried along on Mulligan's coat tails which should propel her into the Best Actress nominations at this years upcoming Oscars. 

'Promising Young Woman' merits four claps of the Odeon Online clapperboard from a potential five claps.
-Steve, at Odeon Online-

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