Aldo is later arrested by the IRS and sentenced to a year and a day in prison. Patrizia lies to the Italian Police and tells them that Paolo is not authorised to use the Gucci trademark, and so during a fashion show where Paolo is showcasing his collection the Police storm in and halt the show by force. Patrizia and Maurizio ask Paolo to sell them his shares, but he rebuffs them and cuts all contact between them.
Italian Police raid Maurizio's house and attempt to arrest Maurizio for forging Rodolfo's signature. He evades them by riding over to the border with Switzerland on his motorbike and has Patrizia and Alessandra join them a few days later. In the meantime Maurizio has renewed acquaintances with his old friend Paola Franchi (Camille Cottin). An argument later erupts between Maurizio and Patrizia, and Maurizio decides that he is tired of his wife's influence over himself, as well as the company.
He orders his wife and daughter to return to Italy and begins an affair with Paola, which Pina has apparently sensed. When Maurizio's business plans begin to impact the company negatively he seeks assistance from equity company Investcorp, through which he hatches a plan to acquire shares of the company from a now-impoverished Paolo. Aldo is released from prison and Paolo tells his father what he has done. Aldo is incensed. When Investcorp offers to buy Aldo out, he refuses until Maurizio reveals himself as the deal's instigator. Completely dejected and betrayed, Aldo reluctantly sells the shares and cuts all ties with Maurizio.
Patrizia tries to reconcile with Maurizio, but he is not interested in the slightest. Later, he asks Patrizia for a divorce through his long-time assistant Domenico De Sole (Jack Houston), which Patrizia angrily refuses. Maurizio is looking to revitalise the brand image of Gucci and so recruits (almost as a last resort because every other 'name' had turned them down) up-and-coming designer Tom Ford (Reeve Carney). Ford's collections are well received at his launch fashion show and prove successful, but Maurizio has so thoroughly mismanaged the company's finances that Investcorp's leaders feel compelled to buy him out, offering him US$150M and replacing him with Ford and De Sole. Patrizia becomes so angered with Maurizio that she asks Pina to help her kill him. Pina puts Patrizia in contact with some hitmen 'from Sicily' and a few days later, the hit-men shoot Maurizio to death in broad daylight outside his office.
Afterwards we see Patrizia and Alessandra knocking on the door of Maurizio's residence, for it to be answered by Paola. The pair share a tearful embrace, and then Patrizia orders Paola out of her home, immediately. In the closing scene we fast track two years, and in a courtroom the Judge presides of Patrizia, Pina and the two hitmen. The Judge asks a question of Patrizia Reggiani, who replies, 'my name is Patrizia Gucci'. Just before the end credits roll, the screen reveals that Aldo Gucci died of prostate cancer in 1990; Paolo Gucci died almost penniless in London in 1995; Patrizia was sentenced to twenty-nine years in prison, and Pina and the hitman and getaway driver received sentences of 25 years or more for the murder. Gucci is fully purchased by Investcorp who turn the business around and make it into the fashion empire it still is to this day, while no Gucci family members remain at the business today.
'House of Gucci' reminded me in some small ways of the 1980's American TV soap opera series 'Dynasty' and 'Dallas' and seeing all those rich folk squabble and squander their millions of dollars and scheme their way in and out of each others business, more often that not with dire consequences. This is Lady Gaga's film make no mistake and for her portrayal of Patrizia there has to be an Oscar nod in there I'm sure, while Al Pacino as Aldo and Adam Driver as Maurizio also make compelling performances. As for the unrecognisable Jared Leto as Paolo, his performance is so over the top camp and impish that it's no wonder he was prepared to go full undercover so as not to be recognised! This is a highly entertaining film about love and loss, backstabbing and betrayal, money and murder all delivered neatly with the full gloss and panache that is Ridley Scott's trademark, who at the age of eighty-four is still churning out movies that command your attention, are engaging and have something to say. At two hours 37 minutes this film is over-lengthy at the mid-section before stumbling towards the finish line, but that said, 'House of Gucci' is nonetheless an enjoyable, sharply dressed romp of fashion and greed that ultimately brought the House of Gucci down, but not out.
'House of Gucci' merits three claps of the Odeon Online clapperboard from a possible five claps.
-Steve, at Odeon Online-
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