After fruitlessly searching for a way out, a decrepit woman appears covered in sack cloth carrying a blueberry pie. She begins eating it and within minutes is dead. Reed states that the pie was poisoned and further claims that she is a prophet of God and the pair will witness her resurrection. Church elder Kennedy (Topher Grace) arrives looking for the girls but leaves without hearing their screams for help. The prophet resurrects and briefly describes the afterlife. Barnes rejects the prophet's description, noting its similarity to common hallucinations from near-death experiences. When Barnes gives Paxton a signal to attack Reed with a letter opener she has stashed away while in his study, he slashes the throat of Barnes and claims that she will also resurrect.
After Barnes bleeds out, Reed removes a two inch long metal pin from inside her arm, claiming it is a microchip that proves that Barnes was not real and the world is a simulation. Paxton recognises the object as a contraceptive implant, and realises that everything was planned by Reed - while the girls were distracted by the elder's arrival, a second woman hid the prophet's corpse, took her place and delivered the afterlife description as scripted by Reed, adding an unplanned comment - 'It's not real'. Reed's killing of Barnes and attempt to convince Paxton of a simulated reality was a ruse to cover the plan going adrift. Paxton discovers an underground ladder in which the Prophet's corpse was hidden and climbs down, with Reed promising it will reveal to her the 'one true religion'.
After pulling aside the bolts of various doors, eventually Paxton enters a chamber full of emaciated women in cages, locked with the bike lock she used before entering Reed's house. She realises Reed's conclusion - that the desire to control others is the root of all religions. Paxton stabs Reed in the throat with the letter opener, but Reed stabs her with a box cutter in the stomach as she tries to escape. Paxton runs through the house searching for a way out, and eventually finds herself back down in the basement, followed by Reed. As they bleed in the basement, Paxton prays, telling Reed that it is done to show kindness to others rather than to produce material results, as numerous tests have revealed. Reed prepares to finish her off, but Barnes, who was still alive, kills him with a plank of wood with three protruding nails to the temple before finally succumbing to her wounds in Paxton's arms. Paxton climbs out of a window and a butterfly lands on her hand having previously expressed a desire to be reincarnated as a butterfly that appears on the hands of her loved ones. It vanishes, leaving Paxton alone in the snowy bushland.
With 'Heretic' it's refreshing to see Hugh Grant playing against type in his first true horror film outing, and he is more than ably supported by Chloe East and Sophie Thatcher who also add weight to the collective performances. Grant chews up the screen with his sharp, at times witty and always on point dialogue that will have you guessing up to the end and pondering on religious matters long after the credits have rolled. Joint Directors Beck and Woods have crafted a lean, effective, original and surprising horror film that relies more on psychological thrills than traditional jump scares, and on that level the film succeeds in being right up there as one of the best horror entries of 2024.
'Heretic' warrants four claps of the Odeon Online clapperboard from a potential five claps.
-Steve, at Odeon Online-
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