DESTROYER : Wednesday 27th March 2019.

'DESTROYER' which I saw this week stars Nicole Kidman playing 110% against type in a much talked about role the likes of which we have never seen her play before, and, she delivers in spades. Directed by American film and television Director Karyn Kusama who's previous film making credits take in 2000's highly acclaimed debut 'Girlfight' and thereafter 'Aeon Flux', 'Jennifer's Body' and most recently in 2015 'The Invitation'. 'Destroyer' saw its World Premier screening at the Telluride Film Festival back in late August last year, saw its US release on Christmas Day, and now its gets a go in Australia last week. The film has garnered generally positive Reviews, has so far recouped just over US$5M of its US$9M production budget, and has received two award wins and another twelve nominations from around the circuit including a Golden Globe, a Satellite and an AACTA nod for Best Actress for Kidman.

As a young cop, Erin Bell (Nicole Kidman) went under cover with her former partner Chris (Sebastian Stan) to infiltrate a gang in the California desert with tragic life changing consequences. Bell continues to work as a detective for the Los Angeles Police Department, but feelings of bitterness and remorse leave her down trodden and overtaken by guilt. As the film opens we see Bell coming around from a night of sleeping rough in her car under a viaduct - woken by the nearby sound of skateboarders practising their jumps. She saunters in a half stupor to the crime scene to be greeted by two other Detectives looking over a dead body face down with three bullet hole exit wounds in its back. After a brief exchange of less that friendly words between Police Officers, Bell turns and walks away saying that she knows who the murderer is.

Back at her Police station, Bell receives in the mail a $100 bill half marked in purple dye from an exploding dye pack. Using an old contact at the FBI who seemingly was responsible for sending her deep undercover almost twenty years ago, she is able to confirm that the $100 bill hails from an armed robbery by the Californian gang that she and Chris were embedded in back in the day. She advises her superiors that the bill and the dead body found earlier, are all the proof necessary that the gang's leader Silas (Toby Kebbel) is back on the scene, still active, and picking up where he left off.

To learn of Silas's whereabouts Bell must sift her way through the remaining gang members - gang members that she and Chris were once close with, but all of whom have now gone their separate ways. She begins with Toby (James Jordan), serving time in prison but released for compassionate reasons and now living with his mother serving out his time at home on his death bed - for he has terminal cancer and has only a matter of weeks to live. In return for a sexual favour, Toby gives Bell the whereabouts of Arturo (Zach Villa) who is now trying to live the straight and narrow by giving pro bono legal advice and guidance to immigrants. After a foot chase, Bell catches up with Arturo who spills the details of Dennis DiFranco (Bradley Whitford) - a lawyer who has been laundering the money from the original robbery. Bell deduces that Silas must be active once more because the money from that heist is almost all gone. After a beating at the hands of DiFranco's minder, Bell gets the upper hand and threatens DiFranco at gun point to give her the details of the next money drop off, which is to be collected by Silas' girlfriend Petra (Tatiana Maslany).

Bell catches up with Petra and follows her, camping outside her apartment overnight in her car keeping watch. The next morning Petra and a male friend drive into the city and take part in a heist orchestrated by Silas and his new gang. Bell sees this unfold, calls for back up, and ventures into the bank aided by two recently arrived Police Officers. The three of them lay siege to the armed robbery by now in full swing. In an exchange of rapid gunfire the gang retreat, and Bell catches up with Petra after a foot chase and an exchange of savage punches, kicks and body blows to both sides. Bell however, overcomes Petra and bundles the heavily bloodied woman into her car boot.

In a number of flashbacks we see Bell and Chris develop a loving relationship towards each other. In time, Bell falls pregnant with Chris's child. Bell convinces Chris to become legitimate participants in a bank heist being planned by Silas. Bell's plans is too take their share of the money, report into their Police HQ that after time they lost contact with the gang, lay low for a few months and then resign the Police Force and live happily ever after.

However, come the day of the robbery and Silas changes the plan. Instead of having Bell and Chris as the two getaway drivers, Silas orders Arturo to take Chris' place and for Chris to join him inside the bank at the very scene of the crime. All goes reasonably well, until just outside the bank Silas is carrying a hold-all stashed full of cash which explodes suddenly covering him and the contents of his bag in a haze of purple dye. This pisses Silas off and he returns to the teller and shoots her dead at point blank range. Chris re-enters the bank revealing himself to be FBI and is promptly shot dead by Silas. Bell is distraught and drives off in a rage plunging her van headlong into a dumpster killing the other gang member travelling with her, who by now suspects her of being a Police Officer. Bell hides her share of the stolen cash to retrieve it later. She then returns to active Policing not disclosing her original plan of her share of the heist monies.

Back in the present day, we see Bell in a cafe with her sixteen year old daughter Shelby (Jade Pettyjohn) with whom she has a very strained relationship. Bell is attempting to make her peace with her estranged daughter who is in a relationship with a 23 year old guy whom Bell disapproves of vehemently, and whom we see attempting to pay off with a cash sum of US$11K to move to Spokane and never darken her daughters doors again . . . . ever, by phone, letter, social media, in person - never, ever!

Bell does make peace with her off the rails daughter in a round about way, saying that she is far better off with Ethan (Scoot McNairy) with whom Bell struck up a relationship after Chris died but that relationship too is now fractured although the pair are still on good terms. Shelby considers Ethan to be her father, seeing as though she never knew her real father, Chris. Bell and Shelby share a quiet moment together in a diner recounting a fond memory from when Shelby was seven years of age, after which Bell stands up, tells her daughter that she loves her, kisses her on the forehead, and leaves.

Bell is then seen visiting a lock up storage facility where she aims to retrieve her share of the stolen money amounting to some US$300K and which she has not touched since the robbery. Her intention was to give the money to Ethan so that he can look after Shelby and give her the upbringing that she never could. However, upon opening the holdall bag in which is contained her stash of cash it is revealed that the majority of the bank notes are stained with the same purple dye.

She later receives a text message from Silas arranging a meeting at a viaduct, where she promptly shoots him three times at close range, so avenging the death of Chris. The next morning we see Bell sauntering up to the scene of the crime to be greeted by two Detectives looking over the murder victim. The slumped body is revealed to be the same body which Bell looked over at the start of the film bringing the story full circle. We then cut to Erin back in her car with those skateboarders practising their jump tricks. Up rocks her partner Antonio (Shamier Anderson), whom she hands an envelope to saying that all is self explanatory. In it she confesses to her sins giving Petra's location, the stained dollar bills, and a the key to her lock up. After Antonio leaves, we see Bell lift up her shirt revealing an extended stomach with severe bruising and internal bleeding sustained from several heavy beatings during the course of her investigations. She is finally at peace and resigned to her fate.

I have to say that I quite enjoyed 'Destroyer' but not as much as I thought I would. On the positive side Nicole Kidman gives a transformative performance that is so left field of her usual character choices that she deserves all the kudos afforded her for her quite possibly most unrecognisable role to date. And, in that respect she certainly delivers as the once good cop turned bad cop now with a massive chip on her shoulder, a grudge to society and as the weather beaten down trodden chewed up spat out nothing to lose LA cop. And the plot weaves between the past and the present in a way that makes sense and helps you join the dots come the end. But, for all of that this is a fairly procedural cops and robbers genre piece that we have seen before, interspersed with some moments of gripping action, emotional turmoil and revelation. This is Kidman's movie make no mistake supported by a convincing Sebastian Stan, but as for the other characters of Silas and Ethan especially, these are undercooked. 'Destroyer' is certainly worth the price of your cinema ticket for Kidman's performance if nothing else.

'Destroyer' warrants three claps of the Odeon Online clapperboard form a potential five.

-Steve, at Odeon Online-

GET OUT : Tuesday 9th May 2017.

'GET OUT', made for just US$4.5M this comedy horror film is Written, Co-Produced and Directed by Jordan Peele in his debut in the Directors chair, and has so far grossed US$207M and has received much critical acclaim. Jordan Peele is one half of the Comedy Central sketch series pairing of Key & Peele. His film, seen as a satire on racism in the United States in the present day, points at the underbelly of middle class conservatives interwoven with an effective horror story, stands now as the highest grossing film Directed by a black film maker, and has also claimed the spot previously occupied by 1999's 'The Blair Witch Project' as the highest grossing debut film based on an original screenplay in Hollywood history. Not bad credentials at all!

The film opens up with a black guy, Andre Hayworth (LaKeith Stanfield) speaking on his mobile phone while walking down a leafy suburban street late at night. A white car approaches him, with loud music blaring out of the window, and an unseen driver. The car circles around and approaches from behind a nervous looking Andre, who is clearly out of his comfort zone. Andre crosses the street keen to avoid any confrontation, and is then beaten over the head by an unknown assailant and dragged back towards the white car - drivers side door and rear boot open. Bundled up, unconscious in the boot of the car, it speeds off into the night.

Some months later, we are introduced to black photographer Chris Washington (Daniel Kaluuya) and his white girlfriend Rose Armitage (Allison Williams). They have been together for five months now, and they are preparing to visit Allison's parents at their country estate for the weekend. Chris expresses some concern that Allison has not yet told her parents that he is black, but quickly dismisses his concerns when she reassures him that they are non-racial progressive thinking types who would have voted for Obama a third time given the chance. They load up the car and head on out driving in the clear light of day, chatting, laughing and joking most of the way.

Upon arriving at the country estate of parents Dean Armitage (Bradley Whitford) a retired neurosurgeon and Missy Armitage (Catherine Keener) a psychiatrist and hypnotherapist and brother Jeremy (Caleb Landry Jones) the family  attempt to allay any fears that Chris may have about their concerns of an inter-racial relationship. Pretty soon, however, Chris notices the black groundsman Walter (Marcus Henderson) and black housekeeper Georgina (Betty Gabriel) and how their behaviour seems very strange and distant, let alone the fact that an all white family have black servants about the place, in this day and age!

Later that night when Chris can't sleep, and craving a cigarette, he ventures outside. Upon re-entering the house, attempting to be quiet, he walks past a lounge room in which Missy is sitting drinking tea. She invites Chris in to sit down opposite him, holding her cup and saucer in one hand and stirring it with a teaspoon with the other. The sound of the spoon stirring is repetitive and Missy keeps on stirring, while she questions Chris about his mother who was killed in a hit and run accident when he was just eleven.

While they talk, although Chris doesn't realise it, he is hypnotised by Missy to the rhythmic sounds of a spoon stirring a tea cup. He is paralysed to the chair, and Missy orders his conscious mind to a place she refers to as 'the sunken place'. Chris wakes up the next morning from a deep sleep, not knowing how he got fully clothed into bed, realising that Missy had hypnotised him to get him off the cigarettes, or so he at first believes.

The next day at the Armitage household is an annual lawn party held for all white close friends to attend. The guests are all mostly elderly and they take more than an active interest in Chris, asking blatant questions about his ethnicity, race, culture, which needless to say uneases Chris. He notices a black guest who introduces himself as Logan King and who is accompanied by an elderly white lady. Chris notices some bizarre behaviour by Logan and senses that the two have met before, but chooses to say nothing. He secretly attempts to take a photograph of Logan with his mobile phone but the flash from the camera sets Logan off with a nosebleed and then a hysterical confrontation at which Logan yells 'get out' at Chris. Dean shrugs off the episode as a epileptic seizure and when Logan re-emerges from a room with Missy, it is as though nothing ever happened! Chris however, is not so sure.

As the afternoon wears on, Chris and Rose walk the grounds away from the party guests. Chris has become concerned about the strange goings on and persuades Rose that they should leave that night. Meanwhile, Dean holds an auction in their absence, with a large framed portrait sized picture of  Chris by his side. The winning bid for Chris goes to Jim Hudson (Stephen Root) a blind art dealer who is aware of Chris' keen eye for photography. Meanwhile Chris has been able to reach out to his good friend Rod Williams (Lil Rel Howery) who works for the TSA (Transportation Security Administration) and who is also dog minding and house sitting for Chris and Rose while they are away.  Chris tells Rod of his observations and sends the photograph of Logan over for Rod to do some investigative work.

While packing up in readiness to leave, Rod advises Chris that Logan (LaKeith Stanfield) is in fact Andre Hayworth who vanished mysteriously six months ago, and who is both known to them. While Rose's back is turned, Chris notices a closet door left ajar and sticks his head inside to investigate. Inside he uncovers a shoe box of photographs of Rose up close and personal with what appear to black boyfriends - lots of individual pictures of her and black men. Chris's need to leave takes on a new sense of urgency. As he attempts to do so and Rose seems to fumble for her missing car keys, so his exit from the house is blocked by Dean, Missy, Jeremy, and Rose. Missy gives a simple command and Chris crashes to the floor totally incapacitated.

Chris comes round strapped to a chair, in front of a old television screen, which blurts out a video explaining why he is tied to the chair and the next steps for him. It seems that the family have developed a method of transplanting the brains of their older family and friends into the bodies of younger black people, that are pre-selected by Rose and prepared by hypnosis by Missy. Hence Walter, Georgina and Logan's strange behaviours. Jim Hudson purchased Chris for this purpose, so that he can be the host and regain his sight.

Whilst Dean is prepping Jim Hudson for the brain transplant in his own private home surgery, Jeremy is sent to collect Chris. Chris however, has an ace up his sleeve and is able to out fox Missy's hypnotic commands when Jeremy least expected it and is able to effect his escape, but not before dispensing with several family members. As Chris exists the house in Jeremy's car, he mows down Georgina, and in his childhood guilt over the death of his mother in a hit and run accident, goes back to check on the downed housekeeper. He loads her into the car, and she quickly comes round turning on Chris, causing him to crash the car into a tree, so killing Georgina on impact.

Rose who has been locked way in her bedroom, surfing the internet for her next unsuspecting black boyfriend, hears the commotion and appears at the front door brandishing a shotgun as she and Walter go in pursuit of an already injured, shaken and unhinged Chris. For what happens next, you'll just have to watch the film.

It's easy to see why this film has garnered so much positive press and the record breaking Box Office receipts it has. The film is at once a smart and relevant satire coupled with sharp wit and a modern horror story that delivers a thought provoking, effective and entertaining package. The first half of the film slowly sets the tone amidst racial jibes and effective hints that something may be amiss at the Armitage Estate, or maybe Chris is just over reacting being the minority in the room and therefore on edge anyhow. But the second half lets loose with the nightmare that awaits Chris as the tension builds to its bloody, brutal and emotional climax, at which point the comedy drops away to full blown horror, ending with a comedic note as the screen fades to black. A clever film, very well told, that sets Jordan Peele up there as a Writer/Director to watch out for based on the calibre of this inaugural offering.

-Steve, at Odeon Online-