Showing posts with label Cold Pursuit. Show all posts
Showing posts with label Cold Pursuit. Show all posts

Sunday, 17 February 2019

COLD PURSUIT : Tuesday 12th February 2019

'COLD PURSUIT' which I saw this week is an American action thriller Directed by Norwegian film maker Hans Petter Moland whose previous Directorial credits include 'Zero Kelvin', 'Aberdeen', 'The Beautiful Country' and 2014's 'In Order of Disappearance' - which marked his fourth film with Stellan Skarsgard. And so in 2019 for an English speaking audience, we have a sort of remake of 'In Order of Disappearance', his own film from five years ago and based on the script penned by Danish Writer, Illustrator and Screenwriter Kim Fupz Aakeson. The film was released in the US and Australia last week, and in the UK on the 22nd of this month, has received generally positive press, and has recouped US$20M of its US$60M production budget so far.

And so to the plot. Here Nelson 'Nels' Coxman's (Liam Neeson) quiet life as a snowplough driver in his Canadian Rocky Mountains remote resort hometown of Kehoe is bittersweet. First up, as the film opens we see him getting dressed up in collar & tie, shirt & cufflinks aided by his wife Grace (Laura Dern), to attend a ceremony to be awarded Kehoe's 'Citizen of the Year'.

Then a few days later comes the tragic news that his beloved son Kyle (Michael Richardson) has died under mysterious circumstances, which the autopsy soon reveals was a heroin overdose. But Nels states that his son was no druggie, so how can that possibly be. After the funeral, Grace becomes distant from Nels upon discovering things about their son they never knew - that he had a social media account, the music he liked to listen to, his favourite films and so on, which makes them wonder how well they really did known their son. Ultimately, in her grief, Grace leaves Nels.

A few days later, Nels is in his snowplough shed, contemplating suicide. He puts a loaded rifle in his mouth poised to pull the trigger when he is interrupted by a young man, badly beaten up and who had taken shelter in the shed from the harsh snow conditions. It turns out that this young man worked with Kyle at the airport as a baggage handler, and got caught on the wrong side of a local drug cartel resulting in his death by lethal heroin injection. Nels coerces the young man to give him a name of who did this to his son - Speedo (Michael Eklund) he mutters out of a bloodied mouth. The next night Nels drives to nearby Denver to track down Speedo and does so to a local nightclub. There Nels confronts Speedo, who comes off considerably worse in the car park where Nels turns vigilante and gets the next name from the criminal before strangling him dead.

That name is Limbo (Bradley Stryker) who works in a boutique wedding outfitters. This time armed with a sawn off shotgun concealed under this jacket, Nels saunters into the shop under the guise of wanting a new Tux with which to wear when he renews his wedding vows with his wife. Limbo is suspicious and pulls a gun only to be beaten to it by Nels, who beats him to the ground with the butt of his shotgun. Wanting another name, Limbo by now has several teeth missing and can hardly speak but blurts out a name before being shot and killed point blank . . . . . that name is Santa.

Santa (Michael Adamthwaite) some time later drives through thick deep snow heading toward Kehoe, followed menacingly close behind by Nels driving his snowplough. Nels takes a right turn and disappears out of sight much to Santa's relief, only to emerge some minutes later ahead of Santa's vehicle and now blocking his way. Nels siddles up to Santa's car and orders him to back up so that he can pass, but instead Santa offers him a couple of hundred dollar bills to move his snowplough, Of course this only serves to annoy the hell out of Nels who through the side window smashes Santa's head against the steering wheel and then pulls him out onto the blade of his snowplough and proceeds to beat the crap out of him with his bare fists, ultimately using his shotgun to dispense with the perpetrator. Nels then slices open ten one kilo bags of cocaine and lets each one blow away in the wind and onto the driven snow.

Meanwhile whilst Nels has been preoccupied with some random killings all linked it seems to his sons death, Trevor 'Viking' Calcote (Tom Bateman) - a local drug lord based out of Denver, has grown very suspicious over the sudden and as yet unexplained disappearance of three of his henchmen. Viking has a young son Ryan (Nicholas Holmes) who attends private school, and whom he shares custody with this estranged wife Aya (Julia Jones) who argue and bicker every time they see each other mostly over visiting rights and the manner in which her soon to be ex-husband chooses to raise their son. Viking lives in a very modern sprawling house, seemingly with a small army of his henchmen who are at his beck and call, and who came through the ranks of the family 'business' when it was ruled over by Viking's revered father.

Viking has suspicions that the unconfirmed deaths of his drug dealing and smuggling goons are the work of a Native American drug cartel controlled by White Bull (Tom Jackson), with whom he has earlier avoided conflict due to a deal initiated by Viking's late father many years ago, and which both sides have steadfastly upheld since . . . . . until now! In retaliation, Viking captures White Bull's only son, interrogates him by beating him near to death and then puts a bullet between his eyes. This sparks a gang war between the two factions which is further sparked when White Bull's dead son is strung up on a mileage signpost on the outskirts of town to be discovered by a local young female detective Kimberly Dash (Emmy Rossum) and her ageing partner Gip (John Doman).

With this going on in the background, Nels visits his brother Brock 'Wingman' Coxman (William Forsythe), a former hitman for Viking's father, seeking advice on Viking and how he should best proceed given that he had already dispensed with three of the drug lords men. Brock suggests hiring a hitman which he does at some cost demanding two thirds up front and the balance when the job is done. But 'Eskimo' (Arnold Pinnock), the hired gun, double crosses Nels and goes to Viking with the news that he is his mark and wants to strike a deal. Viking listens intently and is then angered by his moral standards at double crossing his client, and so kills the hitman.

Viking eventually learns that Coxman has killed his men, and tries in vain to call off the gang war which he mistakenly started while not realising that White Bull intends to wreak his revenge through a blood debt - 'blood for blood, a son for a son'. Viking in the interim has mistakenly identified Brock Coxman, instead of Nels Coxman, as the killer of his three henchmen and so goes in search of him, locating him in his mountain side home and taking him for a ride in his Tesla from which he'll never return.  

Meanwhile, Nels kidnaps Viking's son from his prep school in an attempt to draw the drug lord into an ambush. Unknown to Nels, two of White Bull's men were also waiting at the school ready to kidnap Ryan, and seeing Nels walk off with the young lad give chase. Nels manages to evade them and drives the boy to his home. Viking learns that his son has been kidnapped and becomes increasingly agitated by the lack of contact from the kidnapper. Nels decides to let Viking stew until the morning. He also learns from an orderly at the school who witnessed Nels drive off with Ryan and as such was able to identify him, and now sat in front of Viking wants some reward for the information. Viking happily takes the mans intelligence, and then has his henchmen kill him.

Now realising that there is another Coxman, Viking's gang arrive the next day at the snowplough shed ready to dispense with Nels and retrieve his son. Nels plans for the ambush go awry and is unsuccessful, and he is captured alive. White Bull's gang in the meantime arrive shortly thereafter having tailed Viking's convoy with the intention of vengeance.

During the ensuing shootout, most of the gangsters on both sides are killed. Viking's getaway attempt is thwarted when his car is crushed by a rapidly shorn tree trunk dropped on his car from a height, courtesy of a quick thinking Nels, and is then shot in the chest by White Bull. Viking later dies shortly after being found amongst the carnage by the Kehoe Police Detectives Dash and Gip. As Coxman leaves the property in his snowplough to go back to work, White Bull jumps into the cab and the two men drive away together.

In quite enjoyed 'Cold Pursuit' and here you can expect to see Liam Neeson doing absolutely what he does best, a la 'Taken', 'A Walk Among The Tombstones', 'The Commuter', 'The Grey', 'Unknown', 'Run All Night' and 'Non Stop' et al. But Director Hans Petter Moland has crafted a film that combines just the right amount of wit and dead pan gallows humour with a sure footed story of revenge, drug barons, mistaken identity, a hero on the edge, a villain unhinged and a high body count all combined with the backdrop of the snow swept Rockies. It's a fun ride that has some clear underlying messages about racism, minority groups, greed, drugs, money, violence and relationships but because the body count rises so steeply there is barley time to get invested in the characters before they've exited stage left. Nonetheless, certainly worth a look, and Neeson and Moland don't disappoint. Didn't someone once say 'revenge is a dish best served cold' - how true!

'Cold Pursuit' merits three claps of the Odeon Online clapperboard, from a possible five.
-Steve, at Odeon Online-

Thursday, 7 February 2019

What's new in Odeon's this week : Thursday 7th February 2019.

Continuing with the coverage of awards season, Sunday 27th January saw the 25th annual Screen Actors Guild Awards honouring the best achievements in film and television performances for 2018, staged at the Shrine Auditorium in Los Angeles, California. Awarded to the finest big screen and small screen acting talent as nominated by the finest big screen and small screen acting talent, these awards have a special significance considering that those nominated are done so by their acclaimed industry peers. Hosted this year by Megan Mullally (she of Karen Walker fame on 'Will & Grace'), this years winners and grinners who walked away with the gong, and those that didn't, are given below :-

* Outstanding Performance by a Male Actor in a Leading Role : won by REMI MALEK for his role as Freddie Mercury in 'Bohemian Rhapsody', beating out Christian Bale for 'Vice', Bradley Cooper for 'A Star Is Born', Viggo Mortensen for 'Green Book' and John David Washington for 'BlacKkKlansman'.

Outstanding Performance by a Female Actor in a Leading Role : won by GLENN CLOSE for her role as Joan Castleman in 'The Wife', beating out Lady Gaga for 'A Star Is Born', Olivia Colman for 'The Favourite', Melissa McCarthy for 'Can You Ever Forgive Me?' and Emily Blunt for 'Mary Poppins Returns'.

Outstanding Performance by a Male Actor in a Supporting Role : won by MAHERSHALA ALI for his role as Don Shirley in 'Green Book', beating out Timothée Chalamet for 'Beautiful Boy', Adam Driver for 'BlacKkKlansman', Sam Elliott for 'A Star Is Born' and Richard E. Grant for 'Can You Ever Forgive Me?'

Outstanding Performance by a Female Actor in a Supporting Role : won by EMILY BLUNT for her role as Evelyn Abbott in 'A Quite Place', beating out Amy Adams for 'Vice', Margot Robbie for 'Mary Queen of Scots', Emma Stone for 'The Favourite' and Rachel Weisz for 'The Favourite'.




* Outstanding Performance by a Cast in a Motion Picture : won by Angela Bassett, Chadwick Boseman, Sterling K. Brown, Winston Duke, Martin Freeman, Danai Gurira, Michael B. Jordan, Daniel Kaluuya, Lupita Nyong'o, Andy Serkis, Forest Whitaker, and Letitia Wright for their individual roles in 'Black Panther', beating out 'BlacKkKlansman', 'Bohemian Rhapsody', 'Crazy Rich Asians' and 'A Star Is Born'.

* Outstanding Performance by a Stunt Ensemble in a Motion Picture : won by 'BLACK PANTHER' beating out 'Ant-Man and the Wasp', 'Avengers: Infinity War', 'The Ballad of Buster Scruggs' and 'Mission: Impossible – Fallout'.

* The Screen Actors Guild Lifetime Achievement Award was presented to ALAN ALDA.

This week then we have seven latest release movies to tempt you out to your local Odeon during the week ahead. We start with a the frozen environs of the Rockies and one mans quest for revenge against those that killed this teenage son; then we turn to a biographical drama charting the early life and groundbreaking female equality times of one of America's Supreme Court Justice's; and then we have another biographical drama offering charting the life and times of a teenager in 1980's Detroit as he becomes the youngest FBI informant and drug dealing kingpin. Next up we have a horror thriller about six hapless strangers thrown together to play a game of escape or die in a series of situations put together by an unknown antagonist; before turning to an Australian drama about a man out of prison, his dead brother, a new crime boss on the scene and white supremacists and the impact of all of this on a local community. These are followed up by a biographical documentary about a world renowned Greek Opera singer and her lasting impact that still resonates to this day; before wrapping up the week with an acclaimed Lebanese drama film about a young lad who takes his mother and father to court for giving him the life he did not choose.

Whatever your taste in big screen film entertainment is this week - be it any of the seven latest release new movies as Previewed below, or those doing the rounds currently on general release and as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the coming week.

'COLD PURSUIT' (Rated MA15+) - here we have an American action thriller Directed by Norwegian film maker Hans Petter Moland whose previous Directorial credits include 'Zero Kelvin', 'Aberdeen', 'The Beautiful Country' and 2014's 'In Order of Disappearance' - which marked his fourth film with Stellan Skarsgard. And so in 2019 for an English speaking audience, we have a sort of remake of 'In Order of Disappearance', his own film from five years ago and based on the script penned by Danish Writer, Illustrator and Screenwriter Kim Fupz Aakeson. The film is released in the US this week too, and in the UK on the 22nd of this month.

And so to the plot. Here Nelson 'Nels' Coxman's (Liam Neeson) quiet life as a snowplough driver in his Canadian Rocky Mountains remote hometown comes crashing down when his beloved son dies under mysterious circumstances. His search to uncover the truth quickly turns into a quest for revenge against a psychotic drug lord named Viking (Tom Bateman) and his gun totting henchmen. Transformed from model citizen within the community to coldblooded revenge hungry vigilante, Coxman unwittingly sets off a chain of events that utilises Coxman's particular set of skills taking in a kidnapping, a catalogue of deadly misunderstandings and a turf war between Viking and a rival boss. Also starring Laura Dern as Grace Coxman with Emmy Rossum, William Forsythe, Julia Jones and Raoul Trujillo. You can expect to see Liam Neeson doing absolutely what he does best, a la 'Taken', 'A Walk Among The Tombstones', 'The Commuter', 'The Grey' and 'Non Stop' et al.

'ON THE BASIS OF SEX' (Rated M) - this American biographical legal drama film is Directed by Mimi Leder who previous feature film credits include 'The Peacemaker', 'Deep Impact', 'Pay It Forward' and 'Thick as Thieves' in addition to her impressive portfolio of television credits going back to 1987 up to the present day. This film recounts the story of the early life and early court cases of Supreme Court Justice Ruth Bader Ginsburg (Felicity Jones) and who was the subject of a documentary feature film released last year titled 'RBG'. Ginsburg turns 86 years of age in March this year. This film however, charts her first year at Harvard Law School up to the early '70's and her struggles for equal rights and her early court cases which helped her shape her historic career that ultimately led to her nomination and appointment as a US Supreme Court Associate Justice. The film saw its World Premier screening at the American Film Institute Fest in early November and its wider release in the US at Christmas. Off the back of a US$20M Production Budget the film has so far recouped US$24M, has generated generally favourable Reviews and also stars Armie Hammer as RBG's husband Martin D. Ginsburg, Justin Theroux, Kathy Bates, Sam Waterston, Cailee Spaeny and Jack Reynor.

'WHITE BOY RICK' (Rated MA15+) - here we have an American biographical true crime drama film Directed by the Brit Yann Demange in only his second feature film outing after 2014's highly acclaimed ''71'. The film Premiered at the Telluride Film Festival in late August last year, went on release in the US in mid-September, cost US$29M to produce, has so far recovered approaching US$26M and has received generally positive Press so far. Set in 1980's Detroit at the height of the crack epidemic and the War on Drugs, this film is based on the true story of blue-collar father, Richard Wershe Snr. (Matthew McConaughey) and his fourteen year old son, Richard 'Rick' Wershe Jr. aka White Boy Rick (Richie Merritt), who became an undercover police informant and later a racketeer and drug dealer and kingpin before he was abandoned by his handlers and sentenced to life in prison in 1987 for possessing more than 8kgs of cocaine. He was paroled in 2017 after nearly thirty years behind bars as a non-violent drug dealer. This is that story of the FBI's youngest ever informant. Also starring Bruce Dern, Jennifer Jason Leigh, Piper Laurie, Eddie Marsan and Brian Tyree Henry.

'ESCAPE ROOM' (Rated MA15+) - this American thriller is Directed by Adam Robitel who is no stranger to the horror genre, and here he offers us a twist on the physical adventure game in which players solve a series of puzzles and riddles using clues, hints, and strategies to complete the objectives at hand. Players are given a set time limit to unveil the secret plot which is hidden within the rooms. This turn of events sees six adventurous strangers, Zoey (Taylor Davis), Ben (Logan Miller), Amanda (Deborah Ann Woll), Mike (Tyler Labine), Jason (Jay Ellis), and Danny (Nik Dodani) travel to a mysterious building to experience the escape room - a game where players compete to solve a series of puzzles to win $10,000. What starts out as seemingly innocent fun soon turns into a living nightmare as the four men and two women discover each room is an elaborate trap that's part of a sadistic game of life or death. The film cost US$9M, went on general release in the US early last month and has so far taken US$98M at the Box Office and received mixed or average Reviews.

'THE COMBINATION : REDEMPTION' (Rated MA15+) - this film is the sequel to 2009's Australian drama 'The Combination' and is Directed and stars David Field, and was Written and stars George Basha, both in two pivotal roles, with Basha reprising his role as Lebanese Australian former prison inmate John Morkos. Set some six years after the events of the first film, John Morkos remains haunted by the events that led to the death of his brother. As John begins to rebuild his life, he finds time spent in the boxing ring at his local gym to be just the therapy he needs. Meanwhile, a ruthless new crime boss Nas (Johnny Nasser) seeks to expand his empire, and the formation of a radical group of white supremacists threatens to shatter the social fabric of the local community. As the gym becomes a focal point of these gathering forces, and the threat to the community begins to escalate, John must come to terms with his past, make the right decisions, and take a stand against seemingly overwhelming odds.

'MARIA BY CALLAS' (Rated PG) - Directed by Tom Volf, this French Documentary film is about the life and career of the American born Greek opera singer who lived from December 1923 until September 1977. Described as one of the most renowned and influential opera singers of the 20th century, her influence has endured over the years so much so that in 2006 it was written of her that 'Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists'. Utilising previously unseen interviews, letters, and performances to tell her story through home movies, family photographs, private letters and unpublished memoirs the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar. The film Premiered at the Rome Film Festival way back in November 2017, was released in France in December 2017, in the US in November 2018, and only now does it get a limited showing in Australia. The film has garnered much critical praise and has so far taken US$1.25M at the Box Office.

'CAPERNAUM' (Rated M) - this Lebanese drama film is Written and Directed by Nadine Labaki and had its world Premier screening at the 2018 Cannes Film Festival where it was in competition for the Palme d'Or where it took out the Jury Prize, following a fifteen minute standing ovation. The film is also up for the Best Foreign Language Film at the upcoming Academy Awards amongst its total haul of 21 award wins so far and a further 22 nominations. The story largely plays out in a courtroom where twelve year old Syrian refugee lad Zain (Zain Al Rafeea), is brought before the presiding Judge. When asked the question 'why are you attacking your parents in court?', Zain answers 'For giving me life!' The film retraces the incredible journey of this child in search of his identity and who rebels against the life that was imposed on him. Nadine Labaki described the concept for the film thus 'At the end of the day, those children are really paying a very high price for our conflicts, and our wars, and our systems, and our stupid decisions, and governments. I felt the need to talk about the problem, and I was thinking, if those children could talk, or could express themselves, what would they say? What would they tell us, this society that ignores them?' Zain's performance has been highly praised although he was not an Actor at the time rather a twelve year old illiterate refugee, and all other performances in the film, aside from a small bit part by the Writer/Director, were non-professionals.

With seven new release films this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. In the meantime, I'll see you sometime somewhere in the week ahead at your local Odeon.

-Steve, at Odeon Online-