THE FLASH : Tuesday 13th June 2023.

I saw the M Rated 'THE FLASH' at an early screening this week two days ahead of its official worldwide release. This much hyped and eagerly awaited American Superhero film is based on the DC Comics character of the same name. It is intended to be the thirteenth instalment in the DC Extended Universe (DCEU) and is Directed by Andy Muschietti whose previous feature film making credits take in his debut with 2013's 'Mama', then the Stephen King novel adaptation of 'It' in 2017 and 'It Chapter Two' in 2019. This film is released in the US this week also, following multiple delays caused by Director changes, the COVID-19 pandemic, and post-production setbacks. It had a production budget of about US$220M, and has garnered mixed or average reviews.

The film opens up with a Barry Allen (Ezra Miller) late for work and hurriedly walking into his local cafe to collect his usually pre-prepared breakfast from the obliging female assistant working the counter, but on this day she is off sick and so his breakfast has not been prepared. He painstakingly looks at his watch and gives the young male assistant his order who would rather pass the time of day chatting than prep up his morning sustenance. Barry's phone rings and it is Batman's trusted butler and assistant Alfred (Jeremy Irons) demanding that he is urgently needed in Gotham City to attend a robbery at a hospital where the thieves have made off with a suitcase containing vials of a deadly virus. While waiting for his order Barry reluctantly asks whether Batman can attend to the scene or Wonder Woman even, but both are it seems indisposed. Barry makes his exit to the bathroom and appears out in the street as The Flash. What follows is The Flash's superspeed run to Gotham City to attend to the hospital that has seen a huge sinkhole appear immediately outside and the entire wing of the hospital about to come crashing down into it. Of course high up in the hospital tower is a suite containing several new born babies, a nurse and a therapy dog who all go crashing out the plate glass window as the side of the building begins to topple. But, with The Flash on the scene he is able to save all the babies, the nurse and the dog and bring them to safety on the ground. 

In the meantime the Batman (Ben Affleck) has arrived on his Batbike and is chasing down the villains through the streets of Gotham, amongst much vehicular carnage, the exchange of rapid gunfire, mortars and burning rubber. Eventually, Batman brings the last villain to heel while dangling off a bridge with the villain holding onto Batman by his fingertips and Alfred blurting down the phone to not allow the case of virus vials to fall into the river. Wonder Woman (Gal Gadot) appears and using her lasso of truth hauls Batman and the villain to safety. Job done, the city saved and the three part ways with The Flash returning to the cafe just a few minutes later for the assistant to hand over his custom made breakfast. 

Barry then goes to work and is chastised by his boss for being late - a perpetual habit it seems. Later, as The Flash, Barry revisits his childhood home where he fondly remembers his parents Nora (Maribel Verdu) and Henry (Ron Livingstone). Nora sends Henry out to the local supermarket to buy an extra can of tomatoes for a special pasta sauce she is making. With the young Barry upstairs in his bedroom, he sees his father return and hears his mother scream out. Rushing down to the kitchen, Barry sees his mother slumped against the kitchen cabinet with a knife sticking out of her stomach and his father holding the knife yelling out for Barry to call 911. However, Henry is accused of her murder and imprisoned, with the trial set for tomorrow. Barry speaks with Henry over the phone, with Henry telling his son that the court case is a foregone conclusion and that all the odds are firmly stacked against him, just before the phone call is cut off automatically.

Racked with emotional turmoil, Barry inadvertently runs at such a speed that he travels back in time, and upon returning to the present day has a conversation with Bruce Wayne about it, saying that he can change the past and save his mother and father, and that he could do likewise for Bruce and save his parents too. But Bruce explains that if you mess with the past you can cause untold damage to the future, and to drop the idea. At that Bruce jumps back into his Vision Mercedes-Maybach 6 and drives off. Despite Bruce's warnings The Flash goes back to the time of Nora's death, and changes the outcome so that she lives.

When The Flash attempts to get back to the present-day, he winds up in an alternate 2013 where Nora is alive. Barry greets his parents warmly and settles down for dinner over a bowl of pasta, but through the kitchen window he sees his past self approaching the house. He quickly dashes outside and intercepts his younger self. After explaining the realities of time travel to a bewildered younger Barry, he realises he is in the day of the lab accident that bestowed upon Barry his powers - 29th September. And so the older Barry takes the younger Barry to the Central City Police Department where he helps give his younger self his powers during a freak storm in which a lightning bolt strikes the side of the building through a window and smashing a mix of chemical bottles spilling all over him, but in the process, the older Barry looses his powers. Older Barry attempts to train younger Barry in the use of his powers but has trouble doing so, as his younger self is a lot more impetuous. Later with the pair out in the city, they learn via TV news broadcasts, of General Zod’s (Michael Shannon) invasion on Earth. And so the two Barry’s go to Wayne Manor in the hopes of locating Batman, as the pair need all the help they can get if they are to save our little green planet from destruction.

Entering the somewhat run down and neglected Wayne Manor, they find an alternate version of Bruce Wayne (Michael Keaton) who has long since given up on crime fighting since Gotham has become one of the safest cities in the country. However, explaining the predicament the two Barry's now find themselves in, they convince him to help them find Superman who is being held captive in a Russian base high up in the Arctic Circle. 

Upon gaining entry to the base they eventually find the massive steel sphere that Superman is encased in. Instead though of finding Superman, they find his cousin Kara Zor-El (Sasha Calle) who is physically weakened and mentally drained, but they rescue her anyway. After doing so and escaping through the roof of the base, Kara quickly recovers her powers when exposed to the sun's solar energy, and she almost single handedly dispenses with the small army of Russian soldiers guarding the base. The older Barry asks Bruce to help him get his powers back by recreating the accident that bestowed him those powers in the first place. The first attempt fails and nearly kills Barry prompting Kara aka Supergirl, to fly Barry into the storm and get struck by lightning which has the desired effect.

Supergirl and Batman join the two Barry's in attempting to defeat Zod, who by now has begun the process of destroying Earth. During the battle with Zod, Supergirl learns that Zod killed the infant Kal-El when his pod got knocked off course. She is naturally enraged. Just as Supergirl overpowers Zod and seemingly gains the upper hand, Zod manages to kill her and take a sample of her blood which he will use to revitalise the dying planet Krypton. Batman meanwhile sacrifices himself to save the Barry's.

The younger Barry insists he travel back in time to save them both and does so multiple times but keeps failing, each time becoming a slightly darker unhinged version of himself, and as the time continuum becomes increasingly fragmented. The older Barry tries to reason with the dark Flash but his attempts prove futile in the Speed Force as the multiverse begins to implode, but not before older Barry has visions of alternate Supermen (Christopher Reeve, Adam West, George Reeves and Nicolas Cage). A future version of Dark Flash then arrives to kill his younger self, so saving the multiverse and restoring the equilibrium. 

In the aftermath, Barry fixes the timeline and reconciles himself with his mother's death. Back in the present day new evidence is provided in Henry's court case so earning him his freedom. Outside the court house Barry is met by his former girlfriend, Iris West (Kiersey Clemons) who asks him out on date at which he quickly responds with a resounding yes, after which Bruce Wayne pulls up in his Vision Mercedes-Maybach 6 who is not the Ben Affleck version of the character, but the George Clooney version. If you sit in your seat right until the end credits have rolled, you'll see a scene in which Barry is assisting a very drunken Arthur Curry (Jason Momoa) while telling him of his recent experiences. 

'The Flash' is arguably one of the best DCEU big screen adaptations to date and Director Andy Muschietti has proved himself more than capable in helming a cinematic extravaganza such as this. The action sequences are exactly what we have all come to expect from a Superhero movie, and the CGI rendering whilst not perfect is passable. Ezra Miller is well cast in the role of dual Barry Allen's/The Flash and seeing Michael Keaton reprise his role as Batman for the first time in thirty years is a real trip down memory lane, whilst nods to former Batmen and Supermen also adds to the nostalgia, but is probably there more for the fan service than to add any weight to the plot lines. There are moments of real humour and emotion interspersed between the action set pieces that help elevate this final instalment in the DCEU, before new joint CEO's James Gunn and Peter Safran's new franchise - the DCU rolls out, above many of the also-rans that have gone before. The final act is long and drawn out however, and overly repetitive, and just how many more films do we need to have in this genre that feature a multiverse for Chrissakes - after all we've had two in the last two weeks, plus a whole bunch more in recent years. Nonetheless, 'The Flash' is certainly worth the price of your movie ticket. 

'The Flash' merits four claps of the Odeon Online clapperboard from a possible five claps. 

-Steve, at Odeon Online-

JUSTICE LEAGUE : Tuesday 21st November 2017.

'JUSTICE LEAGUE' which I saw earlier this week is here finally after all the hype, the media attention and the speculation surrounding this long awaited and eagerly anticipated fifth film in the DC Extended Universe following hot on the heels of 2013's 'Superman', 2016's 'Batman v. Superman : Dawn of Justice', and 'Suicide Squad', and 'Wonder Woman' earlier this year. Zack Snyder Directed 'Man of Steel' which grossed US$668M, and 'Batman v. Superman : Dawn of Justice' which grossed US$874M, with David Ayer Directing 'Suicide Squad' which grossed US$746M and Patty Jenkins on Director duty for 'Wonder Woman' which grossed US$822M. Once again Zack Snyder is back in the Directors chair for this collective Superhero offering featuring a cast of DC characters thrust together for the first time in a live action instalment, an ensemble cast and a price tag of US$300M to bring to the big screen, making 'Justice League' one of the most expensive films ever made. But, I guess on the strength that the first four films cost a combined US$800M and grossed a collective sum total of US$3.1B, then this fifth film should represent a sure bet for the numerous Production Companies involved. A sequel to this film was scheduled for a mid-2019 release date, which has subsequently been pushed back to make way for a stand alone 'Batman' film. At the time of publishing this Post, 'Justice League' had taken US$308M at the Box Office.

This story then follows on several months after the end of 'Batman v. Superman : Dawn of Justice' in which Batman/Bruce Wayne (Ben Affleck) who is now inspired by Superman's selfless act to sacrifice himself for the greater good of all humanity, teams up with new ally Wonder Woman/Diana Prince (Gal Gadot) to fend off a new threat, with the help of a few others yet to be recruited to the Team.

That threat comes in the form of Steppenwolf (voiced by Ciaran Hinds) - an alien high ranking military officer who is immortal and possesses superhuman strength, speed and stamina from the planet Apokolips, and who has a very specific mission on Earth that could have catastrophic consequences for our humble little green planet. He leads an army of winged flying Parademons who extend into their countless thousands, are fiercely loyal to their leader, have heightened strength and high pain tolerance, carry powerful weapons and resemble giant pesky flies only twice as ugly and much more menacing! Steppenwolf wants to capture three 'Mother Boxes' and combine their energy source into 'The Unity' to remake Earth into the hellish domain he can call home and rule over. Back in the day Steppenwolf and his legions of giant pesky flying armed creatures were thwarted by the combined forces of Olympian Gods, Amazons, Atlantians, Green Lanterns and humans, and the three all powerful Mother Boxes secreted away in various places of hiding around the world to lie dormant for thousands of years . . . . until now!

Following the death of Superman, the Mother Boxes are all triggered back into life which prompts Steppenwolf's return to Earth to retrieve them. The first such box is housed underground in Themyscira, the island home of Diana Prince, which he successfully overruns and escapes with his Parademons in tow. Queen Hippolyta (Connie Nielsen) sends a warning to Diana Prince that Steppenwolf is on his way. This prompts Bruce and Diana to try and muster the support of other known metahumans Arthur Curry (Jason Momoa) and Barry Allen (Ezra Miller) which Bruce goes in search of, and Victor Stone (Ray Fisher) which Diana searches out. They fail to convince both Curry and Stone to join their Team, but Allen is very enthusiastic and enlists immediately, giving the young lad some purpose in his otherwise meandering wasteful life. Stone joins the group after his father Silas (Joe Morton) is kidnapped by Steppenwolf searching out the Box left to the humans. Curry also joins too after Atlantis is attacked and the second Mother Box buried deep within the ocean is retrieved by Steppenwolf.

Commissioner James Gordon (J.K.Simmons) advises that he has learned that the Parademons are underground. Surmising that the only location is a long abandoned facility under Gotham Harbour, he advises Batman, Wonder Woman and The Flash, now joined also by Cyborg and they converge on the facility and engage with Steppenwolf and his Parademons. In the ensuing close quarter fight, the walls of the facility are ruptured allowing torrents of water to flood into the underground chamber.  Aquaman comes to the rescue and holds back the water so allowing the others to escape.

Stone has been in possession of the third remaining Mother Box, as it was the energy from it that allowed his father Silas, to develop the power to rebuild his son into the Cyborg he is today. Batman hatches a plan to resurrect Superman using the same energy from the Mother Box. This would enable them to fight Steppenwolf on another level and overcome this formidable enemy, whilst at the same time restoring some hope in the world that all is not lost.

Reluctantly Prince and Curry agree although are not too happy with the prospect. Stone and Allen exhume Clark Kent's body and take it to the Kryptonian Ship with the Mother Box. Kent is laid in the incubation waters, and with Allen generating enough electricity they are able to bring Clark Kent back from the dead. However, Superman (Henry Cavill) is suffering from some memory loss and makes a sharp exit out of the ship and into a nearby park where he attacks The Flash, Cyborg who inadvertently tried to kill him, Wonder Woman, Aquaman and Batman. With Superman as expected gaining the upper hand in any battle, things don't go so well for the group or the gathered Police. Until that is, Batman brings out his secret weapon - Lois Lane (Amy Adams), at which point his memories come flooding back. While the Team are distracted with all this in-fighting and Clark and Lois reconnecting, the third Mother Box is left unguarded and easy pickings for Steppenwolf, which he claims from right under their noses.

Cyborg tracks Steppenwolf and the heightened seismic activity from the three Mother Boxes now drawn together, to a remote Russian Village - the scene of a nuclear disaster some decades earlier and where a small enclave of people still reside. With Steppenwolf commencing The Unity, time is fast running out for the world as we know it. The Team of five make their way via the supersonic Bat Jet arriving with a plan to distract the Parademons while Cyborg sets about separating the three Boxes. The team of the remaining four are no match for Steppenwolf and his hordes of Parademons, who are unable to provide sufficient distraction to allow Cyborg to be effective. Until that is, Superman arrives and beats the crap out of Steppenwolf; saves the lives, with The Flash too, of multiple families trying to flee the conflagration; and helps Cyborg separate the Mother Boxes successfully so stripping Steppenwolf of his power. Seeing their leader overcome with fear, the Parademons descend on Steppenwolf just like flies on a freshly laid turd, and transport him instantly back to the world from whence they came.

In the closing scenes we see Alfred (Jeremy Irons) escorting Bruce and Diana to the burnt out shell of Wayne Manor. They agree to rebuild it as the centre of operations for the new Team, with room for future expansion as more metahumans join. The newly formed Team then all default to what they do best - Curry returns to his home of Atlantis; Stone works with his father on developing his cyborg technology and abilities; Prince take her place in the spotlight as a hero of truth and justice; Kent takes up his former role as Superman; and Allen gets an official job with the Police Department of Central City impressing his imprisoned father Henry Allen (Billy Crudup). Remain seated for the mid-credits sequence which sees The Flash race Superman to the Pacific coast, and the end credits scene in which Lex Luthor (Jesse Eisenberg) breaks out of Arkham Asylum with a new and deadly ally.

I enjoyed 'Justice League' perhaps more than most Critics who seem intent on bagging the Hell out of the DCEU in favour of the MCU. Sure this film is not perfect, and the MCU still has the upper hand in the Superhero stakes - both singularly and collectively, but this film is moving the DCEU in the right direction that's for sure. There is more levity in this film from the principal cast members which makes them more grounded, approachable and human; the action sequences are well executed; the storyline whilst a little thin is relatable; and in particular Ezra Miller, Gal Gadot and Jason Momoa steal the show, whilst Ben Affleck's Batman often looks bewildered and confused by all the going's on. After all he should be centre stage as the corner stone, the originator of the forming Justice League, but is sidelined by his colleagues who do (unlike him) possess real super powers - he's just super 'rich' after all! As an origin story for The Flash, Aquaman, and Cyborg there is just enough back story to set the scene (remembering that a standalone 'Aquaman' film has just wrapped production, and arrives in our cinemas in December 2018), but Steppenwolf as the big bad villain in the piece is very one dimensional and he just barks orders as his Parademons and beats up anyone or anything that gets in his way, until Superman arrives on the scene. The film is fun and fast paced, and holds promise for future DCEU instalments - I wish it well, and in giving those guys at the MCU a run for their money!

-Steve, at Odeon Online-

FANTASTIC BEASTS AND WHERE TO FIND THEM : Monday 21st November 2016.

'FANTASTIC BEASTS AND WHERE TO FIND THEM' which I caught earlier this week takes place in the 'Potterverse', albeit some 70 years or so before the advent of Harry Potter, Ron Weasley and Hermione Grainger and their exploits at Hogwarts across eight groundbreaking films taken from the seven source novels by one J.K.Rowling. 'Fantastic Beasts . . . ' was written by J.K.Rowling and published in 2001 under the the pseudonym of the fictitious author Newt Scamander about the magical creatures in the Harry Potter universe. It claims to be Harry Potter's copy of the textbook of the same name as referenced in 'Harry Potter and the Philosopher's Stone' - required reading for first year students to Hogwarts. The Screenplay for the film was written by Rowling in her screenwriting debut, and Co-Produced by her too. This is the first spin-off of the Harry Potter series and said to be the first of five films. Directed by David Yates who also Directed to critical acclaim and huge commercial Box Office receipts 'Harry Potter and the Order of the Phoenix', '. . .  and the Half Blood Prince' and '. . .  and the Deathly Hallows Parts 1 and 2', this film was made for US$180M and went on general worldwide release last week, and has so far grossed US$261M.

Set in 1926 New York and Newt Scamander (Eddie Redmayne) arrives in The Big Apple nearing the end of his travels around the world to seek out, rescue and document the fantastical and magical creatures that share our world, albeit generally hidden from view. He's in NYC for only a brief time, and while walking the streets getting his bearings he comes across a corner where Mary Lou Barebone (Samantha Morton) is up on her soapbox warning the gathered crowd of on-lookers about the dangers of wizards and witches who exist among the general population. Mary Lou is the sinister dark leader of the New Salem Philanthropic Society whose mission in life is to dispense with pesky wizards and witches. She operates under the guise of a shelter and soup kitchen for young street kids. Mary Lou has three children of her own - each troubled in some way - Credence (Ezra Miller) the mysterious and brooding adopted son; Modesty (Faith Wood-Blagrove) the youngest adopted daughter who is not all she seems; and Chastity (Jenn Murray) the oldest of the three.

While listening intently to the ramblings of Barebone, a Niffler (a black furry cross between a beaver and a duck billed platypus) escapes from Newt's deceptively nondescript leather suitcase, and goes on the rampage secretly stealing anything shiny and bright it can line its impossibly deep pouch with. On the search for the speedy little critter, Newt inadvertently bumps into Jacob Kowalski (Dan Fogler) a 'No-Maj' (the American term for a Non-Magical human, aka, a 'Muggler' in Great Britain) carrying a matching suitcase to Newts, loaded with hand crafted pastries and baked goods to show the Bank Manager with whom he has an appointment with to secure a loan on a new bakery store. Whilst attempting to retrieve the Niffler, Newt is being watched by Tina Goldstein (Katherine Waterston) a demoted Auror (an employee of the Ministry of Magic whose purpose is to chase down and apprehend Dark Wizards). Tina promptly arrests an unsuspecting Newt for being an unregistered Wizard and carts him off promptly to MACUSA (Magical Congress of the United States of America) in the hope that this arrest will see her regain her old job. Needless to say it doesn't.

Back in Kowalski's apartment after being rejected by the Bank Manager for a loan, a number of creatures escape from Newt's suitcase, that got switched in the ensuing fracas whilst Newt was chasing the Niffler. This in turns leads Newt on the search for his escaped beasts (large and small) that takes him all over New York City, aided by Kowalski as the unassuming accomplice.

Tina meanwhile is now on the run having raised the suspicions of Percival Graves (Colin Farrell) - the Director of Magical Security at MACUSA. Graves has a hidden agenda however, and is in cahoots with Credence Barebone and offers him a way out of his downtrodden abusive existence at the hands of his adoptive mother Mary Lou, in exchange for him locating the host of the Obscurus (a dark and powerfully destructive force that young magical children sometimes inadvertently manifest to hide their powers). One such Obscurus has been running amok in New York causing widespread destruction as was seen in the opening scene of the film.

With Newt, Kowalski and Tina on the run, the three rest up in Tina's apartment with her free-spirited mind-reading sister Queenie (Alison Sudol) - who instantly falls for Kowalski and vice versa. Newt and Kowalski disappear down into the hidden depths of Newt's suitcase and emerge down below in a cavernous menagerie of wild creatures, fantastic beasts and unusual animals of many differing types and sizes - all of which have been rescued, cared for, nursed back to health or hidden from danger. Here Newt and Kowalski spend some time getting to know each other and the latter gains an insight into the magnitude of the formers work, whilst encountering the myriad of fantastical beasts. They then re-emerge and seek to recapture the Niffler and a Erumpent (a massive Rhino like beast, that will trash anything in its path, and has a deadly liquid in its horn). The pair are successful, and then they stow away again in the suitcase to be taken off to MACUSA by Tina with the view of clearing their names now that all escaped beasts have been successfully recaptured.

That plan doesn't quite pay-off when the three are arrested with Newt being accused of the death of Senator Henry Shaw Jnr. (Josh Cowdery) the son of wealthy Henry Shaw Snr. (John Voight) at the hands of one of the escaped beasts, when in fact it was an Obscurus. As a result Newt's suitcase is ordered to be destroyed containing everything therein, while Newt and Kowalski are locked up in a cell in the bowels of the building, while Tina is interrogated by Graves. Newt is accused of conspiring with Dark Wizard Gellert Grindelwald (one of the most dangerous Wizards of all time, and second only to Lord Voldemort). Newt and Tina are sentenced to immediate execution, and Kowalski is to have his memory obliviated (a spell used to erase a memory of a certain event). However, Queenie with her mind reading powers hatches a cunning plan to help them escape, and they do.

Meanwhile, Graves is applying more pressure on young Credence to locate the young source of the Obscurus. Snooping around Mary Lou's shelter, Credence comes across a wand under Modesty's bed. Mary Lou intervenes and assumes that the wand belongs to Credence and is about to whip him once again, when Modesty reveals it is hers. When Mary Lou is about to vent her displeasure upon Modesty, the Obscurus is released destroying everything within the shelter and killing Mary Lou in the process. Graves arrives after the fact and chastises Credence as a squib (a child born of magical parents, but who has grown with no magical abilities), and therefore renegs on his commitment to teach the young lad in the ways of magic. At which Credence looses his cool and reveals that he is the host of the Obscurus, and in his anger, unleashes widespread destruction on New York.

The Obscurus comes to rest in a subway tunnel, chased down by Newt and Tina, who knows Credence and attempts to calm him down and restore him to his human form. In doing so, Graves arrives with a delegation from MACUSA including Seraphina (Carmen Ejogo) the President of that esteemed and august organisation. It is decided that Credence must be destroyed to keep the magic hidden from the No-Maj. Graves comes on strong with his views to use the Obscurus to expose the magical community to the No-Maj claiming that MACUSA serves to protect them, rather that itself. Seraphina orders that Graves be apprehended, and as a fight breaks out Newt overpowers him with a spell that binds his arms. He drops to his knees now powerless and Newt uses the power of revelio to reveal Graves hidden identity - to be that of Gellert Grindelwald (Johnny Depp).

After Grindelwald is carted off muttering a few words to his captors, setting up the second instalment in this franchise, the MACUSA claim it is now too late, and that too much has happened to keep their secret magical world hidden from the No-Maj. Newt though has one more trick up his sleeve and he summons his Thunderbird to release a potion over the city that will rain down in an almighty storm erasing the memories of these most recent events from the city's No-Maj population. In the meantime, the Wizards will magically go about repairing the city to its former glory before the Obscurus attacked.

In the closing scene, we see Kowalski have his memory obliviated but his bakery dreams come true thanks to a parting gift from Newt. Tina and Newt part company at the dockside with a tear in the eyes before Newt boards his ship bound for England where he is to write his book 'Fantastic Beasts, and where to find them'. He commits to delivering a personal copy to Tina when his work is finished.

I enjoyed 'Fantastic Beasts . . . ' but not as much as I thought I would going in. It has all the touchstones of the Harry Potter world that provide an assurance of familiarity, consistency and continuity, but without the children, making this a more adult oriented offering. It is effects laden as to be expected about a film featuring fantastic beasts, mythical creatures, weird animals and some sort of magic at every turn, and these effects are all very well realised and serve the escapism factor no end, and as such is sure to attract Harry Potter fans the world over. But without these, this film would be pretty one dimensional and over in half the time, with a plot that is pretty simple and relies heavily on the creature features to deliver the films set pieces. For me, the nifty little Niffler steals the show as well as just about everything else it can lay its escaped claws on, with Redmayne playing the goofy, nervous, shy, fish outta water yet highly intelligent Scamander. It is good to see David Yates keeping us grounded in the Potterverse given his success in that space, but at the same time taking us off in a whole new direction with this film, with its more adult themes and underlying messages. For the first of a five film franchise, there is a strong foundation here that hopefully can be built upon for create success moving forward. The second instalment, to be set in Paris is slated for November 2018.

-Steve, at Odeon Online- 

What's new in Odeon's this week : Thursday 9th July 2015.

As the weeks advance on the latter end of the year it would be fair to say that for this week at least we can leave the big budget blockbusting epics behind that have peppered the first half of 2015 and concentrate on just two new release films - one set in the past and one in the present, but both very different. Of course in the weeks to come we will return to the bigger fare but this week we take a breather for the comedic dramatic and the periodic.

First up is a sequel to a successful 2012 film loosely charting the early undressing life exploits of a now famous Hollywood star, and then there is a remake of a classic French novel that has had the big and small screen treatment many times in the past.

As in the past I invite you to share your thoughts and observations of your movie choice in the week ahead, or for any still doing the rounds and out on general release, by Posting a Comment in the box below this or any other Blog Post. In the meantime, enjoy your film.

MAGIC MIKE XXL (Rated MA15+) - In 2012 Steven Soderbergh Directed, Edited and acted as Cinematographer on this Channing Tatum film based loosely on his early life as a male stripper working in Tampa, Florida. That film was made for a very modest US$7M and returned a very respectable US$167M and as well as being a commercial hit was critically acclaimed too. On the strength of this a sequel was inevitable. And so here it is, waiting to get it's kit off on a big screen near you this week! This time Directed by Gregory Jacobs with Soderbergh taking an Editor and Cinematographer credit again, this film had double the budget at US$15M and an expanded cast.

Set three years after the close of the first film Mike Lane (Channing Tatum) has long since retired from the male stripper life but he misses the energy, excitement and eroticism of life on stage shedding his clothes in front of a largely female audience. He misses too his tight knit buddies ('The Tampa Kings') with whom he used to perform on stage. When an offer comes along to regroup and travel to a stripper convention to Myrtle Beach, South Carolina, Mike can hardly contain his excitement and agrees to get back with the stripper gang for a revisit to the good times, the fun, the thrills and the excitement on stage and with clothes off! Also starring Matt Bomer, Gabriel Iglesias, Adam Rodriguez, Joe Manganiello, Kevin Nash, Andie MacDowell, Elizabeth Banks, and Jada Pinkett Smith. Probably one for the girls mostly methinks!

MADAME BOVARY (Rated M) - Not to be confused with the recent 'Gemma Bovery' film released on 28th May this year and previously Previewed at this Blog, this is another big screen adaptation of the famed 1856 debut novel of the same name by French author Gustave Flaubert. The first film based on this book came out in 1932, then another in 1949, again in 1969, in 1991, a couple of TV mini-series over the years, a Hindi version of the film in 1992, and now in 2015 French Director Sophie Barthes is at it with Mia Wasikowska in the lead role. The story is set in Normandy in France and Emma Bovary, a farmers daughter marries Charles Bovary (Henry Lloyd-Hughes) a local Doctor. It is not long before Emma grows bored of Charles and her eyes and mind start wandering toward a life more fulfilling, romance and adventure. But, as her extra-marital affairs provide a distraction and the happiness she desires, they only lead to a greater sense of depression as time marches on. Also starring Ezra Miller, Paul Giamatti and Ryhs Ifans.

Two totally differing films on offer this week that will find an audience and be sure to please for varying reasons. So, get out amongst it and see a movie this week, and then let us all know what you thought.

See you at the Odeon.

-Steve, at Odeon Online-