Showing posts with label Gareth Edwards. Show all posts
Showing posts with label Gareth Edwards. Show all posts

Friday, 11 July 2025

JURASSIC WORLD : REBIRTH : Tuesday 8th July 2025

I saw the M Rated 'JURASSIC WORLD : REBIRTH' at my local multiplex earlier this week, and this American science fiction action film is Directed by Gareth Edwards whose previous feature film credits take in his Directorial debut in 2010 with 'Monsters' which he would follow up with 'Godzilla' in 2014, 'Rogue One : A Star Wars Story' in 2016, and 'The Creator' in 2023. This film is a standalone sequel to 2022's 'Jurassic World Dominion' the fourth 'Jurassic World' film and the seventh instalment overall in the 'Jurassic Park' franchise. The first six films in the series have grossed at the worldwide Box Office a total of US$6,076B against combined production budgets of US$1,143B - so long live the dinosaurs! The film was released in the US last week too, cost US$180M to produce, has so far grossed US$391M worldwide and has garnered mixed critical reviews.

The film opens seventeen years ago on the remote Atlantic Ocean island of Saint Hubert in a research laboratory owned and operated by InGen in which the scientists experiment on the creation of mutated dinosaurs. One such creation is a deformed six-limbed tyrannosaur called a  'Distortus Rex' that escapes containment, kills an employee and wreaks havoc, forcing the facility personnel to abandon the lab and flee the island leaving it deserted. We then fast forward seventeen years later and learn that the Earth's climate and ecology has proven largely inhospitable to sustain the de-extinct animals, and they are forced to reside in a band around the Equator, which is more akin to the climate in which their pre-historic ancestors lived and thrived. That area around the Equator is now marked as no-travel zones to anyone and everyone by international law.

Martin Krebs (Rupert Friend), an executive at pharmaceutical giant ParkerGenix, recruits Zora Bennett (Scarlett Johansson), an ex-military covert operative, to work with paleontologist Dr. Henry Loomis (Jonathan Bailey) on a top-secret mission to retrieve biomaterial samples from the three largest remaining prehistoric specimens, which hold the key to a new heart disease treatment. The kicker is that these three samples must be retrieved from live dinosaur specimens. In a bar in Suriname, Zora recruits her longtime friend Duncan Kincaid (Mahershala Ali) to lead the expedition, and to provide the boat and the crew to get them to the island. He brings boat driver LeClerc (Bechir Sylvain), mercenary Nina (Philippine Velge), and the security chief Bobby Atwater (Ed Skrein).

They set out to Saint Hubert Island to extract samples from the aquatic Mosasaurus, the land based Titanosaurus, and avian Quetzalcoatlus. They track the Mosasaurus, which has shipwrecked a family sailing in the mid-Atlantic Ocean in the no-travel zone - Reuben Delgado (Manuel Garcia-Rulfo), his older daughter Teresa (Luna Blaise) and her boyfriend Xavier (David Iacono) and Reuben's younger daughter Isabella (Audrina Miranda). Duncan is intent on rescuing the family which is in the opposite direction of the island much to the displeasure of Martin and Bobby. 

With the family safely on board, Zora successfully extracts a sample from the Mosasaur. However, it returns with a group of Spinosaurus and attacks the ship, killing Bobby and Nina in the process. Teresa in a state of panic tries to alert the Coast Guard with a May Day call but Martin attempts to prevent her from radioing, to protect the mission's utmost secrecy, then refuses to help her when she and the Delgado's fall overboard. The Mosasaur forces the ship aground, stranding the team on the island, with the family becoming separated from the original ship's crew. Now on foot and trudging through the jungle, Zora informs the remaining crew that she engaged a rescue helicopter to circle the island at sundown the next day.

Zora successfully extracts the second sample from a Titanosaurus and the third and final sample from a Quetzalcoatlus egg, by abseiling down a sheer rock wall to access its nest located in a cave. Dr. Henry and Zora become trapped inside the cave when the adult Quetzalcoatlus returns to its nest, but is distracted by  LeClerc who ultimately is devoured by the giant winged beast. 

Meanwhile, the Delgado's are stranded elsewhere and search for the 'village'. They encounter various dinosaurs along the way including an infant Aquilops, which Isabella adopts and names Dolores, a Dilophosaurus feeding on the corpse of a Parasaurolophus and a sleeping Tyrannosaurus Rex, which awakens and chases the Delgados down a fast flowing river in an inflatable raft.

The Delgado's and the expedition group reunite at the abandoned laboratory for their planned helicopter extraction. Teresa confronts Martin for attacking her on the boat, and leaving her at the mercy of the ocean and the Spinosaurs. The group questions Martin about the attack and he pulls a gun on them, steals the samples from Zora, cuffs the case to his hand and attempts to flee to the helipad. A pack of mutated raptor/pterosaur hybrids, dubbed 'Mutadons' descends on the survivors who by now have taken refuge in a network of underground tunnels that ultimately lead to the harbour, to escape.

The rescue helicopter arrives and circles for two minutes as instructed to do so by Zora, but sees no sign of life so begins to leave. Henry lights a flare, which is seen by the retreating helicopter and it doubles back, but is destroyed by the Distortus Rex, which then turns on Martin and devours him, as the sample case is flung away and lands close to Zora with Martin's arm still attached. The survivors come to a locked gate at the end of the underground tunnel, and discover a motor boat on the other side. 

The D. Rex awaits outside by the boat, and the raptor/pterosaur hybrids are stalking them in the tunnels. Isabella is the only survivor small enough to fit through the gate, and she unlocks it. The group load themselves onto the boat, while Duncan diverts the D. Rex away using a flare, but Zora fears for his life when the flare is extinguished in the near distance.

Zora, Henry, Reuben, Teresa, Xavier and Isabella narrowly escape the D. Rex in the boat when a flare beams out across the night sky. Duncan is still alive wading out through the water and Reuben turns the boat to retrieve him. With the boat now skimming across the ocean and with samples in hand, Henry asks Zora what her intentions are now that she has possession. Zora and Henry agree to distribute the new medication without a patent, making it open-source for the whole world to take full advantage of.

What Gareth Edwards has delivered here is a fairly formulaic by the numbers dino offering that does hark back in some ways to the original 'Jurassic Park' film, and yet it still treads almost the same path as the majority of instalments that have gone before. And that is that a bunch of guys and gals venture into largely unknown dino territory on some sort of expedition and the bad guys (and you know who they are from the get go) all get chomped on and spat out, and the good guys come back victorious ready for the next film in the series. So it is here, and the script writers have here pushed the boundaries of what might seem fair and reasonable to the average movie goer too. That said Scarlett Johansson delivers an admirable performance as do the principle cast, and Gareth Edwards knows how to ramp up the action set pieces, which I guess is the main reason why you go to see a movie that features prehistoric dinosaur versus human interaction writ large, and on that note 'Jurassic World : Rebirth' delivers.

'Jurassic World : Rebirth' merits three claps of the Odeon Online clapperboard from a possible five claps.
-Steve, at Odeon Online-

Wednesday, 2 July 2025

What's new at Odeon's this week : Thursday 3rd July 2025

The 59th Karlovy Vary International Film Festival (KVIFF) takes place this year from Friday 4th July through until Saturday 12th July in the Czech Republic city of Karlovy Vary, situated about sixty-six miles west of Prague. It is the largest film festival in the Czech Republic and the most prestigious such festival in Central and Eastern Europe, and is one of the oldest A-list film festivals, a category it shares with the festivals in Cannes, Berlin, Venice, Locarno, San Sebastian, Montreal, Shanghai, and Tokyo. 

Each year, the KVIFF presents some two hundred films from all around the world. Many of the films are exclusively shown at the festival, while others make it into Czech or foreign distribution, onto television, or into other festivals thanks in part to their screening in Karlovy Vary. The greatest focus is on the traditional programme sections – the Crystal Globe Competition, which is reserved for feature-length films shot during the previous season that have not been shown at any other festival in international competition, and the Proxima section, an international competition which aims to complement the Crystal Globe Competition by celebrating contemporary cinema with a collection of forward-thinking and exciting discoveries shown exclusively as World or International Premieres - so reads the official website.

Eleven of the twelve titles in the Crystal Globe Competition have been announced. The remaining film, from Iran, will be revealed closer to the end of the festival to ensure the safety of its creators. Those films are as given below, in brief :-
* 'Better Go Mad in the Wild' - from the Czech Republic and Slovakia and Written for the screen, Co-Produced, Co-Photographed and Directed by Miro Remo. World Premiere.
* 'Broken Voices' - from the Czech Republic and Slovakia and Written and Directed by Ondrej Provaznik. World Premiere.
* 'Cinema Jazireh'
- from Turkey, Iran, Bulgaria and Romania and Written, Co-Produced, Directed and Co-Edited by Gozde Kural. World Premiere.
* 'Divia' - from Poland, Ukraine, Netherlands and the USA and Written, Co-Photographed, Directed and Co-Edited by Dmytro Hreshko. World Premiere.
* 'Don't Call Me Mama' - from Norway and Co-Written and Directed by Nina Knag. World Premiere.
* 'Jimmy Jaguar' - from Hungary and Written, Directed, scored and sound designed by Bence Fliegauf. World Premiere.
* 'The Luminous Life' - from Portugal and France and Written and Directed by Joao Rosas. International Premiere.
* 'Out of Love' - from France and Written and Directed by Nathan Ambrosioni. World Premiere.
* 'Rebuilding'
- from the USA and Written and Directed by Max Walker-Silverman, and starring Josh O'Connor, Lily LaTorre, Meghann Fahy and Amy Madigan. International Premiere.
* 'The Visitor' - from Lithuania, Norway and Sweden and Co-Written, Photographed and Directed by Vytautas Katkus. World Premiere.
* 'When a River Becomes a Sea' - from Spain and Co-Written, Directed and Co-Edited by Pere Vila Barcelo. World Premiere.

For the full details of the above named feature films, plus all the other film strands being showcased including the Proxima Competition, Special Screenings, Horizons, Imagina and Afterhours, and a whole lot of other good stuff, you can go to the official website at : https://www.kviff.com/en/homepage

Turning the attention then back to this weeks five new movies coming to your local big screen Odeon, we kick off with this seventh offering in this 'monster' franchise that sees an expedition having to brave it out in isolated equatorial regions to extract DNA from three massive prehistoric creatures for a groundbreaking medical breakthrough. Then we turn to a story of a creative entrepreneur who lost his spouse, and develops a machine designed to communicate with deceased individuals. This is followed by a film about a Mongolian family who must leave their nomadic desert life after a devastating storm. Next up is an Aussie film about a man in his 30's with Down Syndrome, whose mother is dying of lung cancer, and embarks on a journey to find his father - a rock band singer; before closing out the week with a Taiwanese film that explores first love, teenage confusion and mental health though the lens of high school life.

Whatever your taste in big screen film entertainment is this week - be it any of the five latest release new films as Previewed below, or those doing the rounds currently on general release or as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the week ahead.

'JURASSIC WORLD : REBIRTH' (Rated M) - is an American science fiction action film Directed by Gareth Edwards whose previous feature film credits take in his Directorial debut in 2010 with 'Monsters' which he would follow up with 'Godzilla' in 2014, 'Rogue One : A Star Wars Story' in 2016, and 'The Creator' in 2023. This film is a standalone sequel to 2022's 'Jurassic World Dominion' the fourth 'Jurassic World' film and the seventh instalment overall in the 'Jurassic Park' franchise. The first six films in the series so far have grossed at the worldwide Box Office a total of US$6,076B against combined production budgets of US$1,143B - so long live the dinosaurs! The film is released in the US this week too, and cost US$180M to produce. 

Set five years after the events of 'Jurassic World : Dominion', the planet's ecology has proven largely inhospitable to dinosaurs. Those remaining exist in isolated equatorial environments with climates resembling the one in which they once thrived. Zora Bennett (Scarlett Johansson) leads a top secret expedition with a team of skilled operatives to the most dangerous place on Earth, an island research facility for the original Jurassic Park. Their mission is to secure DNA from the three most colossal creatures within that tropical biosphere that hold the key to a drug that will bring miraculous life-saving benefits to humankind. Also starring Mahershala Ali, Jonathan Bailey, Rupert Friend, Manuel Garcia-Rulfo and Ed Skrein. 

'THE SHROUDS' (Rated MA15+) - this Canadian and French Co-Produced body horror drama film is Written and Directed by David Cronenberg whose feature film debut came along in 1969 with 'Stereo' and who subsequently went on to helm the likes of 'Shivers' in 1975, 'The Brood' in 1979, 'Scanners' in 1981, 'Videodrome' in 1983, 'The Fly' in 1986, 'Naked Lunch' in 1991, 'Crash' in 1996, 'A History of Violence' in 2005, 'Eastern Promises' in 2007, 'Maps to the Stars' in 2014 and 'Crimes of the Future' most recently in 2022. Here, four years after his wife Becca's (Diane Kruger) death from cancer, businessman Karsh (Vincent Cassel) has invented 'GraveTech', a tombstone that broadcasts a live, interactive 3D image of a deceased's decomposing corpse. The image of the dead person is created by a modified burial shroud. What could possibly go wrong?? Also starring Guy Pearce and Sandrine Holt. The film was screened in Main Competition section at the Cannes Film Festival on mid-May 2024, and was released in Canada, France and the US at the back end of April this year having garnered generally favourable critical reviews and grossing so far US$1.3M at the Box Office.

'THE WOLVES ALWAYS COME AT NIGHT' (Rated PG) - is a Co-Production between Australia, Germany and Mongolia that blends both documentary with fictional elements, and is Co-Written and Directed by the Australian filmmaker Gabrielle Brady in only her second feature film outing. The film follows Davaasuren 'Davaa' Dagvasuren and Otgonzaya 'Zaya' Dashzeveg (who also Co-Wrote the film with the Director), a young nomadic couple in the vast Bayanhongor region of Mongolia who are in the throes of animal birthing season when they are forced to abandon their familiar lives as shepherds and move to Ulaanbaatar after their livelihood is disrupted by climate change. The film Premiered in the Platform Prize programme at the 2024 Toronto International Film Festival, and was subsequently screened in competition at the 2024 BFI London Film Festival.

'WHAT ABOUT SAL?' (Rated M) - is a 2023 Australian comedy drama film Written, Produced and Directed by John Jarratt, the Australian Actor and film maker whose other two Directing credits are 'StalkHer' in 2015 and the doco 'Wake in Film' currently in post-production. Sal (Gerard O'Dwyer) is in his 30's and with Down Syndrome. He lives with his mum Sophie (Kaarin Fairfax) who has an aggressive form of lung cancer. She has only weeks to live, and with no living family members left, Sal could become a ward of the state, or homeless. He refuses to become neither. When Sal becomes aware that he was a product of a one night stand and that his mum doesn't remember his name, he plays detective and embarks on a journey to find his unnamed father - a rock band singer thirty years ago. Also starring Justin Banks, Chad R. Bennett and John Jarratt. The film was originally released here in Australia in early March last year, and it looks as though its getting a re-run from this week in select cinema's. 

'LOVESICK' (Rated PG) - this Taiwanese romantic comedy drama film is Directed by Fu-Hsiang Hsu and here sees Zijie (Huai-yun Zhan), a rebellious teenager, stumbles upon the unexpected perks of being mistaken for being terminally ill. Intrigued by the attention and freedom, he chooses to play along, embracing a carefree 'lying flat' lifestyle. His act soon draws the concern of Yezi (Chi Chiang), a straight-A classmate with a mysterious warmth. As Zijie's deception deepens, the lies spiral out of control. Just when he's on the verge of being exposed, a twist turns everything upside down - Yezi is the one truly battling a terminal illness. Bound by secrets and a ticking clock, the faker and the genuinely ill set off on a heartfelt mission - to check off each other’s bucket lists before time runs out. The film was released in its native Taiwan in late April and has so far grossed US$2M. 

With five new release movie offerings this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. In the meantime, I'll see you sometime somewhere at your local Odeon in the coming week.

-Steve, at Odeon Online-

Monday, 19 December 2016

ROGUE ONE : A STAR WARS STORY - Thursday 15th December 2016.

I saw 'ROGUE ONE : A STAR WARS STORY' on its opening night in Australia, and sat in a near packed theatre, which burst into applause when the end credits rolled - a sure sign of a film's approval and pending success. And so from a galaxy far far away comes the first Star Wars spin off in this highly anticipated, eagerly awaited, much hyped 'Rogue One' offering. Produced by LucasFilm, Distributed by Disney, Directed by Gareth Edwards and costing US$200M, this film stands alone in the Star Wars universe set just before the events that unfolded in the first film in this hugely successful and popular franchise 'A New Hope'. That initial film released in 1977 set in motion a behemoth that would become part of our popular culture, spawning so far seven feature films, this spin-off, numerous animated television series, books, toys and merchandise. The value of the franchise is estimated at somewhere north of US$31B, the films to date have garnered 27 Academy Award nominations and last years 'The Force Awakens' is the third highest grossing film of all time raking in US$2.1B at the global Box Office. Production of 'Star Wars : Episode VIII' is ongoing with Writer/Director Rian Johnson at the helm and due in cinemas in December 2017. It has been reported, but remains unconfirmed, that the title of the next instalment will be 'Star Wars : Forces of Destiny'.

The premise for the 'Rogue One' set up comes from the opening crawl of 'A New Hope' which states amongst other things that ' . . . Rebel spies managed to steal secret plans to the Empire’s ultimate weapon, the Death Star . . . ' From these brief introductory words, Screenwriters Tony Gilroy and Chris Weitz have moulded this story of the Rebel Alliance against the Empire. As the film opens we see a young Jyn Erso being hurriedly bundled up and packed off by her father Galen Erso (Mads Mikkelsen) to escape from the arriving Imperial Director Orson Krennic (Ben Mendelsohn) and his black armour clad Deathtrooper henchmen. Krennic is demanding that Galen returns to finish the work he started on the Death Star - the Galactic Empire's new super weapon of destruction capable of destroying entire planets. But Galen is reluctant, and in a standoff his wife is killed. Meanwhile young Jyn has fled to the mountains to safety - it is the last time she will see her father for many years. Sometime later, an underground bunker in which Jyn is stowed away is opened by Saw Gerrera (Forest Whitaker) and the young girl is taken away to safety.

We then fast forward fifteen years or so and Bodhi Rook (Riz Ahmed) an Imperial fighter pilot defects across to the Rebel Alliance and is in possession of a holographic message from Galen Erso which he is to deliver only to Saw Gerrera who resides on the planet Jedha. In the meantime a now adult Jyn (Felicity Jones) is freed from captivity by the Rebellion who have an agenda to use her to track down her father, and then kill him to prevent the Death Star from being completed. Jyn teams up with Cassian Andor (Diego Luna) an Intelligence Officer with the Rebel Alliance and his reprogrammed Imperial droid K-2S0 (Alan Tudyk) and the three travel to Jedha where there is an uprising against Empire forces on the ground there.

Once on Jedha, Jyn and Andor meet up with blind warrior Chirrut Imre (Donnie Yen) who believes in the power of The Force, and his sidekick Baze Malbus (Jiang Wen) a Rebel warrior and mercenary. They in turn lead Jyn to Gerrera who are reunited for the first time in years, and Gerrera is by now holding Rook captive. Rook has handed over the hologram message to Gerrera who in turns shows the message to Jyn. In it Galen expresses his love for his daughter and explains that he was forced against his will to finish his work on the Death Star project. He goes on to explain that he has secretly embedded a vulnerability deep within the reactor programme which is almost undetectable, and which can be used to ultimately destroy the Death Star. The plans are held at a high security data bank deep within an Imperial stronghold on the planet Scarif.

In the meantime, back on the Death Star Krennic is held to task over the completion and readiness of the weapon by Imperial Governor Grand Moff Tarkin (Guy Henry made to look like Peter Cushing). With complete confidence Krennic orders a demonstration of the weapons might and power by targeting the capital city of Jedha, and reducing it and its surrounds to rubble and dust. In the attack the population is wiped out and with it Gerrera too who elects to stay behind. Jyn, Andor, K-2S0, Imre, Malbus and Rook manage to narrowly escape the conflagration. Tarkin congratulations Krennic on his achievements but has his own agenda to take the credit for the weapon and have Krennic discredited for various security breaches that have occurred while under his command.

Jyn, Andor and their newly formed crew track Galen to a research facility, and they head there with the intention that Jyn will rescue her father, whilst Andor has designs on killing him as per the wishes of the Rebellion. When it comes to it however, Andor cannot pull the trigger. At the same time Krennic arrives having learned that someone has leaked intelligence to the Rebels, and he intends to see to it that justice be served. He lines up Galen and his team of engineers and scientists and threatens to kill them all, if the perpetrator does not fess up, at which point Galen steps forward. Krennic orders the shooting of all the engineers and scientists anyway at which point a Rebel airstrike occurs on the facility ultimately resulting in the demise of Galen, and he dies in Jyn's arms. With the research facility destroyed, Jyn, Andor and the crew make a speedy getaway as does Krennic. Jyn now tries to persuade the Rebellion to converge on Scarif to steal the plans for the Death Star, but with no evidence to confirm her fathers story as per the now destroyed hologram message, the leadership of the Rebellion do not agree to her scheme, which they believe is too dangerous.

Frustrated by this inactivity, Andor agrees to accompany Jyn on her mission to Scarif and with her crew and various other Rebel volunteers, they set off. Using Rook as the former Imperial fighter pilot whose security clearances are still intact, their ship passes through the only portal in Scarif's defence system, and come to land in the proximity of the data bank tower. Jyn, Andor and K-2S0 make off to the tower to retrieve the plan schematics, while the others create a diversion to draw attention away from the three.

Meanwhile the non-agreeable leadership of the Rebellion have caught wind that Jyn and Andor have taken a team to Scarif and are proceeding with their plan anyway. Subsequently they agree to join the fight and mount a fleet to go to their aid. Krennic has also arrived on Scarif and orders the retrieval of every last piece of communication ever sent, written or recorded by Galen in an attempt to clear his name and reinstate his reputation with Darth Vader (voiced by James Earl Jones). As a number of Rebel forces breach the access portal to Scarif, so a ground and air attack ensues leaving Jyn and Andor to access the data bank high up within the fortified and heavily secured tower.

Ultimately Jyn secures the necessary schematics but K-2SO is killed by Stormtroopers and Andor is shot and injured by Krennic. She needs to access the communication tower at the highest point to be able to send the schematics to the waiting Rebel Command Ship, but the access portal needs to be open for the signal to transmit the plans successfully. With an air battle raging all around the tower, Krennic appears before Jyn can transmit the plans. Krennic declares her mission a failure and the Empire victorious and as he motions to shoot her, he is in fact shot and disabled by Andor who re-emerges just in time for the plans to be transmitted as the Rebel forces destroy the planetary shield allowing access through the portal.

On the Death Star Tarkin orders the destruction of Scarif now that its defences have been breached and the base compromised. With it Krennic is killed as are all of those left remaining. An Imperial Force led by Darth Vader gain access to the Rebel Command Ship to retrieve the stolen plans. As Darth Vader wipes out everything in his path using his trusty light sabre and the powers of his mind, a Rebel foot soldier makes a quick getaway with the plans saved to a memory card and thrusts them into the hands of Princess Leia (Ingvild Deila made to look like Carrie Fisher) who states that these plans will give the Rebellion much needed hope for the future.

I was very pleasantly surprised by 'Rogue One'. The film has all the touchstones of the 'Star Wars' mythology that we have come to know and love. Director Gareth Edwards has remained true to the basic premise of the films that have been its forebearers by retaining the look and feel of a Star Wars film but it also has the strength in the story, the performances, the VFX and the continuity to stand proudly on its own two feet. Felicity Jones is particularly good in her role as Jyn Erso and gives a convincing performance that is as good as any you'll likely to see this year in a film of this kind, and the support cast are strong too and believable. Since the film Premiered in Hollywood on 10th December, there has been overwhelming support for the film and audiences have responded very positively, setting high expectations for a very strong Box Office return. So far it has returned US$291M during its opening weekend globally, with the film yet to open in China in South Korea. A second spin off film charting the early life of Hans Solo is slated for a mid-2018 release, with a third understood to surround Boba Fett scheduled for sometime in 2020. See it on the big screen while you can - you won't be disappointed.

-Steve, at Odeon Online-

Wednesday, 14 December 2016

What's new in Odeon's this week : Thursday 15th December 2016.

Awards Season is upon us, and with it the AACTA (Australian Academy of Cinema and Television Arts) Awards were held at Sydney's Star Casino on Wednesday 7th December. Attended by a who's who of Australian and overseas film and television talent including Mel Gibson, George Miller, Geoffrey Rush, Isla Fisher and Sacha Baron Cohen it is fair to say that the glitterati, the glamourati, and the paparazzi were out in force.

'Hacksaw Ridge' swept the board picking up nine award wins in the following categories : Best Film, Best Direction (Mel Gibson), Best Original Screenplay, Best Cinematography (Simon Duggan), Best Editing (John Gilbert), Best Sound, Best Production Design (Barry Robison), Best Lead Actor (Andrew Garfield) and Best Supporting Actor (Hugo Weaving). 'The Daughter' fared well too, picking up three award wins for Best Lead Actress (Odessa Young), Best Supporting Actress (Miranda Otto) and Best Adapted Screenplay. 'Tanna' picked up the award for Best Original Music Score, and 'Girl Asleep' for Best Costume Design. Best Feature Length Documentary went to 'Chasing Asylum' (Eva Orner).

This week then there is just one new release coming to a cinema near you, and it's expected to be BIG! Which would explain why no other movies wanted to go up against it in the week ahead. This is the first of three spin-off stand-alone films from a place far far away whose journey first began almost forty years ago and has grown into a worldwide phenomenon that sees no signs of letting up. From early reaction to this films Premier release last week, it seems that the force is strong with this one!

When you have sat through this weeks latest release film as Previewed below, or any others out on general release and as Reviewed and Previewed between these Blog Post pages, remember that we invite your own feedback, review, critique and observations of your moving going experience by leaving a Comment below this, or any other Post. As always, we'd love to receive your valid, wholesome, relevant thoughts. Meanwhile, enjoy your next cinema visit.

'ROGUE ONE : A STAR WARS STORY' (Rated M) - and so from a galaxy far far away comes the first Star Wars spin off in this highly anticipated, eagerly awaited, much hyped 'Rogue One' offering. Produced by LucasFilm, Distributed by Disney, Directed by Gareth Edwards and costing US$200M, this film stands alone in the Star Wars universe set just before the events that unfolded in the first film in this hugely successful and popular franchise 'A New Hope'. That initial film released in 1977 set in motion a behemoth that would become part of our popular culture, spawning so far seven feature films, this spin-off, numerous animated television series, books, toys and merchandise. The value of the franchise is estimated at somewhere north of US$31B, the films to date have garnered 27 Academy Award nominations and last years 'The Force Awakens' is the third highest grossing film of all time raking in US$2.1B at the global Box Office. Production of 'Star Wars : Episode VIII' is ongoing with Writer/Director Rian Johnson at the helm and due in cinemas in December 2017. It has been reported, but remains unconfirmed, that the title of the next instalment will be 'Star Wars : Forces of Destiny'.

The premise for the 'Rogue One' set up comes from the opening crawl of 'A New Hope' which states amongst other things that ' . . . Rebel spies managed to steal secret plans to the Empire’s ultimate weapon, the Death Star . . . ' From these brief introductory words, Screenwriters Tony Gilroy and Chris Weitz have moulded this story of the Rebel Alliance who recruit Jyn Erso (Felicity Jones) to join a mission to steal the design schemes for the Galactic Empire's new superweapon, 'The Death Star' - the Empire's ultimate weapon of destruction. The band of unlikely heroes thrown together for this include Forest Whittaker as Saw Gerrera, a veteran of The Clone Wars; Diego Luna as Cassian Andor; Mads Mikkelsen as Galen Erso, father to Jyn; Riz Ahmed as Bodhi Rook; Donnie Yen as warrior Chirrut Imre; Alan Tudyk as droid K-2SO; Jiang Wen as freelance assassin Baze Malbus; and Ben Mendelsohn as Orson Krennic the Director of Advanced Weapons Research for the Imperial Military; with James Earl Jones reprising his voice work for Darth Vader. Since the film Premiered in Hollywood on 10th December, there has been overwhelming support for the film and audiences have responded very positively, setting high expectations for a very strong Box Office return. A second spin off film charting the early life of Hans Solo is slated for a mid-2018 release, with a third understood to surround Boba Fett scheduled for sometime in 2020.

That's it for this week, pending a mega-haul of new movies being released in time to capitalise upon the Christmas and New Year holiday film going season. If you catch 'Rogue One : A Star Wars Story' remember to share your thoughts with us here afterwards. In the meantime, I'll see you in the week ahead, at the Odeon.

-Steve, at Odeon Online-

Thursday, 22 May 2014

GODZILLA - Wednesday 21st May 2014

I ventured out with my Movie Buddy last night to my local multiplex to see the next in a very long line of Godzilla movies - this one, another Hollywood offering called, aptly, 'GODZILLA'! Believe it or not this huge lizard like dinosaur type monster is 60 years old this year having first appeared on our cinema screens in 1954 and has since been through 28 incarnations on the big screen . . . more than the James Bond franchise, and older too! Whatever you want to say about old mate Zilla - he has staying power, keeps the crowds coming back for more and still manages to remain fresh - but then at a cost of this latest rendition of US$150M you would certainly hope so!
Directed by Gareth Edwards and starring Bryan Cranston, Aaron Taylor-Johnson, Ken Watanbe, Juliette Binoche, Elizabeth Olson and David Strathairn, this film is big on the three protagonist monsters, big on action set pieces, big on death and destruction and big on Uncle Sam flag waving (as these movies usually are!)

With the opening credit montage we are taken back to 1954 to set the scene of atomic testing in the Pacific in the wake of WWII, but this is really a cover up to destroy Godzilla who was seemingly wreaking havoc in that region at that time. The bomb is dropped, big bang, mushroom cloud forms and Godzilla is no more . . .  yeah, right!

Fast forward and we are in 1999 in a Japanese Nuclear Power facility when an unforeseen, unknown, malevolent force causes the meltdown of said facility and widespread destruction, the wholesale leaking of radiation and the death of wife to US Nuclear Physicist Joe Brody (Cranston). The aftermath is that the destroyed plant facility and the island which housed it is quarantined for the nest 25 years or so. Fast forward again to 2014 and Brody Senior remains in Japan but his son, Ford Brody (Taylor-Johnson) now grown up and a Navy Bomb Disposal Expert has just returned home to his own son and wife in San Francisco after a 14 month tour of duty. Dad meanwhile is locked up in Japan for trespassing in the quarantined zone and son Ford has to go release him. Dad though, knows something is not quite right and since the meltdown and loss of his wife Sandra in 1999 (Binoche), has been working to uncover the real truth about what happened that fateful day. Heading back to the quarantined zone with son in tow, the ugly truth is uncovered and then the proverbial brown stuff begins to hit the fan!

We are first invited to get up close and personal to a MUTO (Massive Unidentified Terrestrial Organism) that has hatched on the nuclear island previously laid to waste and allegedly radioactive so feeding said MUTO and bringing it out of dormancy. This is when is gets ugly and huge destruction, death and mayhem ensue. Needless to say our friend the MUTO is on the hunt for anything radioactive to feed on, plus it's mate that has been holed up in a deep undercover bunker in the Nevada desert - yep, close to Las Vegas! The mayhem and the action then spreads to the Philippines for a short while and then onto Hawaii by which time Godzilla has surfaced from his long period of hibernation and is on the hunt for MUTO and before boy MUTO hooks up with girl MUTO . . . and none of us want that do we? After trashing Hawaii big time, next it's mainland USA and SanFran is right in the path of destruction and the oncoming train wreck that will be Godzilla fighting it out for survival of the fittest with two bad ass MoFo MUTO's!

The rest you can easily piece together - the city skyline of San Francisco is completely trashed as skyscrapers are toppled like kids playing with dominoes, and the Golden Gate Bridge is snapped like it's supported by a spiders web thread! The ground opens up, trains disappear into ravines, planes fall out of the sky, fighter jets are tossed asunder, battleships are cast aside on instant tsunami's and no one and no place is safe! These action set pieces are well handled and executed and the creature effects I thought were well rendered and convincing enough taking you into the heart of the action. Deliberate or not there are moments straight out of 'The Hobbit' and 'Aliens', and it all comes together reasonably well in the end, and I think we all know who will rise victorious and prove to be humanity's saviour! These closing moments when Godzilla rises from the rubble of SanFran down bayside, and disappears slowly into the bay and the vast ocean beyond I thought were just a little too corny, too cheesy when all was said and done . . . but that said, he's been around a long time, fought a few battles, earned his stripes and keeps coming back for more.

See it on the big screen, but you can do without the 3D. Incidentally, my Movie Buddy did not rate this at all, and so we have a difference of opinion. If you like your big budget creature features loud, proud and in your face with all the death and destruction of our cities that go with it - then this will be right up your street! Enjoy the great gargantuan Godzilla giganticness!



-Steve, at Odeon Online-

Wednesday, 14 May 2014

What's new in Odeon's this week - Thursday 15th May 2014.

Following last weeks bucket load of new releases, this week we have slightly slimmer pickings to choose from, but nonetheless plenty of block buster action, independent offerings, formulaic big studio fluff and foreign language outings still doing the rounds to keep you occupied on a cooler autumnal evening in May. This week, we do have another mega budget monster action flick to numb your senses; we have cinema's auteur of the weird, wonderful and whacky with a new unique offering; there is a thought provoking film that might just leave you thinking about the existence of heaven & hell; and a Romanian offering for those that like their films served with subtitles.

GODZILLA - this big scary all chewing all stomping lizard creature first appeared on big screens in 1954 courtesy of Japan's Toho Studio's, and since then there have been 28 films dedicated to this scaly monster of all monster's. Last seen in 1998 courtesy of the master of disaster movies, Roland Emmerich, this 2014 outing should bear no resemblance to that turkey! For this film to be endorsed by Toho Studio's it must be getting something right, and Director, Gareth Edwards, has taken us back to the source of the original film to stay true to that early premise. That is, that Godzilla is born out of a nuclear incident, and that the action takes place mostly in Japan. And so it does, and we have Bryan Cranston as the physicist based in Japan investigating with his Navy bomb disposal expert son (Aaron Taylor-Johnson) a nuclear incident dating back to 1999 to uncover the real truth of what happened and why. Needless to say along the way the truth is uncovered, whole city blocks are trashed and they duly discover some big shit going down . . . really big, like, monstrously big!

THE ZERO THEOREM - Terry Gilliam is back, and thank God! He knows how to spin a yarn; create something fantastical; weave the whacky, weird and wonderful; and assemble a convincing cast to deliver a movie experience that is a feast for the senses, will play with your mind, and will make you think! He keeps on delivering such films going back to 'Time Bandits', 'Brazil', '12 Monkeys' and more recently 'The Imaginarium of Dr. Parnassus' all of which take us to an alternative universe, another dimension, some future dystopian world yet somehow grounded in what we know with a sense of familiarity. Here we have Christoph Waltz taking the lead with Matt Damon, Tilda Swinton, Ben Wishaw and David Thewlis all supporting as our eccentric computer hacker mathematics whizz Waltz, works away on a project set by the mysterious 'Management', with the end game being to determine if there is a purpose to human existence. . . The Zero Theorem! This will be quirky to the nth degree, visually mesmerising, and totally immersing - a must see for fans of Gilliam's work.

HEAVEN IS FOR REAL - Greg Kinnear, Thomas Haden-Church, and Kelly Reilly star in this story of a family coming to terms with the ramifications of their four year old son's life changing near death experience. Playing the small town father, Kinnear witnesses the impact of his son's fleeting moment in Heaven after he died briefly on the operating table, and has to come to terms with what he saw, who he met and what was said when he was on 'the other side'. This film could test your faith, it will be thought provoking, and it will leave you wondering 'what if'? Needless to say this film has created a bit of a sensation across America's bible belt - watch it and decide for yourself.

CHILD'S POSE - A Romanian film about justice being sought by the family of a young child killed following a car crash involving the son of a Romanian socialite. The child killed in the car accident and the family are polar opposites, simple folk, peasants almost. The mother of the man at the wheel of the car is overbearing toward her son, engulfing him with love and affection at every turn and firmly believing he is innocent of any crime despite all the evidence to the contrary. What follows when families meet is satirical, the Police are sidetracked, the truth is covered up and this overbearing mother will do just about anything to protect her son. This won the 'Golden Bear' at the Berlin Film Festival and was an Oscar contender for Best Foreign Language Film earlier this year.

A mix then this week of monster action, future adventure, family drama, and emotional imbalance. Check one out at least, and let me know what you think!

Movies . . . see as many as you can!

-Steve, at Odeon Online-