'GRETA' which I saw earlier this week, is a psychological thriller offering Directed and Co-Written by Neil Jordan whose previous big screen credits over a long and distinguished career take in 'The Company of Wolves', 'Mona Lisa', 'We're No Angels', 'The Crying Game', 'Interview with the Vampire', 'Michael Collins', 'The End of the Affair' and 'The Brave One' amongst others. The film saw its World Premier screening at last years TIFF in early September, and only last week did it get a release in Australia, and in the US too. The film has garnered generally mixed Reviews, but I have to say that I was pleasantly surprised by it, and it has so far taken US$6M at the Box Office.
Here Frances McCullen (Chloe Grace Moretz) finds a handbag on the New York subway and dutifully returns it to Greta Hideg (Isabelle Huppert), an eccentric and late 50/early 60 year old French piano teacher who loves tea and classical music, but is just a little lonely. Greta is overjoyed that Frances has returned her handbag and invites the young girl in for a freshly brewed coffee. Over coffee in the afternoon, Frances learns that Greta is a widow, and has a daughter living in Paris studying music at University, with whom she speaks to quite often over the phone. Frances is working as a waitress in an upmarket restaurant and living with her best friend Erica Penn (Maika Monroe) in a penthouse bought for her by her parents. We also learn that Frances one year ago lost her own mother to cancer and is still coming to terms with that loss. Meanwhile her father Chris (Colm Feore) is a workaholic, and with whom she has a strained and distant relationship. 
Frances begins to spend time with Greta, having struck up an instant liking for each other, and they are both seemingly very comfortable in each others company. Frances suggests that Greta should get a dog to keep her company, and that it would be a welcome distraction. At first Greta shirks off the idea but then warms, and agrees only if Frances will help her choose one from the Dog Rescue Centre, which she does. One night while Frances is helping Greta prepare a dinner for the two of them Frances stumbles across a stash of handbags in her sideboard, identical to the one she retrieved and containing the same set of contents. Furthermore, on the back of each handbag is a Post-It note with the name of a girl and a mobile phone number. This gravely disturbs Frances, who cuts dinner short, and upon the advice of Erica, cuts ties with Greta completely.
Shortly thereafter following numerous unanswered phone calls and text messages from Greta to Frances' mobile phone at all times of the day and night, Greta begins stalking Frances and is even seen standing outside the restaurant where she works staring blankly in through the window from across the street. This unsettles Frances. On another occasion, Greta books a table at the restaurant, insults Frances while she is going about her work and creates a scene upturning her table in a fit of rage. She is restrained by other restaurant staff and Security Officers and the Police called. Greta is carted off in an ambulance for treatment and released from custody the next day. At this point, after Greta has also stalked Erica one evening while out at a club, both Frances and Erica seek to take out a restraining order but are told by the Police that the process could take months.
Later, Frances meets up with her father, with his advice being to cut Greta out of her life completely. Meanwhile, Frances has tried to make contact with Greta's daughter in Paris and indirectly finds out that Greta was released from a psychiatric hospital and also learns from a Counsellor that Greta's daughter committed suicide four years ago, and that she never did go to France to study music. Frances is encouraged to get out of the city for a break but torn to either go away with her father or go with Erica out of the country, but Frances feels that she should not not leave because of Greta’s behaviour. Erica suggests lying to Greta and saying she was leaving to fix her own issues, and to apologise to the woman for her behaviour. After some tuition in the art of blatant lying from Erica, Frances follows this advice, and meets with Greta in church to make peace.
Chris hires a personal friend and Irish private investigator Brian Cody (Stephen Rea) to locate Greta and hopefully shed some light on Frances' disappearance. Brian, after doing some digging, explains to Chris that Greta was a nurse who was discharged for abusing sleeping medication and further explains that Greta was supposed to be back in Hungary, her home country. Brian visits the home to meet with Greta who lets him in and is very pleasant offering him a cup of coffee and a chat. He questions the old woman about Frances, but Greta shrugs off their brief acquaintance as the whim of a young girl. Meanwhile, Frances attempts to get his attention by thrashing her body against the bed and in turn the wall against which the piano is located on the other side. This action causes the metronome on top of the piano to activate. Brian snoops around and deduces that there is a secret room behind the piano despite Greta attempting to block off the noise by playing loud classical music. Brian is tranquilised and eventually shot dead by Greta with his own gun using three bullets at point blank range to the head.
By now weeks and possibly months have passed by with Frances still bound and gagged to her bed. Greta is back up to her old tricks and leaves another handbag for an unsuspecting victim on the subway. That unsuspecting victim brings the handbag to Greta's home and is welcomed inside by Greta, like history is repeating itself . . . again! Frances attempts to get their attention by banging once again against the bed frame, but is unsuccessful. After Greta drinks the coffee, she suddenly feels overcome with drowsiness and quickly deduces that it had been spiked and passes out as a result. The victim takes off her brunette wig to reveal herself as Erica. Erica is also alerted to the metronome that self started as a result of the bed banging against the wall next to the piano. She rescues Frances before the pair place Greta’s motionless body in the box and securing it with a makeshift lock, and then leave to get some much needed fresh air.
'Greta' may not offer the genre anything that we haven't already seen countless times before, but it is saved by the two female leads in Isabelle Huppert playing the totally unhinged antagonist to quiet calculating perfection, and Chloe Grace Moretz as the young innocent protagonist caught in the wrong place at the wrong time just trying to be an upstanding model citizen by doing the right thing. The other characters are left to hang as window dressing and to move the largely predictable cat and mouse plot along for all of its sub-100 minute run time. The film is certainly worth the price of your ticket, or you can wait to catch it from the comfort of your sofa in your own home, just don't expect anything new and fresh, but rather a respectable by the numbers rehash of previously trodden ground.
'Greta' merits three claps of the Odeon Online clapperboard from a potential five.
-Steve, at Odeon Online-
