Showing posts with label Jeff Bridges. Show all posts
Showing posts with label Jeff Bridges. Show all posts

Friday, 26 October 2018

BAD TIMES AT THE EL ROYALE : Tuesday 23rd October 2018.

'BAD TIMES AT THE EL ROYALE' which I saw on Tuesday evening this week is a late 1960's neo-noir set American thriller that is Directed, Written and Co-Produced by Drew Goddard. He also wrote multiple episodes of popular television series 'Buffy the Vampire Slayer', 'Angel', 'Alias', 'Lost', created and wrote two episodes of 'Daredevil' and wrote for the big screen too including 'Cloverfield', 'World War Z', 'The Martian', and 'Cabin in the Woods' which was also his Directing debut. After this outing Goddard is Writing and Directing Marvel's 'X-Force'. Costing US$32M to make, the film has so far grossed US$22M since its release in the US and Australia two weeks ago and has received generally positive press, although some are stating that the two hours twenty minutes running time is a little overcooked.

And so the storyline here follows seven strangers who find themselves at the El Royale, a novelty hotel traversing the border of California and Nevada close to Lake Tahoe. As the film opens we are introduced to a man who enters a hotel room at the El Royale in 1960, rather nervously, pulling out a hand gun, peering out of the window before pulling the curtains closed. He then proceeds to move all the furniture, pull up the carpet, pull up the floorboards and deposits a hold-all bag under the floor before replacing the floorboards, replacing the carpet and replacing all the furniture to its original position. He then hears a knock at the door, opens it and is blasted dead with a shotgun. We then fast forward ten years later to 1970, and at the same El Royale Hotel checking in are Father Daniel Flynn (Jeff Bridges), singer Darlene Sweet (Cynthia Erivo) and travelling vacuum cleaner salesman Laramie Seymour Sullivan (Jon Hamm). Sometime shortly after, Emily Summerspring (Dakota Johnson) drives erratically up to the front entrance and brings her sports coupe to a grinding halt on the driveway. She saunters out, and also demands a room.

They wait patiently at the Reception ringing the bell awaiting for someone to appear but for ten minutes nobody does. The four exchange social niceties to pass the time of day with Sullivan announcing that the former Rat Pack destinational hotel is now a shadow of its former self as it had lost its gaming licence some years ago, since which time trade has gone rapidly downhill. The hotel's only employee Miles Miller (Lewis Pullman) appears and books them into the rooms, giving them the choice to stay in Nevada or California and officially welcomes them to the El Royale giving them the rules of the house . . . . a routine he would have repeated countless times over the years.

Upon checking into the honeymoon suite, at his very specific request, Sullivan (real name Dwight Broadbeck and in reality an FBI Agent masquerading as a travelling salesman) scans the room for bugs. Upon closer examination of the room he retrieves twenty or so hidden microphones of two different designs hidden in every nook and cranny - in light fittings, power sockets, in the phone, the TV set, the curtain rail and behind picture frames. Having turned the room upside down and exhausted his search he puts a call through to none other than J. Edgar Hoover who tells Broadbeck to remove all evidence of the FBI's operations, for reasons that are unclear.

He goes to the Reception to find it, surprise surprise, unattended. He rings the bell but that goes unanswered. He retrieves the master key to gain access to a locked door in his room, and ventures back of house in search of Miller, whom he finds passed out on bed with a needle hanging from his arm. Broadbeck then decides to investigate back of house and sees a passageway leading down a corridor with one-way mirrors looking into each guest room, and with a film camera set up for the far room at the end of the darkened corridor. Broadbeck spies Father Flynn ripping up the floorboards in his room, Darlene practising her singing into the mirror, and witnesses an apparent kidnapping in Summerspring's room.

Broadbeck puts a call into his office again to be instructed to disregard the alleged kidnapping and to sabotage all the vehicles to prevent the other guests from leaving. In the meantime, Flynn had overheard Darlene's singing from the next room and asks her to join him for dinner. She reluctantly agrees and the pair go to the lounge to retrieve some pie from a vending machine. Listening to music from the juke box, Flynn pours himself a stiff drink and request that Darlene join him for one. She observes Flynn spiking her drink and belts him over the head with a bottle sending him reeling unconscious to the floor. She makes a quick exit out of the hotel into the pouring rain. Miles discovers Flynn on the floor in the bar surrounded by broken glass and a big gash to his forehead. Seeking forgiveness for his sins from the Priest, he leads Father Flynn to the back of house corridor stating that the owners of the hotel who live interstate instruct Miles to film certain guests and send them the footage once every month. Miles has however, chosen to withhold one especially damning film reel of a recently deceased public figure, because the subject person in question was kind to him and if it was to go public would cause a huge scandal.

Acting directly against the orders of his superiors, Broadbeck takes the law into his own hands and after sabotaging the vehicles, bursts in on Emily's room where the alleged kidnapping is unfolding. It is revealed that Emily is in fact holding hostage her own sister Rose (Cailee Spaeny) to protect her from running back to cult leader Billy Lee (Chris Hemsworth). Emily opens fire on Broadbeck who is standing directly in front of the rooms mirror, and with a shotgun kills him instantly. Miles who was stood behind that same mirror in the corridor looking in, accidentally gets a face full of buckshot from the same cartridge that killed Broadbeck.

Darlene has meanwhile tried to escape, having witnessed Emily's gunning down of Broadbeck through the opened door, and attempts to start her car but to no avail. Flynn catches up with her and asks to talk. They do so, with Darlene pointing a loaded pistol at Flynn. He comes clean that he is really a criminal named Donald 'Doc' O'Kelly, who was sentenced to ten years jail time after a robbery gone wrong.

Released only days ago on parole, O'Kelly has returned to the El Royale dressed as a Priest to retrieve the bag of swag that his brother Felix had stashed there before being gunned down in a double cross. However, owing to the onset of Alzheimer's, Flynn can't recall which room it was in. The reason he had attempted to drug Darlene was to gain access to her room, deducing that the cash had to be stashed there after he couldn't find it in his own room. Darlene agrees to allow him to search her room in exchange for half the cash.

Having discovered the secret corridor behind the shattered mirror in their room, Emily and Rose interrogate a bloodied Miles with half his face covered in buckshot wounds, about the clandestine surveillance operation. It transpires that Emily had forcibly removed her sister from the clutches of Billy Lee's cult, who by the way whilst being very smooth talking and charismatic was also a sadistic murderer wanted down Florida way for several killings. Rose though loves Billy Lee and has already alerted him to their whereabouts and he is en route. Just as Flynn and Darlene are about to leave with their haul of retrieved cash, Billy Lee arrives with his cultist henchmen and hold them both hostage together now with Emily and Miles too.

While terrorising and interrogating his four captives, Lee discovers the money and the film which he realises pretty quickly is much more valuable than the cash stash. In a sadistic game of roulette, Lee shoots and kills Emily, and threatens to kill Miles, Flynn and Darlene if they do not divulge from whence the money came and Flynn's real identity, sensing that he is not really a Priest. When an overhead lightning strike temporarily cuts the power, Flynn attacks Lee and the hotel lounge catches fire. During the ensuing chaos, Miles reveals that he served as an expert sniper in Vietnam with 123 confirmed skills to his name, but that he can kill no more, being racked with guilt over his killings. At Darlene insistence, given the dire circumstances they find themselves in, he picks up a gun and kills Lee and the other cultists. A distraught Rose stabs Miles in the stomach with a hunting life retrieved from Lee's lifeless body, but is then shot dead by O'Kelly. As Miles lays dying, Darlene urges O'Kelly (returning to Father Flynn mode) to forgive him of his guilt over his actions in Vietnam and at the El Royale over the years, so that he can enter the Kingdom of Heaven at peace at last. O'Kelly and Darlene retrieve the money and throw the canister of film and the hotel register with their names on it into the fire now quickly taking hold in the hotel lobby, before the pair flee, leaving in their wake a trail of death and destruction.

I enjoyed 'Bad Times at the El Royale' despite its elongated running time. Some scenes did labour the point just a little too much, and could easily have been trimmed back by ten or fifteen minutes or so, but that said the film moves along at a good pace, and there is plenty of action and unfolding events to maintain the interest. This film is a solid mash-up of Tarantino and Agatha Christie as it weaves back and forth in time over the course of that one fateful evening and tells the story from each players own point of view to build up the entire picture by the time the credits roll. Stylishly filmed with a faithful recreation of the era and sharp dialogue delivered by a strong ensemble cast who individually all deliver violent outbursts and nail their persona's. Especially noteworthy is Cynthia Erivo in her big screen debut as the soulful singer determined to make it on her own terms in very much a mans world, and Jeff Bridges playing an all too familiar if comfortable role as the weary and gruff ageing linchpin to the night unfolding the way it does. Chris Hemsworth's chiseled physique is also on show for all the world to see, and here he plays largely against type and clearly relishing in it. Certainly worth a look and the price of entry, albeit just a tad overcooked.

'Bad Times at the El Royale' merits four claps of the Odeon Online clapperboard, out of a possible five.

-Steve, at Odeon Online-

Monday, 2 October 2017

KINGSMAN : THE GOLDEN CIRCLE - Tuesday 26th September 2017.

'KINGSMAN : THE GOLDEN CIRCLE' which I saw earlier last week, is the follow up film to 2014's first instalment in this growing action spy comedy franchise 'Kingsman : The Secret Service' which was both a critical and commercial success taking in US$415M from its US$81M budget outlay. Now some two years later Matthew Vaughn returns to the Director's chair for this hotly anticipated, eagerly awaited, much hyped sequel, on which he also Co-Produces and Co-Writes the Screenplay based on the comic book series of the same name by Mark Miller and Dave Gibbons. Released in the UK and the US at the same time as in Australia, the film cost US$104M, has so far taken US$193M, and has garnered mixed Reviews from Critics largely about the ensemble of new characters, the heavily stylised action sequences, the overly long running time and the lack of originality that heralded the first film. Vaughn has confirmed that he has a treatment already in mind for a third film in the franchise and has indicted Dwayne Johnson might be the ideal candidate to play the arch villain next time around.

This instalment takes place some twelve months following the death of Harry Hart (aka Galahad) at the hands of Richmond Valentine in the previous film. Eggsy Unwin (Taron Egerton) has subsequently taken on the mantle of Galahad and is shacking up in some well to do mews house in London with Princess Tilde of Sweden (Hanna Alstrom). The action ramps up from the get go with a kinetic car chase sequence as Eggsy's private Kingsman issue London cab is ambushed by former Kingsman trainee turned rogue Charlie Hesketh (Edward Holcroft) who lost an arm and his vocal chords during the final climax that saw an end to Valentine and his plans. As the two wrestle in a well choreographed, albeit well over the top, car chase and in vehicle close quarter fight sequence across the night time streets of London, Eggsy is able to thwart his adversary and effect his getaway. He dispatches his adversary through the windscreen of his London cab, although far from dead, leaving behind his bionic arm attached to the hand grip above the door. Eggsy disappears into the River Thames as his cab assumes submarine qualities and enters an underwater subterranean access hatch deep within the bowels of Kingsman London HQ.

Hesketh's dismembered bionic arm however, can be remotely accessed, and so it hacks into the cabs on board computer system and downloads every piece of intelligence from the Kingsman's servers. While Eggsy is otherwise engaged with his Princess meeting her parents for the first time in Sweden, a co-ordinated missile attack takes out the Kingsman HQ and all of the Agents scattered around the British countryside. Only Eggsy survives having been out of the country, and Merlin (Mark Strong) whose pay grade kept him off the Kingsman files.

Following the Doomsday Protocol which Merlin is aware of, leads them to reveal a secretly stashed bottle of aged 'Statesman' Kentucky Bourbon Whiskey. The pair drown their sorrows and toast their dearly departed colleagues downing almost the entire contents of the bottle, when the Kingsman insignia is revealed on the reverse side of the label. Seeing this as a vital clue, they head for Kentucky, recognising that there is some kind of connection here.

Arriving at the Statesman Whiskey distillery they are greeted by Agent Tequila (Channing Tatum) who treats them with suspicion and starts to interrogate them, revealing that Harry Hart (Colin Firth) is in fact alive having survived the gunshot wound to his head, but is suffering from acute amnesia. Agent Ginger Ale (Halle Berry) intervenes and confirms their identities as allies from Britain. In turn they are introduced to Champagne ('Champ' for short) (Jeff Bridges) who heads up Statesman and he briefs Eggsy and Merlin about a terrorist organisation known as The Golden Circle which they are investigating.

Tequila develops a mysterious blue rash that covers his body, and so is taken off the case and is replaced by Agent Whiskey (Pedro Pascal). Eggsy and Whiskey's first mission is to trace Hesketh's girlfriend Clara Von Gluckfberg (Poppy Delevingne) which takes them to the Glastonbury Music Festival in England, and plant a tracking device on her. Mission accomplished Eggsy returns to Kentucky to see if he can get Harry to snap out of his amnesia. Eggsy manages to successfully trigger Harry's memories by threatening to shoot a Yorkshire Terrier puppy that reminds Harry of his dearly beloved former companion pet Mr. Pickles that has subsequently moved on to the great kennel in the sky.

Meanwhile, back in some remote Cambodian jungle hideaway sits Poppy Adams (Julianne Moore) who heads up the largest single drug cartel in the world, is as a result the worlds richest woman and an aspiring megalomaniac, but is firmly off everyone's radar and she's not to happy about that! She broadcasts a message around the world that she has placed a toxin in every recreational drug available on the market and which she so successfully peddles. This toxin causes a blue rash to develop at first passing through another three phases - manic behaviour, paralysis and ultimately death most hideous. She has a fast acting antidote however, in plentiful supply, and offers it to the world if the President of the United States (Bruce Greenwood) ends his War on Drugs and offers her and her business interests immunity from the law. The President decides to quarantine every effected user across the USA by racking, stacking and packing 'em high in cages in stadia around the country. Included in those, is his Chief of Staff, Fox (Emily Watson).

Merlin intercepts a phone call from Clara to Hesketh saying that she is infected and has the blue rash. Hesketh orders his girlfriend to meet in Italy where he will give her the antidote. Eggsy and Whiskey infiltrate the mountain top hideaway where the antidote is being stored by the millions in single serve viles. There Eggsy steals a single sample for duplicating and in their hasty retreat down the snowy mountain in a cable car, he and Whiskey fall victim to Hesketh's remote control trickery as the cable car goes rogue, breaks free of its cable and plummets down the mountain towards a ski lodge. Needless to say Eggsy saves the day, and retreating to a safe house they are quickly discovered by Poppy's henchmen.

In the exchange of gun fire Whiskey causes the sample bottle to smash to the ground. Harry shoots Whiskey in the head at point blank range believing that there is something not quite right about that Statesman. Eggsy is mortified by Harry's actions and quickly administers an alpha-gel pack to Whiskey's head, as they did with Harry when he was shot, to preserve the integrity of the brain as much as possible and begin the healing process by using rapid acting nano technology. Later, Princess Tilde calls Eggsy in a state of desperate panic saying that she has developed a blue rash!

Later the three amigos discover the secret jungle hideaway of The Golden Circle at 'Poppy Land' in deepest darkest Cambodia, and so they fly via Statesman private plane to that destination - absolute first class all the way with all the amenities and 'toys' on hand. Upon landing Eggsy treads on a concealed land mine in the undergrowth on the edge of Poppy Land. Merlin rescues him using a freezing spray, but in so doing treads on another and has no freeze spray stuff left, and so chooses to do the noble thing and sacrifice himself while taking out the armed security guards in the process. It's a tearful farewell as Eggsy and Harry look on.

Storming the compound Eggsy and Harry first take out the numerous henchmen. Hesketh with his bionic arm confronts Eggsy, but ultimately the good guy wins the day, while Harry tussles with two fierce robotic canines that are Hell bent on ripping him to shreds. With Hesketh dead and the two dogs defunct, the two Kingsman turn attention to Poppy and retrieving the briefcase and the access code that will mobilise the drones around the world sending the antidote to rescue all those blue rashed individuals knocking on death's door. Eggsy injects Poppy with a stronger dose of her own toxin cooked up by Merlin, and as a result she succumbs to the accelerated effects very quickly and dies on the floor, but not before muttering the access code password.

Before Eggsy and Harry can activate the access code in drops Agent Whiskey, fully recovered from his head shot thanks to the fast acting alpha-gel treatment administered by Eggsy earlier. It turns out that Whiskey has an ulterior motive for working against the Kingsman and the Statesman in that he lost his pregnant wife to two drug users when she got caught in an exchange of gun fire, and now he is on a personal crusade working rogue to eliminate all drug users. Eggsy and Harry fight with Whiskey until the latter is man handled upside down into a meat grinder, coming out as prime mincemeat the other end. They key in the access code to the briefcase console, so activating thousands of drones around the world to carry the antidote to save millions of lives.

In the wash up, Chief of Staff Fox has the President impeached for conspiring to commit genocide on an unprecedented scale against all drug users, Champagne makes an announcement that the Statesman have purchased a Scottish whisky distillery to help rebuild Kingsman and in the process offers either one of them the opportunity to step into Whiskey's empty shoes, but they both decline. Ginger Ale steps up and is accepted as Whiskey's replacement. Eggsy marries his blushing Swedish bride, and Agent Tequila joins the Kingsman.

There's a lot to like about this film! If you're a follower of Saville Row gentlemen's fashion, kinetic over the top stylised action sequences, tongue in cheek wise-crack humour, spy type gadgetry aplenty, watching a couple of blokes get minced (literally) and another two cut/torn in half, a plot that has takes leave of itself, an A-list cast and all the spit and polish that a US$100M+ budget affords, then this film is for you. But, this films lacks the originality and the creativity of the first instalment that made that offering so fresh and such a success, and at a running time of approaching two hours twenty minutes it is easily twenty minutes too long. Seeing Colin Firth again playing against type is a joy it must be said and he does so with a suave debonair grace that harks back to Sean Connery's Bond, and Mark Strong's Merlin adds a touch of grounded realism to the unfolding proceedings. As for Taron Egerton's Eggsy he's all over the place and it's hard to take him seriously, and the American Statesman crew are all relegated to bit parts that really serve little purpose other than offer friendly and formidable hands across the Atlantic in a time of crisis. An enjoyable spy genre romp that riffs of 'Bond', 'Bourne', 'Mission : Impossible' and all others that have gone before, but fails to reach the dizzy heights of its predecessor. Also starring Michael Gambon, Sophie Cookson and Elton John.
-Steve, at Odeon Online-

Monday, 7 November 2016

HELL OR HIGH WATER : Tuesday 1st November 2016.

'HELL OR HIGH WATER' which I caught early last week had its release Stateside in mid-August having Premiered at Cannes in May this year in the Un Certain Regard category, and only this past week has it reached Australian shores. Written by Taylor Sheridan, this modern day Western themed heist drama film has already received high praise from the critics and has made US$30M from its US$12M budget. Directed by David Mackenzie this cops & robbers thriller is set in no-hope west Texas where towns are diminished to desolate outposts - the shadows of the bristling communities they once were. Businesses have closed down, debt runs rife, the populations are dwindling, towns are dying a slow painful death in America's mid-west and its a hot dust bowl on the edge of a vast expanse of desert.

As the film opens we are introduced to brothers Tanner (Ben Foster) a somewhat hot headed ex-Con recently released from prison for killing their abusive father, and Toby Howard (Chris Pine) a divorced father of two who is estranged from his sons but who desperately wants to do the right thing by them. The two are in a car driving up to a small town branch of the Texas Midlands Bank which they intend to rob at gun point during the early morning quiet period. The robbery is simple enough and reasonably well planned. Take just the cash money from the registers in small denominations, get in quick, get out fast, no one gets hurt and no one can trace the stolen bills. The first heist goes according to plan, and so does the second, each time the pair making off with just seven or eight thousand dollars, leaving the local cat napping Police wondering WTF just happened.

We learn that the brothers mother has recently died in the last three months leaving the family farm in West Texas facing foreclosure if the mortgage isn't paid off imminently. The reverse mortgage on the property is held by Texas Midlands Bank, with about US$40K due before the weeks end - it has to be paid off come Hell of High Water by Friday, otherwise the Bank takes possession. Toby is determined to pay off the mortgage because oil has recently been discovered on the farm and he wants to sell the oil rights (worth about US$50K a month) and leave the farm to his two sons, so that they need never worry about money again. The brothers plan another heist on the same bank but a different branch in a nearby town, accumulating more funds towards the ultimate pay day which they launder through a casino over the border in Oklahoma. For each heist the brothers use a different vehicle, burying the cars on the farm dug out with a bulldozer.

After a number of robberies two Texas Rangers are put on the case - grizzled and fast approaching retirement Marcus Hamilton (Jeff Bridges) and his native Indian partner in law enforcement Alberto Parker (Gil Birmingham). Hamilton soon wises up to Toby & Tanner and works out their strategy, methods and personalities and realises their pattern of focusing on the regional Texas Midland Bank branches. In a third raid Tanner goes off on his own for a quick no nonsense robbery while Toby sits in a diner unknowing. Easy money which is laundered through the casino. In all nighter Tanner plays poker and wins up big so increasing their stash of cash, which Toby cashes in the form of a cheque made out to Texas Midlands Bank for by now, about half the sum owing, so paying back the Bank with their own stolen money! Brilliant!

Through the process of elimination, Hamilton works out where the brothers next heist will be. En route to the next suspected robbery location they arrive after the fact, but amidst a scene of carnage. The brothers raided a bank on pay day when the branch was full of people paying in their wages. Tanner proceeded with the heist not realising that some of this customers were carrying guns, and one alerted the authorities while face down on the ground using her mobile phone. A shoot out occurs in which Tanner shoots and kills a Security Guard and an armed customer, and Toby sustains a bullet wound in his side. Getting out with another stash of cash but an angry and armed mob hot on their tails, a car chase ensues out of town. On the outskirts of town and with enough distance between them, they stop their vehicle and Tanner fires upon the pursuing convoy with a semi-automatic weapon, causing them to stop in their tracks and turn back.

The brothers split into two cars. Tanner driving off into the hills to lure the Police, Hamilton and Parker off the scent and confront them in an inevitable shoot out; and Toby to freedom with the cash. It doesn't end well for Tanner having taken out Parker and several officers in the process, which only incurred the wrath of Hamilton to call in the SWAT boys and use a locals knowledge of the desert hills with which to sneak around a ridge and take out Tanner with a single well aimed long range shot. In the meantime, Toby manages to get through Police checkpoint despite his bleeding wound, sweaty brow, nervous disposition and stash of cash hidden away under his seat.

Toby makes it to the casino to launder the rest of the money, and have a cheque raised for the final balance on the monies owing to Texas Midlands Bank. Whilst there he learns over a news broadcast on the television that his brother has been killed. He delivers the cheques to the Bank in good time to prevent them foreclosing on the farm, and in so doing saves his property and sets up a cash legacy for his sons from the oil rights he can now sell.

Sometime later, Hamilton has retired and Toby has been cleared of any suspicion in the case given that he has a clean record and no motive for the robberies since he is a rich man anyway now. Hamilton however, is still suspicious but has nothing firm to pin on Toby other than his gut instinct. He drives out to the farm confronting Toby with what he suspects and the two face off in a battle of wits and words only to be interrupted by Toby's ex-wife who has moved onto the property with their two sons, who are now owners of the farm with it held in trust until they turn adults. Hamilton leaves the property wanting to bring Toby to justice at the end of his gun. Toby responds by saying that he is living in a rental in town and how Hamilton should drop by sometime so that they can finish their conversation - implying that the pair will meet again with weapons drawn.

This is a simple story very well told, well written and well filmed. A modern take on a tale of the old West, backed up by strong performances from Foster, Pine and Bridges, and sweeping vistas of a land that stretches for as far as the eye can see and down & dirty too with mid-western townships in a state of steady decline. Brotherly love, family values, right and wrong, good and bad, crime and punishment are all explored here in a film that takes time to allow for character development, amidst the hiatus of bank hold-ups and the sense of urgency brought about by their impending situation. Well worth searching out.

-Steve, at Odeon Online-

Wednesday, 26 October 2016

What's new in Odeon's this week : Thursday 27th October 2016.

The heavily hyped, highly anticipated next instalment in the Marvel Cinematic Universe is released this week in the form of 'Doctor Strange' as Previewed below. Representing the 14th film in the MCU, the good Doctor is a lesser known character in the rapidly expanding portfolio of Marvel superheroes to get the big screen treatment as the MCU enters its third stage which launched with the hugely successful 'Captain America : Civil War' earlier this year. Stephen Vincent Strange - world acclaimed neurosurgeon - first appeared in Marvel's Comic Books back in July 1963 created by artist and conceptualist Steve Ditko with the storyline coming from Stan Lee. Since then there have been a long line of comic books, novels, video games, cross-over animated television series and a few films including a 1978 live action film titled 'Dr. Strange' with Peter Hooten in the lead role, the animated direct to DVD 'Doctor Strange : The Sorcerer Supreme' in 2007, and a brief cameo in the 2010 animated 'Planet Hulk'. Now in 2016, after a gestation period that commenced in 1986 when a movie adaptation went into pre-production and then faltered, various Writers including David S. Goyer, Alex Cox and Wes Craven coming and going over subsequent years, and as Studios came and went, finally Scott Derrickson scored the gig to Direct. As a self-confessed fan of the mystic superhero since childhood, he had his mind set on just one Actor to play the lead role - Benedict Cumberbatch. After this outing, we'll see Cumberbatch reprising his role as Doctor Strange in 'Avengers : Infinity War' due in May 2018.

This week there are just three new cinema releases coming to an Odeon near you, but each have been critically acclaimed and therefore merit your strongest consideration when pondering what to see on the big screen in the week ahead. We kick off with the latest offering from your favourite cinematic universe that has already yielded thirteen films of superhero goodness, with this fourteenth introducing us to a new lesser known character who learns to fight mystical threats against our humble world using newly acquired metaphysical powers and a higher learning. We then move to rural Texas and a modern day game of cops and robbers in the mid-West that brings a couple of young guns up against an old hand Ranger and his trusted pardner. The week then wraps up with a French foreign language film about rape, female empowerment and revenge from a Director not too concerned about courting controversy.

As always, remember to share your views and observations with your like minded readers here, by leaving your Comment below this or any other Post. We'd love to hear form you, and in the meantime, enjoy your film.

'DOCTOR STRANGE' (Rated M) - the fourteenth instalment in the Marvel Cinematic Universe is upon us in the guise of one Doctor Stephen Strange, a lesser known character in the comic canon, but one nonetheless who has carved out a niche following and who has been around since being created by artist Steve Ditko in 1963, with Stan Lee penning the mystical mind bending story. Made for US$165M, the early Reviews of 'Doctor Strange' have been very positive, with Marvel looking as though they have backed another winner, with Scott Derrickson in the Director's Chair and also taking a Screenplay and Story credit, and Benedict Cumberbatch playing the title role ably supported by a strong cast.

And so Doctor Stephen Strange is a world acclaimed neurosurgeon - both brilliant and egotistical. When a car accident robs him of the use of both hands and therefore his ability to perform surgery he scales the globe seeking a cure that will repair and restore the use of his hands. When this doesn't eventuate and he has lost his way in life and used up all of his accumulated wealth, he comes across 'The Ancient One' (Tilda Swinton) in a mysterious mountain enclave known as the Kamar-Taj located in the Himalayas. Here The Ancient One shows him what might be and what he is capable of, and he also learns that those others of the enclave represent the front line of defence against dark forces intent of destroying reality. 'Through the mystic arts we harness energy to shape reality' she tells him. It's not long before Strange is caught between the world he once knew, and giving that all up to defend the world against mystical threats as an all powerful sorcerer using his new found metaphysical abilities. Also starring Chiwetel Ejiofor, Mads Mikkelsen, Benjamin Bratt, Benedict Wong and Rachel McAdams.

'HELL OR HIGH WATER' (Rated MA15+) - released Stateside in mid-August having Premiered at Cannes in May this year, and only now reaching Australian shores, this film has already received high praise from the critics and has made US$30M from its US$12M budget. Directed by David Mackenzie this modern day Western crime thriller tells the story of two brothers, Tanner (Ben Foster) and Toby Howard (Chris Pine) whose mother has recently died, leaving the family farm in West Texas facing foreclosure if the mortgage isn't paid off imminently. Needing to raise some fast cash to pay off the loan to secure the house and farm, and set themselves up, the two brothers embark on a spree of local bank robberies on the Texas Midlands Bank. What they don't count on though is that local wise, grizzled and fast approaching retirement Texas Ranger Marcus Hamilton (Jeff Bridges) and his partner in law enforcement Alberto Parker (Gil Birmingham) are hot on their tails and closing in. This cops and robbers saga plays out until the final showdown, when Ranger Marcus Hamilton just might prove that in fact this is a country for old men!

'ELLE' (Rated MA15+) - this French foreign language film is Directed by Paul Verhoeven in his first feature film outing in ten years and his first in French. The film Premiered in competition at Cannes earlier this year and it has been chosen as the French entry into the Best Foreign Language Film category at the Academy Awards in February 2017. The film has been critically acclaimed. Telling the story of hard as nails high flying corporate Chief Executive Officer of a Paris based video game production company, Michele LeBlanc (Isabelle Huppert) who lives her love life as tough and as ruthless as her business life. Until that is, one day she is raped in her own home by an unknown assailant, which changes her life forever. When Michele, determined to track down her attacker, finally does so, what begins is a cat and mouse game of violent sexual encounters that could escalate out of control at any time, but which nonetheless she appears to be aroused by - or is this just part of her plan to exact revenge on the perpetrator?

Three highly acclaimed films then to choose from this coming week that give you ample excuses to get out to your local Odeon at least once over the next seven days. When you have done so, share a Comment with us and let us know what you thought of you movie going experience. In the meantime, I'll see you at the Odeon.

-Steve, at Odeon Online-

Thursday, 7 July 2016

MICHAEL CIMINO - dies aged 77 - R.I.P.

Michael Cimino - Writer, Producer and Director died on Saturday 2nd July at his home in Beverly Hills, California, aged 77. Born on 3rd February 1939 in New York City - a third generation Italian/American, he grew up on Long Island, and then went to Michigan State University where he majored in graphic arts and graduated with honours after just three years. During this time he became Art Director and then Managing Editor of the college satirical magazine. The quality of his work gained him entry into Yale, where he graduated in 1961 with a Bachelor of Fine Arts and then in 1963 with a Masters of Fine Arts - both in painting. From here he moved to Manhattan and Directed television commercials successfully for the likes of Pepsi, United Airlines, Eastman Kodak and Kool Cigarettes.

Following his success in New York, Cimino moved to Los Angeles to embark on a screenwriting career. He wrote the script for 'Thunderbolt & Lightfoot' starring Clint Eastwood and Produced by his Production Company, 'Malpaso', and a young Jeff Bridges. Made for US$4M it returned US$25M, gained Bridges a Best Supporting Actor Academy Award nomination, and was Cimino's first feature film in the Director's chair. He also Co-Wrote the scripts for the 1972 post-apocalyptic Sci-Fi film 'Silent Running' and the 1973 second Dirty Harry instalment 'Magnum Force' which Eastwood asked him to scribe based on what he saw for 'Thunderbolt & Lightfoot'.

From here Cimino turned his attention to the Vietnam War with an earlier script that had been kicking around for some years but waiting for someone to polish up the story and character development - that opportunity came across Cimino's desk. He Co-Wrote, Co-Produced and Directed 'The Deer Hunter' released in 1978 which went over schedule and over budget, costing US$15M for which it returned US$49M. It became a critical and commercial success, picking up five Academy Awards for Best Picture, Best Director, Best Supporting Actor for Christopher Walken, Best Editing and Best Sound. It was also nominated in four other categories. All up the film picked up 22 award wins and another 26 nominations, and starred Robert De Niro, John Cazale, John Savage and Meryl Streep, and it remains a touchstone of Vietnam War movies - despite its questionable historical context.

His next outing as Writer/Director for which he was given free reign off the back of 'The Deer Hunter' was 1980's 'Heaven's Gate' which couldn't have been more polar opposite to his previous film. The film was plagued by delays, excessive attention to detail, a production shoot spanning eleven months, rumours of on-set cocaine abuse and a budget blow out to US$44M, from which it took a very lowly Box Office haul of just US$3.5M after its wider distribution was halted due to hugely negative press. The film hit the Studio, United Artists, very hard in the back pocket, but it was the potential reputational damage that was feared the most, with the company eventually being sold off. The film also heralded the beginning of the end to the Hollywood style of film making that emerged in the 60's, 70's and early 80's whereby young auteurs could largely dictate the films they wanted to make with far greater control and authority over the process. For the most part that worked well but 'Heaven's Gate' was an expensive lesson and sent far reaching shockwaves through the industry, and thereafter the Studio Exec's and money men retained far greater control and authority over the commercial process.

The film also destroyed Cimino's reputation from which he would barely recover. Starring Kris Kristofferson, Christopher Walken, John Hurt, Mickey Rourke, Sam Waterston, Brad Dourif, Jeff Bridges and Willem Dafoe amongst others, the film garnered much negative press and a critical panning at the time - so much so that even his supporters from 'The Deer Hunter' turned against him. The passing of time has however, been kinder to 'Heaven's Gate' as a result of extensive re-editing and critical reassessment.

Following this, Cimino's reputation was badly tainted. He went onto make 'Year of the Dragon' in 1985 with Mickey Rourke which he also Co-Wrote with Oliver Stone; 'The Sicilian' in 1987 based on the Mario Puzo novel and with Christopher Lambert in the lead role; 'Desperate Hours' in 1990 with Mickey Rourke and Anthony Hopkins, and then 'Sunchaser' in 1996 with Woody Harrelson. None of these films did particularly well - either commercially or critically. In 2007 he Directed a segment on 'To Each His Own Cinema' titled 'No Translation Needed' - that was to be his last film making effort.


All up Cimino had eight Director credits, nine for Writing and four for Producing. He picked up thirteen award wins and twelve other nominations - both good wins and nominations, and not so good.

Known in movie making circles as 'The Ayatollah', Cimino leaves two indelible marks on film making history especially for the best of reasons ('The Deer Hunter') and (debatably) the worst of reasons ('Heaven's Gate'), but for the latter at least, time seems to have softened his perceived transgressions, so may he sleep easy!

Michael Cimino - Rest In Peace
1939-2016

-Steve, at Odeon Online-