Showing posts with label Jonathan Nolan. Show all posts
Showing posts with label Jonathan Nolan. Show all posts

Thursday, 13 November 2014

INTERSTELLAR - Tuesday 11th November 2014.

And so, one of the most highly anticipated, eagerly awaited event movies of the year has been released, and so I caught Christopher Nolan's deep space Sci-Fi epic 'INTERSTELLAR' earlier this week with a bunch of movie buddies as my local big screen multiplex. I emphasise 'big screen' because you need to see this film on the biggest big screen you can to be truly inspired by the vastness of the images portrayed as the brothers Nolan (Christopher wrote the screenplay with brother Jonathan) take us into the deepest recesses of space where no man has gone before!


This is an adventurous, epic story that visually is stunning and well crafted. Made for US$165M and running for ten minutes shy of three hours, the pace of the film sucks you in and the before you know it the end credits are rolling. The story takes place in a near future Earth when mankind is looking down the barrel of extinction - the soil we have toiled for millennia is turning to dust and is wind-blown in every direction in storms that blow hard and frequently. All but corn now can be grown in these harshest of conditions, and soon we learn even corn will perish - within the next generation the Scientists tell us...and this will mark the end for humankind. Living on a farm growing corn for as far as the eye can see is Cooper (Matthew McConaughey) with his two children Murph and Tom (Mackenzie Foy and Timothee Chalamet) and father-in-law Donald (John Lithgow). Cooper's wife died a few years back we are told. Cooper is eking out an existence on his dust bowl farm, and he is a former astronaut with NASA but flew his last voyage more than ten years ago - that space agency now decommissioned because the expense could not be justified when all we can grow is corn and mankind is destined to die out.

Cooper has his feet firmly planted on the ground but his eyes and mind are looking ever upward - knowing that mankind's future lies beyond our own planet. He is an everyman and someone we can relate to immediately - there are no heroics or histrionics here to dwell on, McConaughey gives a solid believable performance. One evening by chance he and Murph stumble across a restricted site in the middle of nowhere, and this is where his life and mankind's possible salvation change for ever. Enclosed in this remote underground bunker remain the last vestiges of NASA operating covertly with a series of ships and a space station under construction, whose mission is to explore distant worlds that are capable of sustaining the human race of the future. Overseen by Professor Brand (Michael Caine) with his daughter Amelia Brand (Anne Hathaway) we learn that a wormhole has opened close to Saturn and this is the possible gateway for mankinds future. Several ships have already been dispatched to explore, but signals are weak now in coming back and there are fears for the safety of those gone previously.

And so quickly Cooper is enlisted to captain the last voyage to distant far away planets given his previous life as an astronaut, but there is a catch of course. The wormhole is located off Saturn - a two year journey to get there, and then what's beyond the worm hole is anybody's guess! Furthermore, time passes far more quickly on Earth than it does in deep space, and so when Cooper eventually returns home it may be too late for mankind anyway. Bidding his children farewell (aged 10 and 15) he says to Murph that when he does come back they will probably both be the same age! Little does he know! She is distraught, and so Cooper leaves on bad terms, not knowing if he will ever see his daughter again.

And so Cooper departs with a crew of three others aboard the 'Ranger' to hook up with space station 'Endurance' floating above the Earth's atmosphere (a circular formation long-haul deep space pedestrian practical people carrier that resembles nothing like the stark clinical ship as seen in Kubricks' '2001: A Space Odyssey') - Amelia Brand (a biologist), Romilly (a physicist played by David Gyasi), Doyle (a geographer played by Wes Bentley) and two A.I. Robots - TARS and CASE accompanying him. As Endurance hurtles towards Saturn we see Nolan's first stunning visuals of space and what is contained therein. The approach to Saturn sees Endurance as a pin-prick gliding by the vast rings of this distant planet, with the approaching spherical wormhole in the distance through which they must travel into the unknown.

The visuals are rendered beautifully, as Saturn is left behind and Endurance is buffeted through the wormhole to emerge battered but intact though the other side. New galaxies are revealed as giant planets and constellations come into view, and it is amidst these that three have been identified that could be habitable for humans and to which the previous ships have thus far ventured and from which signals have been/are being received. And so the journey against time continues as we discover that gravitational pull from these planets causes time dilation, and so for every hour that passes for them now, seven years passes back on Earth - and time is quickly running out for humanity.

In the video clips sent back and forth we see Murph and Tom growing up (Jessica Chastain plays the now older middle-aged Murph, and Casey Affleck the older Tom), but Cooper has hardly aged at all. Murph is now working for Professor Brand, and Tom is married and has a child and still lives on the farm growing an ever depleting corn crop. Donald has since passed way. As one by one The Endurance and The Ranger visit the three planets so local issues, trials and tribulations confront them - often with dangerous consequences that result in a rethink of the time they have left, compromising situations and lateral thinking by the remaining crew. There are no aliens or otherworldly creatures in this film to stand in the way of our intrepid explorers - the challenges are of natural or human conditions to which they must respond, react and regroup quickly.

Without giving too much more away suffice to say Cooper is eventually rescued against all the odds, but as he floats semi-conscious in space for him only hours have passed, but on Earth another three or four decades have moved on so allowing for the development of the technology to enable his rescue ultimately. As the final chapter plays out Cooper comes round on a new space station and Murph is being flow in - she is now in her eighties (played by Ellen Burstyn) and on her death bed with her extended family around her. Cooper is still as young looking as the day he left, but in reality he is 120+ years old. In her final words to him, she tells Cooper to go in search for Brand who is stranded on one of the planets that was deemed habitable, and so he does!

Nolan has crafted a fine film, visually very impressive with a story that is grounded in as much fact as the expert theorists will have us believe (a notion that the Nolan's were keen to preserve to ensure the scientific integrity of the film and it's subject matter). This almost plays out as a lesson in science - in Einstein's 'Theory of Relativity', in Stephen Hawking's musings and the writings of Carl Sagan. The acting is spot on and special mention must go to McConaughey's Cooper as the understated, grounded, emotional optimistic explorer that he is. Whilst a Science Fiction film in the broader sense this is an emotional human drama at its heart exploring the life changing decisions we make when confronted with extraordinary circumstances - here at home, and in the far reaches of space.

See this soon, on a very big screen and soak in the spectacle of space, the science, the human drama, the emotion and the energy that Christopher and Jonathan Nolan have crafted. Easily, one of the must-see films of the year.
   

-Steve, at Odeon Online-

Wednesday, 5 November 2014

What's new in Odeon's this week - Thursday 6th November 2014.

As November rolls over there is only one movie that it likely to dominate the picture houses of the world in the coming weeks, and as a result all others are likely to pail into insignificance, but, that said, those other new releases are sure to find an audience out there looking for more intimate, low key, independent art-house type fare. And that's cool too, as there are enough movies to cater to all tastes and ultimately beauty is in the eye of the beholder . . . as someone once said!

So this week we have a hotly anticipated long awaited Sci-Fi thriller with a stellar cast and a stellar Director who has a solid crowd-pleasing track record and the pedigree to propel his film into classic genre defining greatness; then coming down to Earth with a bump we have a French sub-titled workplace industrial relations drama that is likely to be more satisfying than you think; another RomCom which I am sure I Previewed last week, but it's back again this week with a different cast and title; an Aussie suburban bondage offering that is as tender as it is confronting; and an historical offering charting the life and times of an 1830's violinist, womaniser and groundbreaking early rock star!

Five new cinematic offerings therefore to get you out amongst the popcorn and slushies, and when you have seen your chosen movie or movies, drop me a line in the Comments section following this, or any Post, and share your filmic views and opinions with my other avid Reader - we are keen to know your thoughts! Enjoy your film!

INTERSTELLAR (Rated M) - and so Christopher Nolan is about to descend upon us with his ambitious Sci-Fi thriller opus that takes his film-making in another direction following his huge success with the most recent 'Batman' franchise and his earlier 'Inception'. This film is likely to be big, make no mistake, with brother Jonathan co-writing the Screenplay based on an earlier idea that he and Christopher had back in 2007 or so, and based around the works of theoretical physicist Kip Thorne who acted as Consultant on this film. 1997's 'Contact' with Jodie Foster was also collaborated on by Thorne, and at first Steven Spielberg was linked to this film before relocating his Production Company, Dreamworks, to a rival Studio. Enter Christopher, at the behest of brother Jonathan!

In short the story surrounds a widower, Cooper (Matthew McConaughey), struggling to bring up his children on a future planet Earth that is increasingly depleted of its resources, and suffering extremes in climatic conditions, drought and famine. When a wormhole is discovered Cooper is called upon to lead a mission through the wormhole and seek out a new home for Earth's needy and ever desperate population. In doing so he must leave his two children behind for the sake of the greater good not knowing if he will ever return, and if he does, how much time will have past back on his home planet (on Earth seven years passes in the same time that one hour passes in a wormhole). Also starring Anne Hathaway, Jessica Chastain, Michael Caine, Casey Affleck, John Lithgow, Topher Grace and a fleeting uncredited cameo by Matt Damon, this could well be up there with the other Sci-Fi classics we have come to know and love and boasting a US$165M budget I guess we'll know soon enough!

TWO DAYS, ONE NIGHT (Rated M) - French sub-titled this stars Oscar Winner, Marion Cotillard in this Belgian Writer/Director pairing of Brothers Jean-Pierre and Luc Dardenne. It is a workplace drama surrounding an industrial relations issue which sees Sandra (Cotillard) facing redundancy having just returned from a period of sick-leave suffering clinical depression. She and her workmates have been advised that bonuses will only be paid if Sandra is made redundant, and so it falls to Sandra to convince eight or more of her fellow 16 workmates to forego their bonus so that she can keep her job. Of course each of her colleagues have their own story to tell, and some need the money more than others. If Sandra is indeed made redundant she is likely to fall back into depression and possible suicide, and so over the course of one weekend her fate must be decided before work resumes on Monday morning. Cotillard gives a convincing performances here of a woman on the edge and fighting for a small place in society, acceptance, a lifeline and her sanity. Compelling viewing.

LOVE, ROSIE (Rated M) - I am sure I reviewed this RomCom last week - only it was called 'The Best of Me' then, and now here I am Previewing another one in the seemingly predictable canon 'Love, Rosie'! This one is based on the 2004 novel 'Where Rainbows End' by Irish author Cecilia Ahern. This offering is Directed by Christian Ditter and stars Lily Collins as Rosie Dunne and Sam Claflin as Alex Stewart as life long friends since aged five, but come aged 18 a missed chance to get emotionally involved sends them off on opposing tangents. He moves Stateside, she has a secret pregnancy and they are torn apart but fate deals us a hand and sometimes two people are meant to be together . . . or are they? Seems like we have seen this stuff a million times before going back to Shakespeare's 'Romeo and Juliette', but if you liked the book, you might just want to check out the movie!

MY MISTRESS (Rated MA15+) - an Australian film Directed by Stephen Lance exploring S&M in the suburbs that might almost be an updated version of 'The Graduate' for the social media savvy Internet age. Here we have 16 year old Charlie Boyd (Harrison Gilbertson) whose mother he discovers is having an affair with his fathers best mate. Down the road lives a mysterious intriguing woman who seems to have a regular line of visitors by day and by night, and she is looking for a gardener. When an tragic family event involving Charlie's dad sends him spiralling into a world of hurt the only person who can provide any solace is the mysterious intriguing French woman down the street - Maggie (Emmanuelle Beart). She it turns out is a dominatrix who will gladly take away your pain, or indeed give it, in exchange for your cash, but she too is fighting her own inner demons. As the two forge an unlikely relationship that turns from pain and sex to friendship and love both come to rely on each other to heal their emotional wounds and move on with their lives.

THE DEVIL'S VIOLINIST (Rated MA15+) - sex and scandal sells - even across 1830's Europe if you happen to be the renowned violin virtuoso Niccolo Pagannini as played by David Garrett. Even back then rock star violinists had Agent's to manage their interests and this one is no different. Having taken Europe by storm it is time to conquer England where our accomplished violin player remains relatively unknown. Manager Urbani (Jared Harris) makes all the arrangements and in London things go better for Pagannini than either of them had anticipated largely thanks to the gushing reviews of journalist Ethel Langham (Joely Richardson). Having to take refuge in the home of English promoter and stage manager John Watson (Christian McKay) things take a turn when Pagannini takes a fancy to the daughter of the household and further sex and scandal no doubt ensues!

Once again, five very different offerings with which to tempt you to your local cinema, and plenty of other great content out there still doing the rounds and as Reviewed/Previewed previously. Enjoy your film (or two or three) in the weekend ahead.

Movies . . . see as many as you can!

-Steve, at Odeon Online-