Showing posts with label Julia Louis-Dreyfus. Show all posts
Showing posts with label Julia Louis-Dreyfus. Show all posts

Saturday, 17 May 2025

THUNDERBOLTS* : Tuesday 13th May 2025

I saw the PG Rated 'THUNDERBOLTS*' earlier this week, and this American Superhero film is the 36th film in the Marvel Cinematic Universe and serves as the final instalment in Phase Five of the MCU. This film is Directed by Jake Schreier who made his Directorial debut with 'Robot & Frank' in 2012 and would follow this up with 'Paper Towns' in 2015. Since then he has helmed numerous TV series including multiple episodes of  'Lodge 49', 'Kidding', 'Brand New Cherry Flavour' and 'Beef' as well as music videos for the likes of Benny Blanco, Kanye West, Justin Bieber and Kendrick Lamar. This film saw its World Premiere screening in London on 22nd April and was released in all major markets from 1st May. The film has generated positive critical reviews, and has so far grossed US$280M from a production budget of US$180M. 

The film opens with Yelena Belova (Florence Pugh) sitting with her feet dangling over the edge of a tall skyscraper in Kuala Lumpur, Malaysia. She stands and promptly launches herself off the top, parachuting down about half the length of the tower before gliding inwards and stepping gently off about fifteen stories from the bottom. Once inside, she sets about destroying a laboratory on behalf of CIA Director Valentina Allegra de Fontaine (Julia Louis-Dreyfus) to cover up her involvement with the O.X.E. Group's 'Sentry' superhuman experimentation project. 

As de Fontaine faces imminent impeachment for her work with O.X.E. Group, she separately sends Yelena, John Walker (Wyatt Russell), Ava Starr (Hannah John-Kamen), and Taskmaster (Olga Kurylenko) to a secret O.X.E. facility buried a mile underground atop a remote mountain, under the pretense of killing a thief. In the ensuing confrontation, Ava kills Taskmaster and a mysterious man named Bob (Lewis Pullman) is released from a suspended animation pod in the room. 

After coming to the realisation that they were sent by de Fontaine to be incinerated along with any evidence of her misconduct, they put their differences aside and work together to escape from the deadly trap. De Fontaine learns from her Assistant Mel (Geraldine Viswanathan) that the group has survived, including Bob, who was presumed dead during the Sentry trials. When she arrives at the site, the team have made it to the surface, and so Bob creates a diversion by drawing fire from de Fontaine's small but heavily tooled up army, allowing Yelena, Walker, and Ava to escape, only to sustain no injuries despite being shot at close range multiple times. Bob then uncontrollably ascends high into the air before passing out and crash-landing back at the compound, where he is captured and helicoptered back to the former Avengers Tower in Manhattan, which is mid-way through a serious make over and is now renamed the 'Watchtower'. 

De Fontaine intends to introduce Bob to the press as a super-powered protector akin to the Avengers, hoping the PR stunt will avert her impeachment. Meanwhile, Alexei Shostakov aka Red Guardian (David Harbour), who had overheard details of de Fontaine's plot while working as a freelance chauffeur, rescues Yelena, Walker, and Ava. Referencing Yelena's childhood soccer team, Shostakov refers to the group as the 'Thunderbolts'. 

De Fontaine's agents chase after the Thunderbolts before they are ultimately caught and tied up by Bucky Barnes aka Winter Soldier (Sebastian Stan), whose intention it is to have them testify at de Fontaine's impeachment hearing. Learning that Bob was a subject of one of de Fontaine's top-secret experiments, Barnes joins the group to head to New York to infiltrate the Watchtower. The Thunderbolts discover that de Fontaine has convinced Bob to join her side as a new superhero she plans to pitch to the media as a replacement for the Avengers called the Sentry. 

After easily overpowering the team and forcing them to retreat, Sentry develops a god-like delusion of superiority, turning on de Fontaine. However, Mel, incapacitates him with a failsafe kill switch. This triggers the emergence of the Void, Bob's destructive alter ego and the embodiment of his depression and insecurities created as a result of the procedure and his fractured psyche, who begins engulfing New York City in supernatural darkness, trapping its citizens in pocket dimensions based on their worst memories and fears.

Yelena realises that the only way to stop the Void is from within, and so she enters the darkness to reach Bob's consciousness. There, she faces her haunted past as a Black Widow and finds Bob hiding in a recreation of his childhood bedroom, where his father abused him. The other Thunderbolts join them, and together they travel back through various 'rooms' ultimately to the memory of Bob's initial experimentation in Malaysia, where he volunteered for the procedure, hoping to improve himself after becoming an aimless drug addict. The Thunderbolts confront the Void, but are quickly overpowered. As the struggle threatens to fully consume Bob, the team intervenes, affirming their belief in him. Their solidarity empowers Bob to regain control, overcoming the Void as light and normality return to the city.

With the threat now past, the Thunderbolts are all set to apprehend de Fontaine. However, she manipulates public perception by staging a press conference in which she introduces them to the public as the 'New Avengers'. The Thunderbolts go along with this, but Yelena threatens de Fontaine if she betrays them again. Remain in your seat for a mid-credits sequence which really is something and nothing, and for the end credits sequence which gives a nod to 'The Fantastic Four : First Steps' the upcoming 37th entry in the MCU and the start of Phase Six, and set for release at the end of July this year.

I was pleasantly surprised by 'Thunderbolts*' with its rag tag bunch of ne'er do wells that are all damaged, traumatised and emotionally scarred in some way that makes them vulnerable and more relatable than some of the other characters we have seen in more recent MCU offerings. It was also somewhat reassuring to see an MCU film grounded in the present day NYC rather than going off on some tangent and taking us deep into the multiverse as has been the want lately, or at least so it seems. Florence Pugh holds the team together and hers is the standout performance in what Director Jake Schreier has pulled together as a coherent, concise and controlled entry into the MCU, while setting up Phase Six of the MCU. The action sequences are well realised and don't overstay their welcome, and there is enough emotional heft and well delivered humour here to make this a well balanced film. 

'Thunderbolts*' merits four claps of the Odeon Online clapperboard from a possible five claps.
-Steve, at Odeon Online-

Friday, 23 June 2023

YOU HURT MY FEELINGS : Tuesday 20th June 2023.

I saw the MA15+ Rated American comedy drama film 'YOU HURT MY FEELINGS' this week at my local independent movie theatre. This film is Written, Co-Produced and Directed by Nicole Holofcener whose prior feature film making credits include her debut in 1996 with 'Walking and Talking', then 'Lovely & Amazing' in 2001, 'Friends with Money' in 2006, 'Enough Said' in 2013 and 'The Land of Steady Habits' in 2018. The film has garnered universal critical acclaim and has so far grossed US$4.7M since its World Premiere at the Sundance Film Festival at the end of January and its US release in late May. 

Beth (Julia Louis-Dreyfus who also Co-Produces here) is a writer having penned a reasonably successful memoir five years ago about the verbal abuse she suffered as a child at the hands of her father, often calling her 'stupid' and 'shit for brains'. As a result, now an adult, she suffers with a lack of confidence, although she is happily married to rather unsuccessful therapist Don (Tobias Menzies) and they have a 23 year old son Elliott (Owen Teague) who is an aspiring writer himself and has embarked on his first stage play script although he is a long way off completing it, and in the meantime works as a manager in a marijuana store. Beth also teaches a writing class part time and we see her interacting and encouraging her small handful of would be writers. 

At a restaurant to mark their wedding anniversary Don hands Beth a small gift wrapped box which contains a pair of gold earrings in the shape of a leaf as a present, and Beth reciprocates with a box for Don, containing a blue V-neck cashmere sweater. They both gush over their presents. We then meet Sarah (Michaela Watkins) Beth's younger sister who is an interior designer and her husband Mark (Arian Moayed) a struggling Actor. Once a week Beth and Sarah hold a clothing charity store at their local church for the needy and homeless allowing all comers to take one item per day for free. In the meantime Beth has just finished the final draft of her first work of fiction writing, and she is in discussion with her publicist about getting her first novel onto the shelves, but her publicist (who served her well for the publication of her memoir) says it needs more work. Don encourages Beth to seek out another publicist who will see her work for the masterstroke it is!

One day Don and Mark are out for a walk in the park which leads them to a department store where they are seen talking in front of a sock stand. At the same time Sarah and Beth are out in the city and they decide to go into the same store and sneak up behind their husbands and surprise them. 

However, the wives are stopped dead in their tracks when Beth overhears Don saying to Mark that he hates her latest book, but he doesn't have the courage to tell her how lousy it is, so he just keeps on encouraging her. Beth is mortified by this overheard admission from her husband and Sarah doesn't know what to say or which way to turn, so they both leave the shop leaving their unsuspecting husbands to continue chatting. 

Beth immediately feels betrayed and cheated by her husband who has blatantly lied to her about this and who knows what else. So after going to a bar and drowning her sorrows she comes home and spends the next few nights sleeping on the couch much to Don's dismay. Mark's birthday is coming up in a couple of days and Beth and Don have been invited over for dinner. Mark in the meantime is over the moon because he has been offered a film role, but the day before his birthday he calls Sarah in floods of tears and tells her to come home immediately. When she gets there, Mark is distraught saying that the Director fired him on the first day, and in front of the whole cast and crew and how is now done with acting. 

During the birthday dinner, tensions still remain high between Beth and Don, which then overspills into the conversation with Beth coming clean over what she heard that day in the store. Don is surprised by the accusation refuting the claims made by his wife and saying that she took it out of context and that is just his opinion and how much he loves her anyway. Beth storms out of the house and Don follows, pleading with her on the street but she will have none of it. 

Later on Elliott comes around to the house and says that his girlfriend ditched him. He's devastated and Beth and Don try to console him. The conversation then turns to Elliott's childhood and how Beth very actively pushed her son into an advanced swimming class as school even though Elliott was not a strong swimmer, resulting in his swim coach banning him from his class saying he needs to join the beginners class. Then on another occasion Elliott handed in an essay which he had worked so hard on but for which he scored a 'C' grade. Beth lobbied his teacher and had his score improved to a 'B' grade even though Elliott knew his essay was 'C' grade material anyway. Don meanwhile sits beside Beth on the couch listening intently to all these little white lies and when Elliott leaves the room, he berates Beth for doing exactly the same things to Elliott as she is now accusing him off. Beth responds saying that her actions then were different, because Elliott was just a child!

Afterwards the conversation turns to their anniversary presents. Beth says she never really liked the leaf earrings he gave her, and goes to their bedroom and returns with a jewellery rack with a dozen or so pairs of leaf earrings neatly arranged all dangling off it. She says she liked the very first pair he bought her, but after that not so much. Don then responds about the V-neck sweaters that she bought him for the past three years saying that men don't wear V-neck sweaters because unlike women they have no cleavage to show off, so he'll never wear them. Following this, they appear to make up and reconcile their differences.

We then fast forward a year and Beth and Don are in a restaurant celebrating their wedding anniversary with Elliott. Don hands over a small gift wrapped box to Beth which she duly opens to reveal a pair of gold leaf earrings. Beth hands over a box to Don in which is contained a V-neck sweater. Both share a laugh about their gifts which Elliott clearly doesn't get, to which his parents respond with 'it's an in-joke'. Upon leaving the restaurant, Elliott hands his parents each a copy of his completed first draft of his stage play, which Beth says I know it's gonna be great. Later that night, the pair both sit up in bed, turn on their lights and begin reading Elliott's script. 

The moral of 'You Hurt My Feelings' is that if you tell lies, no matter how small, or how insignificant or how white they may first seem, you're gonna get found out eventually and ultimately suffer the consequences as a result. I found this film more like an elongated episode of 'Seinfeld' but played less for the laughs and more for the dramatic effect. Julia Louis-Dreyfus plays the angst ridden emotional cornerstone of the film with her trademark magnetism that she puts into all her roles, and the supporting cast all play their roles convincingly. The film is certainly relatable on many levels, but the comedy is very light on. That said, this is a small film made for a more mature audience whose taste in filmed entertainment rises above the Superhero fare, the shoot 'em up features and the Cops & Robbers offerings that we have become so accustomed to seeing on our big screens with ever increasing regularity - and there's nothing wrong in that! See it if you will on the big screen but you can easily catch it when it arrives on your TV screens, and save yourself the price of cinema entry. 

'You Hurt My Feelings' merits three claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-