Showing posts with label Julia Roberts. Show all posts
Showing posts with label Julia Roberts. Show all posts

Monday, 6 June 2016

MONEY MONSTER : Friday 3rd June 2016.

'MONEY MONSTER' which I saw on Friday is Jodie Foster's fourth Directorial outing after 'Little Man Tate', 'Home for the Holidays', and 'The Beaver' and in this Wall Street set thriller she teams up with George Clooney who Co-Produces and acts with Julia Roberts in the lead roles. Made for US$27M the film has so far recouped US$67M since its mid-May Premier at Cannes and its release Stateside that same day, but has received mixed reviews from critics, despite this probably rating as Foster's best Directorial outing so far.



Our story opens with the news channels broadcasting to us that yesterday 'IBIS Clear Capital' stocks nosedived losing angry investors over $800M because of a 'glitch' in the computer trading algorithm used by that company. As Wall Street financial wunderkind and fast talking stock trading guru Lee Gates (George Clooney) is about to go to air on his own cable network show 'Money Monster', he remains calm, calculating and lighthearted despite recommending this blue chip stock to his viewers just one month ago - and on Wall Street it seems Gates has some clout and has served his investor viewers well in the past. But not today! The count down begins to Gates going live on air, with his long time Director Patty Fenn (Julia Roberts), in his ear and in front of the studio monitors every step of the way. They laugh and joke - it's a Friday - and the week is drawing to a close - what are their dinner plans for that night they quip from opposite ends of the Friday night dinner spectrum.

When the cameras role, its time for action and 'Money Monster' goes live to air with Gates opening up with a song & dance routine to introduce the show, and then quickly gets to grips with the IBIS Clear Capital meltdown of yesterday. He shakes it off in a cavalier kinda way saying that as investors you gotta roll with the punches, ride the ups and downs and take the rough with the smooth. He is hoping to get the IBIS CEO Walt Camby (Dominic West) on the show for some live Q&A, but has to settle for Chief Communications Officer Diane Lester (Caitriona Balfe) who is via a live feed on a monitor in the studio, because Camby is in flight somewhere heading to Geneva in one of his many private jets.

About five minutes into the show, a delivery man wanders onto the set carrying two boxes having negotiated his way easily enough past a napping team of security guards. Going along with what is thought to be a ruse, Gates soon realises that this delivery guy is no ordinary delivery guy as he pulls out a loaded weapon and starts firing randomly to draw attention to himself and capture the interest of the viewing public. The man in question is a Kyle Budwell (Jack O'Connell) who we learn quickly wants answers from Gates as to how and why IBIS tanked yesterday costing investors $800M and him personally his inherited life savings of $60K in a stock that he recommended as a sure bet only weeks before. Having made his intentions known on live television, Budwell orders Gates to open a box, pull out and put on what is contained therein - a vest containing semtex explosives with a hair trigger that Budwell keeps firmly held in his hand, but will detonate as soon as his thumb is released from the trigger.

Once Gates has got over his initial panic, and Budwell has taken charge of the on-camera events, so Fenn swings into action taking charge of the off-camera events albeit in direct communication with Gates via his ear piece and the New York Police Department who quickly assemble a team on the ground. She orders everyone to vacate the studio except for essential cameramen, sound technicians and a couple of assistants in her control room.  The on-camera dialogue continues as Gates tries to calm the situation and gain some control with Fenn's help. Gradually, Gates starts to feel some sympathy for Budwell, realising that he is from a working class background, struggling to make ends meet and he has indirectly compounded the situation. To placate Budwell, Gates says that he will get him the answers, and so he organises a live link up with IBIS CCO Lester in Camby's absence to provide some clarity. That doesn't go well as she says that she too lost money and it was just a 'glitch', and hey, shit happens!

Unaccepting that it is just a glitch, behind the scenes Fenn starts to do some digging as does Lester by tracking down who created the algorithm in the first place eventually tracing the programmer to Seoul, where she gets him on the phone. He states clearly that there is no way  he algorithm could take such a substantial and slanted position - it is mathematical code not designed to do so, and such an event could only occur with human intervention - guaranteed! As more becomes known about Budwell, we learn that his mother died six months earlier leaving him the $60K that he invested in IBIS based on Gates more than positive endorsement. We also learn that he has a girlfriend heavily pregnant with their first child, and that he earns $14 an hour labouring - barely enough to scrape together a living for the two of them let alone a third on the way. The Police bring her to the studio where she goes on air to talk him around and diffuse the matter, but instead she publicly berates and humiliates him with all the voracity of a woman scorned and on live TV for all the world to hear and see.

The Police SWAT Team have arrived meanwhile and have gained access to the studio with the aim of taking out Gates by shooting the bombs receiver which is located directly over his kidney - shoot the receiver and the bomb is diffused, but that means shooting Gates and there is an 80% chance he'll survive, and hey, he's got two kidneys anyway! Gates and Fenn don't know this, but soon do when an evacuated Assistant to Fenn down on the street overhears a conversation involving the Police and the SWAT guys that this is about to unfold. By now, Gates is sympathetic to Budwells position and has taken pity on the struggling man with a cause. He hatches a plan to vacate the studio and get to Federal Hall and confront Camby who has since flown in from Johannesburg it is revealed, and not Geneva where everyone thought he had been. Using Budwell as cover to prevent the SWAT Team from shooting out the vest's receiver, the two vacate the building with a cameraman, the Police following behind and onlookers lining the streets.

In the meantime, Fenn is on the ground following and giving instructions from an outside broadcast van. She contacts a group of hackers based in Iceland to dig into Camby's whereabouts in Johannesburg and uncover the truth behind his dealings there. Locating Camby at Federal Hall before he could bolt having been cornered by Lester who divulged that she knew he had lied about his whereabouts, Gates and Budwell position him so that he can not run away. Confronting Camby with what they know, having received video evidence from the ever so helpful Icelandic hackers, it turns out that the IBIS CEO syphoned off $800M to invest in a South African mining company whose stock value would be devalued by a made up union strike that would run longer than expected as a result of bribing the miners union. Buying the undervalued shares, he would then profit in the billions when normal work resumed and the share price rose to its former position and then some. But the plan backfired, when the miners remained on strike and IBIS buckled under the weight of its own trading position - nothing therefore to do with a glitch in the algorithm. Confronted with the video evidence which has now been beamed around the world, Camby admits the wrong doing which is all that Budwell wanted, and so he gives himself up willingly, whilst Camby has to face trial for various violation counts under the Foreign Investment Acts.

I did enjoy 'Money Monster' - it moves along a good pace, it is a solid enough story reasonably well told, the characters you can relate to, the lead players of Clooney and Roberts share an on-screen chemistry that we have seen before and which is evident here too, and Director Foster has further honed her film making skills to deliver a thrilling, dramatic and at times satirical look at Wall Street, those who work it, those who invest in it and how we consume it. However, for me the final chapter when everything comes together just so is a little too convenient, too contrived and too quick. The whole thing unfolds over a few hours one Friday during day time TV and serves to bring the whole sorry story for Budwell and Gates to a close in the way that we know is going to be inevitable. Certainly worth a look, entertaining if a little predictable.

  

-Steve, at Odeon Online-

Wednesday, 1 June 2016

What's new in Odeon's this week : Thursday 2nd June 2016.

Launched first in 1954 and this year celebrating its 63rd year, the Sydney Film Festival opens its doors to film buffs, movie lovers, those working in front of the camera and behind it, critics, sponsors, the media and the general public on Wednesday 8th June and runs for twelve days until Saturday 19th June. As one of the worlds longest established film festivals this twelve day festival event includes over 250 screenings across Sydney at The State Theatre, the George Street Event Cinema multiplex, The Cremorne Hayden Orpheum Picture Palace, the Dendy Opera Quays and Newtown, The Art Gallery of New South Wales and Blacktown's Skyline Drive-In amongst others. With a number of worldwide and national Premier's screening you can expect a varied, colourful, diverse, emotional, engaging and compelling line up of films that takes in features, short films, animation, and documentaries from around the world together with interviews, tributes, perspectives, retrospectives and special presentations.

And of course there are those films in official competition and those also competing for other awards. The festival opens with 'Goldstone'  - a modern day Aussie outback Western Directed by Ivan Sen and starring David Wenham, Jackie Weaver, Aaron Pedersen, Alex Russell and David Gulpilil having its World Premier. Closing the festival will be 'Love & Friendship' Directed and Written for the Screen by Whit Stillman and starring Kate Beckinsale, Chloe Savigny and Xavier Samuel in this adaptation of Jane Austen's unfinished 'Lady Susan', and having its Australian Premier here. For more information on the Sydney Film Festival, go to : www.sff.org.au I'll provide a further update next week too.

This week then we have four new films to get you out to a movie theatre near you with the onset of a Southern Hemisphere Winter with cooler evenings but still some pretty hot offerings of the cinematic kind. First up is the sequel to a commercially successful, if only mildly critically successful, first instalment of just three years ago featuring an ensemble cast and lots of trickery pokery, sleight of hand, illusions and magical stuff. That same cast is reunited with some added talent (including the master wizard of them all) for more of the same, but different! Then we have a Wall Street offering in which a vast sum of money goes magically missing much to the chagrin to one disgruntled investor who takes matters into his own hands and wants answers, the truth and retribution all in front of a national live TV audience. Next up is a historical biopic of epic proportions with sand, camels, tents, sand, oases, sand, more sand and a human drama surrounding one multi-tasking lady of yesteryear - and it's not Lara Croft either; before wrapping up with our Italian foreign language film of the week surrounding a heart surgeon, his son and the Priesthood.

As always, feel free to share your views, opinions and observations of your movie experience in the coming week by leaving your Comment in the box below this or any other Post - we'd love to hear from you.  In the meantime, enjoy your film.

'NOW YOU SEE ME : THE SECOND ACT' (Rated M) - 2013's first instalment in this magic heist adventure offering was Directed by Louis Leterrier, comprised an all star cast, and despite its largely mixed critical reviews it made US$352M from its US$75M production budget and was therefore hailed a commercial success at least. Three short years later, and as if by magic we have a sequel up our sleeve this time Directed by Jon M. Chu with much of that original line up reprising their roles. Those being Mark Ruffalo, Dave Franco, Woody Harrelson, Jesse Eisenberg, Michael Caine, Morgan Freeman joined by Lizzy Caplan replacing Isla Fisher with Daniel Radcliffe joining the magic circle too. With such a cast of A-listers, illusionists and magicians this can't help but be a success . . . can it?

Essentially one year on from cleverly outwitting the FBI with a grand illusion to end all grand illusions whilst winning over the confidence, respect and support of the general public, 'The Four Horsemen' (no, not those from 'X-Men : Apocalypse') reappear for an encore performance in the hopes of exposing the unethical dealings of a tech magnate. The man behind the new jaw dropping disappearing extravaganza is Walter Mabry (Daniel Radcliffe) who threatens the Four Horsemen with a daring seemingly impossible heist, or expose them to the FBI to suffer the consequences. Their only hope is to pull off perhaps their must daring complex stunt yet in the hope of clearing their names and exposing the brains behind that trick. With talks underway for an already confirmed 'Now You See Me 3' it looks like the The Four Horsemen will survive to ride another day, and perform more sleight of hand for your disbelieving pleasure.

'MONEY MONSTER' (Rated M) - This is Jodie Foster's fourth Directorial outing after 'Little Man Tate', 'Home for the Holidays', and 'The Beaver' and in this Wall Street set thriller she teams up with George Clooney who Co-Produces and Julia Roberts in the lead roles with Jack O'Connell as the mightily pissed off investor. Made for US$27M the film has so far recouped US$53M since its mid-May Premier at Cannes and its release Stateside that same day. Telling the story of Wall Street financial wunderkind Lee Gates (George Clooney) who appears on his own popular cable channel finance show 'Money Monster' who gets interrupted one episode mid-way through a broadcast by Kyle Budwell (Jack O'Connell) claiming to have lost $60K - his life savings - after a hot investment tip given by Gates live on air tanked and investors lost a total $800M. Budwell live to air takes Gates hostage, makes him wear a bomb vest and promptly demands answers how his sage advice could have been so wrong - or suffer the consequences, and die! Supported by long time Director Patty Fenn (Julia Roberts) the there embark on a game of cat & mouse to uncover the truth of what really happened, before it all goes horribly wrong in front of a live television audience.

'QUEEN OF THE DESERT' (Rated M) - less to do with Priscilla, and more to do with Gertrude Margaret Lothian Bell who lived from 1868 until 1926, and it is her life upon which this film is based. She was an English writer, traveller, political officer, administrator, spy and archaeologist and here is portrayed by Nicole Kidman in this Werner Herzog Directed film for which he also wrote the Screenplay. The film chronicles the life of Gertrude Bell as she explored, mapped, and became highly influential to British imperial policy-making due to her knowledge and contacts, built up through extensive travels in Greater Syria, Mesopotamia, Asia Minor, and Arabia. The film also stars Robert Pattinson as T.E.Lawrence, James Franco as Henry Cadogan, Damian Lewis as Charles Doughty-Wylie, Christopher Fulford as Winston Churchill, and Jenny Agutter as Florence Bell. Filmed principally in Morocco and Jordan involving mostly local cast & crew, the film Premiered in Berlin in February 2015, was released in Germany last September, and now only has its release in Australia. If sweeping epic biographical historical dramas are for you, then this will be right up your sand dune!

'GOD WILLING' (Rated PG) - known by its Italian title 'Se Dio vuole' this Italian language film is Directed and Co-Written by Edorado Maria Falcone and has been seen around the film festival circuit and has picked up a small handful of awards and nominations in doing so since its release date in April last year. The story here surrounds Tommaso (Marco Giallini) as a successful yet arrogant heart surgeon who also happens to be an atheist. Married to Carla (Laura Morante), they have two children Bianca (Ilaria Spada) who is a waster and has no time for anyone or anything and Andrea (Enrico Oetiker) a brilliant career minded med student who has designs on following in his fathers footsteps, much to the joy of proud Tommaso. But Andrea is changing and one day he gathers the family around to break the news that he has found Jesus, and wishes to become a Priest - much to the horror of his atheist father. Believing his son to be brainwashed at the hands of Don Pietro (Alessandro Gassman) he starts to find ways to undermine and expose the Priesthood and Don Pietro before its too late, but of course plans are sure not to go according to plan, and where will all of this leave Andrea having seen the light along the path of righteousness?

Four new films to tease you out to your local movie theatre as we move into Winter well & truly here in Australia. Share your views with us all here when you have sat through your movie of choice, and in the meantime I'll see you at the Odeon.

-Steve, at Odeon Online-

Thursday, 23 January 2014

AUGUST : OSAGE COUNTY - 14th January 2014

Saw 'AUGUST:OSAGE COUNTY' this evening after getting to the end of the queue to be told 'THE BOOK THIEF' was sold out tonite - so next best option! Had read the reviews of this film which have been mixed despite the strong ensemble cast, the stirring emotional story line, and the fact that is largely set within the four walls of an ageing family home. 

This is the tale of a seriously dysfunctional family, three estranged sisters, and their mother suffering mouth cancer and hooked on uppers, downers and pain killers to numb the pain all the while seemingly oblivious to what these prescription drugs are doing to her mental state (solid film material this!) 

The mother in question is played to great effect by Meryl Streep who gives another solid performance with moments of pathos, anger, humour and raw emotion. Very ably supported by Julia Roberts who has given her best performance since her award winning 'ERIN BROKOVICH' turn drops the 'F' bomb more times that you can count but her performance is solid & grounded and a highlight of the film. Juliette Lewis, Chris Cooper, Dermot Mulroney, Benedict Cumberbatch and Ewan McGregor all support and all have their moment in the sun with some great lines and emotional dialogue. 

This all surrounds a cataclysmic event in the family that bring all these disjointed disenfranchised characters together, which in turn brings out many more skeletons, home truths and twists & turns as the family unit slowly implodes. Heavy on dialogue, heavy on emotion, at times bleak & unforgiving this is not uplifting stuff, but it will leave you wondering, debating and discussing some very strong performances and the dinner sequence in particular is more than noteworthy as a pivotal scene in the film. 

You don't need to see this on the big screen and don't watch it if you're feeling alone, depressed or angry!

-Steve, at Odeon Online-