Showing posts with label Lex Scott Davis. Show all posts
Showing posts with label Lex Scott Davis. Show all posts

Thursday, 26 August 2021

SWEET GIRL : Monday 23rd August 2021.

With Greater Sydney still in COVID lockdown now until the end of September at least, and as a result all cinema's closed until sometime after this date, I've been reviewing over the last few weeks some the latest feature films released recently onto Netflix. One such film that I watched from the comfort of my own home this week is the American action thriller 'SWEET GIRL' Directed by Brian Andrew Mendoza in his feature film making debut following his only other foray into film making with the 2009 short film 'The Via Monterey'. He has however, in the intervening years been kept busy with a number of Producer credits on such films as 'Road to Paloma' Directed, Co-Written and starring Jason Momoa, 'Braven' with Jason Momoa, on three episodes as Executive Producer of 'Frontier' with Jason Momoa, and the upcoming 'The Last Manhunt' Written by Jason Momoa. It will come as no surprise therefore, that this films headlining star is none other than Jason Momoa, who also takes a Producer credit here. The film was released on Netflix on 20th August and has generated mixed or average Reviews. 

The film opens up with Ray Cooper (Jason Momoa) and his wife Amanda (Adria Arjona) and their young daughter Rachel (Milena Rivero) enjoying peaceful and loving family time on a forest camping trip. Sometime later in Pittsburgh, Pennsylvania, Amanda falls ill with life threatening cancer. Doctor Wu (Reggie Lee) comes to Ray with the great news that a soon to be available new drug will halt the cancer's progress in its tracks, which lifts his spirits considerably. Soon afterwards when there is no further news on this groundbreaking drug, Ray learns from Dr. Wu that the potentially life saving drug has been pulled off the market, due to the BioPrime CEO Simon Keeley's (Justin Bartha) new business move. Watching Keeley on a live debate on the TV with Congresswoman Diana Morgan (Amy Brenneman), Ray calls in to question Keeley live on air. He threatens Keeley, saying if he doesn't reverse his decision, that he'll personally kill him with his own bare hands. Keeley needless to say doesn't take the threat seriously and sometime shortly thereafter Amanda passes away, devastating both Ray and Rachel.

Fast forward six months and Ray one day out of the blue gets a phone call from a reporter Martin Bennett (Nelson Franklin) who tells him he can help him get justice for Amanda. After a goose chase, they meet on a subway train, having been unknowingly followed by Rachel (now played by Isabella Merced). Bennett tells Ray that BioPrime has been bribing anyone who questions their dirty deeds, including the company that made the drug Amanda needed to save her life. Before he has finished and Ray is trying to take all of this in, a hitman named Santos (Manuel Garcia-Rulfo) attacks and kills Bennett. Ray fights back and as the train stops at a station, Santos stabs Ray and knocks out Rachel, leaving them both lying on the platform as he makes his getaway on the train.

Fast fast forward two years and father and daughter are living in some dead beat apartment. Ray has been keeping tabs on, and investigating Keeley in the meantime. He sneaks into a lavish charity fund raising event honouring Keeley, posing as a waiter. He eventually gets Keeley on his own with two of his bodyguards - one of which he thwarts with a CO2 fire extinguisher to the face and the other gets accidentally shot in the head when Ray and Keeley tussle with a gun. Holding a knife to Keeley throat, he questions him about the hit on Bennett and the bribes. As Keeley tells him it was the Chairman Vinod Shah (Raza Jaffrey) who signed off on all hits, Keeley is able to break free and in the ensuing fight, Ray wraps a sheet of plastic wrapping around his face and holds it tight from behind suffocating the CEO. 

Ray and Rachel need to abandon their apartment and quickly for fear of reprisals. They book into a motel somewhere outside town. Rachel, now growing increasingly concerned about her father's pursuit for revenge calls FBI Agent Sarah Meeker (Lex Scott Davis) and advises her to look into BioPrime. Early the next day two gun totting heavies break into the motel and Ray dispenses with them both, only adding to the tensions between the pair. They go on the run, and Meeker puts out an APB on Ray's car. They pull off the road up a dirt track in the snow and out of sight. The next day Ray plans to go after Shah alone, leaving Rachel behind but she convinces him to take her with him.

They ambush Shah's car and its convoy of two others carrying a contingent of bodyguards. Ray disables two vehicles using nails to puncture the tyres of one and a bulldozer to upturn the other leaving Shah's car stranded on a tree trunk that Ray had cut down earlier in the day blocking the exit from a tunnel. Santos has meanwhile arrived on the scene all guns blazing. He takes out Shah's one remaining bodyguard and as Ray tries to interrogate him in the tunnel, Shah is shot and killed by Santos who's also been following him. Ray and Rachel make a hasty retreat with Santos shooting out one of the tyres. Rachel recognises Santos as the man who attacked them on the subway train. They abandon their vehicle and steal a breakdown tow truck. Driving past a diner, they spot Santos' Volkswagen Kombi Van, and the three meet up there on neutral territory, with four Police Officers sat in a booth at the other end of the diner. Ray gets Santos to tell him his employer is Diana Morgan. Upon leaving, Santos calls after Rachel saying that they'll meet up again in Pittsburgh. 

Upon arriving in Pittsburgh, they're spotted by the FBI helicopters and a convoy of Police vehicles in hot pursuit. Ray gets out of the truck and heads into a baseball stadium where the game has just ended and the crowds are exiting. A foot chase ensues through the crowds and the FBI catch up with Ray on the roof of the stadium. As Meeker attempts to talk him down, it is revealed that Ray is in fact Rachel. It seems that Ray died from the stab wound at the subway station two years previously and since then Rachel, suffering from PTSD, has been on her own journey for her own brand of justice. She jumps off the rooftop into the river below. She is found and arrested by Meeker, and strapped down with her neck in a brace in the back of an ambulance. She successfully manages to thwart her captors, gain control of the steering wheel so crashing the ambulance and flees the scene.

Determined to finally get some form of justice for her Mum and Dad, Rachel breaks into Morgan's office. However, she is greeted by Santos and a knife fight breaks out. Rachel crashes through a window and clings to a set of scaffolds and clambers down several levels. Santos reaches her and the pair fight once again ending up in a fountain. Santos gains the upper hand by strangling Rachel under the water where she looses consciousness. The voice of her father telling her to wake up sees Rachel spring into action against an unsuspecting Santos, and this time it is she who has the upper hand repeatedly stabbing him in the chest finally killing him until the water runs red. She returns to Morgan's office and confronts the Congresswoman and secretly records her admitting she was bribed by BioPrime and ordered the hit that killed Bennett and in turn her father. Rachel boards a plane to an unknown destination and an uncertain future as the voice recording is received on Meeker's email. 

Ultimately there's nothing sweet about this sweet girl - more of a sour puss really who's hell bent on revenge at any cost for those no good conniving big pharma types who seem to have hitmen and politicians planted firmly in their very deep pockets. That said there does seem to be a screen presence between Momoa and Merced that carries the film forward, and Momoa shows that he's capable of portraying real raw emotion as well as the physical aspects of his prior big and small screen outings. The plot twist at two-thirds in adds a new dimension to the film that almost takes it into the realms of fantasy, but to get there Ray/Rachel has to climb up onto the roof of a baseball stadium, just so that he/she can jump of it (reminding me of the closing scene in 'The Bourne Ultimatum') - plllleeeease! The fight sequences are realistic and well choreographed but after the first couple of rounds it's more of the same, repetitive shoot 'em, knife 'em, kick & punch 'em fare with an eighteen year old girl winning the day against a far deadlier and more heavily armed foe, that thanks to that plot twist makes you lose all credibility in what went before. 

'Sweet Girl' merits two claps of the Odeon Online clapperboard from a potential five claps. 
-Steve, at Odeon Online-

Friday, 17 August 2018

SUPERFLY : Tuesday 14th August 2018

I saw 'SUPERFLY' this week, and here we have a remake of the 1972 Blaxploitation action crime drama film of the same name, this time Directed by Director X (aka Julien Christian Lutz). This Canadian film and music video Director has been shooting music videos since 1998, but this is only his third outing helming a feature film since 'Across the Line' in 2015 and 'Centre Stage : On Pointe' in 2016. Released in the US in mid-June and in the UK not until Mid-September, the film cost US$16M to make, has so far grossed US$21M and has garnered generally mixed Reviews. The 1972 film incidentally, cost under US$500K to make and grossed in excess of US$30M, and is perhaps best remembered for its memorable Curtis Mayfield soundtrack. A sequel was released in 1973 'Super Fly T.N.T.' which tanked commercially and critically, and in 1990 a second sequel was released 'The Return of Super Fly' which performed no better. Now in 2018 its time to dust off those street hustlers and underworld crims of yesteryear and package them up into this polished fast talking hard hitting 21st Century offering.

The film opens up with Youngblood Priest (Trevor Jackson) pulling up to some local nightclub and marching in as though he owns the joint . . . and perhaps he does! He swaggers up to the apparent owner - all bleached blond dreadlocks, heavy gold neck chains and surrounded by his brother and sistahood with gangsta rap blaring out from the stereo of his newest 'acquisition' - a latest model Lamborghini. Priest asks him where his money is, and the dreadlocked dude surrounded by his two armed homies spins a confident yarn stating that he has no intention of coughing up. Priest retorts with a spin on the dudes mother and his beliefs in God, which ultimately sees the guy hand over the keys to his prized Lamborghini as collateral against the debt owed.

From here, en route to his next port of call, we learn that Priest has been hustling the streets of Atlanta since he was aged eleven, running cocaine ultimately, creating jobs and making a very comfortable living for himself along the way thank-you very much. He has never killed another, never been arrested, and runs a clean, tidy, well organised business, albeit an underworld business that is off the Police radar. And to thank for his success at his comparatively young age are his mentor Scatter (Michael Kenneth Williams), his inspiration Georgia (Lex Scott Davis) and his partner in crime and bestie Eddie (Jason Mitchell).

He pulls up to another nightclub and again waltzes in. This high end strip joint is owned and run by 'The Snow Patrol' who all sit above the crowd dressed in white, sucking on expensive Champagne and stogies, and flicking $20 bills into the crowd below like they're going out of fashion. Q (Big Bank Black) is the leader of Snow Patrol who walks around in what resembles a polar bear skin coat and a full set of gold teeth. Q and Priest share a mutual respect for each other despite their rivalry, but Q's young protege Juju (Kaalan 'KR' Walker) has a disliking and a mistrust for Priest and would rather see him dead - a fact that he constantly niggles his his gang leader about.

When the evening is done, Priest and his girlfriend Georgia exit the club and while waiting for his car to be brought around, is heckled by a decidedly drunk and possibly stoned Juju. A fist fight breaks out between the two which quickly sees Priest dispense with Juju and a couple of other Snow Patrol goons. After the fracas has subsided, and with his back turned Juju rises, pulls his gun and fires. In that split second, Priest has turned around and dodges the bullet, literally, as it hurtles past him and into the stomach of a young girl standing nearby with two friends. Juju is quickly bundled into a car and whisked away. Priest hands the girls a wad of rolled up bank notes and says get to the hospital, and quickly exits stage left. And so the scene is set.

Next Priest meets with his best mate and right hand man Eddie. Priest overnight has made up his mind to exit the game after that violent attack that so easily could have taken his life. He discusses the fact with Eddie who is less inclined to give up the good life and the wealth they have accumulated, and are still yet to make. Priest convinces Eddie to take on one last job, but a big one, that will see them be able to 'retire' somewhere else but here, and never have to worry about money again.

Priest visits his mentor Scatter who took him in when he was but a young lad, but showed a lot of promise, and they have been firm friends ever since. Scatter now runs a 'legitimate' mixed martial arts and kickboxing gym, whilst running coke on the side. Priest attempts to convince Scatter to give him a greater slice of the pie and to divulge his source in attempt to build his empire and establish connections much further afield. Scatter is however, nonchalant about Priest's motives and declines. Priest and Eddie follow Scatter as he drives the long journey from Atlanta down to El Paso, where the pair spy Scatter having a roadside conversation with a shady looking Mexican type watched over by several heavily armed goons. The meeting is brief and they part company. Priest and Eddie follow the Mexicans car as it crosses the border into Mexico and parks up behind a busy street market.

Priest orders Eddie to keep the motor running, to wait and he'll be back soon. As Priest goes on foot stealthily searching out his quarry, he rounds a truck to come face to face with a loaded weapon, and the Mexican head honcho Adalberto Gonzalez (Esai Morales), whose henchmen bind and blindfold him, and bundle their captive into a private jet. Flying high above Mexico, Gonzalez questions Priest and threatens the worst when satisfactory answers are not forthcoming. Priest maintains his cool, and starts up a conversation about the Mexican Soccer Team about which they are both knowledgeable and passionate. Priest then starts on about the matriarch of the family, Gonzalez mother, and how his brother is languishing in some Mexican jail courtesy of Gonzalez who put his elder sibling away for the good of the family. As a result of Priest's fast talking he is spared from being thrown out of the plane at 20,000 feet, and instead strikes up a deal with his new supplier to move three times the quantity of coke that Scatter was moving. Priest though has to come up with the front money to pay for his first consignment, which he is able to do.

Gonzalez releases Priest, and he meets up with Eddie some hours later, and explains what went down. The pair are now in the big league and back home in Atlanta the first consignment of packaged cocaine in five kilo bags makes its way across the border and into Priest's hands. Expanding his distribution network through close business associates, Priest and Eddie are quickly counting more money than they know what to do with. They celebrate with a party at their house to thank their colleagues.

On the way home one of Priest's cohorts, Racks (Rick Ross) is getting up to some front seat shenanigans with a certain lady. They are spied by a passing Police patrol car, who pulls them over. Looking in the trunk of the car, the Police Officer Turk Franklin (Brian Durkin) uncovers a five kilo bag of cocaine. But rather than haul their asses in, he drives them to rendezvous with Detective Mason (Jennifer Morrison) who questions the pair about their supplier and who is behind the organisation. Racks remains silent but when a gun is pointed at his head, his lady friend blurts out Priest. Neither Franklin nor Mason had heard of Priest before, but now, he is firmly on their radar. Racks and his girl are returned to their car and told to go about their business. They drive off, and seconds later are pulled over once again by Franklin. This time he plugs both with several rounds of bullets killing them both, all under the fictionalised auspices that they were armed and had intended to shoot first. The shooting is beamed across the news channels and Franklin is hailed a hero for acting in self defence and bringing down a drug king-pin.

The next day Priest and Eddie are paid a visit by Mason and Franklin who want in on their action 50/50, plus a good will down payment of one million dollars to be collected by the end of the week. Reluctantly Priest agrees. Eddie is mortified. The pair fight out of frustration with the situation and Eddie's lack of faith now in his long term partner. They go their separate ways. Immediately following Racks funeral, Mason and Franklin pull up in their car, and Priest hands over a stash of cash amounting to a million bucks. Meanwhile, Eddie ordered a hit on Snow Patrol without Priest's knowledge. Several of Snow Patrol's goons are killed in the barber shop where they all congregated. Juju narrowly escaped and swore vengeance on Priest. Q now is also convinced that Priest was behind the hit.

Later, Scatter realises that Priest has betrayed him and has muscled in on his supply chain and is none too pleased. He takes him to meet up with Gonzalez, hoping for a reconciliation, but the Mexican drug lord has other plans. He shoots Scatter dead saying that he was small time compared to Priest and that he was skimming a little off the top every month for many years hoping that Gonzalez wouldn't notice. But he did, and Scatter paid the price for his betrayal. Gonzalez also says that he had heard that Priest was looking to get out, a fact that Priest denies to remain in favour for the time being. Priest remains calm, but lets rip with his emotions when he is alone again in his car.

And so, Priest has formed an unfriendly alliance with two crooked cops; his Mexican supply chain has killed his long term mentor and has said that he can never leave the business; a rival gang is hot on his tail trying to rub him out; and he has fought with his best buddy and business partner. It looks like Priest's world is about to come crashing down on him. But Priest is Superfly, street smart, fast talking, quick thinking, well connected, level headed and always has a plan, and of course, needless to say it all comes out sunshine and rainbows for the Superfly guy in the end. He and Georgia relax on the back of a yacht sailing into the sunset somewhere off Montenegro, while Eddie is back in Atlanta having made up his differences with Priest, doing what he does best.

I have to say that I was pleasantly surprised by this film. Priest is a likeable rogue, a career criminal who really doesn't know any different but knows his limits and how to play the game. He is a Superfly superhero - after all he can dodge a bullet, has remained off the radar of the authorities his entire life, is successful, wealthy, drives a fast car, has the bling, is fast talking, quick witted, street smart, sharp dressed, can handle himself amiably, cares about his posse, has two live in girlfriends on the go at once who just happen to be best mates too and has the most perfectly coiffed inky black straightened hair style that you have ever seen. His life is practically perfect in every respect, and this is where any sense of realism flies out the door, in favour of a more glitzy extended pop music video look and feel that Director X is more renowned for. The plot is full of twists and turns and stylised action that we have seen a thousand times before, backed up by gangsta dialogue at which you need to strain to decipher and a gloss that paints over the underbelly of the metropolis that captivates the interest but leaves you feeling ho-hum at the end.

'Superfly' merits three claps of the Odeon Online clapperboard from a possible five.
-Steve, at Odeon Online-