MICKEY 17 : Tuesday 11th March 2025.

I saw the M Rated 'MICKEY 17' earlier this week and this Sci-Fi black comedy film is Written, Co-Produced and Directed by Bong Joon-ho, whose prior feature film credits take in his debut with 'Barking Dogs Never Bite' in 2000 and then the likes of 'The Host' in 2006, 'Mother' in 2009, 'Snowpiercer' in 2013 his English language debut, 'Okja' in 2017 and the critically lauded and multi-award winning 'Parasite' in  2019. This film is based on the 2022 novel 'Mickey7' by Edward Ashton, and saw its World Premiere at the Berlin International Film Festival in mid-February, before being theatrically released in South Korea on 28th February and later Stateside and here in Australia last week. It has garnered generally favourable critical reviews, and has so far grossed US$59M from a production budget of US$118M. 

It is 2054, and Mickey Barnes (Robert Pattinson) and his best friend Timo (Steven Yeun) are financially well and truly broke after a failed business venture that saw them borrowing money to open up a chain of macaron stores. Unable to repay a murderous loan shark, the pair decide to flee Earth by signing up as crew for a spaceship that leaves our little blue planet to colonise the planet Niflheim, a journey that will take them four-and-a half years. Timo signs up as a shuttle pilot and Mickey as the spaceship's only 'Expendable'. Using Earth-banned technology to clone Mickey and restore his memories, Mickey is treated as disposable, given lethal assignments that mere mortals would never dare contemplate, and then reprinted after death - time after time after time. 

During the voyage, a romance develops between Mickey and security agent Nasha (Naomi Ackie). Some four years pass and the spaceship eventually arrives at snow bound and wintery Niflheim. Using Mickeys 12, 13, 14, 15 and 16 the spaceship's scientists finally develop a vaccine against Niflheim's air borne pathogens. Mickey 17, the seventeenth version of Mickey, is given the task of capturing one of the planets giant woodlice-like alien creatures (termed 'creepers') for scientific analysis. In doing so, he falls into a deep fissure in the ice, beyond the reach of Timo, who leaves and reports Mickey 17's death. However, the creepers arrive en masse and collectively push Mickey 17 out of the fissure, for him to return almost unscathed to the spaceship.

Mickey 17 returns to the spaceship, cleans himself up and flops on to his bed only to be greeted by the very recently printed Mickey 18 (Robert Pattinson), who is much more confident and aggressive. As the expedition's leader, twice failed politician Kenneth Marshall (Mark Ruffalo), has vowed to kill any 'Multiples' (simultaneously living clones), Mickey 18 tries to kill Mickey 17, who resists and is then interrupted by Timo. Mickey 18 then tries to kill Timo, but is interrupted and leaves with Nasha, who believes she is leaving with Mickey 17. Mickey 17 in the meantime is brought to dinner with Marshall, his wife Ylfa (Toni Colette), and security guard Kai Katz (Anamaria Vartolomei). Mickey 17 suffers severe pain after being served experimental meat and being treated with experimental painkillers. Kai intervenes to stop Marshall from putting a bullet in his head. Kai later woos Mickey 17, who flees.

Nasha learns of the Mickeys and accepts them both. When Mickey 17 tells Mickey 18 what happened over dinner with the Marshall's, an enraged Mickey 18 decides to kill Marshall at a public ceremony commemorating a huge chunk of Niflheim rock. Chaos ensues when two baby creepers emerge from the rock that had just moments before been lasered in half. Mickey 17 arrives and captures creeper Zoco, but creeper Luko jumps onto Marshall and is shot to pieces by Kai and other security agents. Nasha stops Mickey 18 from killing Marshall, who discovers the Multiples. Mickey 17, Mickey 18 and Nasha are arrested, and locked up. Thousands of creepers arrive outside the ship, calling out to Zoco.

Locked up in their respective cells Mickey 17's description of the creepers helping him escape from the fissure makes Nasha realise they are not hostile. Timo tries to kill Mickey 17 to satisfy the loan shark who has seemingly caught up with him even on Niflheim, but Nasha and Mickey 18 overpower him. The Mickeys and Nasha are brought to Marshall, who wants to exterminate all the creepers. Marshall destroys Mickey's stored memories, while Nasha saves Zoco from being executed by Ylfa. Marshall's assistant Preston (Daniel Henshall) persuades Marshall to task the Mickeys to compete in collecting creeper tails, which Ylfa wants one hundred of for making edible sauce, with the winner being allowed to live. The Mickeys are forced to wear remote-detonated bomb vests to ensure they comply with the instructions.

When the Mickeys are sent out into the frozen snow-bound wasteland surrounding the ship, they peacefully seek out the creepers' leader, which prompts Marshall to go outside himself with a security team and Preston ready to film the unfolding events for a live broadcast, and with the intention of personally killing all the creepers. Using a translation device manufactured by sympathetic scientist Dorothy (Patsy Ferran), Mickey 17 communicates with the creepers' leader, informing on Marshall's plan. The creepers' leader threatens to kill all humans, unless Zoco is returned alive and one human is killed to compensate for Luko's death.

Mickey 17 tells Nasha via camera to free Zoco. Nasha takes Ylfa hostage to ensure Zoco's release. Nasha releases Ylfa, who tries to kill Zoco, but Nasha again saves him. The security agents arrest Ylfa. Nasha returns Zoco to the creepers' leader, while Mickey 18 fights Marshall and detonates the bomb planted on his vest, killing himself and Marshall to fulfil the demand by the creepers' leader. Afterwards Ylfa commits suicide in a psychiatric ward, while Preston and other Marshall collaborators are imprisoned. An associate of the loan shark tries to kill Timo, but Timo manages to kill him. Nasha is later elected as a colony political leader. She presides over a groundbreaking ceremony on Niflheim where it is now spring time, where Mickey 17 (now to be known as 'Mickey Barnes') detonates the cloning device to symbolically end the Expendable programme, but not before he had a vision of a reprinted Ylfa and Marshall.

Director, Producer and Writer Bong Joon-ho has here delivered us a darkly comedic Sci-Fi satire set in the near future on some distant planet far far away that is a times absurdist, thought provoking, a social commentary, and an environmental essay while exploring the class divide and providing us with a bit of a creature feature too along the way. Robert Pattinson gives possibly a career best performance as the various Mickey's, ably supported by a scene chewing Mark Ruffalo channeling a certain POTUS and an equally on point Toni Collette serving up his unhinged yet domineering sauce loving wife. Visually the film looks the part too, but the plot meanders along and it overstays its welcome just a tad at a 137 minute run time, and I came out of the movie theatre feeling a little 'meh'!

'Mickey 17' merits three claps of the Odeon Online clapperboard from a possible five claps. 

-Steve, at Odeon Online-

POOR THINGS : Tuesday 26th December 2023.

I saw the MA15+ Rated 'POOR THINGS' at my local independent movie theatre this week, and this black comedy fantasy film is Co-Produced and Directed by Yorgos Lanthimos whose prior feature film offerings take in his debut in 2001 with 'My Best Friend' and which he would follow up with 'Dogtooth' in 2009, and then his first English language film 'The Lobster' in 2015, 'The Killing of a Sacred Deer' in 2017 and 'The Favourite' in 2018. This film is based on the 1992 novel of the same name by Alasdair Gray. The film saw its World Premiere showcasing at the Venice International Film Festival in early September this year where it won the Golden Lion. It was released Stateside earlier this month and is scheduled to be released in the UK on 12th January, having so far grossed US$6M against a production budget of US$35M and garnering universal critical acclaim.

The film opens up in London, Victorian era England where scientist and surgeon Dr. Godwin 'God' Baxter (Willem Dafoe) is performing surgery on a cadaver to an audience of students, who under their breath deride his monstrous appearance. One such student, Max McCandles (Ramy Youssef) is singled out to become his assistant on the strength of a paper he wrote which grabbed the attention of Baxter. McCandles is welcomed to the grand home of Baxter where he meets with the Doctor's maid Mrs. Prim (Vicki Pepperdine). McCandles is tasked with recording the progress made by Baxter's ward - a childlike young woman named Bella (Emma Stone, who also Co-Produces here), whose intelligence is rapidly developing almost by the day. 

In time, Baxter tells McCandles that the woman who was heavily pregnant at the time, had committed suicide by throwing herself off a bridge into the River Thames, and that she had died only moments before he retrieved the body and that rigour mortis had not yet set in. He resurrected her lifeless corpse by replacing her brain with the brain of her still-living baby, resulting in her now having the mind of an infant child. 

With Baxter's blessing, McCandles asks for Bella's hand in marriage, on the condition that that the pair never leave the house, because of the bad influences, dangers and violence that exists in the world outside the security of their own home. Bella accepts but, desiring freedom to explore the world and experience adventures in her own right as her mind matures, runs off with foppish lawyer Duncan Wedderburn (Mark Ruffalo) who was brought in by Baxter to execute a marriage contract, and who became infatuated with Bella upon their first meeting. Reluctantly Baxter agrees to let Bella go. Godwin starts a new experiment with a young woman named Felicity (Margaret Qualley), whose intelligence is developing at a much slower pace than Bella's did.

So Bella and Wedderburn embark on a grand adventure, starting in Lisbon, Portugal where the two have frequent sex. Bella becomes difficult for Duncan to control as she is not yet mature enough to engage in polite social etiquette and just speaks her mind on a whim. So he smuggles her onto a cruise ship for a change of scenery. Once on board, she becomes friendly with passengers Martha (Hannah Schygulla) and Harry (Jerrod Carmichael) who open her mind to philosophy. Wedderburn becomes increasingly exasperated and begins drinking more heavily and gambling. 

During a stop at Alexandria, Egypt, where Harry and Bella are enjoying a lavish lunch, Harry shows Bella the miserable plight of the locals, the abject poverty in which they live and the resultant death of numerous young children and babies, at which Bella becomes distraught and sobs uncontrollably. Returning to her cabin she finds Wedderburn passed out on their bed in a drunken stupor covered in cash from his gambling winnings. Wracked with guilt over the poverty she witnessed she collects up all the cash and donates away the winnings, which are in turn stolen by a couple of opportunistic crew members whom Bella believed she could trust to do the right thing and pass on the cash to the people who desperately needed it the most.

Unable to afford the remaining trip, the pair are kicked off the ship at Marseille, France after which they make their way to Paris. Having run out of money, Bella begins working at a brothel clearing twenty French francs per client, which only serves to further enrage Wedderburn resulting in his mental breakdown, and which finally leads her to abandon him. At the brothel, she comes under the tutelage of Madame Swiney (Kathryn Hunter), has no shortage of clients and befriends fellow prostitute Toinette, (Suzy Bemba) who introduces her to socialism.

Meanwhile, back in London, Baxter is terminally ill. He asks McCandles to locate Bella and to return her to him. McCandles does so after tracking down Wedderburn, who has been confined to an institution following his breakdown. Upon her return to London, Bella reconciles with Baxter and renews her vows with McCandles. The two are interrupted by Wedderburn and General Alfie Blessington (Christopher Abbott) at the alter on their wedding day, at which Baxter is giving away Bella. 

Blessington, who calls Bella by her former name of Victoria, reveals that they were married before her disappearance and that he has come to reclaim her after Wedderburn posted an ad with a picture of Bella in the newspaper. Bella abandons Max at the alter before exchanging their vows to learn of her past life. She quickly comes to the realisation that her former husband has a violent and sadistic streak and that she had in fact committed suicide to escape their unhappy marriage and to save her unborn child from a life of misery. He basically imprisons Bella to the confines of his mansion and threatens her at gunpoint to submit to genital mutilation after which he will plant his seed inside her, and demands she drink a chloroform-laced cocktail to sedate her for the procedure. She tosses the cocktail in his face, causing him to shoot himself in the foot before succumbing to the chloroform. 

Baxter dies peacefully with Bella and McCandles at his side, with his final words being that his surgery is now hers and that his life has been interesting. Bella decides to carry on Baxters work with the help of McCandles, Toinette and Mrs. Prim. Blessington is seen on the operating table where his brain is swapped with that of a goat, while Felicity's intelligence is finally improving. Bella is seen in the garden of her London home with a cocktail in one hand and studying from a book for her final medical exams. 

For me 'Poor Things' failed to land in the same way that it does with the majority of other critics who have given the film its almost universal blessing. That said, you can't help but admire Director Yorgos Lanthimos and his creation of a steampunk bizarro world of OTT characters, locales and emotions writ large mostly by a never been better and a career defining performance by Emma Stone, an equally far removed from his usual roles Mark Ruffalo, and the always dependable Willem Dafoe channeling Doctor Frankenstein. The production values and costume designs are all top notch and look as though Lanthimos squeezed out very cent from his US$35M production budget to bring us a film that looks greater than the sum of its parts. However, this film is hard to pigeon hole, and at a run time of 141 minutes and a film that feels more like an absurdist sex comedy than an intellectual coming of age fantasy drama I couldn't help but feel just a little meh! after all the explicit sex scenes and the vividly rendered set pieces.

'Poor Things' merits three claps of the Odeon Online clapperboard from a potential five claps. 

-Steve, at Odeon Online-

DARK WATERS : Tuesday 10th March 2020

'DARK WATERS' is a M Rated American legal thriller film which I saw earlier this week, and is Directed by Todd Haynes whose previous Directorial outings take in 'Velvet Goldmine', 'Far from Heaven', 'I'm Not There', 'Carol' and 'Wonderstruck' most recently. It is based on the 2016 article 'The Lawyer Who Became DuPont's Worst Nightmare' by Nathaniel Rich, published in The New York Times Magazine. Robert Bilott, the principal character in the film portrayed by Mark Ruffalo (who also Co-Produces here), also wrote a memoir in 2019 titled 'Exposure : poisoned water, corporate greed and one lawyers twenty year battle against DuPont'. The film had a wide US release in early December, has garnered generally positive Reviews and has so far grossed US$17M.

Inspired by a shocking true story, corporate environmental defence lawyer Robert Bilott (Mark Ruffalo) has just made partner at his prestigious Cincinnati legal practice in no small part due to his work defending big chemical companies. However, one day while in a Board Meeting, he is interrupted by Wilbur Tennant (Bill Camp), who presents him with a box of video tapes and urges him to watch the evidence of the slow painful death of his cows and the ruination of his fields on his Parkersburg, West Virginia farm due, he firmly believes, to toxic run off from landfill by the DuPont chemical plant nearby over the course of the last twenty or thirty years. Tennant knows Bilott's grandmother, hence the connection.

Bilott pays a visit to the Tennants' farm, where he learns that 190 cattle have died with unusual medical conditions such as tumours, bloated organs and blackened teeth. Bilott consults with DuPont attorney Phil Donnelly (Victor Garber) who advises him that he has no knowledge of this case but will help out in any way he can. Bilott files a small law suit so he can access data through legal discovery of the chemicals being dumped on the site. When he finds nothing useful in the Environmental Protection Agency report, he realises the chemicals may not even be regulated by the EPA.

At the 1999 Ohio State chemical industry event dinner, Bilott confronts Phil leading to an embarrassingly angry exchange that is overheard by everyone in attendance. Soon afterwards DuPont releases hundreds of boxes of historical records and files to Bilott's office, hoping to bury the evidence, and completely overwhelm the lawyer. Sifting painstakingly through the files Bilott finds numerous references to 'PFOA', a chemical that is not referenced in any medical textbook. In consultation with an expert chemical engineer he learns that PFOA is perfluorooctanoic acid, used to manufacture Teflon, and used in American homes for thirty years or so now on nonstick fry pans, carpet underlay, rain coats and all manner of other common household products. It's even in the drinking water. Bilott's research reveals that DuPont generate $1B a year in profit from Teflon coated products alone, so why would they risk that sort of annual pay day for the cost to human health and well-being??

In the middle of the night, Bilott's pregnant wife Sarah (Anne Hathaway) finds him tearing the carpet off the floors and rifling through their kitchen pots and pans. Sarah is at her wits end with her husband's all consuming work on this case and calls him crazy. After calming Sarah down, he urges her to sit at the kitchen table and hear him out, while he recounts in detail what he has uncovered about DuPont. DuPont has been running tests on the effect of PFOA for decades, finding that it causes various forms of cancer and birth defects, but did not make the findings public. They dumped thousands of gallons of toxic sludge upriver from Tennant's farm and buried hundreds of oil sized drums of the stuff into landfill. PFOA and other such similar compounds are forever chemicals that do not leave the blood stream and gradually accumulate.

As the years pass, Tennant is shunned by the local community for suing their biggest employer, they are spied upon by helicopter, and he and his wife come to learn that they both have cancer - hardly surprisingly! Bilott encourages him to accept DuPont's settlement, but Tennant refuses, wanting justice and prison sentences. Bilott sends the DuPont evidence to the EPA and Department of Justice, among others. The EPA fines DuPont $16.5 million. However, Bilott is not satisfied. He realises that the residents of Parkersburg will suffer the effects of PFOA for the rest of their lives. He seeks medical monitoring for all residents of Parkersburg in one large class-action lawsuit, for which he engages the services of expert class-action lawyer Harry Deitzler (Bill Pullman). DuPont meanwhile sends a letter to every resident of Parkersburg notifying them of the presence of PFOA, thus starting the statute of limitations and giving any further action only a month to commence.

As PFOA is not regulated, Bilott's team argues that DuPont is liable, as the amount present in the water is greater than one part per billion deemed safe by the company's own internal documented protocols. Later in a court hearing, Bilott and Deitzler are blindsided by DuPont who now claim that their much later study found that 150 parts per billion is safe. The locals protest and the story becomes national news and makes international headlines. DuPont agrees to settle for $70 million. As DuPont is only required to carry out medical monitoring if scientists are able to prove that PFOA causes the ailments, they are prepared to hedge their bets and so an independent scientific review is set up. To get data for it, DuPont tells the locals they can get their settlement money after donating blood. Nearly 70,000 people donate to the study, each being paid $400 for their time and blood sample.

Seven years pass with no result from the study. Tennant dies, and following several pay cuts, his obsession with this case straining his marriage, and when Bilott's boss at the law firm Tom Terp (Tim Robbins) tells him he needs to take another pay cut, Bilott collapses, shaking violently down his right side. In the hospital the doctor reports to Sarah and Tom that he has suffered a TIA (Transient Ischemic Attack - often called a mini-stroke, and brought on by a temporary blockage of blood flow to the brain), caused by stress, anxiety and pressure. Sarah tells Tom to stop making her husband feel like a failure, since he is doing something for people who need help.

Eventually after seven or so years, one evening while back in his office, the phone rings. It is a representative of The Scientific Review Panel who apologises for it taking so many years to come back to him with their findings, but with almost 70,000 cases to analyse it was the biggest study of its kind ever. She tells him that their research has concluded that there is a probable link between PFOA and multiple cancers, other diseases and birth defects including kidney cancer, testicular cancer, thyroid disease, high cholesterol, pre-eclampsia and ulcerative colitis. At a celebration dinner with his family, Bilott is informed that DuPont is reneging and backtracking on their entire agreement, because that's what big multi-national companies do whom governments are beholden to. And so, Bilott decides to take each defendant's case to DuPont, one at a time starting in 2015. He wins the first three multimillion-dollar settlements against DuPont, and DuPont settles the class action for $671 million on behalf of some 3,500 other similar cases.

Whilst the movie lingers along almost to the point of monotony, there is still much to like here. Mark Ruffalo is well cast as the mild mannered lawyer going up against the monolithic corporate giant that is more than happy to trade human life and long term suffering for its staggering profits over decades, and then throw just about every road block in the path to discredit that lawyer and the mounting number of sufferers. This is a deftly made film that doesn't seem to steer too far from the truth for dramatic effect, instead trading excitement for efficiency and effectiveness in the storytelling. And it's a story that needs to be told if for no other reason than to highlight corporate America's wrong doing towards it's less well off and often downtrodden citizens laid bare for all the world to see - finally! As for the remaining cast, Anne Hathaway is wasted as the stay at home mum and housewife who barley contributes anything to the storyline, neither really does Bill Pullman as the lawyer headlining the class action, Tim Robbins has his moment in the sun when he delivers a rousing speech to his gathered Board members as to exactly why his company should go after DuPont, and Bill Camp slurs his dialogue so much that it's difficult at times to decipher what he's saying! Despite these flaws, this is still compelling viewing and a powerful message that is hammered home in the final frames as PFOA statistics are etched across the screen - forever chemicals being present in 99% of all humans! Scary stuff, and well worth the price of your movie ticket.

'Dark Waters' merits four claps of the Odeon Online clapperboard from a possible five.

-Steve, at Odeon Online-

AVENGERS : ENDGAME : Wednesday 24th April 2019.

I saw 'AVENGERS : ENDGAME' at my local Multiplex on its Australian opening night and sat in a packed out theatre showing back to back sessions throughout the day - all to sell out audiences. And so if you didn't already know it, this is the direct sequel to 2018's 'Avengers: Infinity War', a sequel to 2012's 'The Avengers' and 2015's 'Avengers: Age of Ultron', and the 22nd film in the Marvel Cinematic Universe. 'Avengers : Endgame' arrived this week following much hype, eager anticipation from legions of fans across the world, and plenty of record breaking buzz despite the plot secrecy from Marvel Studios, Directors Anthony and Joe Russo and the principal cast and crew. Following on immediately from where 'Infinity War' left off the film picks up after half of all life in the universe was killed due to the actions of Thanos once he had amassed all six infinity stones and placed them strategically in his Infinity Gauntlet, and simply clicked his fingers. The remaining Avengers and their allies must reassemble to revert those actions in one final stand to restore balance to the universe and save all humanity . . . or half of it at least!

With an ensemble cast that consists all of our much loved Superheroes and a few nefarious intergalactic villains too, and the conclusion of eleven years of MCU story telling that has so successfully interwoven individual standalone films with cross-over episodes to drive a franchise that we're invested in, Box Office records could well & truly be smashed here. Advance ticket sales amounted to about US$130M, with the potential to top the worldwide Box Office takings of US$2.05B as seen for 'Infinity War'. At a running time of three hours and two minutes, the film has so far received generally positive Reviews with Critics praising the Direction, the Acting, the sheer entertainment factor, the emotional heft and this being a fitting end to the 22 film spanning story. And all this is off the back of a production budget somewhere in the region of nudging US$400M, which must qualify this film as the most expensive of all time. At the time of publishing this Post on 27th April, Box Office receipts were at US$305M, having been released on 26th April in the US, on 25th April in the UK, and in China, Australia, parts of Asia and Europe on 24th.

The film opens up with Clint Barton (Jeremy Renner) at home on his remote property on a bright sunny day. He is teaching his daughter to shoot arrows into a target while his wife and younger son prepare lunch. It's a picture of domestic bliss. His daughter shoots a bullseye, his wife calls lunch ready. As Clint retrieves the arrow from the target he momentarily looses sight of his other beloved family members. When he turns around there is an eerie silence and they are all gone, vanished into dust . . . victims too of the Thanos snap!

Up in deep space a thousand light years from the nearest 7/11 Nebula (Karen Gillan) and Tony Stark (Robert Downey Jnr.) are drifting, having run out of fuel, food, water and pretty damn soon oxygen. They are stranded following their defeat at the hands of Thanos. Stark sends a final farewell message to Pepper Potts using his Iron Man helmet, before falling asleep from exhaustion. Saviour however, comes perhaps when you least expect it.

Carol Danvers (Brie Larson) in the form of Captain Marvel arrives in a flash of bright light and escorts the stricken ship of Stark and Nebula back down to Earth and the Avengers Headquarters. There she reunites the pair with Natasha Romanoff (Scarlett Johansson), Bruce Banner (Mark Ruffalo), Steve Rogers (Chris Evans), Rocket (Bradley Cooper/Sean Gunn), Thor (Chris Hemsworth), Pepper Potts (Gwyneth Paltrow) and James Rhodes (Don Cheadle). After a somewhat frosty reception between Tony Stark and Steve Rogers and a status update from the remaining Avengers, Nebula comes forward with the strong possibility of knowing Thanos' whereabouts since the team have drawn a blank in locating him since the snap of five weeks before.

The assembled Team converge on the defenceless, unarmed unguarded garden planet where Thanos is the sole resident, and take him by surprise. Thanos confides that he used the infinity stones to destroy themselves so preventing the Team from using them to reverse his actions. In a fit of rage, Thor uses his new Stormbreaker axe to decapitate Thanos.

We then fast forward five years, and Steve Rogers is chairing counselling sessions with a self help group, Bruce Banner has merged permanently with his Hulk alter ego and Thor has become the drunken ruler (boasting an impressive beer gut) of Asgard's refugees in a remote fishing village on the Norwegian coast which he has affectionately named New Asgard. Scott Lang (Paul Rudd) meanwhile escapes from the Quantum Realm not knowing what has gone down in the last five years. After learning the truth from his now adult daughter which he has been able to track down as one who survived he makes for the Avengers HQ where he is met by a surprised Rogers and Romanoff. He explains that for him only five hours had passed and suggests the Quantum Realm permits time travel. The three travel to Stark's lakeside residence where he is now happily married to Pepper Potts and the couple have a five year old daughter Morgan. They discuss with Stark the possibility that they can travel back in time to retrieve the Infinity Stones before Thanos collects them. Stark rejects this, concerned over what altering history will mean for his young daughter, but after reflecting upon the loss of sixteen year old Peter Parker (Tom Holland), he designs a working time machine that can be used to enter the Quantum Realm.

Stark drives to the Avengers HQ to reveal that he has built a stable time travel device just as Banner and Co. have been experimenting somewhat unsuccessfully on Scott Lang with his own time travel techniques. And so the regrouped Avengers split into separate teams for their mission to retrieve the infinity stones before Thanos has done so.

Banner, Rogers, Lang, and Stark travel to the Battle of New York to retrieve the Time, Mind, and Space Stones. Banner visits the Sanctum Sanctorum also in New York and convinces the Ancient One (Tilda Swinton) to give him the Time Stone some five years before Stephen Strange even arrives on the scene, and Rogers overcomes undercover Hydra agents and his past self to retrieve the Mind Stone, but Lang and Stark's failed distraction enables Loki (Tom Hiddleston) to escape with the Space Stone. Rogers and Stark then are forced to travel back further to the U.S. Army's Fort Leigh in 1970, to steal both an earlier version of the Space Stone and vials of Hank Pym's (Michael Douglas) size-altering Pym Particles to enable them all to return home to their present day afterwards. The pair succeed, but not before Rogers has a close encounter with his one true love Peggy Carter, and Tony Stark bumps into his Dad, Howard Stark en route and strikes up a conversation about his pending fatherhood to the as yet unborn Tony Stark.

Back on Asgard before it was wiped out, Rocket and Thor retrieve the Reality Stone from Jane Foster (Natalie Portman). Thor comes across his mother Frigga (Rene Russo), whose wise counsel restores his conviction, and he obtains a past version of his hammer, Mjolnir, proving that he is still 'worthy' to wield it. Barton and Romanoff travel to Vormir for the Soul Stone. They learn there from its keeper, Red Skull (Ross Marquand), that it can only be retrieved by sacrificing someone they love. After a struggle between the pair, Romanoff sacrifices herself. Barton returns to the present day, with the tragic news of Romanoff's untimely death, in which the other Avengers share in his mourning.

On Morag, Nebula and Rhodes steal the Power Stone before Peter Quill (Chris Pratt) is able to do so. Rhodes returns to the present with the Stone, leaving Nebula stranded behind as her cybernetic implants interface with those of her past self. Thanos leverages this fact and is able to tap into her memory banks to see present-day events. In turn, he sends the past incarnation of Nebula to the future in present-day Nebula's place.

Back at Avengers HQ with all the Infinity Stones now retrieved, Stark has been able to model a new Infinity Gauntlet in which the Stones are placed one by one. Banner steps up to volunteer to wear the Infinity Gauntlet as in doing so it gives off enough gamma radiation that Banner retorts that he was made to wear it, given his exposure to Gamma Rays that turned him into what he is today. Upon wearing it and activating the amassed Infinity Stones, the world is restored to its pre-Thanos snap. However, having come through the time machine with the other Avengers, past Nebula uses the time machine to transport Thanos and his ship from the past to the present day, whereupon he unleashes the might of his firepower upon the Avengers HQ and reduces it to rubble.

Amongst the rubble and wreckage of the Avengers HQ, Rogers, Thor, and Stark confront Thanos, though he overpowers them, even when Rogers proves that he can wield Mjolnir.

Thanos summons the entire might of his armed forces, but the revived Avengers arrive on the battlefield, along with the Sanctum Sorcerers and the armies of Asgard and Wakanda. Present-day Nebula convinces past Gamora (Zoe Saldana) to turn on Thanos, and in the ensuing standoff Nebula kills her past self. Following an epic battle between the two factions, Stark eventually retrieves the Infinity Gauntlet from the battlefield and activates the Infinity Stones with a snap of his fingers which disintegrates Thanos and his army into dust which quickly disappears on the wind.  

Enough said, right there! You'll just have to catch the last fifteen minutes to see how it all plays out, but suffice to say, the Avengers survive to battle it out another day - well most of them do!

'Avengers : Endgame' is everything you would wish for in the conclusion of a hugely successful eleven year run of twenty-two films, and then some. It delivers on many levels - the script penned by Christopher Markus and Stephen McFeely tightly blends action, emotion, humour and the smarts to satisfy even the most die-hard MCU fan; the deft touch in remaining true to what has gone before by Directors Anthony and Joe Russo; and for giving believable grounded performances by the principal cast and most notably Downey Jnr., Ruffalo, Hemsworth, Evans, Brolin, Rudd, Johansson and Renner plus the entire ensemble who all contribute amiably in their own small way to the bigger picture. Epic, exciting, intimate, powerful, expertly rendered down to the smallest detail, and truly a very fitting end to this phase in the MCU that still leaves the door open for some of our much loved Superheroes to return and reunite at some future date, while introducing others that we're only just getting to know. Join the legions of fans flocking to see 'Avengers : Endgame' - and see it on the biggest screen you can - you won't be disappointed. Watch out too for what is probably the last cameo appearance of the late great Stan Lee.

'Avengers : Endgame' merits five claps of the Odeon Online clapperboard from a possible five.

-Steve, at Odeon Online-