MICHAEL : Tuesday 7th July 2026

I finally got around to seeing the PG Rated 'MICHAEL' which was released here in Australia on 23rd April. This American biographical musical drama film is Directed by Antoine Fuqua, whose previous feature film credits take in the likes of his debut in 1998 with 'The Replacement Killers' which he would follow up with 'Training Day' in 2001, 'Tears of the Sun' in 2003, 'Shooter' in 2007, 'Olympus Has Fallen' in 2013, 'Southpaw' in 2015, 'The Magnificent Seven' in 2016, and 'The Equalizer' trilogy in 2014, 2018 and 2023. He has also helmed a number of documentaries over the years including 'What's My Name : Muhammad Ali' in 2019. This film Premiered in Berlin on 10th April having cost in the region of US$200M to produce, but has since gone on to gross US$992M at the global Box Office despite fairly negative critical reviews. It is the highest grossing biographical film of all time, and the second highest grossing film of 2026 at the time of writing. In late May this year it was announced that a sequel was already in development. 

In 1966 in Gary, Indiana, steel factory worker Joseph Jackson (Colman Domingo) assembles his sons Jackie (Nathaniel Logan McIntyre), Tito (Judah Edwards), Jermaine (Jayden Harville), Marlon (Jaylen Lyndon Hunter), and his youngest son Michael (Juliano Krue Valdi), aged eight, into the musical band the Jackson 5, with Michael on lead vocals. 

After months of grueling rehearsals, involving corporal punishment from Joseph when their routine doesn't go according to his strict guidelines, the Jackson 5 perform at gigs until Suzanne De Passe (Laura Harrier) discovers them in Chicago in 1968, and they are signed with Motown a year later. 

Their albums top the charts, and they sell out concerts across the US, allowing them to move from their small house to the Hayvenhurst mansion in Encino, California, in 1971. Motown founder Berry Gordy (Larenz Tate) believes Michael has the potential to make it big as a solo artist - a notion that Joseph won't even entertain, for his focus sits squarely on the Jackson 5.

We then fast forward to 1978, and Michael (Jaafar Jackson) signs with Epic Records for his first solo album as an adult, 'Off the Wall' produced by Quincy Jones (Kendrick Sampson). Despite its success, Michael's solo career is held back by Joseph, who believes he is solely responsible for his children's success and fortunes. Michael is forced to continue touring with his brothers on the Triumph Tour (from July to September 1981 in the US and Canada). 

Feeling insecure about his appearance and developing vitiligo (a chronic autoimmune disorder that causes patches of skin to lose pigment or colour), Michael undergoes rhinoplasty surgery to alter the size and shape of his nose. Following an argument with Joseph, he takes advice from his bodyguard, driver and close friend, Bill Bray (KeiLyn Durrel Jones) to create his own path in life. In 1981, he hires John Branca (Miles Teller) as his lawyer and manager, and has him fire Joseph by fax.

Michael visits sick children in hospitals and experiments with ideas for his next album, which is set for release in 1982. After watching a news report on the Crips/Bloods gang war in his home studio, he hires members of both gangs to appear in his music video for 'Beat It'. 

'Thriller', the album, is released and breaks worldwide sales records while Michael delivers a groundbreaking performance of 'Billie Jean' at Motown 25. Michael and Branca head to New York to ask the CBS Records president, Walter Yetnikoff (Mike Myers), to have MTV play Michael's music videos, despite the network not playing videos by black artists, for fear of upsetting their largely white middle class American audience. MTV agrees to give him airtime after Yetnikoff threatens to pull the CBS Records catalogue out of the network, including such famed artists as Bruce Springsteen, Cyndi Lauper and Bob Dylan.

While Michael basks in the limelight of his global success, Joseph has a private meeting with the boxing promoter Don King (Deon Cole) and proposes the 1984 Victory Tour to reunite his sons. King offers Joseph a PepsiCo sponsorship deal, provided that Michael tours with the Jacksons, to which Michael objects. While the Jacksons film a Pepsi commercial in late January 1984, a spark from the staged pyrotechnics sets Michael's hair on fire, resulting in third-degree burns and nerve damage to his scalp. 

He was rushed to Brotman Medical Centre for extensive medical treatments. Instead of suing, he reached an out-of-court settlement with Pepsi for US$1.5M, which he donated the entire sum to Brotman Medical Centre to fund a newly established burns unit. In the hospital, comforted by his mother Katherine (Nia Long), Michael, when he is well enough, meets with the other patients as he considers his options on whether to get involved with the Victory Tour.

Once Michael recovers, he agrees to tour with his siblings. During the final show at Dodger Stadium in Los Angeles on 9th December 1984, they perform 'Human Nature' and 'Working Day and Night'. Michael announces it is the last time the Jacksons will perform together, much to the surprise of his siblings and severing his ties finally with Joseph—much to his fathers horror. Michael performs his first solo tour, the Bad World Tour (from mid-September 1987 through until the end of January 1989, and takes in 123 shows), and at Wembley Stadium in July 1988 to an ecstatic crowd, and over the course of seven sold out concerts he promotes his seventh studio album 'Bad' released in 1987. 

Also starring Jamal R. Henerson, Tre Horton, Rhyan Hill, Joseph David-Jones and Jessica Sula as Jermaine, Marlon, Tito, Jackie and La Toya - Michael's older siblings respectively. 

Charting the early life and the golden era of Michael Jackson, the self proclaimed 'King of Pop' is here offered up in a sanitised version of his life that is a celebration of his music, his dance, and perhaps to a lesser extent his mark on fashion, and his desire to make the world a better place through the power of his music. And on that level this film succeeds, backed up by top notch performances from Juliano Valdi and Jaafar Jackson as the younger and older Michael respectively, Colman Domingo as the controlling and seemingly never satisfied Joseph Jackson, and first rate production values in recreating his song and dance routines, and some of the most iconic performances from his early solo career. For fans of Michael Jackson, this film is sure to please, but if your are looking for more of what made MJ really tick and the truth behind the legend, then you will be left wanting. This film doesn't tell us anything that we didn't already know about the man, and on that front the film is a let down. Having said that, a title card before the end credits roll tells the audience that 'His Story Continues' and as we now know a sequel is in the works which you would like to believe will hopefully answer all of those unanswered questions and address the big elephant in the room. 

'Michael' merits three claps of the Odeon Online clapperboard from a possible five claps. 

-Steve, at Odeon Online-

AMSTERDAM : Tuesday 11th October 2022

I saw the MA15+ Rated 'AMSTERDAM' earlier this week, and this mystery comedy film set in the early 1930's is Written, Directed and Co-Produced by David O. Russell whose previous feature film making credits include 'Three Kings' in 1999, 'I Heart Huckabees' in 2004, 'The Fighter' in 2010, 'Silver Linings Playbook' in 2012, 'American Hustle' in 2013 and 'Joy' in 2015. This film saw its World Premier showcasing in New York City on 18th September and was released in the US and here in Australia last week week, having cost US$80M to produce, has so far recouped just US$12M and has garnered mixed critical reviews. 

In 1918, Burt Berendsen (Christian Bale) is sent at the insistence of his very well connected and very well to do estranged wife's parents to fight in World War I. While stationed in France, Burt meets and becomes good friends with African-American soldier Harold Woodsman (John David Washington), both under the command of affable General Bill Meekins (Ed Bagley Jnr.) After they sustain severe and multiple shrapnel injuries in battle, including Burt's loss of an eye, the pair are nursed back to health by Valerie Voze (Margot Robbie), an outgoing nurse, whom they form a close bond with also.

When Burt and Harold have sufficiently recovered from their wounds, the three move to Amsterdam, where they live together and become close friends spending their time living life to the full, until Burt announces his return to New York City to be with his wife Beatrice (Andrea Riseborough). Harold, who has fallen in love with Valerie and she with him, also leaves to return to New York City and fulfill his own aspirations, but before he leaves Valerie leaves him unexpectedly leaving just a hand written note bidding him farewell. 

Fast forward to New York City in 1933 and Burt has opened his own medical practice catering to injured veterans of the war and still remains firm friends with Harold, who is now a lawyer, while they have not heard from Valerie since they left Amsterdam some fifteen years previously. Harold asks Burt to perform a post-mortem on Bill Meekins, now a senator who served as the commander of their regiment during the war, at the urgent request of Meekins' daughter Elizabeth (Taylor Swift), who believes that he was murdered. Burt performs the post-mortem aided by nurse Irma St. Clair (Zoe Saldana). The post-mortem reveals that Meekins stomach contained an unusual amount of a grey liquid indicating a mercury laced poison leading them to conclude that this must have been the cause of death. Burt and Harold meet with Elizabeth to talk about the post-mortem results, but she is suddenly killed when a hitman pushes her under the wheels of an oncoming car. The hitman frames Burt and Harold for her death during the ensuing melee, while they flee the scene on foot as the Police arrive.

In an attempt to clear their names Burt and Harold try to determine who had led Elizabeth to hire them. This leads them to wealthy textile heir Tom Voze (Rami Malek) and his antagonising wife Libby (Anya Taylor-Joy). At the Voze residence they reunite with Valerie, and learn that she is Tom's sister and was the one who convinced Elizabeth to hire them, knowing that ultimately they could be trusted. Valerie is now under constant supervision by Tom and Libby, who claim that she suffers from vertigo, a nerve disease and various other ailments though the medications Tom and Libby urge her to take every day could just be the real issue. Tom suggests to Burt and Harold that they should talk to Gil Dillenbeck (Robert De Niro), a famous and decorated veteran who now advocates for WWI veteran's rights and was close friends with Meekins.

Burt's initial attempts to contact Dillenbeck fail, and meanwhile Harold and Valerie spend the day at her home, where they notice the hitman, Tarim Milfax (Timothy Olyphant) maintaining a watchful on their movements. They follow him to a forced sterilisation clinic owned by a mysterious organisation known as the 'Council of Five'. After a fight with Milfax, Harold and Valerie catch-up once more with Burt. Valerie takes them to New York's Waldorf Astoria Hotel where they meet Paul Canterbury (Mike Myers) an MI6 spy, maker of glass eyes and an ornithologist and Henry Norcross (Michael Shannon) a US Naval Intelligence Officer, maker of glass eyes, ornithologist and partner of Canterbury - Valerie's benefactors from Amsterdam who are secretly spies masquerading under their other guises. Paul and Henry explain that the Council of Five are planning to overthrow the American government and that Dillenbeck can help them foil their plot.

The three finally are granted a meeting with Dillenbeck having got past his gatekeeper wife, and who is offered US$40K from a fat middle aged man on behalf of an unnamed benefactor to deliver a speech rallying veterans to forcibly remove President Franklin D. Roosevelt from the White House and install Dillenbeck as a puppet dictator in his place. Dillenbeck agrees and plans to speak at a reunion gala that Burt and Harold are hosting, in order to draw out whoever is behind the plot.

At the reunion event, Dillenbeck instead makes his own speech instead of the one he was paid to say. Milfax, from the rafters directly above the stage has intentions to shoot Dillenbeck for going against the plan, but Harold and Valerie spot him and are able to thwart him in time. Milfax is arrested, while the Council of Five are revealed to be four industry leaders, including Tom, who are fanatically obsessed with Benito Mussolini, Heinrich Himmler and Adolf Hitler and have designs on making America a fascist state, with Dillenbeck becoming the fifth member of the secretive cabal, or so they had thought.

Tom and the other leaders are arrested by Police, but are quickly released as such people in high places often were, and so they in turn slander Dillenbeck in the press following their release. Dillenbeck testifies about the incident to Congress and returns home to live out his life. Harold and Valerie leave the country since they cannot be together in the United States aided by a slow boat out of New York organised quickly by Canterbury and Norcross, but not bound for Amsterdam as it will soon enough be overrun with the Gestapo exclaims Norcross, to which Valerie nonchalantly responds with 'who are they?' Burt wishes them farewell and plans to reopen his medical practice and pursue a relationship with Irma, finally coming out of the shadow of his estranged wife and his over bearing in-laws.

I have to say that I am somewhat surprised by the critical drubbing that 'Amsterdam' has received, because I, and the two movie buddies I went with to see this film, enjoyed this latest quirky comedy thriller supported by an ensemble of fine A-list acting talent. The trio of Bale, Washington and Robbie share a screen presence that is a pleasure to watch and between them they rarely miss a beat, delivering their quips, comedic one liners and sight gags with aplomb, and look as though they're having a great time doing it too. The production values and cinematography are also top notch, and whilst the story line zigs and zags, ducks and weaves, it is nonetheless a work of fiction with a modicum of a true story woven into the at times meandering narrative, but it works and all comes together nicely in the end. This may not be David O. Russell's greatest ever work, but as a story of the power of friendship and love; remembering those that exist on the fringes of our society; and thwarting the enemy at the gates, this is an entertaining enough period romp that merits the price of your movie ticket. 

'Amsterdam' merits four claps of the Odeon Online clapperboard from a possible five claps. 

-Steve, at Odeon Online-