WONDER WOMAN 1984 : Tuesday 5th January 2021.

'WONDER WOMAN 1984' is the M Rated ninth instalment in the DCEU which finally arrived in Australian cinemas on 26th December 2020. This sequel to 2017's 'Wonder Woman' which grossed US$822M off the back of a production budget of about US$140M, is once again Directed by Patty Jenkins, and has been the subject of numerous delays to finally get us to this point. Originally announced for release on 13th December 2019, before being moved up to 1st November 2019, then it was delayed to 5th June 2020 and delayed again to 14th August 2020 while the world rode out the COVID-19 pandemic. In June 2020, a further delay saw the film's release pushed to 2nd October 2020, before it was moved to this Christmas date. The film also streamed on HBO Max in the US and through Premium VoD in Canada from the same day as its theatrical release in those countries, while the rest of the world can enjoy the big screen cinematic release from anytime between Christmas 2020 and the end of January 2021. Costing US$200M to make the film is not expected to be profitable, needing to take US$500M to break even after marketing costs are factored in. That said, this sequel has generated mixed or average Reviews, and at the time of writing has grossed US$119M. A third film in the franchise was greenlit on 27th December 2020 set in the present day with Patty Jenkins and Gal Gadot returning. 

The film opens up with the young child Diana Prince (Lilly Aspel) taking part against much older Amazon contestants in an athletic race on Themyscira. Looking on, but secretly not holding out much hope for her young daughter is the Queen of Themyscira, Hippolyta (Connie Nielsen) and her sister Antiope (Robin Wright). After being knocked off her horse having led the race up to this point, Diana takes a short cut to make up for lost ground and to remount her horse which has run on ahead, riderless. However, just as Diana re-enters the stadium and is about to throw the final javelin through a target making her the winner, she is grabbed from behind by her Aunt, Antiope, and lectured that any goal must be achieved through honest effort and truth comes above everything else.   

We then fast forward to 1984 and Diana Prince/Wonder Woman (Gal Gadot who also Co-Produces here) works at the Smithsonian Institute in Washington D.C. In between her routine work at the Institute she also saves and rescues people often from life threatening situations, wearing her WWI outfit. One such set piece comes in a busy shopping mall when a gang of four thieves rob a jewellery store of various ancient artefacts, but are quickly foiled by Wonder Woman. 

Following this Diana introduces herself to the hapless Barbara Minerva (Kristen Wiig) - a highly insecure geologist and gemologist recently started at the Institute, who most of her co-workers ignore because she is socially awkward, unassertive and just plain. Barbara befriends Diana whom she comes to admire and envy because she represents everything she isn't. The next day Barbara is asked by the FBI to identify several stolen and recovered artefacts from the robbery that Diana had foiled at the Shopping Mall. Barbara and Diana notice one artefact in particular which contains an inscription written in Latin claiming that anyone holding it will be granted one wish. Diana unknowingly uses the stone to wish her deceased lover Steve Trevor back to life, while separately having been saved by Diana from an attempted sexual assault, Barbara wishes upon the stone to become like Diana. 

Meanwhile failing businessman Maxwell 'Max Lord' Lorenzano (Pedro Pascal) visits the Smithsonian Institute under the guise of being a wealthy donor. He had previously arranged for the stolen artefact with the Latin inscription, known as the 'Dreamstone' to be delivered to him in the hope of using its power to save his struggling oil company, BlackGold Cooperative. Diana uncovers a connection between Max and the stone and attends a gala at the Smithsonian to investigate. There, she is reunited with Steve Trevor (Chris Pine), whose soul inhabits another man's body, but only Diana can see him as Steve. 

Attending the gala himself, Max seduces Barbara to gain access to her office and steal the Dreamstone. With the Dreamstone now securely in his possession he later that night uses the stone to 'become' the stone and gains its wish-granting powers, along with the ability to take whatever he desires from others in return. Max very quickly becomes a successful and powerful figure whose oil business takes off, and who is hell bent on assuming control of his competitors oil business, ultimately taking over half the world's oil production. In his wake however, he leaves a trail of destruction and chaos and his powers create instability on a global scale. 

With Barbara's help, Diana and Steve discover that the Dreamstone was created by Dolos, the God of lies, treachery, deception, and mischief and is referenced in various historical records down through the ages. The stone grants a user their wish but exacts a toll, and the only way to reverse the exchange is by renouncing the wish or destroying the stone. As the stone crumbled to dust when Max was granted his wish to become the human embodiment of the stone, there is no chance of now destroying it. Steve quickly comes to the realisation that his existence comes at the cost of Diana's power, while Barbara's newfound life has taken away her humanity. Neither woman is willing to renounce her wish.

With every wish that Max grants, so his new found powers begin taking a toll on him physically as his body slowly deteriorates. He bleeds form the nose, the ears and the eyes and his behaviour is becoming increasingly erratic and unhinged. He learns from the President of the United States (Stuart Milligan) of a satellite system that broadcasts communication signals globally, using a technology that touches every electrical communications device on the planet - telephones, computers, televisions. Max plans to use it to grant wishes to the entire world simultaneously to rid himself of his power and restore his health. Diana and Steve confront him at the White House, only for Barbara to joins forces with Max. She defeats Diana, allowing Max's escape. 

Steve convinces Diana to renounce her wish and to let him go, restoring her strength and discovering an ability to fly. Diana returns to her apartment and dons the gold winged protective suit of armour of legendary Amazon warrior Asteria. She then heads to the satellite headquarters and confronts Barbara, who has mutated into a cheetah-like creature after wishing to become an 'apex predator'. After defeating Barbara in a closely fought battle, Diana confronts Max and uses her Lasso of Truth to communicate with the world through him, convincing everyone to renounce their wishes. She also shows Max visions - first of his own unhappy childhood, then as a teenager at College and then of his young son, Alistair (Lucian Perez), wandering the streets crying for his father amid the chaos he has created. Max renounces his wish and reunites with Alistair, promising to be a better father, and one day to make his son proud. 

Some months later, in a street market at Christmas time, amidst a light flurry of snowfall, Diana encounters the man whose body Steve possessed, providing her with some closure and a determination to continue safeguarding humanity. Meanwhile, in a mid-credits sequence Asteria (Lynda Carter, who played Wonder Woman in the 1970's television series) is revealed to be secretly living among humans, having saved a young child from a falling power pole, and saying to the startled but grateful mother that it's only weight displacement and she has years of experience.

'Wonder Woman 1984' suffers from sequel-itis as it fails to live up to the expectations set so handsomely in the 2017 first instalment. Sure many of the usual characters are there for the purposes of continuity and familiarity, and they all perform their respective roles with aplomb as do the two baddies in the piece played by Wiig and Pascal who both add weight to the storyline which at times falls into cheesy territory. The action set pieces are well choreographed, the look and feel of 1984 is reasonably well recreated, but I was left wanting to see more action from this woman of wonder and less corn (after all she learns she can fly in this sequel - a la the man of steel, and, render inanimate objects - as large as a jet fighter - invisible just by rubbing her hands together!!) 'WW84' is entertaining enough even if it does plod along in places labouring in at an elongated 151 minutes run time, and it has enough emotional heft and escapism to be engaging, but the storyline leaves much to be desired and we have seen it played out many times before in both the DCEU and MCU when nefarious ne'er do well megalomaniacs try to take over the world and eventually succumb to our trusty superhero/ine who is on hand to save the day beyond the eleventh hour and restore some semblance of status quo.  

'Wonder Woman 1984' merits three claps of the Odeon Online clapperboard out of a possible five claps.       

-Steve, at Odeon Online-

What's new in Odeon's this week : Saturday 26th December 2020.

With Christmas upon us, for many of us around the world this festive season will take on a whole new meaning given the ongoing and seemingly ever present impact of the COVID-19 pandemic. Many countries across Europe, the US and Asia are now battling second and third phase outbreaks that bring more restrictions, more lockdowns and more uncertainty. If your Government permits, get out a see a movie on the big screen this festive season and escape the trials and tribulations of the real world for a few hours. In the meantime I take this opportunity to wish my readership wherever you are in the world, a safe, happy and relaxing Christmas with your families, friends and loved ones - assuming you are able to. Together we can beat this thing by remembering to wear a face mask, practice social distancing and good hand hygiene. I wish you all the very best and compliments of the season to you. 

Coming to big screens across Australia and in some cases internationally this Boxing Day, we have six new movie releases to tease you out to your local Odeon the day after Christmas. We begin with the much delayed ninth instalment in the DCEU that sees an immortal Superheroine face off against an apex predator superhuman and a ruthless businessman intent on making wishes come true. Next up is a woman's odyssey to explore a nomadic existence in the wake of the Global Financial Crisis; followed by a French film set in the late '60's about a woman thrust into running a housekeeping school, only to face challenges along the way from the bank, the students, and a former lover. We then turn to a real life telling of Churchill's Special Operations Executive set up during the early months of WWII and how a group of spirited women undermine the Nazi's in France. We then turn to a sequel of an animated feature from a few years ago that tells the story of a prehistoric family this time in search of a new place to call home, and when they find their seemingly idyllic place adventure awaits. And wrapping up the week is a food porn doco about how one renowned Chef was tasked with assembling a select group of the world's best Pastry Chefs to create the decadent desserts that would have been served up to the court of the Palace of Versailles in the late 17th and 18th centuries.    

Whatever your taste in big screen film entertainment is this week - be it any of the six latest release new movies as Previewed below, or those doing the rounds currently on general release or as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the coming week.

'WONDER WOMAN : 1984' (Rated M) - the ninth instalment in the DCEU is finally here, and this sequel to 2017's 'Wonder Woman' which grossed US$822M off the back of a production budget of about US$140M, is once again Directed by Patty Jenkins, and has been the subject of numerous delays to finally get us to this point. Originally announced for release on December 13, 2019, before being moved up to November 1, 2019, then it was delayed to June 5, 2020 and delayed again to August 14, 2020 while the world rode out the COVID-19 pandemic. In June 2020, a further delay saw the film's release pushed to October 2, 2020, before it was moved to this Christmas date. The film will also stream on HBO Max in the US and through Premium VoD in Canada from the same day as its theatrical release in those countries, while the rest of the world can enjoy the big screen cinematic release from anytime between this week and the end of January 2021. Costing US$200M to make the film is not expected to be profitable, needing to take US$500M to break even after marketing costs are factored in. That said, this sequel has generated largely positive Critical acclaim.

Set in 1984 Diana Prince/Wonder Woman (Gal Gadot who also Co-Produces here) is reunited with her former love interest Steve Trevor (Chris Pine) and must face off against Barbara Minerva (Kristen Wiig) who morphs into Cheetah, a cheetah like apex predator superhuman, and Maxwell Lord (Pedro Pascal), a charismatic businessman and founder of Black Gold Cooperative, who has acquired a mysterious Dreamstone that seemingly is able to grant wishes upon contact with any user. Also starring Connie Nielsen and Robin Wright reprising the roles from the first film as Hippolyta and Antiope respectively with Linda Carter who played Wonder Woman in the 1970s television series, makes a special cameo appearance as Asteria, a legendary Amazon warrior.

'NOMADLAND' (Rated M) - this highly acclaimed American drama film is Directed, Written, Co-Produced and Edited by the Chinese movie maker Chloe Zhao in only her third Directorial outing after 'Songs My Brother Taught Me' in 2015 and 'The Rider' in 2017. In September 2018, Marvel Studios hired her to direct 'Eternals', based on the comic book characters of the same name, which is set for a release in early November 2021. This film is based on the 2017 non-fiction book 'Nomadland : Surviving America in the Twenty-First Century' by Jessica Bruder. Here following the economic collapse of a company town in rural Nevada following the Global Financial Crisis, Fern (Frances McDormand) packs her van and sets off on the road exploring a life outside of conventional society as a modern-day nomad. Featuring real nomads Linda May, Swankie and Bob Wells as Fern’s mentors and comrades in her exploration through the vast landscape of the American West, the film also stars David Strathairn. The film saw its World Premiere at the Venice Film Festival in September this year, goes on general release in the US on 19th February 2021, has generated universal Critical acclaim, and has so far collected twenty-three award wins and another nineteen nominations from around the awards and festival circuit.

'HOW TO BE A GOOD WIFE' (Rated M) - this French comedy drama offering is Directed and Co-Written by Martin Provost whose more recent film making outings have included the highly acclaimed 'Seraphine' in 2008, 'The Long Falling' in 2011, 'Violette' in 2013 and 'The Midwife' in 2017. Paulette Van der Beck (Juliette Binoche) and her husband Robert (Francios Berleand) have been running a housekeeping school in Alsace, France in the late 1960's. After the sudden death of her husband, Paulette discovers that the school is on the verge of bankruptcy and has to step up and take on her responsibilities to the teenage girls under her tutelage and her staff. With preparations underway for the best housekeeping competition TV show, she and her lively students begin to question their beliefs as the nation-wide protests of May 1968 transform society around them. Reunited with her first love, Andre Grunvald (Edouard Baer), and with the help of her eccentric stepsister Gilberte (Yolanda Moreau) and strict nun Marie-Therese (Noemie Lvovsky), Paulette joins with the schoolgirls to overcome their suppressed status and become liberated women. This film opened in its native France back in March this year, and now gets a release in Australia from this week.

'A CALL TO SPY' (Rated M) - this American historical drama film is Lydia Dean Pilcher in only her second feature film outing following 2018's 'Radium Girls'. Inspired by true events during the early months of WWII and with Britain becoming desperate, Winston Churchill orders his new spy agency—the Special Operations Executive (SOE) to recruit and train women as spies. Their daunting mission is to conduct sabotage and build a resistance. SOE's 'spymistress' is Vera Atkins (Stana Katic) who recruits two unusual candidates -Virginia Hall (Sarah Megan Thomas who also wrote and Produced here), an ambitious American with a wooden leg, and Noor Inayat Khan (Radhika Apte), an Indian Muslim pacifist. Together, these women help to undermine the Nazi regime in France, leaving an unmistakable legacy in their wake. The film saw its World Premier screening at the Edinburgh International Film Festival way back in June 2019, saw its release in the US in early October, has so far taken just US$182K at the Box Office and now gets a release in Australia having generated positive critical Reviews.

'THE CROODS : A NEW AGE' (Rated PG) - is an American computer generated animated adventure comedy film that is the sequel to 2013's 'The Croods' which grossed US$588M off the back of a circa US$160M production budget. This film is Directed by first-timer Joel Crawford who takes over from Kirk DeMicco and Chris Sanders. And so here, searching for a safer habitat, the prehistoric Crood family discover an idyllic, walled-in paradise that meets all of its needs. Unfortunately, they must also learn to live with the Betterman's - a family that sits a couple of notches above the Croods on the evolutionary scale. As tensions between the new neighbours builds, a new threat soon launches both clans on an epic adventure that forces them to embrace their differences, draw strength from one another, and survive together. Featuring the returning voices of Nicolas Cage, Emma Stone, Ryan Reynolds, Catherine Keener and Cloris Leachman joined by the new vocals provided by Peter Dinklage, Leslie Mann and Kelly Marie Tran. The film has so far grossed US$77M from a production budget of US$65M since its release Stateside at the back end of November and has garnered mixed or average Reviews so far. 

'OTTOLENGHI AND THE CAKES OF VERSAILLES' (Rated G) - here Director Laura Gabbert whose previous documentary features include 'Sunset Story' in 2003, 'No Impact Man : The Documentary' in 2009 and 'City of Gold' in 2015, brings us her latest Doco about renowned Israeli born Chef Yotam Ottolenghi and how he was commissioned by New York's Metropolitan Museum of Art to reimagine desserts and pastry goodies that would have been savoured by French royalty in the court of Versailles during the period from the 1680's to the 1790's. To assist with his effort, Ottolenghi enlists the support of a veritable who's who of renowned pastry chefs from across the globe. Perhaps the most highly regarded of which is Dominique Ansel, the French-American best known for inventing the cronut (the croissant/doughnut hybrid). Then there is Ghaya Oliveira, a Tunisian chocolate aficionado and the Executive Pastry Chef at the exclusive New York restaurant Daniel. The British team of Sam Bompas and Harry Parr have had their intricate gelatine desserts Instagrammed around the world and from Singapore, Janice Wong is known for intricately detailed 'edible art' and finally the Ukrainian baker Dinara Kasko who creates astonishing cakes using 3D printing. The film has generated mostly positive press. 

With six new release films this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. In the meantime, I'll see you sometime somewhere in the week ahead, at your local Odeon.

-Steve, at Odeon Online-

WONDER WOMAN : Tuesday 6th June 2017.

'WONDER WOMAN' which I saw last week had her beginnings as 'Wonder Woman' first appearing in the October 1941 edition of All Star Comics #8. Her origin story tells us that she was sculpted from clay by her mother Queen Hippolyta and given life by Aphrodite, along with superhuman powers as gifts by the Greek Gods. The character is a founding member of the Justice League, demigoddess, and warrior princess of the Amazonian people. In her homeland, she is Princess Diana of Themyscira, and outside of it, she is known by her civilian identity Diana Prince. And so now 'Wonder Woman' gets her very own feature length stand alone movie, having taken seventy years to first appear in 2016's 'Batman v. Superman : Dawn of Justice' although by then Diana Prince was a fully formed bona fide Superhero. This stand alone feature Directed by Patty Jenkins takes us back one hundred years or so to the origins of the character at the time of the First World War, albeit she is an immortal warrior thousands of years old. The film cost US$149M to make, has so far grossed US$436M, and is the first Superhero film to be Directed by a woman with a female protagonist. 'Wonder Woman' is the fourth film in the DC Extended Universe after 'Man of Steel', the aforementioned 'Batman v. Superman : Dawn of Justice' and 'Suicide Squad'.

Our film opens up in present day Paris, at The Louvre's Department of Antiquities which Diana Prince (Gal Gadot) presides over as Curator.  She receives a special package from Wayne Industries and inside is a hand written note from Bruce Wayne saying that he came across this old WWI era photographic plate and that one day, in her own time, she might tell him her story, and this photographic plate sets in the motion the Diana Prince/Wonder Woman back story. Whilst the photograph is one hundred years or so old, it shows a Diana Prince as fresh, young and attractive today, as she was back then.

Diana was born and raised on the secretly shrouded and hidden island of Themyscira, home to the Amazon race of warrior women created by the gods of Mount Olympus to protect humankind against the corruption of Ares, the God of War. Here Diana is an eight year old girl being raised by her mother Queen Hippolyta  (Connie Nielsen). Diana is the only child on the island, and there are no men - for they were forbidden to ever step foot on Themyscira by Aphrodite's Law. In the past Ares turned against his Gods and slew them all, but he was struck down by his mortally wounded father Zeus. Before dying of his sustained injuries Zeus left the Amazons a weapon that was capable of killing Ares - a sword, 'The Godkiller', for fear that one day he might return. Despite the young Diana being a feisty, energetic, and overly enthusiastic child she is forbidden by her mother to attend warrior training school with her Aunt, General Antiope (Robin Wright). We then fast forward to Diana as a twelve year old, still feisty, still energetic and still enthusiastic but ever more determined to take up warrior training, for which she shows a keen aptitude. We then fast forward again and Diana is a fully grown woman and by now has enjoyed years of warrior training with her Aunt and with the reluctant blessing of her mother.

One day after contemplating another good day of warrior training, Diana witnesses a plane hurtling through the sky above the island, and sees it ditch in the ocean off shore and begin sinking to the depths below. She rescues the pilot, a Steve Trevor, (Chris Pine), a Captain with the American Expeditionary Forces who was working undercover to infiltrate a German deadly gas programme led by Chief Chemist Isabel Maru aka Doctor Poison (Elena Anaya), under the command of General Erich Ludendorff (Danny Huston). He managed to steal a notebook from the chemist containing formula's, plans and jottings which he needs to deliver to his superiors in London. The island is soon under attack by German forces hot on the tail of Steve Trevor. The Amazons fight back and win the day but not before Antiope is killed by a bullet intended for Diana. 

After the fracas, Steve Trevor is interrogated using the Lasoo of Truth, in which he reveals that he was acting as a spy against the Germans and that a world war is raging beyond the shores of the island in which tens of millions of men, women and child and being slaughtered needlessly across Europe. Diana is outraged by this and wants to act but is forbidden to intervene by her mother. Believing that Ares is behind the war, Diana takes The Godkiller sword, and sails off into the night with Steve Trevor, in an attempt to singlehandedly bring an end to the war time atrocities, death and destruction, and to dispense with Ares once and for all. 

The pair arrive in London, and after some much needed change of clothes and quick cultural lessons of the period, they deliver Maru's notebook to Steve's superiors, including Sir Patrick Morgan (David Thewlis), who is trying to negotiate an armistice with Germany. Diana translates Maru's notes and reveals that the Germans plan to release a new highly deadly gas at the warfront to reverse the German war effort in their favour. The commanding officers forbid Steve Trevor's intervention, but the pair decide to go anyway. Given limited funds to secure their passage and engage some much needed support, they enlist the services of French Moroccan spy Sameer (Said Taghmaoui), Scottish sharpshooter Charlie (Ewen Bremner) and native American smuggler Chief (Eugene Brave Rock).

Reaching the Western Front in Belgium, the team are halted from advancing by relentless enemy machine gun fire. Diana goes over the top anyway, pushing through the enemy lines despite the rapid gun fire and mortar bombs exploding all around her. The team and Allied Forces follow her, seeing that she is making headway, and together they liberate the village of Veld, celebrating with the locals who are now free of German occupation. It is here that the photograph is taken of Diana, Steve, Chief, Charlie and Sameer.

The team learns that a Gala Dinner is to be held at a close by German High Command headquarters. Steve, under disguise as a German Officer gains access to the party with the intention of locating the deadly new gas and destroying it. Diana, against Steve's wishes, also gains access to the party, and believing that Ludendorff is in fact Ares, goes armed with The Godkiller to dispense with the General, but Steve intervenes and halts her from doing so. Ludendorff meanwhile unleashes the deadly gas on Veld, wiping out all of its inhabitants. Diana blames Steve for the massacre at Veld, saying that he should not have stopped her from killing Ludendorff when she had the chance. 

Diana pursues Ludendorff to an air base where the gas is being loaded onto a bomber bound for London. She corners the General in a tower overlooking the airstrip. A fight breaks out and Diana is successful in killing The General with her sword. But the war did not end as its should have done with the death of Ares! How can this be? Diana is shocked and stunned. Sir Patrick emerges and reveals to Diana that he is in fact Ares. Diana retrieves the sword from Ludendorff's lifeless body and attempts to kill Ares with it, but he destroys it, saying the Diana is the real 'Godkiller'. The two do battle, and in the meantime the team destroy Dr. Maru's laboratory. Steve flies off into the moonlight in the bomber containing the consignment of gas, so ensuring that the gas never reached its destination nor had its desired effect. Ultimately good overcomes evil, and Diana overpowers Ares  and destroys him once and for all.

I was pleasantly surprised by 'Wonder Woman' and the origin story that traces Diana's somewhat secluded and naive view of the world as a would be warrior Princess to an intense inspirational Superhero of the modern world. The film moves along at a strong pace, looks good and delivers some messages about feminism and the futility and horrors of war, and is less about blockbuster apocalyptic end of the world annihilation than we have come to expect from other comic book Superhero franchises. Gadot and Pine are on fine form and share a screen presence that carries the film along in a believable and relatable way that is of the era in which the action is set, and Huston and Thewlis also add gravitas to their roles and the plot. Less can be said for Steve's team, who are really surplus to requirement and add little value other than plugging holes and filling time. Patty Jenkins has crafted a fine film, that looks and feels appropriate for WWI war torn Europe, interlaced with an origin story that remains true to the source material underpinned with solid performances from the principle cast, not least Gal Gadot in the title role whose looks and moves do Wonder Woman justice.  The film is Co-Produced by Zack and Deborah Snyder and the story was Co-Written by Zack Snyder. Wonder Woman will also be back in this November's release of 'Justice League'. This film is all upside for the DCEU, and long may it continue!

-Steve, at Odeon Online-

What's new in Odeon's this week - Thursday 1st June 2017

The 70th annual Cannes Film Festival has just wrapped closing twelve days of film extravaganza down on the French Riviera running from 17th until 28th May inclusive. Spanish film Director and Screenwriter Pedro Almodóvar was the President of the Jury for the Festival and Italian Actress Monica Bellucci hosted the opening and closing ceremonies. 'Ismael's Ghosts' by French Director Arnaud Desplechin, was the opening film for the Festival, and 'The Square' by Swedish Director Ruben Ostlund, was the closing film.

This year there were nineteen films in Official Competition all competing for the much prized Palme d'Or. Among those were : 'In the Fade' by Director Faith Akin and starring Diane Kruger; 'The Meyerowitz Stories' Directed by Noah Baumbach and starring Adam Sandler, Ben Stiller, Dustin Hoffman and Emma Thompson; 'Okja' by Director Bong Joon-ho and starring Tilda Swinton, Jake Gyllenhaal and Paul Dano; 'The Beguiled' by Director Sofia Coppola and starring Colin Farrell, Nicole Kidman, Kirsten Dunst and Elle Fanning; 'Wonderstruck' by Director Todd Haynes and starring Julianne Moore and Michelle Williams; 'The Killing of a Sacred Deer' by Director Yorgos Lanthimos and starring Colin Farrell, Nicole Kidman and Alicia Silverstone; 'You Were Never Really Here' by Director Lynne Ramsay and starring Joaquin Phoenix; 'Good Time' by Ben and Josh Safdie and starring Robert Pattinson and Jennifer Jason Leigh; 'Happy End' by Director Michael Haneke and starring Isabelle Huppert; and competition winner of the Palme d'Or 'The Square' Directed by Ruben Ostlund and starring Elisabeth Moss, Dominic West and Claes Bang.

In official competition the other winners and grinners were : Grand Prix awarded to French drama film '120 Beats Per Minute' by Director Robin Campillo; Best Director awarded to Sofia Coppola for 'The Beguiled'; Best Actress awarded to Diane Kruger for 'In the Fade'; Best Actor awarded to Joaquin Phoenix for 'You Were Never Really Here'; Best Screenplay awarded to Yorgos Lanthimos and Efthymis Filippou for 'The Killing of a Sacred Deer' and Lynne Ramsay for 'You Were Never Really Here'. Nicole Kidman was awarded a special 70th Anniversary Prize, had three films in competition this year, and a special 70th anniversary screening of Jane Campion's mystery television drama series 'Top of the Lake : China Girl' being the second season of the acclaimed series which Kidman stars in and which goes to air in September this year. Kidman was also unofficially crowned this years 'Queen of Cannes'.

Coming back down to Earth, this week there are just three new release films coming to your local multiplex or independent theatre. We kick off with this eagerly awaited fourth film in this Extended Universe for one particular female Superhero that we have seen before on the big screen just last year, but here she gets her very own origin story and what a whip cracking yarn it promises to be. We then move to bronzed babes and buffed bodies patrolling the beach, saving lives and catching crims in this big screen feature film based on a popular long running television series of the nineties, before wrapping up this week with a late '70's story of one middle aged Mum bringing up her young teenage lad with the help of her two 'adopted' and much younger mother figure friends.

When you have sat through your film entertainment of choice sometime somewhere in the coming seven days, be reminded to share your thoughts with your like minded cinephiles here at Odeon Online. Simply leave your relevant, concise and pertinent views, opinions and observations of any of the three movies as Previewed below, or those as Reviewed and Previewed between these humble pages previously, in the Comments section below this or any other Post. We'd love to hear from you as always, and meanwhile, enjoy your filmic experience.

'WONDER WOMAN' (Rated M) - the beginnings of the DC Comics Superhero known as 'Wonder Woman' first appeared in the October 1941 edition of All Star Comics #8 and her origin story tells us that she was sculpted from clay by her mother Queen Hippolyta and given life by Aphrodite, along with superhuman powers as gifts by the Greek Gods. The character is a founding member of the Justice League, demigoddess, and warrior princess of the Amazonian people. In her homeland, she is Princess Diana of Themyscira, and outside of it, she is known by her civilian identity Diana Prince. And so now 'Wonder Woman' gets her very own feature length stand alone movie, having taken seventy years to first appear in 2016's 'Batman v. Superman : Dawn of Justice' although by then Diana Prince was a fully formed bona fide Superhero. This stand alone feature Directed by Patty Jenkins takes us back one hundred years or so to the origins of the character at the time of the First World War, albeit she is an immortal warrior over five thousand years old. The film cost US$120M to make, is released in the US and China this week too, and is the first Superhero film to be Directed by a woman with a female protagonist. 'Wonder Woman' is the fourth film in the DC Extended Universe after 'Man of Steel', the aforementioned 'Batman v. Superman : Dawn of Justice' and 'Suicide Squad'.

Set at about the time of the First World War, the Amazon princess Diana (Gal Gadot), who is living on the remote island of Themyscira, meets American military pilot Steve Trevor (Chris Pine) when he washes ashore having crashed his aircraft somewhere offshore. After learning from him about the ongoing events of World War I, and the huge conflict that is erupting around the world, she leaves her home for the first time, venturing to London and the battlefields of Europe to bring an early end to the war, and in so doing becomes 'Wonder Woman' realising her full powers and her full potential. Also starring Connie Nielsen as Queen Hippolyta; Robin Wright as General Antiope, the sister of Hippolyta and Diana's aunt; David Thewlis as Ares, the treacherous son of Zeus and half-brother of Diana; and Danny Huston as General Erich Ludendorff, an ambitious and iron fisted general of the German Army. The film is Co-Prodiced by Zack and Deborah Snyder and the story was Co-Written by Zack Snyder. Wonder Woman will also be back in this November's release of 'Justice League'.

'BAYWATCH' (Rated MA15+) - this film is based on the hugely popular and internationally successful American action drama series about the Los Angeles County Lifeguards who patrol the beaches of Los Angeles County, California, starring David Hasselhoff and Pamela Anderson that ran for eleven series over 242 episodes from 1991 through until 2001. The show led to a spin-off, 'Baywatch Nights' from 1995 to 1997 over two seasons, and three direct to video films: 'Baywatch the Movie : Forbidden Paradise' in 1995; its sequel 'Baywatch : White Thunder at Glacier Bay' in 1998; and 2003 reunion film 'Baywatch : Hawaiian Wedding'. Now in 2017 and at a budgeted US$69M 'Baywatch' the big screen feature film is upon us. Directed by Seth Gordon, and starring Dwayne Johnson as Mitch Buchannon (formerly played by Daivid Hasselhoff) the overzealous, keen, athletic leader of an elite group of lifeguards patrolling Emerald Bay in Florida, and Zac Efron as  Matt Brody, a disgraced former Olympic swimmer turned wannabe lifeguard who is seen as a PR lifeline to convince the city not to further cut its funding to the Baywatch squad. At the upcoming try-outs for new lifeguard positions, Matt Brody is one of three hopefuls but he soon clashes with headstrong Mitch Buchannon. However, the pair must soon put there differences aside when drugs, the murder of a city dignitary, and an unscrupulous business woman threaten the local Baywatch community. Also starring Kelly Rohrbach as C.J. Parker (formerly played by Pamela Anderson). The film has so far taken US$29M since its release in the US on 25th May and has received less than positive press so far.
 
'20th CENTURY WOMEN' (Rated M) - Mike Mills wrote and Directed this semi-autobiographical comedy drama film for just US$7M which was released Stateside on 28th December 2016 and has so far recovered US$6M. The film has won ten awards and been nominated for a further 68 including Best Original Screenplay at this years Academy Awards and two Golden Globe nods for Best Motion Picture and Best Actress for Annette Benning. Set in Santa Barbara in Southern California in 1979, this film tells the story of Jamie (Lucas Jade Zumann) a young teenager and his relationship with his determined single mid-fifty year old mother Dorothea Fields (Annette Benning). She enlists the help and support of household lodger Abbie (Greta Gerwig) a free spirited new wave artist and Julie (Elle Fanning) a street smart and overly confident neighbour to aid in Jamie's upbringing and introduction to the world at a time of cultural change and rebellion. Also starring Billy Crudup, the film has received positive Reviews from Critics.

Three films this week all with women at the core - 'Wonder Woman', '20th Century Women' and 'Baywatch' featuring scantily clad swimsuit wearing lifesaving babes that any self respecting guy would want their life saved by, no doubt! Whatever your chosen realm of movie escapism is this week, be sure to share your thoughts with us here afterwards, and in the meantime, I'll see you somewhere, sometime, in the week ahead at your local Odeon.

-Steve, at Odeon Online-