'ROCKETMAN' which I saw this week is a biographical musical film based on the life and times of Sir Elton John (aka Reginald Kenneth Dwight) as Directed by Dexter Fletcher, whose previous film making credits include 'Wild Bill' in 2011, 'Sunshine on Leith' in 2013, 'Eddie the Eagle' in 2016, and an uncredited role as Director on last years 'Bohemian Rhapsody' having replaced Bryan Singer as Director for the final two weeks of filming, but received an Executive Producer credit due to Directors Guild of America rules. An Elton John biopic had been in development for almost two decades, with the project going through several Directors, studios and Actors before Sir Elton finally approached Paramount Pictures. In early 2018 Taron Egerton was cast to play Elton John having previously appeared with Sir Elton in the 2017 film 'Kingsman: The Golden Circle', and Egerton, as Johnny the Gorilla, sang John's song 'I'm Still Standing' in the animated film 'Sing'. The film cost US$41M to bring to the big screen, saw its Premier screening at the Cannes Film Festival on 16th May this year, was released in the UK on 22nd May and was released in the US and here in Australia last week. The film has so far taken US$71M and has generated mostly positive Reviews. The film is titled after Sir Elton's 1972 UK #2 and US #6 hit single of the same name.
The film opens up with a flamboyantly attired Elton John (Taron Egerton) wearing an orange and heavily sequined Devil stage outfit walking hurriedly down a corridor and bursting through the doors of a room wherein, sat in a circle, is a self help group. Welcomed by the others, Elton opens up with a statement of who he is, and that he is an alcoholic, a drug addict, a sex addict and addicted to various other things to help him escape from his fractured childhood upbringing and what he has become, and, that he's bulimic. And so begins in flashback a story of his young years, right up until the time he entered this rehab facility where he currently sits with various others in the same group attempting to come to some understanding of the forces that worked for him and against him to bring him to this point.
As a young child, Reginald 'Reggie' Dwight was raised by his less than loving mother Sheila (Bryce Dallas Howard), his more caring grandmother Ivy (Gemma Jones), while his father Stanley (Steven Mackintosh) was away serving in the Royal Air Force. Reggie shows interest in playing the piano, and seems to possess a natural gift, and soon begins private piano lessons at London's prestigious Royal Academy of Music. Stanley returns home for a two week period of leave, and keeps his son at arms length having never really ever shown him any affection or emotion. Eventually, feeling constricted by his family surroundings and discovering Sheila getting it on with another man in a car, Stanley walks out on his family forever, to forge a new life. Reggie takes up an interest in Rock & Roll music artists such as Elvis Presley, gets a similar haircut to The King, and begins performing in local pubs before joining a band, 'Bluesology'.
As an adult, Reggie changes his name to Elton John (Elton from a fellow Bluesology band member, and John after John Lennon) and responds to an advert in the music press seeking singers, songwriters and musicians with any talent to make contact. This takes him to an appointment with the Dick James Music Publishing Company under the management of Ray Williams (Charlie Rowe). Williams introduces Elton to songwriter Bernie Taupin (Jamie Bell). The pair meet up for the first time in a local cafe and quickly form a bond, with Taupin accepting both Elton and his closeted homosexuality. 
The pair are encouraged to move in together so that they can be close to each other to fuel their songwriting output. Taupin moves into the Dwight family home, which creates a strain on the family unit, but nonetheless allows the pair the proximity to each other to encourage Taupin's lyrics to be quickly set to music by Elton.
The duo impress Dick James (Stephen Graham) with 'Your Song' and he sets up their first American performance for them at the 'Troubadour' in Los Angeles. The audience loves Elton's performance, and he doesn't hold back having fought off his earlier nerves. At a party afterwards at Mama Cass's place, he feels abandoned when Taupin leaves him to be with a woman.
At that same party, feeling somewhat dejected, Elton is approached by John Reid (Richard Madden), a music Manager and Promoter who is attracted to Elton. The two sleep together. Reid's ever increasing influence over Elton results in him spiralling into a life of decadence and debauchery as his career takes off and he becomes one of the worlds most successful musicians, at one point accounting for 5% of all the worlds records sales. Meanwhile, Elton embraces an ever increasing extravagant and flamboyant stage profile.
After Elton contracts him as his new manager, Reid begins manipulating Elton, starting off with his insistence that he admits to his mother and father that he's gay so they can help shelter his sexual leanings from the press. Sheila curtly over the telephone informs Elton she was already aware of his sexuality and had been for a long time and doesn't really care, except, she tells him, that he's facing a life of being alone forever. Elton finds Stanley in his new suburban family home and doesn't tell him that he's gay, because he's too upset by his father's happiness with his new family, complete disregard of his old one and total indifference towards Elton and his success. Struggling with his parental issues, as well as Reid's rising abuse, Elton becomes addicted to cannabis, cocaine, alcohol and sex.
At that same party, feeling somewhat dejected, Elton is approached by John Reid (Richard Madden), a music Manager and Promoter who is attracted to Elton. The two sleep together. Reid's ever increasing influence over Elton results in him spiralling into a life of decadence and debauchery as his career takes off and he becomes one of the worlds most successful musicians, at one point accounting for 5% of all the worlds records sales. Meanwhile, Elton embraces an ever increasing extravagant and flamboyant stage profile.
In 'Rocketman' Actor turned Director Dexter Fletcher, has crafted a solid tribute to Elton John's meteoric rise to super stardom in the late '60's and through the '70's, and doesn't let up in exposing the warts and all lifestyle and its effects on the wildly extravagant singer. He does however, take some liberties with the timelines, the story and the facts but that doesn't detract from the enjoyment factor of seeing Taron Egerton mimic Sir Elton so well and so brazenly, and how he spirals out of control so wantonly as a result of his success. The film charts the first twenty years or so of his musical career up until about the time he married Renate Blauel in Sydney in 1984, and their subsequent divorce in 1988 and the release of 'I'm Still Standing' in 1983 (muddled timelines here) which concludes the film with Egerton's Elton John cut into the actual video footage that accompanied the release of that single. It is unlikely that 'Rocketman' will emulate the success of those other two hit musical dramas of this year 'Bohemian Rhapsody' (US$904M Box Office) and 'A Star Is Born' ($US435M Box Office), but it is sure to please die hard Elton John fans as well as those with only a passing interest in the life and times of this enduring rock music icon. The film plays out with an update and images of where Sir Elton is now in both his personal and musical life as of the present day.The film includes such renditions of John's famous back catalogue performed convincingly by Taron Egerton as 'The Bitch is Back', 'Saturday Night's Alright for Fighting', 'Border Song' 'Your Song', 'Crocodile Rock' 'Tiny Dancer', 'Don't Go Breaking My Heart', 'Pinball Wizard', 'Rocket Man', 'Bennie and the Jets', 'Don't Let The Sun Go Down On Me', 'Goodbye Yellow Brick Road', 'Sorry Seems To Be The Hardest Word' and 'I'm Still Standing'.
'Rocketman' warrants four claps of the Odeon Online clapperboard, out of a possible five.
-Steve, at Odeon Online-
