THE KING'S MAN : Tuesday 11th January 2022.

I saw 'THE KING'S MAN' at my local multiplex this week and this MA15+ Rated spy action film is Directed, written for the screen, based on a story and Co-Produced by Matthew Vaughn, and is based on the 2012 comic book series created by Mark Miller and Dave Gibbons known as 'The Secret Service'. This film serves as a prequel to 2014's 'The Kingsman : The Secret Service' and 2017's 'Kingsman : The Golden Circle' both Directed also by Matthew Vaughn which between them grossed US$826M off the back of combined production budgets of US$195M. This film was released on 22nd December in the US, on 26th December 2021 in the UK and was last week released in Australia having been delayed several times from an original November 2019 release date, partially due to the COVID-19 pandemic. The film received mixed reviews from critics, grossing US$75M so far. 

At the turn of the 20th Century Orlando, the Duke of Oxford (Ralph Fiennes), his wife Emily (Alexandra Maria Lara) and young son Conrad (Alexander Shaw) visit a concentration camp in South Africa during the Boer War while working for the Red Cross. Emily is killed during a Boer sniper attack on the camp, causing pacifist Orlando to determine that the world needs someone to head off such conflicts before they arise. Fast forward twelve years, and Orlando has recruited two of his servants, Shola (Djimon Hounsou) and Polly (Gemma Arterton), into his spy network dedicated to protecting the United Kingdom and the British Empire from the imminent Great War. Conrad (Harris Dickinson) is eager to fight on the front line but is forbidden to join up by his protective father, who persuades his close friend Lord Kitchener, Secretary of State for War (Charles Dance), not to let him join the army. 

Upon the express wishes of Lord Kitchener, Conrad and Orlando ride with Orlando's friend Archduke Franz Ferdinand (Ron Cook) through Sarajevo, and Conrad saves the Archduke from a bomb thrown by Gavrilo Princip (Joel Basman), a rebel intent on sparking a war. Later, Princip runs into the Archduke's entourage again, this time succeeding in fatally shooting Ferdinand and his wife Sophia. Orlando's group learn that Princip was part of a plot to pit the German, Russian, and British empires against each other. The group, headed by the mysterious Shepherd from a secret mountain-top headquarters, have their own network of agents, including the Russian mystic Grigori Rasputin (Rhys Ifans), a trusted adviser to Tsar Nicholas (Tom Hollander) of Russia. Rasputin, working under the direction of the Shepherd, manipulates Tsar Nicholas by poisoning his young son, and only curing him when the Tsar agrees to leave the war. 

Conrad is notified of Rasputin's manipulation by his cousin Felix Yusupov (Aaron Vodovoz). Knowing the Western Front will be left vulnerable if Russia exits the war, Conrad delivers this information to Kitchener and his personal assistant Major Morton (Matthew Goode), who embark for Russia on a steam ship. Their ship is torpedoed by a submarine, which is split in two and sinks rapidly in a ball of flame apparently killing them both. Word of Kitchener's death reaches Orlando, spurring him to head to Russia with Shola, Polly, and Conrad to put an end to Rasputin once and for all. At a Christmas party hosted by Prince Yusupov, Orlando, Shola, Conrad, and Rasputin get into a fight with the skirmish only ending when Polly shoots Rasputin between the eyes and kills him.

Again, at the Shepherd's insistence, Erik Jan Hanussen (Daniel Bruhl), an adviser to Kaiser Wilhelm II (Tom Hollander), sends a secret diplomatic communication that proposed a military alliance between Germany and Mexico, hoping to sidetrack Britain and the USA. Although the message is intercepted by British intelligence and given to the United States, President Woodrow Wilson (Ian Kelly) refuses to join the war without absolute proof. The Shepherd recruits Vladimir Lenin (August Diehl) and orders his Bolsheviks to overthrow the Tsar and remove Russia from the war, and sending an assassin to kill off the Romanovs.

Now nineteen years of age, Conrad is free to join the war effort without intervention from his father. He is commissioned into the Grenadier Guards against his father's wishes. Orlando meets with King George V (Tom Hollander) who agrees to give his son an administrative pen pushing desk job and thus summons Conrad back to Britain. Conrad sends back a young soldier in his place named Lance Corporal Archie Reid (Aaron Taylor-Johnson), giving him the codename 'Lancelot' to send a message to his father. Disguised as Archie, a member of the Black Watch, Royal Regiment of Scotland, Conrad volunteers for a mission into No-Man's Land to retrieve information from a British agent wounded there, but is mistaken for a German spy upon his return and executed at point blank range with a bullet to the head. However, the information he retrieved from the spy is the proof President Wilson required to enter the war. Orlando is devastated by the news of his sons death, and crawls inside a bottle of Scotch to drown his sorrows, refuses to eat, shave, and leave the house for weeks on end. It takes King George to visit Orlando and present him with a Victoria Cross medal awarded posthumously to Conrad for gallantry and valour and Polly to finally make him come to his senses, after she resigns from his service, which he ultimately refuses to accept. 

Orlando's group learns that President Wilson is being blackmailed with a film of him being seduced by one of the Shepherd's agents, Mata Hari (Valerie Pachner). Orlando locates her at the American Embassy and after overpowering her recovers her cashmere scarf, made from rare wool only found in one specific mountainous region. Having identified this location as the Shepherd's base of operations, Orlando, Shola, and Polly head there and fight their way inside. Morton, who had faked his own death and sunk the battleship, is revealed to be the Shepherd (Matthew Goode). Orlando and Shola fight and kill the Shepherd while Polly recovers the original film negative of Wilson's seduction and returns it to the American President, who promptly burns it on the open fireplace in the Oval Office, so allowing his country's forces to mobilise, and ultimately bring an end to the Great War.

Fast forward twelve months after the end of the war, and Orlando has purchased the Kingsman Tailor Shop as a front for his organisation. Gathered around the table as Orlando announces the formation of the original Kingsman are Polly (codenamed Galahad), King George (Percival), Archie Reid (Lancelot), and US Ambassador Chester King (Stanley Tucci as Bedivere) as Shola enters the room late and is given the codename Merlin, with Orlando taking the name of Arthur - all from the legend of King Arthur in honour of Conrad. Remain in your seat for a mid-credits sequence in which Hanussen has assumed the mantle of the Shepherd and in talks with Lenin introduces him to the Romanovs assassin - one young Adolf Hitler (David Kross).

Like Quentin Tarantino's movie 'Inglorious Basterds' did with reimagining the outcome of WWII, here Matthew Vaughn reimagines the outcome of WWI and does so with a comic book style that helps keep the narrative fresh and at times surprising. The action set pieces, of which there are plenty, are well handled but offer up nothing new that we haven't seen a hundred times before, but which are nonetheless likely to satisfy fans of the first two films in the series. Whilst there are some moments of humour in this film, the storyline here offers up more emotion, and greater sincerity than its predecessors which helps in keeping the wild running plot grounded and relatable . . . just! Ralph Fiennes is dependable as ever in his role as the main protagonist here and playing largely against type just as Colin Firth did in the first two instalments, and proving just how adept he is at close quarter hand to hand combat, and maintaining that stiff British upper lip whilst dressed in the best threads of the era. The remaining ensemble cast all deliver too, especially Rhys Ifans in his over the top camp performance as Rasputin, who ultimately gets his comeuppance that isn't too far removed from the truth it seems. All up, 'The King's Man' is an enjoyable enough romp through an alternate WWI history, is an acceptable origin story, has some standout performances but fails to deliver on what made 'Kingsman : The Secret Service' so memorable and fresh, and is only just a notch or two above 'Kingsman : The Golden Circle'. 

'The King's Man' merits three claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

BIRD BOX : Friday 21st December 2018

I saw 'BIRD BOX' from the comfort of my own living room watching the film on Netflix the day of its worldwide release on 21st December. Based on the 2014 novel of the same name by Josh Malerman, the film is Directed by Susanne Bier whose most recent outing as Director was for the highly acclaimed television series 'The Night Manager'. Made for US$20M the film has a limited theatrical run from 14th December before being released on the Netflix streaming service on 21st December. Within a week, Netflix had claimed that the film had seen the biggest seven-day viewership for any of its original movies to date, with over 45 million viewers. The film has received mixed or average Reviews from Critics, although Sandra Bullock's performance as the lead character has been praised.

The film opens up with a mother, Malorie Hayes (Sandra Bullock) kneeling down and speaking quickly and anxiously to her two young children. She informs them that they are about to go on a journey down a river and its going to be dangerous, and if they don't listen to her every word they will die. She also tells them that if they get separated they will die, and if they run off or cause a distraction they will die, and if they remove their blindfolds for as much as a fleeting minute they will die.

We then go back in time five years and Malorie is an expectant mother who is visited in her home painting studio by her sister Jessica (Sarah Paulson). Before setting off to the local hospital for a routine pregnancy check-up, they see reports on television that some sort of strange phenomenon across Europe and Russia is causing mass suicides on a seemingly alarming scale. The pair dismiss the story and go to the hospital. Upon leaving the clinic the pair witness a woman in the corridor smashing her head repeatedly against a plate glass window, smashing the glass and her head and face. Malorie realises that perhaps there was more to that news story than they gave it credit for. As they attempt to race away from the hospital, they see chaos erupt in the streets all around them as more and more people suicide. Distraught by the scenes and carnage unfolding in front of them, Malorie reaches into the back seat to retrieve her ringing phone, when Jessica is unnerved by something up ahead. Jessica crashes the car which comes to halt upside down. They both clamber out. Injured, Malorie is unable to stop her sister stepping in front of an oncoming speeding truck and is killed instantly.

Malorie is swept along by a fleeing crowd of people all running away from something that no one can seemingly see, hear or understand. She is pulled to safety by a group of strangers holed up in house, but in the ensuing chaos, one of those residents walks out into the street and sits in a burning car very quickly engulfing herself in flames. That was the the wife of Douglas (John Malkovich) the owner of the house. After collecting their thoughts as much as they are able under the dire circumstances, they draw the conclusion that just by virtue of looking at the creatures can cause humans to go insane and commit suicide. They cover the windows with newspapers and blankets to hide themselves from the chaos and creatures on the outside.

Days and presumably a few weeks pass by and food supplies in the house are running short. Malorie and the other holed up residents Charlie (Lil Rel Howery), Tom (Trevante Rhodes), Lucy (Rosa Salazar) and Douglas agree to drive to a local supermarket on a supply run. They paint out the windows, and use the vehicles GPS and proximity sensors to detect obstacles in the road and to guide them to their destination. Arriving at the store, but not before encountering the creatures which they manage to successfully evade with some nifty driving skills, they find an almost fully stocked supermarket which Charlie happens to work at. In the drinks aisle Douglas is in his element having found a stash of Scotch Whisky and votes to remain there indefinitely. The others however, reject his notion. Malorie comes across a bird cage containing a pair of birds, which she decides to adopt. The birds quickly validate themselves when a man crying for help from behind the loading dock door wants to gain entry. Upon opening the door the birds yelp and flap their wings violently indicating they are an early warning system against the creatures. The man allowed entry quickly attacks the group as he is seemingly under the influence of the creatures and is out to infect other humans. Charlie sacrifices himself so that the others can make a getaway.

Some time later Lucy and Felix (Colson Baker) steal the vehicle and decide to go it alone, leaving those left in the house without any means of transportation. Soon after, another heavily pregnant survivor Olympia (Danielle Macdonald) allows a seemingly unaffected and innocent wanderer, Gary (Tom Hollander) into the house against Douglas's wishes, for which he is locked up in the garage lest he should try to injure or kill their latest resident. Seemingly speaking from first hand experience, Gary refers to infected survivors who are insane and are compelled to force unaffected humans to look at the creatures, of which he has numerous pencil drawings contained in a satchel. When both Olympia and Malorie go into labour, Gary reveals himself to be one of the insane people he described. He then proceeds to remove all the coverings from the windows and attack the others within the house. Gary murders Douglas and forces Olympia, having just given birth, and another survivor Cheryl (Jackie Weaver) to look at the creatures, resulting in their deaths by suicide. Tom is able to kill Gary with a shotgun and save Malorie and the two newborns, leaving all the other survivors in the house, dead.

Fast forward five years, and Tom and Malorie are living together with the children in a seemingly relatively safe haven. Malorie calls the now five year olds only Boy (Julian Edwards) and Girl (Vivien Lyra Blair). One day they receive a return radio transmission from a survivor stating that they are well and safe at a community two days downriver and that they are welcome to join them. Tom wants to go to the community despite the dangers of the river, but Malorie fears it could be a trap.

Following the transmission, Malorie flees with the two children when a group of infected survivors locate them and attempt to kill them. Tom manages to kill all the infected, but in doing so glimpses the creatures which results in him turning his gun on himself. Blindfolded, Malorie takes the children, also blindfolded, and the two birds wrapped in a shoe box to a rowboat next to a river.

Their journey is dangerous as described by the voice at the other end of the radio transmission. After some two days having survived raging rapids, an insane infected man, and even capsizing their boat in the rapids, they are washed ashore but by now separated. The creatures tease the children and Malorie to remove their blindfolds by mimicking the voices of loved ones but are unsuccessful as the three are reunited by the sounds of each others voices, and make it through dense woodland to the community guided by the sounds of tweeting birds, just as the voice had instructed.

Upon arriving Malorie and the two children are quickly taken in, and removing her blindfold very gingerly, sees that the compound is an old school for the blind, and most members of that community are blind, rendering them immune to the creatures. She kneels down and gives the children names, Olympia for the girl and Tom for the boy, and releases the birds from their box to join the many others flying above in an enclosed atrium, that have kept them free from harm for these past five years.

This film evoked memories of M. Night Shyamalan's 2008 post apocalyptic horror thriller 'The Happening' and more recently John Krasinski's 2018 post apocalyptic horror thriller 'A Quiet Place'. This film is below par compared with the latter, and would rate just about the same as the former elevated only by the performance of Sandra Bullock who once again turns it on as the everyday woman determined to overcome adversity and look fear in the face and say FU! The film falls somewhat short on suspense, scares and any real horror elements and lingers too long in the past, not long enough in the present and not at all in the intervening five years. As for the fate outside of Malorie's small little world, we are left but to wonder, and why certain individuals are left to roam free as 'carriers' of the creatures curse but not victims of suicide, also remains unclear. If post apocalyptic thrillers are your thing, and if during these extended school Summer holidays you are looking for two hours to sit and watch such an offering from the comfort of your own lounge, you could do worse than tune into 'Bird Box', but equally there's more compelling viewing out there too.  

'Bird Box' warrants three claps of the Odeon Online clapperboard, from a potential five.

 

-Steve, at Odeon Online-

BOHEMIAN RHAPSODY : Tuesday 6th November 2018.

'BOHEMIAN RHAPSODY' is a different turn here for film and television Director, Producer and Writer Bryan Singer. Here he Directs this biographical offering about the British rock band 'Queen', and in particular its front man, showman, and lead singer Freddie Mercury. Bryan Singer's previous Directorial outings take in the likes of 'The Usual Suspects', 'Apt Pupil', 'X-Men', 'X2', 'Superman Returns', 'Valkyrie', 'X-Men : Days of Future Past' and more recently 'X-Men : Apocalypse'. The film was first announced back in 2010 by Brian May in a BBC interview. Since then various Directors and lead Actors have come and gone including Dexter Fletcher to Direct and Sasha Baron-Cohen and Ben Whishaw to portray Freddie Mercury. Dexter Fletcher went on to conclude the final two weeks or so of filming as Director after Bryan Singer was fired for being persona non grata and for clashes with the cast and crew, although Singer gets the full credit as Director and Fletcher as Executive Producer. The film saw its World Premier screening in London on 23rd October, went on general release in the UK the next day, and was released here in Australia and the US last week. The film cost US$52M to Produce and has so far grossed US$156M.

The film charts the meteoric rise of Queen through their iconic songs and revolutionary sound. As the film opens we see Farrokh Bulsara (Rami Malek) working as a baggage handler at Heathrow Airport. It is 1970. Farrokh is also a college student living at home with his sister Kashmira (Priya Blackburn), mother Jer (Meneka Das) and father Bomi (Ace Bhatti). They are British Indian of Parsi decent we learn from Bomi over the dinner table later on which refers to a member of the Zoroastrian community who migrated to India and Pakistan from Persia during the Arab invasion of 636–651AD.

Shortly after Farrokh goes out to a nightclub to see a local band, Smile, perform live. Post show Smile's lead vocalist Tim Staffell (Jack Roth) announces to his other two band members Brian May (Gwilym Lee) and Roger Taylor (Ben Hardy) that he is quitting Smile to join a more up & coming band with greater prospects of success. As luck would have it, Farrokh walks past Brian and Roger sitting in the back of the bands van feeling sorry for themselves and dejected, and strikes up a conversation, which ultimately leads Farrokh to offer his services as their new lead vocalist. Proving himself with a short burst of his singing ability, Farrokh is in. Shortly after, John Deacon (Joseph Mazzello) is recruited as bass guitarist.

The band changes their name to Queen, and gradually start to become known around the British club scene. After a year on the road touring around Britain, the band sells their van to finance their debut album, released in mid-1973 and self-titled. Their progressive style leads the band to be signed to EMI Records and managed by John Reid (Aidan Gillen). In the meantime, Farrokh legally changes his name to Freddie Mercury much to the chagrin of his father, and he also asks fashion store assistant Mary Austin (Lucy Boynton) to marry him having been in a steady relationship for some two years or so, and having met for the first time when he saw Smile perform. However, during the bands breakout US Tour while he is away from Mary for the first time for any real length of time, it dawns on Freddie that he is attracted to men, more so than women.

In 1975 the band lock themselves away in a remote country farmhouse to record their fourth album 'A Night at the Opera'. It is during this time that they also record their six minute opus 'Bohemian Rhapsody'. Upon hearing the full version of the song for the first time EMI Executive Ray Foster (Mike Myers) rubbishes the song and says that it is way too long to gain any radio airplay, and that it does not follow the tried and true formula of pop/rock music to appeal to the record buying public.

After a very tense argument in Ray Foster's offices, the four band members walk out severing their ties with Foster and EMI for being unsupportive and not heeding their wishes to have Bohemian Rhapsody released as their first single off the new album. Freddie throws a rock through Foster's office window and the band taunts him from the street below, to which Foster retorts by saying that they'll all be forgotten about come Christmas. Freddie is good friends with London's Capital Radio DJ Kenny Everett (Dickie Beau) who has him debut the song live on the airwaves. Despite mixed reviews Bohemian Rhapsody becomes a smash hit and stayed at the #1 slot in the British Charts for nine weeks over the Christmas and New Year period 1975/'76. Shortly after the band's first World Tour, Freddie begins an affair with Paul Prenter (Allen Leech), his personal manager. Mary splits with Freddie when he comes out to her as believing himself to be bisexual, although she assures him that he is gay and that she had known it for some time.

The band's success marches on worldwide through to the early '80's. Tensions begin to surface between the other three band members and Freddie over the direction their music seems to be taking and a noticeable change in Freddie's attitude. In 1981, after a lavish party in Freddie's home, he falls for Jim Hutton (Aaron McCusker), one of the waiters at the party who has stayed back late to help clear up. After a couple of drinks early into the morning they part company, with Jim telling Freddie to look for him when he learns to like himself . . . a noticeable issue that had led to the rift between him, Brian, Roger and John.

The band's press conference to promote the release of their 1982 album 'Hot Space' is doggedly and aggressively hijacked by the press, who bombard Freddie with questions about his personal life and his sexual leanings, rather than concentrating on the music much to Brian's disdain. Freddie bites back in no uncertain terms to the gathered room of Reporters all of whom are frantically clicking away with their cameras. Shortly afterwards, he fires John Reid very unceremoniously for courting CBS Records behind his back for a solo deal worth US$4M and a commitment to two albums. At this point, Freddie recruits the band's long term Lawyer, Jim 'Miami' Beach (Tom Hollander) to carry the mantle as their Manager too, which he accepts. 

Over time Freddie's relationship with his band mates goes progressively south. He then announces that he signed a US$4M deal with CBS Records to go solo. In a heated argument in which he does his best to alienate his former band members and 'family' forever, he walks out on them all. He moves to Munich in 1984 to work on his first solo album, with which he struggles, and later by his own admission does not have the same creative chemistry with his new band as he did have with Queen. While in Munich he hosts non-stop drug and alcohol fuelled gay orgies with Paul. Paul meanwhile refuses to pass on telephone messages from Jim Beach or Mary who have been desperately trying to reach him. One night in the pouring rain, Mary pays him an unexpected visit and urges him to return to the band, as they have been offered a spot in Bob Geldof's African Famine Relief benefit concert 'Live Aid' at London's Wembley Stadium. Upon hearing that Paul withheld this news from him, Freddie instantly severs ties with him as Mary pulls away in her taxi to go home. Out of bitter retaliation, Paul goes public about Freddie's sexual proclivities on primetime Television. With AIDS spreading seemingly rapidly around the world, Freddie secretly has himself medically checked out and learns that he is infected with the disease.

Freddie hastily returns to London to ask for forgiveness from his band mates and Manager Jim Beach for his behaviour, for alienating them, and for thinking that he was better off without them. Freddie is prepared to make almost any concessions to get them back together and to get them a slot at the Live Aid Concert. They reconcile and are given a last-minute slot by event organiser Bob Geldof (Dermot Murphy). Immediately following a rehearsal for the concert, Freddie reveals to Brian, Roger, John and Jim that he has AIDS. They are devastated by this news, but Freddie puts on a brave face saying that now he will live everyday as he was meant to, and that together they will punch a hole in the sky when they perform on stage in front of a global audience of 1.4 billion people. On the day of Live Aid, he reunites beforehand with Jim Hutton and Mary, and then reconnects with his family at their home with his new 'friend' Hutton. Queen's Live Aid performance is a huge success as Freddie has the global audience eating out of his hand. By the time Queen come off stage after their twenty minute set, Bob Geldof's target of one million pounds raised for the day, is surpassed by late afternoon for the UK event alone - attributed in no small degree to the power of Queen's performance.

Freddie died on 24th November 1991 at the age of 45 from bronchopneumonia as a complication of AIDS. Just ahead of the closing credits, we are told that following his death, Jim Beach and Brian May, Roger Taylor and John Deacon organised The Freddie Mercury Tribute Concert for AIDS Awareness, the proceeds of which were used to launch 'The Mercury Phoenix Trust'. The organisation has been active ever since and the current Trustees are Brian May, Roger Taylor, Jim Beach, and Freddie's closest friend and former girlfriend Mary Austin.



I enjoyed 'Bohemian Rhapsody' more than I thought I would, and I think you will too. Exploring the life of the great showman, Rami Malek puts in a convincing turn as Queen's frontman, as does Gwilym Lee as Brian May especially. Whilst their more popular songs are explored in some detail from inception to recorded end product - 'Bohemian Rhapsody', 'We Will Rock You', 'Another One Bites the Dust', 'Love of My Life', much of their other equally notable back catalogue is merely glossed over, and I couldn't help thinking as well, that so too were the struggles the band endured over time, and the triumphs they celebrated. That said, we gain an insight into Freddie Mercury into what made him the man and the rock icon he was/is, his inner demons, his fears, his anxieties and the deep loneliness he felt despite his fame and fortune. As for Brian, Roger and John, we gain no such insight, but don't let that detach from the films impact because their performances are all solid too. The films closing Live Aid sequence to which all events lead us to this point on 13th July 1985 is authentically and faithfully recreated and if, like me, you grew up in the era of Queen and sat glued to your TV for every minute of Live Aid back in '85, or simply like their music which still endures to this day, then this is surely a must see film for you.

'Bohemian Rhapsody' warrants four claps of the Odeon Online clapperboard, from a possible five.

-Steve, at Odeon Online-