A WORKING MAN : Tuesday 1st April 2025

I saw the MA15+ Rated 'A WORKING MAN' this week, and this American action thriller is Co-Written for the screen and Co-Produced by Sylvester Stallone and David Ayer and Directed by David Ayer, whose prior film making credits take in his Directorial debut in 2005 with 'Harsh Times', and which he would follow up with other titles including 'Street Kings' in 2008, 'End of Watch' in 2012, 'Fury' in 2014, 'Suicide Squad' in 2016, 'Bright' in 2017 and 'The Beekeeper' in 2024. This film is based on Chuck Dixon's 2014 novel 'Levon's Trade'. The film was released in the US last week too, has so far grossed US$36M from a production budget of US$40M and has garnered mixed or average reviews. 

Here, we are introduced to Levon Cade (Jason Statham, who also Co-Produces here), an ex-Royal Marines Commando who leads a peaceful life as a leader of a construction company in Chicago. 

He is close to the owners of the company - the Garcia family run by husband and wife team Joe (Michael Pena) and Carla (Noemi Gonzalez) respectively, together with their nineteen year old daughter Jenny (Arianna Rivas) who works in an unofficial capacity completing lesser tasks while still studying. On the day of her nineteenth birthday Jenny is kidnapped from a club she was attending that night with three other girlfriends, by Russian traffickers, bundled into the back of a van and whisked away. 

The next day Levon comes into work as normal only to be greeted by a distraught Joe and Carla saying that their daughter is missing, and pleading for Levon to find her and bring her back to them. Levon declines saying that he is no longer that man, and cannot help them. 

Later, Levon visits a former colleague whom he served with and whose life he saved although he couldn't save his eyes which now leaves Gunny Lefferty (David Harbour) blind. Gunny lives in a remote cabin in the woods, and Levon tells him the story of how Jenny is missing. Gunny tells Levon what he already knew - that he would go after those who abducted Jenny and bring her back home - he just wanted to hear it from someone else. Levon later goes to the Garcia household and tells Joe that he'll bring Jenny back to them. 

Levon learns early on that the organisation who has taken Jenny is run by the Bratva (Russian mafia), led by Symon Kharchenko (Andrej Kaminsky). After Levon interrogates and kills high-ranking captain Wolo Kolisnyk (Jason Flemyng) by drowning him whilst tied to a chair in his own pool. Symon sends his sons Danya (Greg Kolpakchi) and Vanko (Piotr Witkowski) after Levon. Levon infiltrates the organisation by pretending to be a dealer to get close to Wolo's estranged son Dimi (Maximilian Osinski), who runs the trafficking side of the business. Jenny's captors, Viper (Emmett J. Scanlan) and Artemis (Eve Mauro), try to sell her to a client, but Jenny bites the man's cheek so badly he needs thirty-six stitches and is ordered to be killed, until the client changes his mind and wants to try again with her. Meanwhile, Levon is caught by Danya and Vanko, but he kills them in close quarter combat in the back of a van, eventually dumping them and the van in a river where it quickly submerges. Later as Symon is mourning the loss of his two sons laid out in a mortuary, this signals that things have got very personal between Levon and him.

Levon takes his young daughter Merry (Isla Gie) out of school for a few days to stay with Gunny and his wife after the thugs find out who he is and threaten him, having already burned down the house where Merry lives with her grandfather after Levon's wife died two years previously. Levon rescues his father-in-law, with whom he has a very rocky relationship, who at least is grateful for saving his life. Having armed up with Gunny's secret stash of weaponry, Levon later tracks down Dimi and gets him to lead him to the compound where Jenny is being held. 

Levon kills Dimi and proceeds to gun down, knife or grenade every last Russian goon in his path, including a biker gang and their leader who arrive on the scene after the initial bloodbath. Levon finds Jenny, kills the client, then kills Viper while Jenny kills Artemis. Following this second round two more of Symon's heavies arrive on the scene - Nestor (Ricky Champ) and Karp (Max Croes), with the latter machine gunning down a police squad car that arrives who are also in on the trafficking scheme. Levon then dispenses with these two before escaping with Jenny on a motorbike, while Symon looks on from outside and out of view. Symon calls his brother to tell him of this latest development but is told to leave Levon alone and that nobody in the organisation is going to help him in his crusade for revenge, and if he persists then he will be killed. Do you understand his brother asks, to which Symon responds with a yes. He hangs up and screams into the night. 

Levon returns Jenny home to her family who all embrace and rejoice her safe arrival, before he goes off to reunite with Merry and Gunny.

Penned by Stallone and Ayer and Directed by the latter, 'A Working Man' offers nothing we haven't already seen countless times before courtesy of films from the likes of Stallone, Neeson and Butler. Here, once again Statham does what he does best as the everyman trying to put his past to rest but is called upon to unleash his very particular set of skills to reign down all hell on earth on, in this case, the Russian mob through the inventive use of guns, blades, grenades, pick axes, sledge hammers, a bucket of screws and a sack of cement. And in this respect this action flick works and delivers Statham's signature brand of ass kicking, but the storyline and the dialogue is thin on the ground, and any hints at humour fall flat. This film is not up there with last years Statham and Ayer actioner 'The Beekeeper', and it delivers nothing new to an already overcrowded genre, but what you get is exactly what it says on the box. 

'A Working Man' warrants three claps of the Odeon Online clapperboard from a potential five claps.

-Steve, at Odeon Online-

What's new at Odeon's this week : Thursday 3rd April 2025

In 2025 the Doha Film Institute presents QUMRA Festival in its eleventh year (although in 2020 due to the COVID-19 outbreak the festival was cancelled and went online) and runs this year from the 4th to the 9th April. Qumra is a unique initiative dedicated to providing mentorship, nurturing talent, and fostering hands-on development for filmmakers from Qatar, the region and beyond. 

Celebrating the art of cinema with a curated selection of remarkable feature-length films from the region and across the world, each film is supported by Doha Film Institute and reflects a commitment to championing diverse voices and fostering cultural dialogue. Audiences will embark on a cinematic journey through compelling stories that inspire, entertain, and unite.

This year, Qumra is honoured to share six remarkable feature-length films from the region and beyond. This years programme is a true celebration of the power of storytelling—offering original and unique perspectives on cultures, experiences, and ideas that help us see the world in new ways. Those six films are :-

* 'East of Noon' - from the Netherlands, Egypt and Qatar, and Directed, Written and Co-Produced by Hala Elkoussy. The films follows 19-year-old Abdo, a musical prodigy who dares to challenge the rigid order of his elders. The eccentric showman Shawky rules their isolated community through a theatrical blend of performance and fear, while Galala, the village storyteller, offers solace with fables of the sea - an unseen place that exists only in myth. As Abdo's rebellious spirit grows, he begins to use music as a weapon of resistance, disrupting the fragile balance of power and exposing the system's vulnerability to the unrelenting force of youth.

* 'Demba' - from Senegal, Germany and Qatar, and Directed and Written by Mamadou Dia. Demba is about to retire after 30 years of service at the city hall in his small town in Northern Senegal. That hot summer, as the two-year anniversary of his wife's passing approaches, he realises he just can't 'shake it off'. As his mental health deteriorates, he discovers a new connection with his once-estranged son.

* 'Moondove' - from Lebanon, the Netherlands and Qatar and Directed, Written, Produced and photographed by Karim Kassem. Three stories in the mountains of Lebanon metaphysically converge to illustrate stories of memory, loss and love. A remote village faces an uncertain future - their harvest is over, but a relentless drought threatens both the land and their very way of life. As the community prepares for its annual play, this year the almost prognostically titled 'Departures', the performance takes on a deeper meaning - reflecting their fears of change, loss, and the possibility of leaving behind all they have ever known.

* 'Rising Up at Night' - from the Democratic Republic of the Congo, Belgium, Germany, Burkina Faso and Qatar, and Directed, Written and photographed by Nelson Makengo. Kinshasa, the capital city of seventeen million people, is plunged into darkness and insecurity as its inhabitants struggle to access the light. In a relentless quest, Kudi mobilises the people of his neighbourhood, Kisenso, to buy the stolen cable so that electricity can be restored in time for the festivities. At Christmas, Kudi turns into Santa Claus. Flashes of light and hope illuminate the streets of Kinshasa. On Mount Mangengenge, a sacred site, Pastor Gedeon preaches the light of Christ as the way to faith and light. Meanwhile, young Davido is looking for shelter after his house was flooded by the Congo River. He kills time by working out and waiting for the river to recede from his neighbourhood.

* 'MA - Cry of Silence' - from Myanmar, South Korea, France, Singapore, Norway and Qatar, and Directed and Co-Produced by The Maw Naing. In 2022, Myanmar remains engulfed in civil war following the military coup of 1st February 2021. Mi-Thet, a young Burmese woman, is working in a garment factory in Yangon, far from her native village. Wages have not been paid for the past two months, and a group of workers are leading a strike. But soon, the strikers are attacked by the henchmen of the military regime, leaving Mi-Thet terrified by her past trauma.

* 'Red Path' - from Tunisia, France, Belgium, Poland, Saudi Arabia and Qatar, and Directed, Co-Written and Co-Produced by Lotfi Achour. In the ruggedly beautiful, yet isolated arcadian landscape of central Tunisia, 14-year-old Ashraf's life is suddenly shattered when a group brutally murders his cousin and forces him to carry a horrific message back to his family. As he struggles to process his internal trauma, he finds himself completely abandoned externally by the authorities and the very people who should protect him. Alone in his grief, Ashraf is left to make sense of a world that offers neither justice nor solace - only silence.

For more information on the above named six films being featured, plus the Industry Programme, the Master Classes being held plus a whole lot more, you can go to the official website at : https://www.dohafilminstitute.com/qumra

Looking then at this weeks four new movies coming to a big screen Odeon close to your home, we launch with an action comedy of when the girl of his dreams is kidnapped, this mild-mannered everyman turns his inability to feel pain into an unexpected strength in his fight to get her back. This is followed by a fantasy adventure comedy offering that sees four misfits suddenly pulled through a mysterious portal into a bizarre, cubic wonderland that thrives on imagination, but to get back home, they'll have to master this world while embarking on a quest with an unexpected, expert crafter. Next up we turn back to the late '70's where a teenager discovers the underground post-punk music scene in Christchurch, New Zealand, and looking to impress someone, he attempts his own songs. And closing out the week we have an animated film about a half dog and half man, who is sworn to protect and serve as he doggedly pursues the feline supervillain Petey the Cat.

Whatever your taste in big screen film entertainment is this week - be it any of the four latest release new films as Previewed below, or those doing the rounds currently on general release or as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the week ahead.

'NOVOCAINE' (Rated MA15+) - is an American action comedy film Directed by Dan Berk and Robert Olsen whose prior feature film Directing collaborations take in 'Body' in 2015, 'Stake Land II' in 2016, 'Villains' in 2019 and 'Significant Other' in 2022. This film has received generally positive reviews from critics, and has so far grossed US$29M from a production budget of US$18M since its US release in mid-March.

When the girl of his dreams Sherry Margrave (Amber Midthunder) is kidnapped, everyman and assistant manager at a San Diego credit union Nathan 'Novocaine' Caine (Jack Quaid) turns his inability to feel pain into an unexpected strength in his fight to get her back after she is kidnapped on Christmas Eve by a bunch of thugs dressed in Santa suits. Also starring Ray Nicholson, Jacob Batalon, Betty Gabriel and Matt Walsh. 

'A MINECRAFT MOVIE' (Rated PG) - this fantasy adventure comedy film is Directed by Jared Hess, whose previous film making output includes 'Napoleon Dynamite' in 2004, 'Nacho Libre' in 2006, 'Don Verdean' in 2015, 'Masterminds' in 2016 and the animated 'Thelma the Unicorn' in 2024. Here, four misfits - Garrett 'The Garbage Man' Garrison (Jason Momoa), Henry (Sebastian Hansen), Natalie (Emma Myers) and Dawn (Danielle Brooks), find themselves struggling with ordinary problems when they are suddenly pulled through a mysterious portal into the Overworld - a bizarre, cubic wonderland that thrives on imagination. To get back home, they'll have to master this world while embarking on a magical quest with an unexpected, expert crafter, Steve (Jack Black). The film was originally set for a release date in late May 2019 but in late April of that year the film was delayed until early March 2022. Then in early October 2020 it was removed from the release schedule due to the COVID-19 pandemic, and in early April 2023 after being undated for over two years, the film was given its current release date of this week here in Australia and the US. It cost US$150M to produce, and was filmed in New Zealand. 

'HEAD SOUTH' (Rated MA15+) - is a New Zealand coming of age comedy film Written and Directed by Jonathan Ogilvie, whose prior feature film offerings take in 'Emulsion' in 2006, 'The Tender Hook' in 2008, and 'Lone Wolf' in 2021. In 1979, Angus (Ed Oxenbould), alone for a couple of weeks with his world-weary father, is drawn into the underground post-punk music scene in Christchurch, New Zealand. Desperate to fit in with this magnetic but fickle subculture, Angus distances himself from his true friends and lies about his musical abilities to his new 'friends'. Caught out by his own deceit he must become the musician he pretended to be. With the support of his friends, especially the talented Kirsten (Benee), Angus navigates self-doubt, derision, harmful behaviour and a family tragedy to take the stage for the first time with his band 'The Daleks'. The film saw its World Premiere screening as the Opening Night Film at the Rotterdam International Film Festival in late January 2024 and was released in its native NZ at the end of October last year. Also starring Marton Csokas.

'DOG MAN' (Rated G) - this American animated film is Written for the screen and Directed by Peter Hastings and is based on Dav Pilkey's children's graphic novel series 'Dog Man'. It is a spin-off and story within a story of 2017's 'Captain Underpants: The First Epic Movie' and the second film in the 'Captain Underpants' franchise. Hastings made his feature film Directorial debut with the Disney animated 'The Country Bears' in 2002, and he has also Written and Directed many animated TV series episodes in the intervening period. When a police officer and his faithful police dog get injured in the line of duty, a harebrained but life-saving surgery fuses the two of them together, and Dog Man is born (voiced by Peter Hastings). As Dog Man learns to embrace his new identity, he must stop feline supervillain Petey the Cat (Pete Davidson) from cloning himself and going on a crime spree. Also starring the voice talents of Lil Rel Howery, Isla Fisher, Billy Boyd, Ricky Gervais and Stephen Root. It has garnered generally favourable critical reviews and has so far grossed US$132M from a US$40M production budget since its release Stateside at the end of January. 

With four new release movie offerings this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. In the meantime, I'll see you sometime somewhere at your local Odeon in the coming week.

-Steve, at Odeon Online-

LOCKED : Tuesday 25th March 2025

I saw the MA15+ Rated 'LOCKED' this week, and this American action thriller film is Directed by David Yarovesky who made his feature film making debut with 2014's 'The Hive', and which he would follow up with 'Brightburn' in 2019 and 'Nightbooks' in 2021. This film is an English language remake of the 2019 Argentinian action thriller film '4'x4', has generated mixed or average reviews and has so far grossed US$1.1M since its release in the US and here in Australia last week. 

The film opens up with down on his luck small time criminal in an auto repair shop attempting to get his van back on the road, but with US$450 still owing on the repair job the owner of the shop tells him to get lost and come back when he has the funds to cover the cost of repairs. The guy sees a wallet on a nearby trolley and spies an opportunity, so he creates a scene involving a heavy set mechanic who man handles him forcing him back against the trolley, and with that the wallet is lifted. He promptly leaves saying he'll be back on Friday. Walking down the street his partner calls screaming down the phone saying why he didn't pick up their young daughter from school as planned. He apologises but his lame excuse falls on deaf ears. He removes a bunch of notes from the wallet, and then ditches it. He buys something to eat and three scratch cards. He then calls several 'associates' and asks them all to loan him some money, but they all hang up on him and soon as he says his name, Eddie. 

And so Eddie (Bill Skarsgard) walks along the street surreptitiously pulling at car door handles in the hope that one of them will open. He comes across a public parking lot, in the middle of which is parked a very sleek looking black SUV, with the name DOLUS emblazoned in big lettering on the rear tail gate. He pulls at the drivers side door handle and it opens, much to his amazement. He climbs in, and quickly sets about exploring the interior for anything of value that he can steal. When all he finds is a pair of sunglasses he decides to exit, but the doors are all locked. He tries frantically pulling at every door handle but to no avail. He finds a tyre wrench in the rear and first tries to pull away the trim to the drivers side door but badly cuts his arm when reaching for the lock mechanism. 

He then tries to smash the glass but its seems the glass is smash proof. He tries kicking out the window with both feet, but that's no good either. He then pulls out a revolver and shoots off one round at the window, and the bullet ricochets off the glass and straight into his lower leg. He writhes around in agony as blood pours onto the carpet. Then the phone rings with a message on the display saying 'Answer Me'. Eddie ignores it, until the caller rings off. It rings again, and again Eddie ignores it, and again, and again. Eventually Eddie answers the call. It is Friday evening. 

The caller states his name as William, the owner of the vehicle that Eddie is now trapped inside, a retired Doctor who was born in a small town in South Wales, who made his money by working hard for decades, and who now has terminal prostate cancer and has about four months to live. Eddie pleads with him to let him go, but William is not the sort of man to be bargained with, does not suffer fools lightly, and wants to teach Eddie a lesson and the consequences of his actions. 

William explains that the car has been modified to his own specifications, including bullet proof glass, one way windows so nobody can see into the car, mobile phone jamming technology, four internal cameras, soundproofing, and everything about the car can be controlled remotely. After a while Eddie falls asleep. He wakes up the next morning and his arm and leg are bandaged up. 

And so Saturday comes and goes, as does Sunday, Monday and Tuesday. During this time William and Eddie converse frequently, with Eddie pleading to be released, then cussing and cursing, then turning on the Mr. Nice Guy routine all to no avail. Every time Eddie cusses, so William sends an electric shock through the front or rear seats to teach him a further lesson. William at one point turns the air conditioning down so low for a prolonged period of time that Eddie turns blue, and on another occasion turns the aircon up so high that Eddie strips down to his jocks. William also plays Swiss yodelling music at such a high volume for hours on end, almost sending Eddie over the edge. All the while Eddie has long since exhausted his supply of water, and has taken to pissing in his water bottle and in a moment of desperation drinks his own urine to stay hydrated. He also has no food. 

And so on Tuesday night with the rain pouring down, Eddie out of frustration once again, gets into the drivers seat and stabs away at the electronic ignition repeatedly with his finger. The engine fires up, and he's elated. But his high hopes of escape are very short lived as the steering wheel is being handled remotely and a message comes up on the screen that driverless mode selected. And so the car makes its way out of the car park and across the city streets, sometimes abiding by the rules of the road and at other times driving recklessly, at speed, and weaving in and out of other cars. The vehicle passes an alleyway in which two thugs and violently beating up someone who is slumped on the ground. The car comes to a halt metres away from the pair who at first continue pummelling their victim. One of the thugs looks up and into the glare of the headlights and pulls a gun pointing it at the car. The car then lurches forward and mows down the thug and then reverses back over him. The second thug makes a bolt for it on foot and eventually comes to a chained gate, as the car comes to a halt just a few meters away. Eddie pleads with William to stop, but William is relentless and eventually crushes the thug to death against the heavily padlocked wire gate.

The car then drives to a multi-storey carpark and up to the roof top and parks beside another black vehicle. A shadowy figure gets out of the other vehicle and approaches the SUV winding down the drivers side window just one-third of the way down. He introduces himself as William (Anthony Hopkins), and gives Eddie a bottle of water to drink which he downs in one gulp. He then hands Eddie a cable tie and tells him to secure himself to the bar located under the seat. Eddie complies with this request and secures both his hands to the bar, so that he is bent down awkwardly with his head at the same level as the fascia panel above the glove box. 

William gets into the drivers seat and drives off, telling Eddie to prepare himself for a long journey. On the journey Eddie goads William asking him what his plans are for him, and how he's going to dispose of his body; and also asking him what happened to his family. William says that his daughter Amy was killed by an unknown assailant who shot Amy in the neck and she died in his arms, and the Police never actively pursued the case, which is in part the reason why he lost all faith in law enforcement. After a while of conversational toing and froing, Eddie is able to manipulate a vehicle kill switch located under the glove box with his foot (having taken a photo of the fuse box days earlier with his mobile phone). This cuts all power to the vehicle. In the ensuing fracas William fires off a round at Eddie, but as the SUV hits a rock on a tight corner in the road, the shot goes astray and the bullet hits the front windscreen, ricochets off to the passenger side window, then the rear window before ricocheting back in the direction of William's front seat, through that and into William's upper back. The car tumbles end over end down a deep ravine and comes to rest right side up at the bottom. William is barely conscious, and Eddie's face is battered, bruised and bloodied having come into contact with the fascia panel on numerous occasions. He is able to cut himself free from the cable ties, just as the engine catches fire. He scrambles to the back and smashes away at the rear window with the tyre wrench eventually breaking the glass allowing him to escape as the flames engulf the car completely. 

It is now Wednesday morning and the sun is rising. His phone rings and its his daughter Sarah, asking him if he'll collect her from school today at 2:15pm. Hardly able to speak and dog tired Eddie says yes of course, he'll be there. He scrambles back up to the road and waits for a passing vehicle, which arrives shortly after, and offers him a lift and a thick heavy jacket to keep him warm. Earlier Eddie had removed a partially scratched scratch card from his pocket revealing two $500 numbers. He scrapes away at the other two numbers to reveal a third $500 number. He has won $500 enough to clear his debt to the garage and get his van back in time for him to collect Sarah as planned at 2:15pm. At the auto shop at 2:05pm the shop owner says that he can collect his van but its parked in out back and will take about half an hour. Eddie can't wait that long. Meanwhile 2:15pm comes and Sarah (Ashley Cartwright) is waiting patiently outside the school gates for her Dad. Eddie comes bounding down the street on a kids bike that he saw in the auto repair shop, jumps off and the pair embrace. 

With 'Locked', Director David Yarovesky has delivered us a movie shot largely in a single location that serves to up the ante on the claustrophobia and the tension evident in the actions and reactions of the man trapped inside the limited confines of a souped up SUV. In this respect the film works well, and Bill Skarsgard delivers a solid enough performance to make his role convincing, ably supported by the always dependable Anthony Hopkins as the ageing and dying sociopath determined to serve up a slice of retribution as only he knows how. The mid-section meanders along a bit and gets a little repetitive at times, but at a fairly brisk 93 minute run time, this film will hold your interest and is worth the price of your ticket to see these two actors go head to head in an emotional and at times violent thrill ride. 

'Locked' merits three claps of the Odeon Online clapperboard from a possible five claps. 

-Steve, at Odeon Online-

What's new at Odeon's this week : Thursday 27th March 2025

The 23rd Garden State Film Festival (GSFF) kicks off on Thursday 27th March and runs through until Sunday 30th March, and is New Jersey’s Premier Independent Film Festival that enriches the State with robust year-round programming. Founded in 2002, the artistic philosophy of the Garden State Film Festival is rooted in the celebration of the independent film genre and the creation of a forum where local and other independent filmmakers can exhibit their work. It was also created to pay tribute to New Jersey’s legacy as the birthplace of the American filmmaking industry in Thomas Edison’s Menlo Park laboratories where he invented the first film cameras and projectors, to Fort Lee, where the original studios were founded. The event provides novice and aspiring filmmakers, actors, and others interested in careers in the film business, the opportunity to meet and network with industry professionals in an atmosphere conducive to learning and mentoring - so reads the official website.

The feature films being showcased at this years festival are as follows :-

* 'The Ballad of a Hustler' - is a Latino human rights drama Directed by Heitor Dhalia. From the USA.

* 'Bardejov' - this drama based on a true story is Directed by Danny A. Abeckaser. From the USA.

* 'Beggarman' - this drama film is Directed by Danny Montero . From the USA.

* 'The Compatriots' - is a comedy drama film Directed by Spencer Cohen. From the USA.

* 'Counting In' - is a mockumentary comedy Film Directed by Griffin M. Davis. From the USA.

* 'First Rites' - this action drama film is Directed by Michael Fredianelli. From the USA.

* 'Here's Yianni!' - is a drama film Directed by Christina Eliopoulos and stars Eric Roberts, Rosanna Arquette, Julia Ormand and Kevin Pollack. From the USA.

* 'If That Mockingbird Don't Sing' - this comedy drama film is Directed by Sadie Bones. From the USA.

* 'Lady Parts' - is a comedy drama film Directed by Nancy Boyd. From the USA.

* 'Love, Danielle' - this comedy drama film is Directed by Marianna Palka and stars Lesley Ann Warren. From the USA.

* 'Scarlet Winter' - is an action drama film Directed by Munjal Yagnik. From the USA.

* 'The Short Game' - is a family sports drama film Directed by Frank Sanza. From the USA.

* 'The Creep From the Bar Last Night' - this drama film is Directed by Michael Coppola. From the USA.

For the full synopsis of the above named films, plus all the details of the documentary features, the short films and a whole bunch of other good stuff, you can go to the official website at : https://www.gsff.org/

This week we have six new movie release offerings to tease you out to your local Odeon, kicking off with an action thriller that sees a man who left his profession behind to work construction and be a good dad to his daughter, but when a local girl vanishes, he's asked to return to the skills that made him a mythic figure in the shadowy world of counter-terrorism. This is followed up by a psychological horror film about a mysterious woman who repeatedly appears in a family's front yard, often delivering chilling warnings and unsettling messages, leaving them to question her identity, motives and the potential danger she might pose. Next up is a Sci-Fi set on a struggling cattle farm some years in the future, where a woman discovers the unsettling consequences of her husband's animal breeding technology. Then we turn to a drama film about a man, one of sixty thousand draft evaders and deserters who fled to Canada to avoid serving in Vietnam, who shares all his secrets to de-mythologise his mythologised life. Following on is a Japanese documentary about an ample cat colony that inhabits a Shinto shrine - residents care for them and others are disturbed by the mess - here the filmmaker observes their coexistence. And closing out the week we have an Aussie doco about the legend, the mateship, the magic—made against all odds, this film unveils the untold story behind Australia’s most successful film. 

Whatever your taste in big screen film entertainment is this week - be it any of the six latest release new films as Previewed below, or those doing the rounds currently on general release or as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the week ahead.

'A WORKING MAN' (Rated MA15+) - is an American action thriller that is Co-Written for the screen and Co-Produced by Sylvester Stallone and David Ayer and Directed by David Ayer, whose prior film making credits take in his Directorial debut in 2005 with 'Harsh Times', and which he would follow up with other titles including 'Street Kings' in 2008, 'End of Watch' in 2012, 'Fury' in 2014, 'Suicide Squad' in 2016, 'Bright' in 2017 and 'The Beekeeper' in 2024. This film is based on Chuck Dixon's 2014 novel 'Levon's Trade'. The film is released in the US this week too.

Here, Levon Cade (Jason Statham, who also Co-Produces here), an ex-Royal Marines Commando, leads a peaceful life as a construction worker in Chicago. However, Levon is forced to use his old set of skills to find the teenaged daughter Jenny Garcia (Arianna Rivas) of his boss Joe Garcia (Michael Pena), who has been kidnapped by human traffickers, and soon uncovers a conspiracy of corruption and government agents' involvement in human trafficking. Also starring David Harbour and Jason Flemyng.

'THE WOMAN IN THE YARD' (Rated CTC) - this American psychological horror film is Directed by Jaume Collet-Serra, whose prior feature film credits take in his debut with 'House of Wax' in 2005, followed by others including 'Orphan' in 2009, 'Unknown' in 2011, 'Non-Stop' in 2014, 'Run All Night' in 2015, 'The Commuter' in 2018 (these last four films all starred Liam Neeson), 'Jungle Cruise' in 2021, 'Black Adam' in 2022 and 'Carry On' most recently in 2024. Here then, Ramona (Danielle Deadwyler) is a woman crippled by grief after she survives a car accident that takes her husband (Russell Hornsby). Seriously injured, Ramona now must care for their 14-year-old son (Peyton Jackson) and 6-year-old-daughter (Estella Kahiha), alone in her rural farmhouse. A lone, spectral woman (Okwui Okpokwasili) shrouded entirely in black appears on their front lawn without explanation and warns them 'today's the day'. The film is released Stateside this week too.

'IN VITRO' (Rated M) - is an Australian Sci-Fi film Co-Written for the screen and Directed by Will Howarth (who also Co-Produces and Co-stars here) and Tom Mckeith. Set in the near future, Layla (Talia Zucker) and her husband Jack (Ashley Zukerman) live on an remote cattle property hundreds of miles from the nearest neighbour. With their son away at boarding school, Jack spends his days tending to the livestock and experimenting with new biotechnology, Layla pines for her son and the life she once had. One night, everything changes when a storm knocks out power to the property and they soon discover that something unknown has been released onto the farm. But as Layla discovers more about the mysterious presence and Jack’s behaviour becomes increasingly controlling, Layla finally uncovers a secret that brings her face to face with the reality of her relationship with Jack and their life on the farm. The film premiered at last years Sydney Film Festival in June, and only now is it released here in Australia. 

'OH, CANADA' (Rated M) - this American drama film is Written and Directed by Paul Schrader, and is based on the 2021 novel 'Foregone' by Russell Banks. Schrader made his Directorial debut with 'Blue Collar' in 1978 and over the years he would follow this up with the likes of 'American Gigolo' in 1980, 'Cat People' in 1982, 'Affliction' in 1997, 'Dying of the Light' in 2014, 'Dog Eat Dog' in 2016, 'First Reformed' in 2017, 'The Card Counter' in 2021, and 'Master Gardener' in 2022. Here, filmmaker Leonard 'Leo' Fife (played by Richard Gere in the present and Jacob Elordi in flashbacks) is dying of cancer. He is a hero to Canadian progressives, who revere his award-winning muckraking documentaries and are fascinated by his life story. According to legend, Leo fled America for Montreal to dodge the Vietnam War draft, and went on a Kerouac-style road trip to Castro's communist Cuba. In his last days, he agrees to sit for a CBC documentary filmed by his former students Malcolm (Michael Imperioli) and Diana (Victoria Hill). Malcolm promises that he is making an admiring retrospective of Leo’s career. Also starring Uma Thurman. The film saw its World Premiere at last years Cannes Film Festival in mid-May, was released in the US in early December, has so far grossed US$1.2M and has garnered generally favourable critical reviews.

'THE CATS OF GOKOGU SHRINE' (Rated G) - is a Japanese documentary film Co-Produced, Directed, photographed, and Edited by Kazuhiro Soda. Gokogu is a small, ancient Shinto shrine in Ushimado, Japan. Home to dozens of street cats, it is also known as Cat Shrine. Many people visit the shrine for various reasons - some to worship gods, others to enjoy gardening. Some people come to clean the shrine as volunteers while others just stop by on their way to fish Japanese sardinella, and, it is the perfect place for kids to play after school. It is a heaven for cat-loving residents and visitors too. Some people visit Gokogu to feed the freely roaming stray cats. Others just come to see these cats or to take pictures of them. But some residents complain about the waste the cats leave around the neighbourhood. Gokogu looks peaceful on the surface, but it is also the epicentre of a sensitive issue that divides the local community. 

'LOVE OF AN ICON : THE LEGEND OF CROCODILE DUNDEE' (Rated PG) - this Australian documentary film is Co-Written, Co-Produced and Co-Directed by Victoria Baldock and Delvene Delaney. Crocodile Dundee burst onto global cinema screens, and into the hearts of millions, nearly forty years ago in 1986, and remains Australia’s most successful film ever. What were the magic ingredients that contributed to this cultural icon? And why does it still mean so much to so many? This origin story behind the box office record breaking classic, features Paul Hogan (who starred as Michael J. 'Crocodile' Dundee in all three films in the franchise), Delvene Delaney, the late John Cornell (Co-Creator), Linda Kozlowski, Peter Fairman (Director), Russell Boyd (Cinematographer), David Gulpilil and the late John Meillon among many others.

With six new release movie offerings this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. In the meantime, I'll see you sometime somewhere at your local Odeon in the coming week.

-Steve, at Odeon Online-

BLACK BAG : Tuesday 18th March 2025

I saw the M Rated 'BLACK BAG' this week, and this American spy thriller film is Directed, photographed and Edited by Steven Soderbergh, whose prior feature film making credits take in his debut in 1989 with 'Sex, Lies, and Videotape' which he would follow up with numerous others, including 'Out of Sight' in 1998, 'Erin Brockovich' and 'Traffic' both in 2000, 'Ocean's Eleven', 'Ocean's Twelve' and 'Ocean's Thirteen' in 2001, 2004 and 2007 respectively, 'Contagion' in 2011, 'Magic Mike' in 2012, 'Side Effects' in 2013, 'Logan Lucky' in 2017, 'Unsane' in 2018, and 'Presence' most recently released earlier this year. This film was released in the US last week too, has generated universal critical acclaim, and has so far grossed US$15M from a production budget of about US$55M.

Here British intelligence officer George Woodhouse (Michael Fassbender) is given one week by his superior, Meacham (Gustaf Skarsgard), to investigate the leak of a top-secret software programme code-named Severus. One of five suspects is his wife, Kathryn (Cate Blanchett), also an intelligence officer. He invites the other four suspects, who are also fellow spies, over for dinner on Saturday evening. The four suspects are satellite imagery specialist Clarissa Dubose (Marisa Abela), her boyfriend Freddie Smalls (Tom Burke), agency psychiatrist Dr. Zoe Vaughan (Naomie Harris) and Zoe's boyfriend Col. James Stokes (Rege-Jean Page). At dinner, George drugs their food, but beforehand tells Kathryn not to eat a certain dish, to lower their inhibitions and reveals that Freddie has been cheating on Clarissa, who upon hearing this revelation promptly impales Freddie's hand with a steak knife to the table.  

The next evening while Meacham enjoys a peaceful Scotch on the balcony of his apartment, he suddenly grabs at his chest and keels over, dead from an apparent heart attack. George becomes suspicious of Kathryn after she denies having seen a certain film, although he found a cinema ticket stub in her bathroom garbage bin. The next day he covertly enters her office, logs into her computer diary and learns she will be traveling to Zurich later in the week, on a 'black bag' mission. He persuades Clarissa to redirect a spy satellite for three minutes and twenty seconds and watches Kathryn meet with a Russian operative in real time in a city square in Zurich, Switzerland. 

Meanwhile, James informs George that Kathryn has access to a Zurich bank account containing GB£7M in misdirected and unexplained funds. In a tense psychiatric session, Zoe asks if Kathryn prioritises her career or her husband. In a subsequent session, Zoe breaks up with James. Upon returning from Zurich late at night, Freddie waits for Kathryn outside their house and informs her that George suspects her. Kathryn says that she needs the night to consider her options and next steps. 

We learn that during the three+ minutes George redirected the satellite to watch Kathryn's meeting in Zurich, another Russian operative disappeared from a Liechtenstein safehouse with a copy of the Severus programme, and is now making his way to Eastern Europe to use it to cause a nuclear meltdown. Kathryn uses Clarissa to track the Russian. She suspects that their boss, Arthur Stieglitz (Pierce Brosnan), deliberately allowed Severus to leak in order to cause a nuclear meltdown in order to disrupt the government, even though it could potentially kill thousands of innocent lives.

She leaks the Russian's location to a CIA contact, resulting in a drone strike on a car in Poland, killing both Russians. George puts all suspects except his wife Kathryn through a polygraph test to determine when they first learned about Severus. In bed that night, the husband and wife compare notes and come to the realisation that they are being set up.

George and Kathryn invite the other four suspects to a second dinner party, at which no food or drink is served, but instead Kathryn places a gun on the table, while George says they will play a game. He reveals several secrets - that Freddie and Zoe had an affair, and that Zoe learned of the Severus programme from James but attempted to stop its dissemination due to her Catholic faith. George states that there were two plots - the first by Stieglitz and James to leak Severus and cause a nuclear meltdown, and the second by Zoe and Freddie to use Kathryn to stop it. James grabs the gun, confesses to plotting with Stieglitz and killing Meacham, and attempts to shoot George, but the gun was loaded with blanks. Kathryn pulls out another gun and shoots and kills James with a bullet to the head. The next day George dumps James' body in a pond, where he goes to fish in peace and quiet, while the others return to work. Kathryn informs Stieglitz that his plot failed and suggests he remove himself from the picture, as she has her eyes on his role. Later that night as Kathryn and George reaffirm their love for each other, they realise that the Zurich bank account containing the GB£7M remains untouched and could potentially still be theirs.

With 'Black Bag' Director Steven Soderbergh has crafted an intelligent, mature and engaging spy thriller that pays tribute to the spy classics of yesteryear. This film has both style and substance, and Writer David Koepp will keep you guessing right up until end, and with on point performances from Blanchett and Fasbender, as well as the other principle cast, this all adds up to a very well paced film that doesn't outstay its welcome at a brisk and concise 93 minute run time. 

'Black Bag' merits four claps of the Odeon Online clapperboard from a potential five claps.

-Steve, at Odeon Online-