THE DEVIL WEARS PRADA 2 : Tuesday 5th May 2026

I saw the M Rated 'THE DEVIL WEARS PRADA 2' earlier this week, and this eagerly awaited and much hyped American comedy drama film is Directed by David Frankel, who made his feature film debut with 'Miami Rhapsody' in 1995, and would follow this up with the likes of 'The Devil Wears Prada' in 2006, 'Marley & Me' in 2008, 'Hope Springs' in 2012, 'Collateral Beauty' in 2016, and 'Jerry & Marge Go Large' in 2022. This film is a direct sequel to the 2006 film 'The Devil Wears Prada' and saw its World Premiere screening in New York City on 20th April, and was released in all major territories from last week. The film has generated largely positive critical acclaim and has so far grossed US$254M from a production budget of US$100M. The 2006 film grossed worldwide US$327M from a production budget of US$40M. 

The film opens up on a beautiful sunny day in New York City, and its now been twenty years since Andrea 'Andy' Sachs (Anne Hathaway)  left her position as Second Assistant to Miranda Priestly (Meryl Streep) at Runway magazine. In the intervening years she has become a respected journalist and reporter for New York newspaper 'Vanguard'. We join Andy as she and her colleagues sit around a table at a New York awards gala luncheon, just as Andy is called out as the recipient of a prestigious journalism award. Before she can stand up and walk to the lectern to collect her award and say a few words all of the mobile phones at her table receive the same text message - they have all been fired with immediate effect, and Vanguard has gone into receivership. 

Meanwhile, Miranda, Andy's former boss, is seemingly under attack from all sides for her failure to short circuit an on-line news piece about a fashion brand heavily promoted by Runway that uses Asian sweatshop labour. The news breaks just as Miranda arrives at a high-end fashion event and is greeted by her right-hand man Nigel (Stanley Tucci), and they both put on a brave face and carry on regardless. In an attempt to make the magazine respectable again Irv Ravitz (Tibor Feldman), the owner of Runway's parent company Elias-Clarke and Miranda's boss, calls Andy out of the blue and offers her a job as Features Editor at Runway without Miranda's knowledge or approval, much to her chagrin.

In a meeting with her team, a listless Miranda has trouble navigating modern fashion media. Although some of her autocratic office behaviours remain, complaints to Human Resources have blunted her almost trademark pretentiousness. Nigel explains to Andy over lunch in the office cafeteria that nobody reads Runway's print edition anymore and the brand has been forced to embrace online clickbait and cheaply-made short-form content that most people read while sat on the toilet, to maintain profit and relationships with advertisers. One key advertiser is Dior, which employs Andy's former co-worker and Miranda's First Assistant Emily Charlton (Emily Blunt). Emily leverages the controversy over the Runway scandal piece to secure her own advertising terms, key Editorial content and a one on one interview, which Miranda handballs straight to Andy. During the interview, Emily and Andy argue about how modern fashion raises prices and shuts out middle-class consumers, with Emily saying that super high-end luxury fashion is the only fashion that makes money these days.

After penning serious articles that receive praise for the writing and content, yet gain minimal traction, and after getting shut down by Miranda in a team meeting, Andy rescues her flagging reputation at Runway by brokering a coveted interview with Sasha Barnes (Lucy Liu), the reclusive divorcee of Silicon Valley billionaire Benji Barnes (Justin Theroux). Irv promises to make Miranda Elias-Clarke's global head of content, but before he can make the promotion official, he dies from a heart attack during his lavish 75th birthday party. His son, Jay (B.J. Novak), lacks Irv's sentimental attachment to both any sense of fashion or Runway. Jay puts Miranda's promotion on hold while engaging management consultants to recommend cost cuts and business efficiencies. Much to Andy's surprise, Miranda seems to go with the flow. Meanwhile, Andy's relationship with her new boyfriend Peter (Patrick Brammall) sours when she unintentionally insults his job as an apartment renovator while sat in an apartment she purchased from the same renovator, while also fretting she may lose her own position, as part of the major shake-up at Runway. Considering her options, Andy explores writing a tell-all book about Miranda with a publisher, who offers her a lucrative US$350K advance, but Andy is torn by this prospect, and ultimately declines the offer.

And so Miranda, Nigel, Andy and Miranda's current First Assistant Amari Mari (Simone Ashley) jet off to Milan Fashion Week, where Nigel throws what may be his last big Runway gala, starring Lady Gaga (Lady Gaga). Andy devises a plan to save Runway by convincing a wealthy patron to buy it outright from Jay. That patron is Benji Barnes, Sasha's ex-husband and Emily’s current boyfriend. When Andy and Emily reveal the plan, Miranda is furious, because she knows Emily is going to take over Runway and fire her, which Emily openly admits. Miranda admits that she pushed Emily out of fashion journalism because Emily lacks creative vision, and is just a 'vendor'. Miranda tries to take the loss with grace, but while having a private conversation with Benji, she is alarmed by his vision of an AI-driven world.

To prevent Benji and Emily from ultimately destroying Runway, Miranda instructs Andy to find a competing buyer. Andy convinces Sasha to buy not just Runway but all of Elias-Clarke, and Jay accepts her offer, pulling out of his deal with Benji while he, Benji and Emily are sat around a table at Benji's private villa on the edge of Lake Como. Needless to say Benji and Emily are left completely gobsmacked by this sudden turn of events having come so close to finalising the deal. Later that evening Miranda realises she has taken Nigel for granted for almost the whole time they have worked side by side. To make amends, she invites him to deliver the gala's keynote speech instead of her, so she and Andy can fly back to the US to finalise the deal in person with Sasha. At first he is very reluctant, but Miranda responds saying that he wrote the speech anyway, so he'll know it, and he nails it.

After the Runway team return to New York, Sasha gives Miranda the promotion Irv had previously promised her. Andy reconciles with Peter, and a defeated Emily who has subsequently been ditched by Benji and lost her job at Dior, and now has a job at Coach. Nigel reveals he was the one who prompted Irv to rehire Andy, as he has always liked her. Miranda admits to Andy that the latter's idealism inspired her to dig in, grit her teeth and fight back. She also reveals that she knew about Andy's proposed tell-all book, but encourages Andy to write it, and include the negative aspects of Miranda's life, saying that she loves her career, but there is a cost, and people should know that. Miranda gives Andy a nicer office and returns to work with a renewed smugness. The film also stars Kenneth Branagh as Miranda's new husband Stuart Simmons.

With 'The Devil Wears Prada 2' here returning Director David Frankel has reassembled the core team from the 2006 movie and added a whole bunch of other A-list talent from the cinema and fashion worlds, and adorned them all in the most stunning haute couture outfits seen possibly in any film since the original graced our screens twenty years ago. Whilst this film doesn't reach the lofty heights that the first instalment did, it is nonetheless a respectable sequel that has some pointed messages about fast fashion, the decline in print media, the reliance we have on social media and emerging AI, career dynamics, and the cut throat world of big business. Streep, Tucci, Hathaway and Blunt are all on top form and its good to see them all back together riffing off each other and delivering some notable one liners along the way. The production values are also top notch, and its easy to see where the US$100M budget went as both New York City and Milan are presented in all their sun drenched glistening city tower blocks and ancient buildings will attest to. All that said, an enjoyable time at the Odeon, but please, lets end on a high note and we don't need 'The Devil Wears Prada 3'. 

'The Devil Wears Prada 2' merits four claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

What's new at Odeon's this week : Thursday 7th May 2026.

This years 52nd Seattle International Film Festival (SIFF) is held from Thursday 7th May up to Sunday 17th May, in the the US city of Seattle in Washington state. Beginning in 1976 with the annual Seattle International Film Festival, then expanding into year-round programming, SIFF envisions a thriving arts ecosystem where film discovery encourages a more empathetic, joyful, and connected world. In its three theatres, SIFF offers year-round screenings, Film Talks and a series of spotlight festivals throughout the year. SIFF also serves the community through educational programmes and SIFFsupports, a partnership programme that hosts and provides technical support to a variety of special screenings and festivals. The festival traditionally attracts nearly 150,000 attendees to celebrate films from more than eighty countries and regions around the world. Many of the features, short films, and documentaries screened will not have a return to US cinemas, making it an amazing event to discover new and underrepresented voices and stories . . . . . so reads the official website.

This years Opening Night film presentation is 'I Love Boosters' from the USA and Written, Co-Produced and Directed by Boots Riley. A fearless crew of inventive young women turns shoplifting into a radical act of defiance. Led by Corvette, they move across Oakland, boosting coveted goods as both survival and protest—challenging a system built on exclusion and excess. When their exploits draw unwanted viral attention and their feud with fashion mogul Christine Smith turns personal, the Boosters plan one final, audacious heist. Starring Keke Palmer, Demi Moore, Naomi Ackie, LaKeith Stanfield, Don Cheadle, Eiza Gonzalez, Taylour Paige and Poppy Liu. The Closing Night movie is 'The Invite' from the USA and Directed by Olivia Wilde. Two couples (Olivia Wilde and Seth Rogen, and Penelope Cruz and Edward Norton) drop into the crucible of a seemingly innocuous dinner with their neighbours, where awkward small talk unearths insecurities, codependencies, failed aspirations, and deep sexual FOMO.

Films in the Official Competition demonstrate some of the finest filmmaking this year from around the world. Spanning a variety of genres, these films advance themes of worldwide resonance, like friendship, coming of age in times of political turmoil, and the challenges inherent to romantic and familial relationships. The Official Competition jury, comprised of filmmakers, journalists, and industry professionals, selects the winning film, which will be announced at the Golden Space Needle Awards on 17th May and awarded a cash prize of US$5K. Those films are as follows :-

* 'Burn' - from Japan and Written and Directed by Makoto Nagahisa. When runaway teen Ju-Ju is embraced by a tribe of misfit youths in Kabukicho, she finds belonging for the first time - until betrayal and despair twist her haven into a prison.

* 'The Friend's House is Here' - from Iran and the USA and Co-Written, Co-Produced and Co-Directed by Hossein Keshavarz and Maryam Ataei, and Edited by Hossein Keshavarz. Pari and Hanna are best friends and active participants in Tehran’s vibrant underground arts scene. But the risk of running afoul of the government is omnipresent, forcing difficult decisions.

* 'Lady' - from the UK and is Co-Written and Directed by Samuel Abrahams. In this absurdly hilarious mockumentary, a young filmmaker agrees to film the behind-the-scenes vanity project of the obnoxiously entitled aristocratic Lady Isabella (Sian Clifford) at her imposing country estate, Ravenhyde Hall, only for something unseen and quite strange to happen. North American Premiere.

* 'Marama' - from New Zealand and Written and Directed by Taratoa Stappard. This anti-colonial psychological horror story confronts the brutal legacy of British oppression and its attempts to fracture culture, while honouring the strength, resilience, and enduring leadership of Maori women.

* 'Silent Friend' - from Germany and Hungary and Written and Directed by Ildiko Enyedi. The film unfolds across three time periods - 2020, 1972 and the early 1900's at a historic German university in Marburg, with loosely connected narratives anchored by the presence of a single ginkgo tree.

* 'Sundays' - from Spain and Written and Directed by Alauda Ruiz de Azua. At 17, Ainara faces a life-changing choice - after high school, she considers becoming a nun. Her decision unsettles her family, especially her aunt Montse, who fears it means losing freedom.

For the details of the other competitive strands being showcased - the Short Films Competition, the New Directors Competition, the New American Cinema Competition, the Ibero-American Competition and the Documentary Competition, plus the other sections being screened, and a whole bunch of other good stuff too, you can visit the official website at : http://www.siff.net

Looking forward to this weeks five new movies coming to your local Odeon, we kick off with the second film in this rebooted franchise based on a popular video game series in which an ageing Hollywood martial artist joins other fighters in the ultimate, no-holds-barred battle to defeat the dark rule of a powerful tyrant who threatens the very existence of the Earthrealm and its defenders. This is followed by a story of a fifteen-year-old boy from a remote Macedonian village who escapes into music amidst parental expectations, societal conservatism, and forbidden love for a promised girl. Next up we turn to a mystery comedy film where a flock of intelligent sheep, who love listening to mystery novels, must solve the murder of their beloved shepherd. Then we have a film captured during this singers sold-out world tour - a concert experience from one of the most celebrated and successful artists of her generation, presented in immersive 3D. And closing out the week we have a musical doco charting this bands five decades in the business from their humble beginnings playing the pubs and clubs in East London to their headlining gigs in some of the worlds biggest stadiums and arenas. 

Whatever your taste in big screen film entertainment is this week - be it any of the five latest release new films as Previewed below, or those doing the rounds currently on general release or as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the week ahead.

'MORTAL KOMBAT II' (Rated MA15+) - is an American martial arts fantasy film that is a sequel to 2021's 'Mortal Kombat' and the fourth instalment in the Mortal Kombat film series, both based on the video game series 'Mortal Kombat'. The live action film series launched in 1995 with 'Mortal Kombat' Directed by Paul W. S. Anderson and was followed up in 1997 by 'Mortal Kombat Annihilation' Directed by John. R. Leonetti. Simon McQuoid Directed the rebooted 'Mortal Kombat' in 2021, and he returns to the Directors chair for this offering. The first three films in the series have grossed US$204M off the back of combined production budgets of US$103M. The film is released in the US this week too, and allegedly a third film is already in development.

Following the events of Mortal Kombat, Lord Raiden (Tadanobu Asano) tasks Earthrealm champions to find new warriors to prepare the upcoming tournament against Outworld as they attempt to resist the rule of Shao Kahn (Martyn Ford) whose rise threatens the survival of Earthrealm and its defenders. One such recruit is an ageing Hollywood martial artist, Johnny Cage (Karl Urban). Also starring Adeline Rudolph, Jessica McNamee, Josh Lawson, Ludi Lin, Mehcad Brooks and Damon Herriman. 

'DJ AHMET' (Rated PG) - this North Macedonia, Czech Republic, Serbia and Croatian Co-Produced drama film is Written and Directed by Georgi M. Unkovski in his feature film making debut. The film centres around the life of 15-year-old boy, Ahmet (Arif Jakup), who falls in love for the first time, desires to be a DJ, and contends with the conservatism of his rural village in North Macedonia. It saw its World Premiere screening at the Sundance Film Festival in late January 2025 where it was in the World Cinema Competition ultimately taking home the Audience Award, among its total haul of nine award wins and another ten nominations from around the awards and festivals circuit. The film had garnered positive critical reviews and has so far taken US$1.1M at the Box Office.

'THE SHEEP DETECTIVES' (Rated PG) - is a UK and US Co-Produced mystery comedy film that is Directed by Kyle Balda who Co-Directed 2012's 'The Lorax' and went onto helm 2015's 'Minions' then 2017's 'Despicable Me 3', and 2022's 'Minions : The Rise of Gru'. This film is based on the 2005 novel 'Three Bags Full' by Leonie Swann. Here, George (Hugh Jackman) is a shepherd who reads detective novels to his beloved sheep every night, assuming they can't possibly understand. But when a mysterious incident disrupts life on the farm, and George winds up mysteriously dead, the sheep realise they must become the detectives. As they follow the clues and investigate human suspects, they prove that even sheep can be brilliant crime-solvers. Also starring Molly Gordon, Hong Chau, Emma Thompson, with a voice cast that includes Julia Louis-Dreyfus, Bryan Cranston, Chris O'Dowd, Regina Hall, Patrick Stewart, Bella Ramsey, Brett Goldstein and Rhys Darby. The film is released this week too in the USA and has generated positive critical acclaim.

'BILLIE EILISH - HIT ME HARD AND SOFT' (Rated PG) - this American 3D concert film is Produced, Directed and stars acclaimed Director James Cameron and acclaimed singer and songwriter Billie Eilish. The film stars Eilish and features performances from her seventh headlining 2025 concert tour at the Co-Op Live venue and filmed over four nights during her 'Hit Me Hard and Soft: The Tour', in Manchester, England. It is Eilish's second concert film after 'Happier Than Ever: A Love Letter to Los Angeles' which was Directed by Robert Rodriguez. The production utilised virtual reality 3D technology, via a partnership with Meta Platforms and Cameron's Lightstorm Vision, for a release on Meta Quest headsets. The film is released Stateside too this week. 

'IRON MAIDEN : BURNING AMBITION' (Rated M) - is a US and UK Co-Produced biographical musical documentary film that is Directed by Malcolm Venville whose previous feature film credits are '44 Inch Chest' in 2009, 'Henry's Crime' in 2010, and the sports documentary film 'And We Go Green' in 2019. The film chronicles the band’s five-decade journey from East London pubs to sell-out global stadiums. Featuring exclusive interviews with band members and contributors such as Javier Bardem, Lars Ulrich and Chuck D, fan stories and archival footage, as well as all-new animated sequences of the band's legendary mascot, Eddie, the film offers a rare and intimate look at Iron Maiden's uncompromising vision and unwavering connection with their truly global army of fans. The film is released worldwide this week. 

With five new release movie offerings this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. In the meantime, I'll see you sometime somewhere at your local Odeon in the coming week.

-Steve, at Odeon Online-

BEAST : Tuesday 28th April 2026.

I saw the MA15+ Rated 'BEAST' earlier this week, and this sports action drama film is Co-Produced and Directed by Tyler Atkins in only his second feature film making effort following 'Bosch & Rockit' (aka 'Ocean Boy'). The film was released Stateside earlier in April, has so far grossed US$1.3M and has garnered generally favourable critical reviews. 

The film opens up in the changing rooms of a One Championship MMA (Mixed Martial Arts) Arena where trainer Sammy (Russell Crowe, who gets a Co-Writing credit on this film too) is putting his Champion fighter Patton 'The General' James (Daniel MacPherson) through his final paces before a bout. Sammy's mantra which he makes Patton repeat back to him several times is 'Why do we breath, so we can think, and why do we think, so we can win'. We then see the pair exit the change room, and out into a packed arena, with bright lights, the crowd roaring, and Patton greeting his legions of adoring fans with his arms raised. We then fast forward ten years and Patton is working as a commercial fisherman having long turned his back on his MMA career. But working for a small boat with fellow fisherman Neal (George Burgess) and the gruff and unforgiving skipper (Nathan Phillips) who calls Patton a 'Jonah' because he has put a curse on his lowly catch, and eventually fires Patton for speaking out against the small operator and his dodgy boat and sub standard equipment. 

Patton is very happily married to Luciana (Kelly Gale) and they have a young daughter Maddie (Sol Nc Carrico), with Luciana announcing that she is expecting a second child. One day while working out in his makeshift gym in his garage, he has his TV turned on to a MMA bout featuring his younger brother Malon James (Mojean Aria) against reigning World Champion Xavier Grau (Bren Foster). Needless to say Malon is no match for Grau who pummels him quickly and delivers a crushing blow to the head after the bell has rung marking the end of the round. This puts Malon in hospital in a coma, and potentially putting him out of the cage for a least five months, assuming he recovers. While Patton, Luciana and Nadine (Malon's partner [Saphira Moran]) are waiting in hospital Grau's manager Gabriel (Luke Hemsworth) shows up and offers Patton a bout with Grau, and a guaranteed purse of US$100K. Gabriel also tells Patton that Malon is in debt to Barry (Matt Nable), a lone shark and strip joint owner to the tune of AU$50K. Patton declines, but Gabriel thrusts his business card into Maddie's hand, and says for daddy to call him if he changes his mind.

Sometime later, and Patton meets with Gabriel in a bar overlooking Sydney harbour. Patton says he'll agree to the fight for US$150K, with 50% upfront and six months in which to get fighting fit. Gabriel reluctantly agrees but says the fight is fixed for seven weeks time, and pulls out a contract for him to sign on the spot. Patton, goes to Sammy's MMA Fight gym in an attempt to rekindle his past relationship with Sammy, but Sammy tells him in no uncertain terms to fuck off. 

Sammy's daughter Rose (Amy Shark) a former MMA fighter herself but now retired due to a career ending knee injury, is now a trainer. Patton explains to Rose that he's agreed to the fight for cash, and she agrees to train him, much to Sammy's chagrin. Rose begins putting Patton through a rigorous training regime, but it is clear that he has a long way to go to stand any hope of defeating Grau. 

Meanwhile, in Bangkok, Grau and Gabriel are sat in front of a panel of One Championship officials who ban Grau from fighting for six months and strip him of his World Championship title for that final blow to Malon's head after the end of round bell had rung. We also learn that Patton KO'd Grau in six seconds in an earlier bout ten years ago - a record that still stands to this day, and which was Grau's only defeat. 

And so with Grau unable to fight Patton, the latter pockets the US$150K and pays off Malon's debts to Barry in full with interest. Malon meanwhile has recovered albeit has been ordered not to fight for a least five months to allow his head and brain injuries to heal. Malon visits Patton at Sammy gym, and the pair almost come to blows as the estranged brothers argue over their absence from each others lives for the past five or so years. 

A short time later Patton and Malon meet unexpectedly while out training. Patton invites Malon to Maddie's upcoming birthday party, saying how much she would love to have him there. Malon agrees to attend. The birthday party arrives the following Monday afternoon and Malon rocks up and hands Maddie a gift wrapped box, and then makes his quick apologies and promptly leaves, saying he needs to be somewhere and not to worry. Patton chases after him, but Malon speeds off in his truck, wheels spinning. Later, Maddie opens the gift box from Malon, revealing several wads of cash all bundled up in AU$10K packages. This prompts Patton and Neal to track down Malon to a warehouse later that night and an unofficial and unsanctioned bout between Malon and Grau, which sold to a select audience for AU$10K a ticket. The bout is fought on an open floor with onlookers gathered around. Once again it is clear that Malon is outmatched by his far superior opponent, who pummels, punches and kicks the still recovering fighter. Patton and Neal arrive at the unfolding scene just as Malon is delivered a high kick to the head which sends him careening backwards where his head comes into contact with a large iron box. He stumbles backwards with a large gash to his head, coughing up blood and collapses on the floor, dead. Patton rushes forward and cradles his dead brother in his arms. 

After Malon's funeral, Patton climbs inside a bottle drinking heavily, not sleeping too well, having given up hope of ever returning to the ring, and growing increasingly distant from Luciana. Until the day comes when Luciana recognises Patton's internal turmoil, and tells him that she can no longer stand seeing him like this. Go off and do what you need to do, she tells him, and come back to me when your done. This is the news that Patton needed to hear. Patton goes back to Sammy and they share a conversation about why they drifted apart. Patton was involved in a bar brawl that got him landed in prison for just over two years. Every other day while inside he said, he had to fight against some new inmate who wanted to push their weight around. He got sick of fighting and when released he turned his back on it. Sammy said that he waited at the gym, hanging by the phone for Patton to call upon his release saying to pick up from where they left off, but that call never came, and Patton made no attempt to reconnect. Sammy also said that his daughter Rose wasn't allowed in his gym until she turned thirteen and he always knew that MMA fighting was in her blood, and now she is one the best trainers he knows. He gives his blessing to Patton to utilise Rose's training techniques to beat Grau. 

And so a rigorous training montage follows with Patton being coached by Rose and with Neal as his sparring partner, the bout with Grau is finally fixed for the One Championship Arena in Bangkok, Thailand. There is no guaranteed payout, there is no backing out, its a winner takes all bout for the One Champions World title and a US$3M payday. The night of the bout arrives and both contenders are in top fighting form. For Grau this grudge match is so that he can redeem himself in front of his fans for his humiliating defeat against Patton all those years ago and finally get his revenge. For Patton its all about proving to himself that he still has what it takes and to be able to provide for his family without counting every dollar, and perhaps to a certain extent to avenge the death of his brother at the hands of his opponent.

With Rose and Neal in Patton's corner, the first round goes to Grau, who punches and kicks with a ferocity that Patton seems almost defenceless against. The second round is more evenly matched, with Patton landing many kicks, punches, head locks and leg locks to Grau's surprise. The third round gets messy with Grau gouging at Patton's eye with his thumb, which is seen on TV the world over. The Referee gives Patton one minute to recover, but he can barely see out of his injured eye. As a result, Patton suffers many punches to the head, chest and stomach until Grau flinches clutching his hand which appears to be broken. This gives Patton the opportunity to breath, think and ultimately win with a series of crushing blows to Grau as he recoils against the cage fencing, and is KO'd after four minutes and seventeen seconds of Round 3. Back home in Sydney, Luciana, Sammy and Barry are cheering from the top of their voices as Patton is hailed Champion. 

With 'Beast' Director Tyler Atkins is hardly reinventing the MMA/Boxing drama film genre, but he does nonetheless deliver us a respectable offering that ticks all the boxes you have come to expect from a movie of this ilk. The fight scenes are very well choreographed and put you right in the centre of the action as every punch and kick lands, and every choke hold and leg lock is administered. Sure the film follows a tried and tested formula that is nearly as old as cinema itself, but it does possess enough emotional heft to rise above the also rans sports drama films that seem to come along all too frequently. The two big name leads in MacPherson and Crowe do what they do best, but the remaining supporting cast are largely generic and one dimensional, save perhaps for Amy Shark in her first big screen role. There are also a number of plot holes and examples of poetic license for the sake of dramatic effect that let the movie down to a degree, but if seeing two pugilists go head to head and toe to toe in the octagon floats your boat, then this film is for you. 

'Beast' merits three claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

What's new at Odeon's this week : Thursday 30th April 2026

This years 27th annual Jeonju International Film Festival is based in the city of Jeonju, South Korea and runs from Wednesday 29th April to and including Saturday 8th May. It was launched in 2000 as a non-competitive film festival seeking to introduce independent and experimental films to the general public and focusing on the art of contemporary cinematography. This year 237 films are being showcased from fifty-four countries, with ninety-seven Korean films and 140 international films being showcased, of which seventy-eight are World Premiere screenings. 

This years Opening Night film presentation is 'Late Fame' from the USA and Directed by Kent Jones. The film explores the impact of newfound fame on Ed Saxberger (Willem Dafoe), the author of a poetry collection that received little notice upon release but gained appreciation years later among a group of artists including Gloria (Greta Lee), an Actress eager to gain his attention. The Closing Night film is 'The Longest Night : Namtaeryeong' from Korea and this documentary is Directed by Kim Hyunji. This documentary spotlights farmers and women who participated in the tractor march protests from 21st to 22nd December 2024, at Namtaeryeong Pass in Seoul after martial law was declared.

In the International Competition, there are ten titles selected for this section, and they must be Directed by filmmakers who have made less than three feature films and are able to offer the Asian Premiere to the festival. This year, 421 films from seventy countries were submitted. Europe ranked first by continent, followed by Asia and North America in second and third respectively. The US ranked first as a single country with a total of forty-four submissions. Three prizes are up for grabs - the Grand Prize, carrying an award of almost US$14K, and the Best Film Prize and the Special Jury Prize each carrying an award of about US$7K. Those ten titles are as outlined briefly below :-

* 'The Calf Doll' - from India and this drama film is Written, Co-Produced, Directed and Edited by Ankur Hooda. In a smog-choked village, a retired professor turns to an outlawed ritual, crafting a calf doll from a stillborn's body, to save his cow from the creeping urbanisation slowly erasing his rural world.

* 'Chronovisor' - from the USA and this experimental mystery Sci-Fi film is Written, Directed and Edited by Jack Auen and Kevin Walker, and tells the story in which the life of a reclusive academic collides with the story of a clandestine technology that can photograph the past.

* 'Dream of Another Summer' - from Spain and Lebanon, this documentary film is Written, Directed and Co-Edited by Irene Bartolome. A woman's collapse amid urban ruins sparks an exploration of humanity's connection to physical spaces and a city's resilience in the face of mortality.

* 'Fantasy' - from France, and this psychological coming of age film is Co-Written, photographed and Directed by Isabel Pagliai. Lost in her fears and fantasies, a young woman writes in a notebook. A young man finds this notebook on a train. Suddenly, they find themselves in the heart of a forest, in a nocturnal reality where dreams come to life.

* 'If I Go They Will Miss Me' - from the USA this coming of age adventure film is Written, Directed and Co-Edited by Walter Thompson-Hernandez. Twelve-year-old Lil Ant transforms his working-class neighbourhood beneath the LAX flight path into a living mythology, where family members become gods and the sky is crowded with endless departures. As he searches for connection with his god-like yet conflicted father, he finds support in his close-knit community that helps him reconcile myth and reality.

* 'Michiyuki : Voices of Time' - from Japan and this docufiction film is Written, Directed and Edited by Nakao Hiromichi. Komai moves into an old house in Nara and listens to the stories of the former owner, Umemoto. He talks about the histories of time, the town, and the house. While renovating the house on his own, Komai's mind meanders as if on a journey.

* 'The Night is Fading Away' - from Argentina, this drama film is Written, photographed, Directed and Edited by Ezequiel Salinas and Ramiro Sonzini. A projectionist who secretly moves into a decaying municipal cinema brings together an unexpected nocturnal community and must fight to keep his new home when the building's closure threatens to destroy everything he has built.

* 'Six Weeks On' - from Germany, this psychological drama film is Written, Produced, Directed and Co-Edited by Jacqueline Jansen. The film tells the story of Lore, who, after the death of her mother, refuses to let anyone dictate how she should say goodbye. Yet, she keeps asking herself the same question - How does one grieve properly?

* 'Stone and Feather' - from Turkiye, this drama film is Written, Co-Produced and Directed by Ragip Turk. Nazire, in order to take back her child who was sent to an orphanage, puts up a tough fight against both the bureaucratic system that offers her child conditions she cannot overcome, and the rich foster family who wants to adopt her child.

* 'The Visitor' - from Lithuania, Norway and Sweden, this drama film is Co-Written, photographed and Directed by Vytautas Katkus. 30-year-old Danielius returns to his hometown to sell his parents' flat, but the visit lasts longer than expected. With nowhere to rush, he tries to reconnect with the people and the town that no longer feels like his.

For the details of the other competitive sections, the other film strands being showcased, and a whole lot of other good stuff, you can visit the official website at : http://www.eng.jeonjufest.kr

Turning the focus then back to this weeks five new release movies coming to a big screen Odeon close to your home, we kick start with a sequel to a hugely popular and influential film from 2006 that has the head of a New York fashion magazine nearing retirement, as she reunites with her former second assistant to face off against her former first assistant turned rival of a competitor fashion house. This is followed by a supernatural horror film about a loyal dog who moves to a rural family home with his owner, only to discover supernatural forces lurking in the shadows, and as dark forces threaten his human companion, the brave dog must fight to protect the one he loves most. Then we turn to another supernatural horror offering in which a horror novelist visits an Inn in rural Ireland to spread his parents' ashes, without knowing the place is rumoured to be haunted. Next up we have an Australian Western drama set in the 1930's, that follows three children who escape their white masters and journey across the central Australian desert seeking safety; and closing out the week there is an American doco profiling the life and career of a talented musician whose life was cut way too short in 1997 in a tragic drowning accident.

Whatever your taste in big screen film entertainment is this week - be it any of the five latest release new films as Previewed below, or those doing the rounds currently on general release or as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the week ahead.

'THE DEVIL WEARS PRADA 2' (Rated M) - this eagerly awaited and much hyped American comedy drama film is Directed by David Frankel, who made his feature film debut with 'Miami Rhapsody' in 1995, and would follow this up with the likes of 'The Devil Wears Prada' in 2006, 'Marley & Me' in 2008, 'Hope Springs' in 2012, 'Collateral Beauty' in 2016, and 'Jerry & Marge Go Large' in 2022. This film is a direct sequel to the 2006 film 'The Devil Wears Prada' and saw its World Premiere screening in New York City on 20th April, and is released in all major territories from this week onward. 

Andy Sachs (Anne Hathaway) returns to New York City's Runway magazine as Miranda Priestly (Meryl Streep) navigates a new media landscape, declining print formats, very competitive advertising revenue  and Runway's position within it, as well as nearing retirement herself. They reconnect with another former assistant, Emily Charlton (Emily Blunt), who is now a senior executive at luxury brand Dior, that possesses funding which could ensure Runway's survival. Stanley Tucci also reprises his role as Nigel Kipling, Miranda's longtime right hand, and are joined this time round by Kenneth Branagh, Justin Theroux, Lucy Liu and Patrick Brammall. 

'GOOD BOY' (Rated M) - is an American supernatural horror film that is Co-Written, Co-Produced, Directed, photographed and Edited by Ben Leonberg in his Directorial debut. Here, Indy (a Nova Scotia Duck Tolling Retriever - a medium-sized gun dog bred primarily for hunting), finds himself on a new adventure with his human owner, and best friend, Todd (Shane Jensen), leaving city life for a long-vacant family home in the country. From the start, two things are abundantly clear - Indy is wary of the creepy old house, and his affection for Todd is unwavering. After moving in, Indy is immediately vexed by empty corners, tracks an invisible presence only he can see, perceives phantasmagoric warnings from a long-dead dog, and is haunted by visions of the previous occupant’s grim death. When Todd, who also suffers from chronic lung disease, begins succumbing to the dark forces swirling around the house, Indy must battle a malevolence intent on dragging his beloved Todd into the afterlife. The film saw its Premiere screening at SXSW Film & TV Festival in early March 2025, was released in the USA in early October last year and only now does it arrive at Australian Odeon's this week, having garnered generally favourable critical reviews and so far grossing US$8.7M from a production budget of just US$70K. 

'HOKUM' (Rated M) - this Irish, UAE and US Co-produced supernatural horror film is Written and Directed  by Damian McCarthy, in his third feature film making outing following 'Caveat' in 2020 and 'Oddity' in 2024. When novelist Ohm Bauman (Adam Scott) retreats to a remote Irish inn to scatter his parents' ashes, he is consumed by tales of a witch haunting the honeymoon suite. Disturbing visions and a shocking disappearance forces him to confront dark corners of his past. The film Premiered at the SXSW Film & TV Festival in mid-March this year, is released Stateside this week too, and has received generally positive critical reviews. The film also stars Peter Coonan, David Wilmot and Austin Amelio

'WOLFRAM' (Rated M) - is an Australian Western drama film that is lensed and Directed by Warwick Thornton, whose previous feature film credits take in 'Samson & Delilah' in 2009, 'The Darkside' in 2013, 'Sweet Country' in 2017, and 'The New Boy' in 2023. This film is a sequel to 'Sweet Country' and is set four years later and is based on a real story set in 1932, in which a mother, Pansy (Deborah Mailman) longs for the return of her stolen children. It looks at the exploitation of Indigenous Australian child labour at the Hatches Creek wolfram field, where young Aboriginal children were exploited for their labour digging tungsten out of the ground  in the Northern Territory of Australia. The film also stars Thomas M. Wright, John Howard and Matt Nable. It saw its World Premiere screening at the Adelaide Film Festival in late October last year, and also screened in competition at this Berlin International Film Festival in mid-February. It has generated largely favourable critical reviews.

'I'TS NEVER OVER, JEFF BUCKLEY (Rated M) - this American documentary film is Co-Produced and Directed by Amy Berg whose prior documentary films include 'Deliver Us from Evil' in 2006, 'West of Memphis' in 2012, 'An Open Secret' in 2014, 'Janis : Little Girl Blue' in 2015, and 'Phoenix Rising' in 2022. This film explores the life and career of American musician Jeff Buckley (who died tragically by drowning in late May 1997 aged just thirty), incorporating voice messages and previously unseen footage. It also features interviews with Buckley's mother Mary Guibert, as well as friends, ex-girlfriends and musicians such as Rebecca Moore, Joan Wasser, Ben Harper, Susan Silver, Michele Anthony, Aimee Mann and Chris Cornell. Buckley released just one studio album 'Grace' and was working on his second album, with the working title 'My Sweetheart the Drunk' at the time of his passing. It had its World Premiere showcasing at the Sundance Film Festival in late January 2025, and was released in the US in early August last year and only now does it get an airing here in Australia, having so far grossed US$1.7M at the Box Office and generating largely positive critical reviews.

With five new release movie offerings this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. In the meantime, I'll see you sometime somewhere at your local Odeon in the coming week.

-Steve, at Odeon Online-

FUZE : Tuesday 21st April 2026.

I saw the M Rated 'FUZE' at my local independent movie theatre this week, and this British crime thriller heist film is Co-Produced and Directed by David Mackenzie whose previous feature film Directorial output includes 'Young Adam' in 2003, 'Hallam Foe' in 2007, 'Perfect Sense' in 2011, 'Hell or High Water' in 2016, 'Outlaw King' in 2018 and 'Relay' in 2024. The film Premiered at the Toronto International Film Festival in early September last year at the Gala Presentations section, was released in the UK earlier this month, and has generated mixed or average critical reviews.

Here, set in modern day London, the film opens on a building site in Paddington where an excavation reveals what appears to be an unexploded WWII bomb. The site foreman calls the local Police who spring into action and alert the Army bomb disposal unit. The Police, under the command of Chief Superintendent Zuzana Greenfield (Gugu Mbatha-Raw), cordon off an area the size of several city blocks, and order the immediate evacuation of all civilians, including Rahim (Elham Ehsas) and his parents, to Hyde Park. Meanwhile, Greenfield has contacted Major Will Tranter (Aaron Taylor-Johnson) a seasoned bomb disposal expert to lead the investigation into the nature of said device and its defusing. 

Upon arrival at the Paddington site, Tranter and his team set the ground rules for handling the alleged bomb, which sits buried in mud and partially submerged in waste water. The operation is hampered when Tranter discovers a timed trigger, and that it is ticking. One of the soldiers uses a magnetic device to temporarily disable the timer, while the rest attempt to build a wall to contain and reduce the blast zone. Tranter relays back to his team and Greenfield that the bomb could off anytime between now and the next 48 hours. 

Amidst the chaos, and the city falling silent, the streets empty and with electricity supplies cut off Karalis (Theo James), X (Sam Worthington), Hardeep (Naveed Khan), Y (Shaun Mason) and Z (Nabil Elouahabi) break into a bank in Edgware Road, that is located directly adjacent to Rahim's apartment block. They gain access through the basement, and using a large industrial drilling machine, bore through the two feet thick concrete wall and then blow torch their way in through the steel wall into the vault. Having gained access they set about looting safety deposit boxes and steal money, jewellery, and a cache of diamonds. Their heat signature is spotted from Rahim's apartment by a Police drone, suspending the bomb disposal operation while Policemen search the cordoned area. Karalis is spotted keeping a watchful eye on proceedings at street level, and the Police engage in a chase with the thieves. Meanwhile, the bomb malfunctions, reactivating the timer and eventually resulting in the device detonating before the wall can be completed. The explosion leaves a big crater in the ground, a shock wave that can be felt several blocks away and a huge plume of grey smoke and ash rising up from the scene of the blast. Fortunately, no lives are lost. 

The thieves are able to successfully evade the Police - first on foot through the sewers of central London and then they escape in a van to a safehouse in the countryside. There, Karalis reveals uncut diamonds among the loot, then double-crosses them by calling in a team of armed gangsters he works for, who come in with shotguns blasting away, and take out Y with a blast to his shoulder. They then cable tie the thieves up and lock them in a shed. Karalis, who is in cahoots with his uncle, who turns the tables on his nephew by stating that he now wants a 50% cut of the share from the sale of the diamonds when they had originally agreed a 20% cut. Karalis is none too pleased with this development and when he tries to explain the work involved in fencing off uncut diamonds, and their true value only when they are cut, the uncle slams down a wrench on the table smashing the diamond into dust. Upon discovering the diamonds to be fake, the gangsters break his hand with the wrench, lock him in the boot of their car and drive off with him, leaving the other thieves locked in the shed. Y succumbs to his shotgun wound and dies. X breaks free from his cable tied wrists and frees the others. Using the van to break out of the shed door, X grabs his tablet from two getaway cars and says that he placed tracking devices on each of them, because he felt none of his accomplices could be trusted. and Karalis is able to use his phone to broadcast his location. With X, Hardeep and Z tracking him, they eventually catch up, kill the gunmen, and attempt to suffocate Karalis, but Tranter arrives and shoots X dead, and wounds Hardeep and Z, so allowing Karalis to escape. With Hardeep and Z left for dead, they both retrieve the stash of cash and jewellery from the gunmen's car, and are last seen grinning from ear to ear. 

By the time the Police have figured out Tranter, Karalis and Rahim's involvement in the heist and their connection, the three have fled the UK each on separate flights. Reuniting in Istanbul, it is revealed that Tranter was working with Karalis to steal the diamonds; when Karalis was discovered, Tranter sabotaged his own home made WWII looking bomb, triggering the explosion to buy them time to escape the Police; and Rahim, a long term friend of Tranter, ensured the switch of the real diamonds for the fake ones and their concealment and ultimate retrieval was carried out according to plan. After arranging for the diamonds to be cut and sold in Istanbul to diamond traders, and dividing the US$90M proceeds equally between them, the three part ways.

A closing sequence tells us that Tranter, Karalis and Rahim first met ten years earlier in Afghanistan, when Karalis was double-crossed by his employer, who kidnapped him, only for their convoy to be caught up in an IED blast. Tranter and Rahim who happened to be in the locale at the time provided cover fire against the insurgents, as Karalis was able to disarm a land mine that Tranter had inadvertently stepped on. However, whilst Karalis cut the wire leading to the land mine, he neglected to disengage the grenade at the mine's control box causing a chain reaction of explosions from other buried IED's sending the three of them flying albeit unharmed. 

'Fuze' hardly reinvents the bank heist film genre that goes adrift before the final payoff and the villains walk away to spend their millions on ill gotten gains, but nonetheless, it is an enjoyable, entertaining and engaging robbery romp ramping up the tension, the plot twists and turns and the double crosses into a reasonably respectable 97 minute run time. The character development is somewhat lacking (until that final sequence) and the at times ho-hum dialogue, but the cinematography, editing, Mackenzie's deft Directorial hand and a more than competent cast all add up to an acceptable thrill ride. 

'Fuze' merits three claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-