HOKUM : Tuesday 12th May 2026.

I saw the M Rated 'HOKUM' earlier this week, and this Irish, UAE and US Co-produced supernatural horror film is Written and Directed by Damian McCarthy, in his third feature film making outing following 'Caveat' in 2020 and 'Oddity' in 2024. The film Premiered at the SXSW Film & TV Festival in mid-March this year, was released Stateside and here in Australia the week ending 1st May, has received generally positive critical reviews, and has so far grossed US$18M from a production budget of US$5M.

The film opens with reasonably successful novelist Ohm Bauman (Adam Scott) struggling to write the Epilogue of his 'Conquistador' trilogy. After experiencing a brief vision of the ghost of his mother at home, Ohm decides to visit The Bilberry Woods Hotel in rural Ireland, where his parents had honeymooned, to lay their ashes finally to rest. Upon arrival, he is greeted by the hotel staff - owner Cob (Brendan Conroy), his son-in-law and front desk clerk Mal (Peter Coonan), groundskeeper Fergal (Michael Patric), bartender Fiona (Florence Ordesh) and bellhop Alby (Will O'Connell). 

While checking in for his week long stay, Ohm overhears Cob tell two children the story of a local witch who kidnaps children, clasps their hands in shackles and leads them in chains on a tour through the underworld, where they are clawed at by the souls who live there. Ohm is abrasive and dismissive toward the staff, but strikes up a friendlier rapport with Fiona after she identifies the location of a photo his mother took, standing next to a redwood tree. While spreading his parents' ashes - his mothers which he places thoughtfully around the roots of the tree, and his fathers which he empties out randomly next to the same tree, he meets and bonds with Jerry (David Wilmot), a local living in his van who frequently consumes milk laced with the ground up powder of magic mushrooms. He offers Ohm some of his homemade 'moonshine', which he gratefully knocks back a few sips before returning the bottle and going on his way.

Later that night in the bar while downing a couple of glasses of whisky, Fiona and Alby tell Ohm that the honeymoon suite is locked off, has been for many years and is supposedly haunted by a witch that Cob had trapped inside. Ohm dismisses this as 'hokum'. After belittling Alby's dreams of a writing career, Ohm returns to his room. Concerned, and having left his voice recorder and the photo of his mother at the bar, Fiona goes to check on Ohm and has Alby unlock his door. As she walks in to his room and switches on the light Fiona discovers he has hanged himself. Ohm comes round in hospital, alive thanks to Fiona's intervention. When he returns to the hotel, Mal informs him that Fiona has been missing since the hotel's Halloween party and Jerry is the #1 suspect for both Fiona's disappearance and the murder of his wife some years prior. The hotel is in final preparations to close for the winter season, and so Ohm collects his luggage and leaves.

However, Ohm pulls up a short distance away, and confronts Jerry at his van, who claims to have seen Fiona's ghost in the hotel directing him to the honeymoon suite. Ohm doesn't believe Jerry's story but agrees to check the suite with him. Jerry confesses to killing his wife, but says it was a mercy killing due to her terminal illness. With the hotel now closed for the season, Ohm and Jerry break in to investigate, once all staff and their vehicles have left, and undercover of darkness. 

Fergal remained back at the hotel however, and knocks Jerry unconscious, cable ties his hands together and bundles him into the back of his van before driving him to the Gardai (the national Police and Security Service of the Republic of Ireland). Fergal doesn't see Ohm who has snuck out of sight when Fergal appears. Ohm sneaks into the honeymoon suite, where he is haunted by supernatural visions of his mother and memories of shooting her dead by accident with his father's gun as a child. Ohm falls asleep on the honeymoon bed and is abruptly woken by Mal, who pleads with Ohm that they must return back downstairs and out of the honeymoon suite. 

Ohm inspects a dumbwaiter, discovering Fiona's corpse inside, dressed in her Halloween bunny outfit. Mal locks Ohm in the suite and flees the hotel. Ohm finds his tape recorder on Fiona and learns from her voice recordings that she was pregnant with Mal's baby, and that Mal drugged her and locked her in the suite to prevent his family finding out.

Jerry comes round in Fergal's van and is able to cut through the cable ties with a pocket knife, and jumps out of van's rear doors and escapes to the hotel. The hauntings intensify as Ohm struggles to find a way out. Spotting a fire escape on a map of the basement, Ohm removes Fiona's body to a nearby chair and descends via the dumbwaiter. He reaches the fire escape but finds it bricked up. Hearing eerily ghost like noises following him he quickly rushes back to the dumbwaiter and ascends to whence he came from. The Witch (Sioux Carroll) though follows him, enters the room but he fends her off with a circle of chalk he draws around the honeymoon bed. He falls asleep and wakes up the next morning with no sign of the Witch. A short time later Mal arrives at the hotel to dispose of Ohm and is surprised to find a badly injured Jerry from his fall out of the van. Ohm manages to ring the suite bell, alerting Jerry to his presence. Ohm starts a fire in the suite by covering an electric plug in heater with a thick blanket. Meanwhile, Mal shoots Jerry dead with Fergal's crossbow, as Jerry attempts to break into the suite to release Ohm. 

Ohm flees into the basement again, and is pursued by Mal. Ohm draws another chalk circle to protect himself in the narrow basement corridor, but not before being shackled and chained himself. Mal is also confronted by the witch, who shackles and chains his hands and leads him to the underworld. Ohm makes peace with his mother's ghost and removes his own chains before escaping back up the dumbwaiter and out of the honeymoon suite. As the hotel burns, Ohm is saved by Fergal after he hears Fiona's spirit calling to him. 

Alby visits Ohm in hospital, telling him Fiona and Jerry's remains have been found but Mal is missing. Alby admits to vengefully spiking Ohm's whisky with Jerry's magic mushroom powder. Ohm notices he still has bruises on his wrists consistent with being placed in shackles, and recalls Jerry telling him that drugs allow people to open their mind to the supernatural. Ohm agrees to read Alby's manuscript the next day, and finishes opening his laptop and writing a more hopeful ending to his Conquistador (Austin Amelio) trilogy. 

With 'Hokum' Writer and Director Damian McCarthy has here crafted a modern day ghost story replete with tension, emotion, drama, the requisite jump scares, horror elements and a few moments of real jet black humour, as the perfectly cast Adam Scott delivers his sardonic, depressed and guilt ridden role with a deft touch. The atmosphere and sense of dread created on screen is almost palpable, which when added to the sound mix and production design make for a very worthwhile entry into the Irish horror folklore genre, that is certainly worth the price of your cinema ticket despite there being a couple of fairly glaring plot holes (spot them if you can!)

'Hokum' merits four claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

What's new at Odeon's this week : Thursday 14th May 2026

The 79th annual Cannes Film Festival is in full swing having begun on Tuesday 12th May and running through until Saturday 23rd May. The Cannes Film Festival is considered the most prestigious film festival in the world. Held in Cannes, France, it previews new films of all genres, including documentaries. Founded in 1946, the invitation-only festival is held annually at the Palais des Festivals et des Congres. The festival was formally accredited by the FIAPF in 1951. Cannes is considered one of the 'Big Three' European film festivals, alongside Venice and Berlin, as well as one of the 'Big Five' international film festivals, alongside Venice, Berlin, Toronto and Sundance.

This years Opening Night film presentation is the French period comedy drama film 'The Electric Kiss' that is Co-Written for the screen and Directed by Pierre Salvadori. Set in Paris in 1928, the plot follows a young grieving painter Antoine Balestro (Pio Marmai) who tries to contact with his dead wife Irene (Vimala Pons) through a psychic Suzanne (Anais Demoustier) after losing his inspiration to paint.

The South Korean filmmaker Park Chan-wook is this years Jury President for the main competition for the prestigious Palme d'Or, with other members of the Jury panel including Demi Moore, Ruth Negga, Stellan Skarsgard, Chloe Zhao and Paul Laverty. During the festival, two Honorary Palmes d'Or will be awarded - to New Zealand filmmaker Peter Jackson, and to American Actress, singer and filmmaker Barbra Streisand.

It should be noted that 2,541 feature films were submitted for consideration, with the initial main competition lineup featuring twenty-two films from three continents and five female Directors. Those films competing for the Palme d'Or are as given in brief, below :-

* 'All of a Sudden' - from France, Japan, Germany and Belgium and this drama film is Co-Written and Directed by Ryusuke Hamaguchi and stars Virginie Efira and Tao Okamoto. World Premiere.

* 'Another Day' - from France and Belgium and this drama film is Written and Directed by Jeanne Herry. World Premiere.

* 'The Beloved' - from Spain and France and this drama film is Co-Written and Directed by Rodrigo Sorogoyen and stars Javier Bardem and Victoria Luengo. World Premiere.

* 'The Birthday Party' - from France and this drama film is Written and Directed by Lea Mysius. World Premiere.

* 'Bitter Christmas' - from Spain, and this tragicomedy is Written and Directed by Pedro Almodovar. International Premiere.

* 'The Black Ball' - from Spain and France, this drama film is Co-Written and Co-Directed by Javier Calvo and Javier Ambrossi, and stars Penelope Cruz and Glenn Close. World Premiere.

* 'Coward' - from Belgium and France, and this WWI drama film is Co-Written and Directed by Lukas Dhont. World Premiere.

* 'The Dreamed Adventure' - from Germany, France, Bulgaria and Austria, this drama film is Written and Directed by Valeska Grisebach. World Premiere.

* 'Fatherland' - from Poland, UK, France, Italy and Germany, this biographical film is Co-Written and Directed by Paweł Pawlikowski, and stars Hanns Zischler and Sandra Huller. World Premiere.

* 'Fjord' - from Romania, Norway, Denmark, Finland, France and Sweden, this drama film is Written, Co-Produced and Directed by Cristian Mungiu and stars Sebastian Stan and Renate Reinsve. World Premiere.

* 'Gentle Monster' - from Austria, France, Belgium and Germany, this drama film is Written and Directed by Marie Kreutzer, and stars Lea Seydoux and Catherine Deneuve. World Premiere.

* 'Hope' - from South Korea and this Sci-Fi thriller film is Written, Co-Produced and Directed by Na Hong-jin and stars Alicia Vikander and Michael Fassbender. World Premiere.

* 'A Man of His Time' - from Belgium and France, and this WWII drama film is Written and Directed by Emmanuel Marre. World Premiere.

* 'The Man I Love' - from the USA and France and this musical fantasy film is Co-Written and Directed by Ira Sachs, and stars Remi Malek, Tom Sturridge, Luther Ford, Rebecca Hall and Ebon Moss-Bachrach. World Premiere.

* 'Minotaur' - from France, Latvia and Germany this political thriller drama film is Co-Written and Directed by Andrey Zvyagintsev. World Premiere.

* 'Moulin' - from France and Hungary, this historical drama WWII biographical film is Directed by Laszlo Nemes and stars Gilles Lellouche and Lars Eidinger. World Premiere.

* 'Nagi Notes' - from Japan, Singapore, Thailand and France, this drama film is Written and Directed by Koji Fukada. World Premiere.

* 'Paper Tiger' - from the USA, Brazil and Italy, this crime drama film is Written and Directed by James Gray and stars Adam Driver, Scarlett Johansson and Miles Teller. World Premiere.

* 'Parallel Tales' - from France, USA, Italy and Belgium, this drama film is Co-Written, Co-Produced and Directed by Asghar Farhadi, and stars Isabelle Huppert, Virginie Efira, Vincent Cassel, Pierre Niney, Adam Bessa and Catherine Deneuve. World Premiere.

* 'Sheep in the Box' - from Japan, this Sci-Fi drama film is Written, Directed and Edited by Hirokazu Kore-eda. World Premiere.

* 'The Unknown' - from France, Belgium and Italy this psychological fantasy film is Co-Written and Directed by Arthur Harari, and stars Lea Seydoux and Niels Schneider. World Premiere.

* 'A Woman's Life' - from France and Belgium, this comedy drama film is Co-Written and Directed by Charline Bourgeois-Tacquet, and stars Lea Drucker and Melanie Thierry. World Premiere.

For the descriptors of the aforementioned films in Official Competition, plus the full details of the other competitive strands, and the low-down on all the films being showcased at this years Cannes Film Festival, plus a whole lot of other good stuff, you can visit the official website at : http://www.festival-cannes.com

Focusing the attention then back on this weeks six hot new release movies coming to a big screen Odeon near you, we launch with an action thriller about a secret elite team of agents who are tasked with reclaiming a vast fortune stolen by a ruthless tyrant. Then we turn to psychological drama thriller in which long-buried wounds rise to the surface when an iconic pop star reunites with her estranged best friend and former costume designer. This is followed by a French mystery thriller where a Parisian psychiatrist investigates a patient's suspected murder despite official suicide rulings. Next up is a supernatural horror offering about a man who uses a magical 'One Wish Willow' to make his crush love him, resulting in a dangerous, violent, and obsessive relationship. Following on is an Australian drama film about a woman reclaiming her independence while escaping a coercive relationship; before closing out the week with a New Zealand drama film about the aftermath of an explosion that rocked the Pike River Coal Mine and took twenty-nine lives, two women step up to fight for accountability.

Whatever your taste in big screen film entertainment is this week - be it any of the six latest release new films as Previewed below, or those doing the rounds currently on general release or as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the week ahead.

'IN THE GREY' (Rated MA15+) - is an American action thriller film Written, Co-Produced and Directed by Guy Ritchie, best known for his feature films including 'Lock, Stock and Two Smoking Barrels' his 1998 Directorial debut, then 'Snatch' in 2000, 'Sherlock Holmes' in 2009 and 'Sherlock Holmes : A Game of Shadows' in 2011, 'The Man from U.N.C.L.E.' in 2015, 'The Gentlemen' in 2019, 'Operation Fortune : Ruse de Guerre' in 2023, 'The Ministry of Ungentlemanly Warfare' in 2024 and 'Fountain of Youth' in 2025. This film is released in the USA this week also.

The film follows a covert team of elite operatives - Sid (Henry Cavill), Bronco (Jake Gyllenhaal) and Rachel Wild (Eiza Gonzalez) who live in the global shadows, as comfortable wielding power and influence as they are automatic weapons and high explosives. When a ruthless despot steals a billion-dollar fortune, the team is sent to steal it back on what would be for anyone else a suicide mission. What begins as an impossible heist gets much worse, spiralling into an all-out war of strategy, deception and survival. Also starring Fisher Stevens, Rosamund Pike, Jason Wong, Emmett J. Scanlan and Kristofer Hivju.

'MOTHER MARY' (Rated MA15+) - this US and German Co-Produced psychological drama thriller film is Written, Co-Produced, Directed and Edited by David Lowery who made his feature film Co-Directing debut with 'Deadroom' in 2005, and then his debut in his own right with 'St. Nick' in 2009. He would follow these up with the likes of 'A'int Them Bodies Saints' in 2013, 'Pete's Dragon' in 2016, 'A Ghost Story' in 2017, 'The Old Man & the Gun' in 2018, 'The Green Knight' in 2021 and 'Peter Pan & Wendy' in 2023. Here then, long-buried wounds rise to the surface when iconic pop sensation Mother Mary (Anne Hathaway) reunites with her estranged best friend and former costume designer Sam Anselm (Michaela Coel) forces her to confront her past on the eve of her comeback performance. Also starring FKA Twigs, Sian Clifford, Jessica Brown Findlay and Hunter Schafer. The film saw its wide US release in mid-April, has so far grossed just US$3M from a production budget of US$20M and has garnered mixed or average critical reviews.

'A PRIVATE LIFE' (Rated M) - is a French mystery thriller film Co-Written and Directed by Rebecca Zlotowski who made her Feature film Directorial debut with 2010's 'Dear Prudence' and would follow this up with the likes of 'Grand Central' in 2013, 'An Easy Girl' in 2019 and 'Other People's Children' in 2022. When renowned Jewish-American psychiatrist Lilian Steiner (Jodie Foster) working from her home in Paris, France learns of the death of one of her patients she is deeply troubled. Convinced that it was murder, and not a suicide as suspected by the Police, she decides to investigate . . . . . Also starring Daniel Auteuil, Virginie Efira, Mathieu Amalric, Vincent Lacoste, and Luana Bajrami. The film had its World Premiere screening at last years Cannes Film Festival in mid-May 2025, was released in its native France towards the end of November last year, in the US in mid-January and only now is it released here in Australia having so far grossed US$8M from a US$5M production budget. It has received generally favourable critical reviews.

'OBSESSION' (Rated MA15+) - this American supernatural horror film is Written, Directed and Edited by Curry Barker who made his feature film debut with 'Milk & Serial' in 2024, and who has 'Anything But Ghosts' which is currently in post-production for an as yet undisclosed release date. Here, after breaking the mysterious 'One Wish Willow' to win his crush's heart, Bear (Michael Johnston) a music store employee and hopeless romantic finds himself getting exactly what he asked for when he wishes for Nikki (Inde Navarrette), his co-worker and childhood friend to love him more than anyone else in the world. However, Bear soon discovers that some desires come at a dark, sinister price, proving ultimately to be careful what you wish for! The film saw its Premiere showcasing at TIFF in early September last year, is released Stateside and here in Australia this week, has garnered generally favourable critical acclaim and cost just US$1M to produce. 

'LIFE COULD BE A DREAM' (Rated M) - is an Australian drama film that is Co-Produced and Directed by Jasmin Tarasin in her feature film Directing debut. Here, Sarah, 40 (Maeve Dermody), and her teenage son Otis (Sonny McGee) flee from an abusive marriage confronting coercive control, financial abuse, and dangerous illusions of romance. As they make their escape toward freedom, confronting threats and Sarah's beliefs about rescue, while seeking refuge in a mansion she's been tasked with selling, she envisions a new future where she learns to let go and begin again. Also starring Alexander England as Sarah's controlling husband Jake. 

'PIKE RIVER' (Rated MA15+) - this New Zealand drama film is Co-Produced and Directed by Robert Sarkies who prior feature film credits take in 'Scarfies' in 1999, 'Out of the Blue' in 2006 and 'Two Little Boys' in 2012. This film is based on the Pike River Mine disaster of 2010 (a coal mining accident that began on 19th November 2010 in the West Coast region of New Zealand's South Island following a methane explosion that resulted in the deaths of twenty-nine miners). The story follows the subsequent, years-long battle for justice led by Anna Osborne (Melanie Lynskey) and Sonya Rockhouse (Robyn Malcolm), two friends whose respective husband and son, along with twenty-seven other workers, were killed during an underground explosion. Also starring Lucy Lawless and Erroll Shand. The film Premiered at the Sydney Film Festival in early June 2025, before its New Zealand release later last year, has received generally positive critical reviews and has so far grossed US$872K at the Box Office. 

With six new release movie offerings this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. In the meantime, I'll see you sometime somewhere at your local Odeon in the coming week.

-Steve, at Odeon Online-

THE DEVIL WEARS PRADA 2 : Tuesday 5th May 2026

I saw the M Rated 'THE DEVIL WEARS PRADA 2' earlier this week, and this eagerly awaited and much hyped American comedy drama film is Directed by David Frankel, who made his feature film debut with 'Miami Rhapsody' in 1995, and would follow this up with the likes of 'The Devil Wears Prada' in 2006, 'Marley & Me' in 2008, 'Hope Springs' in 2012, 'Collateral Beauty' in 2016, and 'Jerry & Marge Go Large' in 2022. This film is a direct sequel to the 2006 film 'The Devil Wears Prada' and saw its World Premiere screening in New York City on 20th April, and was released in all major territories from last week. The film has generated largely positive critical acclaim and has so far grossed US$254M from a production budget of US$100M. The 2006 film grossed worldwide US$327M from a production budget of US$40M. 

The film opens up on a beautiful sunny day in New York City, and its now been twenty years since Andrea 'Andy' Sachs (Anne Hathaway)  left her position as Second Assistant to Miranda Priestly (Meryl Streep) at Runway magazine. In the intervening years she has become a respected journalist and reporter for New York newspaper 'Vanguard'. We join Andy as she and her colleagues sit around a table at a New York awards gala luncheon, just as Andy is called out as the recipient of a prestigious journalism award. Before she can stand up and walk to the lectern to collect her award and say a few words all of the mobile phones at her table receive the same text message - they have all been fired with immediate effect, and Vanguard has gone into receivership. 

Meanwhile, Miranda, Andy's former boss, is seemingly under attack from all sides for her failure to short circuit an on-line news piece about a fashion brand heavily promoted by Runway that uses Asian sweatshop labour. The news breaks just as Miranda arrives at a high-end fashion event and is greeted by her right-hand man Nigel (Stanley Tucci), and they both put on a brave face and carry on regardless. In an attempt to make the magazine respectable again Irv Ravitz (Tibor Feldman), the owner of Runway's parent company Elias-Clarke and Miranda's boss, calls Andy out of the blue and offers her a job as Features Editor at Runway without Miranda's knowledge or approval, much to her chagrin.

In a meeting with her team, a listless Miranda has trouble navigating modern fashion media. Although some of her autocratic office behaviours remain, complaints to Human Resources have blunted her almost trademark pretentiousness. Nigel explains to Andy over lunch in the office cafeteria that nobody reads Runway's print edition anymore and the brand has been forced to embrace online clickbait and cheaply-made short-form content that most people read while sat on the toilet, to maintain profit and relationships with advertisers. One key advertiser is Dior, which employs Andy's former co-worker and Miranda's First Assistant Emily Charlton (Emily Blunt). Emily leverages the controversy over the Runway scandal piece to secure her own advertising terms, key Editorial content and a one on one interview, which Miranda handballs straight to Andy. During the interview, Emily and Andy argue about how modern fashion raises prices and shuts out middle-class consumers, with Emily saying that super high-end luxury fashion is the only fashion that makes money these days.

After penning serious articles that receive praise for the writing and content, yet gain minimal traction, and after getting shut down by Miranda in a team meeting, Andy rescues her flagging reputation at Runway by brokering a coveted interview with Sasha Barnes (Lucy Liu), the reclusive divorcee of Silicon Valley billionaire Benji Barnes (Justin Theroux). Irv promises to make Miranda Elias-Clarke's global head of content, but before he can make the promotion official, he dies from a heart attack during his lavish 75th birthday party. His son, Jay (B.J. Novak), lacks Irv's sentimental attachment to both any sense of fashion or Runway. Jay puts Miranda's promotion on hold while engaging management consultants to recommend cost cuts and business efficiencies. Much to Andy's surprise, Miranda seems to go with the flow. Meanwhile, Andy's relationship with her new boyfriend Peter (Patrick Brammall) sours when she unintentionally insults his job as an apartment renovator while sat in an apartment she purchased from the same renovator, while also fretting she may lose her own position, as part of the major shake-up at Runway. Considering her options, Andy explores writing a tell-all book about Miranda with a publisher, who offers her a lucrative US$350K advance, but Andy is torn by this prospect, and ultimately declines the offer.

And so Miranda, Nigel, Andy and Miranda's current First Assistant Amari Mari (Simone Ashley) jet off to Milan Fashion Week, where Nigel throws what may be his last big Runway gala, starring Lady Gaga (Lady Gaga). Andy devises a plan to save Runway by convincing a wealthy patron to buy it outright from Jay. That patron is Benji Barnes, Sasha's ex-husband and Emily’s current boyfriend. When Andy and Emily reveal the plan, Miranda is furious, because she knows Emily is going to take over Runway and fire her, which Emily openly admits. Miranda admits that she pushed Emily out of fashion journalism because Emily lacks creative vision, and is just a 'vendor'. Miranda tries to take the loss with grace, but while having a private conversation with Benji, she is alarmed by his vision of an AI-driven world.

To prevent Benji and Emily from ultimately destroying Runway, Miranda instructs Andy to find a competing buyer. Andy convinces Sasha to buy not just Runway but all of Elias-Clarke, and Jay accepts her offer, pulling out of his deal with Benji while he, Benji and Emily are sat around a table at Benji's private villa on the edge of Lake Como. Needless to say Benji and Emily are left completely gobsmacked by this sudden turn of events having come so close to finalising the deal. Later that evening Miranda realises she has taken Nigel for granted for almost the whole time they have worked side by side. To make amends, she invites him to deliver the gala's keynote speech instead of her, so she and Andy can fly back to the US to finalise the deal in person with Sasha. At first he is very reluctant, but Miranda responds saying that he wrote the speech anyway, so he'll know it, and he nails it.

After the Runway team return to New York, Sasha gives Miranda the promotion Irv had previously promised her. Andy reconciles with Peter, and a defeated Emily who has subsequently been ditched by Benji and lost her job at Dior, and now has a job at Coach. Nigel reveals he was the one who prompted Irv to rehire Andy, as he has always liked her. Miranda admits to Andy that the latter's idealism inspired her to dig in, grit her teeth and fight back. She also reveals that she knew about Andy's proposed tell-all book, but encourages Andy to write it, and include the negative aspects of Miranda's life, saying that she loves her career, but there is a cost, and people should know that. Miranda gives Andy a nicer office and returns to work with a renewed smugness. The film also stars Kenneth Branagh as Miranda's new husband Stuart Simmons.

With 'The Devil Wears Prada 2' here returning Director David Frankel has reassembled the core team from the 2006 movie and added a whole bunch of other A-list talent from the cinema and fashion worlds, and adorned them all in the most stunning haute couture outfits seen possibly in any film since the original graced our screens twenty years ago. Whilst this film doesn't reach the lofty heights that the first instalment did, it is nonetheless a respectable sequel that has some pointed messages about fast fashion, the decline in print media, the reliance we have on social media and emerging AI, career dynamics, and the cut throat world of big business. Streep, Tucci, Hathaway and Blunt are all on top form and its good to see them all back together riffing off each other and delivering some notable one liners along the way. The production values are also top notch, and its easy to see where the US$100M budget went as both New York City and Milan are presented in all their sun drenched glistening city tower blocks and ancient buildings will attest to. All that said, an enjoyable time at the Odeon, but please, lets end on a high note and we don't need 'The Devil Wears Prada 3'. 

'The Devil Wears Prada 2' merits four claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

What's new at Odeon's this week : Thursday 7th May 2026.

This years 52nd Seattle International Film Festival (SIFF) is held from Thursday 7th May up to Sunday 17th May, in the the US city of Seattle in Washington state. Beginning in 1976 with the annual Seattle International Film Festival, then expanding into year-round programming, SIFF envisions a thriving arts ecosystem where film discovery encourages a more empathetic, joyful, and connected world. In its three theatres, SIFF offers year-round screenings, Film Talks and a series of spotlight festivals throughout the year. SIFF also serves the community through educational programmes and SIFFsupports, a partnership programme that hosts and provides technical support to a variety of special screenings and festivals. The festival traditionally attracts nearly 150,000 attendees to celebrate films from more than eighty countries and regions around the world. Many of the features, short films, and documentaries screened will not have a return to US cinemas, making it an amazing event to discover new and underrepresented voices and stories . . . . . so reads the official website.

This years Opening Night film presentation is 'I Love Boosters' from the USA and Written, Co-Produced and Directed by Boots Riley. A fearless crew of inventive young women turns shoplifting into a radical act of defiance. Led by Corvette, they move across Oakland, boosting coveted goods as both survival and protest—challenging a system built on exclusion and excess. When their exploits draw unwanted viral attention and their feud with fashion mogul Christine Smith turns personal, the Boosters plan one final, audacious heist. Starring Keke Palmer, Demi Moore, Naomi Ackie, LaKeith Stanfield, Don Cheadle, Eiza Gonzalez, Taylour Paige and Poppy Liu. The Closing Night movie is 'The Invite' from the USA and Directed by Olivia Wilde. Two couples (Olivia Wilde and Seth Rogen, and Penelope Cruz and Edward Norton) drop into the crucible of a seemingly innocuous dinner with their neighbours, where awkward small talk unearths insecurities, codependencies, failed aspirations, and deep sexual FOMO.

Films in the Official Competition demonstrate some of the finest filmmaking this year from around the world. Spanning a variety of genres, these films advance themes of worldwide resonance, like friendship, coming of age in times of political turmoil, and the challenges inherent to romantic and familial relationships. The Official Competition jury, comprised of filmmakers, journalists, and industry professionals, selects the winning film, which will be announced at the Golden Space Needle Awards on 17th May and awarded a cash prize of US$5K. Those films are as follows :-

* 'Burn' - from Japan and Written and Directed by Makoto Nagahisa. When runaway teen Ju-Ju is embraced by a tribe of misfit youths in Kabukicho, she finds belonging for the first time - until betrayal and despair twist her haven into a prison.

* 'The Friend's House is Here' - from Iran and the USA and Co-Written, Co-Produced and Co-Directed by Hossein Keshavarz and Maryam Ataei, and Edited by Hossein Keshavarz. Pari and Hanna are best friends and active participants in Tehran’s vibrant underground arts scene. But the risk of running afoul of the government is omnipresent, forcing difficult decisions.

* 'Lady' - from the UK and is Co-Written and Directed by Samuel Abrahams. In this absurdly hilarious mockumentary, a young filmmaker agrees to film the behind-the-scenes vanity project of the obnoxiously entitled aristocratic Lady Isabella (Sian Clifford) at her imposing country estate, Ravenhyde Hall, only for something unseen and quite strange to happen. North American Premiere.

* 'Marama' - from New Zealand and Written and Directed by Taratoa Stappard. This anti-colonial psychological horror story confronts the brutal legacy of British oppression and its attempts to fracture culture, while honouring the strength, resilience, and enduring leadership of Maori women.

* 'Silent Friend' - from Germany and Hungary and Written and Directed by Ildiko Enyedi. The film unfolds across three time periods - 2020, 1972 and the early 1900's at a historic German university in Marburg, with loosely connected narratives anchored by the presence of a single ginkgo tree.

* 'Sundays' - from Spain and Written and Directed by Alauda Ruiz de Azua. At 17, Ainara faces a life-changing choice - after high school, she considers becoming a nun. Her decision unsettles her family, especially her aunt Montse, who fears it means losing freedom.

For the details of the other competitive strands being showcased - the Short Films Competition, the New Directors Competition, the New American Cinema Competition, the Ibero-American Competition and the Documentary Competition, plus the other sections being screened, and a whole bunch of other good stuff too, you can visit the official website at : http://www.siff.net

Looking forward to this weeks five new movies coming to your local Odeon, we kick off with the second film in this rebooted franchise based on a popular video game series in which an ageing Hollywood martial artist joins other fighters in the ultimate, no-holds-barred battle to defeat the dark rule of a powerful tyrant who threatens the very existence of the Earthrealm and its defenders. This is followed by a story of a fifteen-year-old boy from a remote Macedonian village who escapes into music amidst parental expectations, societal conservatism, and forbidden love for a promised girl. Next up we turn to a mystery comedy film where a flock of intelligent sheep, who love listening to mystery novels, must solve the murder of their beloved shepherd. Then we have a film captured during this singers sold-out world tour - a concert experience from one of the most celebrated and successful artists of her generation, presented in immersive 3D. And closing out the week we have a musical doco charting this bands five decades in the business from their humble beginnings playing the pubs and clubs in East London to their headlining gigs in some of the worlds biggest stadiums and arenas. 

Whatever your taste in big screen film entertainment is this week - be it any of the five latest release new films as Previewed below, or those doing the rounds currently on general release or as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the week ahead.

'MORTAL KOMBAT II' (Rated MA15+) - is an American martial arts fantasy film that is a sequel to 2021's 'Mortal Kombat' and the fourth instalment in the Mortal Kombat film series, both based on the video game series 'Mortal Kombat'. The live action film series launched in 1995 with 'Mortal Kombat' Directed by Paul W. S. Anderson and was followed up in 1997 by 'Mortal Kombat Annihilation' Directed by John. R. Leonetti. Simon McQuoid Directed the rebooted 'Mortal Kombat' in 2021, and he returns to the Directors chair for this offering. The first three films in the series have grossed US$204M off the back of combined production budgets of US$103M. The film is released in the US this week too, and allegedly a third film is already in development.

Following the events of Mortal Kombat, Lord Raiden (Tadanobu Asano) tasks Earthrealm champions to find new warriors to prepare the upcoming tournament against Outworld as they attempt to resist the rule of Shao Kahn (Martyn Ford) whose rise threatens the survival of Earthrealm and its defenders. One such recruit is an ageing Hollywood martial artist, Johnny Cage (Karl Urban). Also starring Adeline Rudolph, Jessica McNamee, Josh Lawson, Ludi Lin, Mehcad Brooks and Damon Herriman. 

'DJ AHMET' (Rated PG) - this North Macedonia, Czech Republic, Serbia and Croatian Co-Produced drama film is Written and Directed by Georgi M. Unkovski in his feature film making debut. The film centres around the life of 15-year-old boy, Ahmet (Arif Jakup), who falls in love for the first time, desires to be a DJ, and contends with the conservatism of his rural village in North Macedonia. It saw its World Premiere screening at the Sundance Film Festival in late January 2025 where it was in the World Cinema Competition ultimately taking home the Audience Award, among its total haul of nine award wins and another ten nominations from around the awards and festivals circuit. The film had garnered positive critical reviews and has so far taken US$1.1M at the Box Office.

'THE SHEEP DETECTIVES' (Rated PG) - is a UK and US Co-Produced mystery comedy film that is Directed by Kyle Balda who Co-Directed 2012's 'The Lorax' and went onto helm 2015's 'Minions' then 2017's 'Despicable Me 3', and 2022's 'Minions : The Rise of Gru'. This film is based on the 2005 novel 'Three Bags Full' by Leonie Swann. Here, George (Hugh Jackman) is a shepherd who reads detective novels to his beloved sheep every night, assuming they can't possibly understand. But when a mysterious incident disrupts life on the farm, and George winds up mysteriously dead, the sheep realise they must become the detectives. As they follow the clues and investigate human suspects, they prove that even sheep can be brilliant crime-solvers. Also starring Molly Gordon, Hong Chau, Emma Thompson, with a voice cast that includes Julia Louis-Dreyfus, Bryan Cranston, Chris O'Dowd, Regina Hall, Patrick Stewart, Bella Ramsey, Brett Goldstein and Rhys Darby. The film is released this week too in the USA and has generated positive critical acclaim.

'BILLIE EILISH - HIT ME HARD AND SOFT' (Rated PG) - this American 3D concert film is Produced, Directed and stars acclaimed Director James Cameron and acclaimed singer and songwriter Billie Eilish. The film stars Eilish and features performances from her seventh headlining 2025 concert tour at the Co-Op Live venue and filmed over four nights during her 'Hit Me Hard and Soft: The Tour', in Manchester, England. It is Eilish's second concert film after 'Happier Than Ever: A Love Letter to Los Angeles' which was Directed by Robert Rodriguez. The production utilised virtual reality 3D technology, via a partnership with Meta Platforms and Cameron's Lightstorm Vision, for a release on Meta Quest headsets. The film is released Stateside too this week. 

'IRON MAIDEN : BURNING AMBITION' (Rated M) - is a US and UK Co-Produced biographical musical documentary film that is Directed by Malcolm Venville whose previous feature film credits are '44 Inch Chest' in 2009, 'Henry's Crime' in 2010, and the sports documentary film 'And We Go Green' in 2019. The film chronicles the band’s five-decade journey from East London pubs to sell-out global stadiums. Featuring exclusive interviews with band members and contributors such as Javier Bardem, Lars Ulrich and Chuck D, fan stories and archival footage, as well as all-new animated sequences of the band's legendary mascot, Eddie, the film offers a rare and intimate look at Iron Maiden's uncompromising vision and unwavering connection with their truly global army of fans. The film is released worldwide this week. 

With five new release movie offerings this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. In the meantime, I'll see you sometime somewhere at your local Odeon in the coming week.

-Steve, at Odeon Online-

BEAST : Tuesday 28th April 2026.

I saw the MA15+ Rated 'BEAST' earlier this week, and this sports action drama film is Co-Produced and Directed by Tyler Atkins in only his second feature film making effort following 'Bosch & Rockit' (aka 'Ocean Boy'). The film was released Stateside earlier in April, has so far grossed US$1.3M and has garnered generally favourable critical reviews. 

The film opens up in the changing rooms of a One Championship MMA (Mixed Martial Arts) Arena where trainer Sammy (Russell Crowe, who gets a Co-Writing credit on this film too) is putting his Champion fighter Patton 'The General' James (Daniel MacPherson) through his final paces before a bout. Sammy's mantra which he makes Patton repeat back to him several times is 'Why do we breath, so we can think, and why do we think, so we can win'. We then see the pair exit the change room, and out into a packed arena, with bright lights, the crowd roaring, and Patton greeting his legions of adoring fans with his arms raised. We then fast forward ten years and Patton is working as a commercial fisherman having long turned his back on his MMA career. But working for a small boat with fellow fisherman Neal (George Burgess) and the gruff and unforgiving skipper (Nathan Phillips) who calls Patton a 'Jonah' because he has put a curse on his lowly catch, and eventually fires Patton for speaking out against the small operator and his dodgy boat and sub standard equipment. 

Patton is very happily married to Luciana (Kelly Gale) and they have a young daughter Maddie (Sol Nc Carrico), with Luciana announcing that she is expecting a second child. One day while working out in his makeshift gym in his garage, he has his TV turned on to a MMA bout featuring his younger brother Malon James (Mojean Aria) against reigning World Champion Xavier Grau (Bren Foster). Needless to say Malon is no match for Grau who pummels him quickly and delivers a crushing blow to the head after the bell has rung marking the end of the round. This puts Malon in hospital in a coma, and potentially putting him out of the cage for a least five months, assuming he recovers. While Patton, Luciana and Nadine (Malon's partner [Saphira Moran]) are waiting in hospital Grau's manager Gabriel (Luke Hemsworth) shows up and offers Patton a bout with Grau, and a guaranteed purse of US$100K. Gabriel also tells Patton that Malon is in debt to Barry (Matt Nable), a lone shark and strip joint owner to the tune of AU$50K. Patton declines, but Gabriel thrusts his business card into Maddie's hand, and says for daddy to call him if he changes his mind.

Sometime later, and Patton meets with Gabriel in a bar overlooking Sydney harbour. Patton says he'll agree to the fight for US$150K, with 50% upfront and six months in which to get fighting fit. Gabriel reluctantly agrees but says the fight is fixed for seven weeks time, and pulls out a contract for him to sign on the spot. Patton, goes to Sammy's MMA Fight gym in an attempt to rekindle his past relationship with Sammy, but Sammy tells him in no uncertain terms to fuck off. 

Sammy's daughter Rose (Amy Shark) a former MMA fighter herself but now retired due to a career ending knee injury, is now a trainer. Patton explains to Rose that he's agreed to the fight for cash, and she agrees to train him, much to Sammy's chagrin. Rose begins putting Patton through a rigorous training regime, but it is clear that he has a long way to go to stand any hope of defeating Grau. 

Meanwhile, in Bangkok, Grau and Gabriel are sat in front of a panel of One Championship officials who ban Grau from fighting for six months and strip him of his World Championship title for that final blow to Malon's head after the end of round bell had rung. We also learn that Patton KO'd Grau in six seconds in an earlier bout ten years ago - a record that still stands to this day, and which was Grau's only defeat. 

And so with Grau unable to fight Patton, the latter pockets the US$150K and pays off Malon's debts to Barry in full with interest. Malon meanwhile has recovered albeit has been ordered not to fight for a least five months to allow his head and brain injuries to heal. Malon visits Patton at Sammy gym, and the pair almost come to blows as the estranged brothers argue over their absence from each others lives for the past five or so years. 

A short time later Patton and Malon meet unexpectedly while out training. Patton invites Malon to Maddie's upcoming birthday party, saying how much she would love to have him there. Malon agrees to attend. The birthday party arrives the following Monday afternoon and Malon rocks up and hands Maddie a gift wrapped box, and then makes his quick apologies and promptly leaves, saying he needs to be somewhere and not to worry. Patton chases after him, but Malon speeds off in his truck, wheels spinning. Later, Maddie opens the gift box from Malon, revealing several wads of cash all bundled up in AU$10K packages. This prompts Patton and Neal to track down Malon to a warehouse later that night and an unofficial and unsanctioned bout between Malon and Grau, which sold to a select audience for AU$10K a ticket. The bout is fought on an open floor with onlookers gathered around. Once again it is clear that Malon is outmatched by his far superior opponent, who pummels, punches and kicks the still recovering fighter. Patton and Neal arrive at the unfolding scene just as Malon is delivered a high kick to the head which sends him careening backwards where his head comes into contact with a large iron box. He stumbles backwards with a large gash to his head, coughing up blood and collapses on the floor, dead. Patton rushes forward and cradles his dead brother in his arms. 

After Malon's funeral, Patton climbs inside a bottle drinking heavily, not sleeping too well, having given up hope of ever returning to the ring, and growing increasingly distant from Luciana. Until the day comes when Luciana recognises Patton's internal turmoil, and tells him that she can no longer stand seeing him like this. Go off and do what you need to do, she tells him, and come back to me when your done. This is the news that Patton needed to hear. Patton goes back to Sammy and they share a conversation about why they drifted apart. Patton was involved in a bar brawl that got him landed in prison for just over two years. Every other day while inside he said, he had to fight against some new inmate who wanted to push their weight around. He got sick of fighting and when released he turned his back on it. Sammy said that he waited at the gym, hanging by the phone for Patton to call upon his release saying to pick up from where they left off, but that call never came, and Patton made no attempt to reconnect. Sammy also said that his daughter Rose wasn't allowed in his gym until she turned thirteen and he always knew that MMA fighting was in her blood, and now she is one the best trainers he knows. He gives his blessing to Patton to utilise Rose's training techniques to beat Grau. 

And so a rigorous training montage follows with Patton being coached by Rose and with Neal as his sparring partner, the bout with Grau is finally fixed for the One Championship Arena in Bangkok, Thailand. There is no guaranteed payout, there is no backing out, its a winner takes all bout for the One Champions World title and a US$3M payday. The night of the bout arrives and both contenders are in top fighting form. For Grau this grudge match is so that he can redeem himself in front of his fans for his humiliating defeat against Patton all those years ago and finally get his revenge. For Patton its all about proving to himself that he still has what it takes and to be able to provide for his family without counting every dollar, and perhaps to a certain extent to avenge the death of his brother at the hands of his opponent.

With Rose and Neal in Patton's corner, the first round goes to Grau, who punches and kicks with a ferocity that Patton seems almost defenceless against. The second round is more evenly matched, with Patton landing many kicks, punches, head locks and leg locks to Grau's surprise. The third round gets messy with Grau gouging at Patton's eye with his thumb, which is seen on TV the world over. The Referee gives Patton one minute to recover, but he can barely see out of his injured eye. As a result, Patton suffers many punches to the head, chest and stomach until Grau flinches clutching his hand which appears to be broken. This gives Patton the opportunity to breath, think and ultimately win with a series of crushing blows to Grau as he recoils against the cage fencing, and is KO'd after four minutes and seventeen seconds of Round 3. Back home in Sydney, Luciana, Sammy and Barry are cheering from the top of their voices as Patton is hailed Champion. 

With 'Beast' Director Tyler Atkins is hardly reinventing the MMA/Boxing drama film genre, but he does nonetheless deliver us a respectable offering that ticks all the boxes you have come to expect from a movie of this ilk. The fight scenes are very well choreographed and put you right in the centre of the action as every punch and kick lands, and every choke hold and leg lock is administered. Sure the film follows a tried and tested formula that is nearly as old as cinema itself, but it does possess enough emotional heft to rise above the also rans sports drama films that seem to come along all too frequently. The two big name leads in MacPherson and Crowe do what they do best, but the remaining supporting cast are largely generic and one dimensional, save perhaps for Amy Shark in her first big screen role. There are also a number of plot holes and examples of poetic license for the sake of dramatic effect that let the movie down to a degree, but if seeing two pugilists go head to head and toe to toe in the octagon floats your boat, then this film is for you. 

'Beast' merits three claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-