IN THE GREY : Tuesday 19th May 2026

I saw the MA15+ Rated 'IN THE GREY' earlier this week, and this American action thriller film is Written, Co-Produced and Directed by Guy Ritchie, best known for his feature films including 'Lock, Stock and Two Smoking Barrels' his 1998 Directorial debut, then 'Snatch' in 2000, 'Sherlock Holmes' in 2009 and 'Sherlock Holmes : A Game of Shadows' in 2011, 'The Man from U.N.C.L.E.' in 2015, 'The Gentlemen' in 2019, 'Operation Fortune : Ruse de Guerre' in 2023, 'The Ministry of Ungentlemanly Warfare' in 2024 and 'Fountain of Youth' in 2025. This film was released in the USA and Australia last week, has so far grossed US$5M, and has generated mixed or average critical reviews. 

The film opens up with a SUV driving down a road hugging the side of a mountain, before it pulls off. Inside the car is Braxton (Darrell D'Silva), his henchman and Axel Olsson (Kristofer Hivju). Braxton takes a call and asks the two to leave the vehicle and step out side momentarily. Braxton says to the caller that he has the signed paperwork, and that Salazar agreed to pay the US$1B debt that he owes. Axel then shoots dead the henchman, and Braxton who by now now has exited the SUV in a panic. He too is shot dead, and Axel leans over his corpse, retrieves the letter, and calls Salazar, who tells him to destroy it. In the meantime, Rachel Wilde (Eiza Gonzalez) a street smart, tough as nails specialist lawyer, whose particularly adept at recovering large sums of money from those who aren't supposed to have it, visits New York banking Executive Bobby Sheen (Rosamund Pike), whose employer is wanting to recover the US$1B it loaned to criminal dictator Manny Salazar (Carlos Bardem), who has successfully evaded capture over recent years by adopting numerous aliases. Rachel says she can do the job, but wants a commission for her troubles of 20%, but Bobby negotiates her quickly down to 15%, with US$10M upfront payment in addition bargains Rachel, which Bobby accepts. 

Rachel has at her disposal a crack team of other lawyers, plus various other experts in surveillance, computer hacking, cyber security etc. plus a pair of assets in Bronco (Jake Gyllenhaal) and Sid (Henry Cavill) who in turn have a team of mercenaries for hire at their disposal. They are armed to the teeth with the latest gadgets, vehicles, weapons, covert surveillance gear and the wherewithal to take out a small country - which is exactly what they need to do, as Salazar owns and rules over a small island off the coast of Portugal, which they need to infiltrate. 

And so Bronco travels to Salazar's island with his team, while Sid travels to Jeddah and is met by his contact there with the aim of shutting down Salazar's construction of a major hotel development. And so Sid bribes the building engineer to the tune of US$25K, and in the process laying off some 400 Saudi construction workers and costing Salazar millions each week in lost productivity. Next up Rachel targets Salazar's private jet and then his ocean going super yacht which she has forfeited, and then a giant oil rig waiting dockside to be imminently commissioned. Meanwhile, Salazar's own lawyer William Horowitz (Fisher Stevens) is beside himself at Rachel's doggedness at pursuing Salazar and has to front up to his boss every time there is another development to explain away her actions. Needless to say Salazar is becoming increasingly frustrated and anxious, and unusually demands a face to face meeting with Rachel. 

And so Rachel flies onto the island and is flanked by Sid and Bronco who join her at her cosy little meeting at Salazar's private villa. Salazar says that he is prepared to pay US$400M of the debt and not a penny more, and if she doesn't agree she can fuck off. The meeting ends there with Rachel walking away. The plan was then to extract Rachel off the island by using one of three planned escape routes which Bronco and Sid had meticulously planned and rehearsed multiple times over the previous several weeks, and covering off on all possible scenarios. 

As a consequence Rachel digs in hard and goes after Salazar's business interests by having court injunctions taken out on all of his known company's, thereby having them effectively closed down with the front doors chained, padlocked and guarded. This naturally causes Salazar more financial pain and anguish, so he calls another face to face meeting with Rachel, at which he offers her US$800M to pay off his debt. Rachel won't budge however, and replies that she knows every last detail of every shell company he has dotted all around the world, and will happily expose his nefarious deeds to the very long arm of the law. Salazar relents and agrees to pay back the US$1B on the condition that all of his assets are returned to him and that his various business interests are freed up. Rachel agrees.

Upon leaving, Salazar orders Axel to hunt them down and kill them. And so begins an all guns blazing chase as Sid and Bronco and their four mercenary colleagues attempt to extract Rachel off the island, against Salazar's team of Police and his own militia of about fifty men try to thwart their enemy. Needless to say it doesn't end well for Salazar's small army that may have the numbers of boots on the ground, but they don't have Sid and Bronco's latest technical wizardry, military grade weapons, specialist vehicles or pre-set booby traps which are all used to great effect, including taking down Alex with a bazooka as he fires on our two likely lads and Rachel from a helicopter. 

As Rachel is taken off the island by boat, Sid and Bronco remain behind to attend to some last minute business, saying that they'll catch them up. And so the pair return to Salazar's villa posing as maintenance men. Salazar appears and orders them to leave, but Bronco steps up behind him and injects him with a serum that knocks him old cold. Wrapping him up in cling film leaving only his mouth and nose exposed, they load him into a shipping container and send him off to Miami, Florida. There, the FBI converge on the container to find a battered and bruised Salazar sat on the floor sucking on a cigar. The FBI Officer calls out Salazar's name to which he responds, my name is Smith. 

In the opening voiceover Rachel comments that she and her team exist somewhere between what is legal and illegal, between what is moral and immoral, and between what is black and what is white - in the grey! And so it is with scribe and film maker Guy Ritchie who has crafted a film which is full of exposition like he's spoon feeding the audience with his on-screen graphics of what's about to play out. The action sequences are all reasonably well staged but offer up nothing we haven't seen a hundred times before; the banter and the quips between Sid and Bronco come thick and fast with some landing and others falling by the wayside; and the cast are all beautifully coiffed and kitted out in designer wear that wouldn't look out of place in 'The Devil Wears Prada 2'. As for the plot, well you can leave your brain in neutral and go along for the ride, which exists 'in the grey' - it's neither that good, nor that bad either, and at a brisk 98 minute run time doesn't outstay its welcome.

'In the Grey' merits three claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

THE BRIDE ! : Tuesday 10th March 2026

I saw the MA15+ Rated 'THE BRIDE!' at my local independent movie theatre earlier this week, and this American Gothic romance film is Written for the screen, Co-Produced and Directed by Maggie Gyllenhaal in only her second Directorial outing following 2021's 'The Lost Daughter', although she has acted in numerous film, television and theatre roles over the years, and has been recognised in many award wins and nominations too. The film draws inspiration from the 1935 film 'Bride of Frankenstein', which was based on Mary Shelley's 1818 novel 'Frankenstein'. The film had its World Premiere in London on 26th February and was released Stateside and here in Australia last week, having so far grossed US$15M at the Box Office from an US$85M production budget, and generating mixed or average critical reviews. 

The film opens with a black & white close-up of Mary Shelley (Jessie Buckley) speaking from the hereafter, saying she has a story she wanted to tell after publishing her book Frankenstein in 1818, but could not due to her death in 1851. To tell it, she possesses Ida (Jessie Buckley), a woman living in 1936 Chicago, who we are first introduced to in a very busy bar and restaurant, and who in her possessed state proceeds to shout out across the room to all the stunned diners the criminal activities of crime boss Lupino (Zlatko Buric) who is sat at the bar observing her closely. Lupino's henchmen Clyde (John Magaro) and James (Matthew Maher) discreetly kill her afterward, by pushing her down a flight of steps where she tumbles end over end breaking her neck and a leg in the process, and falling in a crumpled heap at the bottom. 

Meanwhile, elsewhere in Chicago, Frankenstein's monster, aka 'Frank' (Christian Bale), arrives at the house of scientist Dr. Cornelia Euphronius (Annette Bening). Having read about Euphronius' work on reanimation, he persuades her to create a companion for him after a century of abject loneliness. Euphronius and Frank dig up Ida's recently buried corpse from an unmarked cemetery grave, and successfully revive her, but she loses her memory in the process. Frank takes advantage of this and states that she is his Bride and lost her memory in an accident, which she accepts. She then coughs up an inky black substance that was part of the formula to reanimate her, which in turn permanently dyes her tongue, her cheek, her fingers and leaves long trail marks running down her arm and her breast.

Euphronius demands that the pair remain within the confines of her house, but Frank and the Bride have different plans. They go to the cinema to see a movie featuring Frank's favourite Actor Ronnie Reed (Jake Gyllenhaal) and then go dance in a club. The Bride dances provocatively with other clubbers while Frank sits at the bar and watches on. As they leave, two men harass the Bride and Frank. Frank attempts to diffuse the situation by ignoring their actions, but it all becomes too much for him to bear and he retaliates by repeatedly smashing ones head against a wall, and then stomping on the others head on the gutter, until his head is mush. He tells the Bride to leave him, but she says that she has no where to go and decides to live life as a runaway with him. 

They stow away in a train headed to New York City, killing a security officer who finds them as the train passes through Indiana. Meanwhile, Detective Jake Wiles (Peter Sarsgaard) and his assistant Myrna Malloy (Penelope Cruz) investigate the murders and eventually follow them to New York.

Frank and the Bride cause chaos at a screening of 'Revolt of the Zombies' and then seek refuge from the Police and an angry mob giving chase to the fleeing pair, at a high-class party. Frank notices Ronnie Reed as one of the guests and interrupts his conversation by expressing his adoration for the Actor, and his gratitude for giving him some modicum of purpose in his life, but is alas dismissed by Reed. Detective Wiles and the Police arrive at the party, but fall back when the Bride briefly holds Reed at gunpoint. Wiles recognises her real identity as Ida. The Bride shoots dead an advancing Police officer wielding a gun. The pair then hot-wire a car, and manage to flee the city.

The Bride and Frank's crime exploits generate much publicity, and Lupino recognises her in a newspaper article. While sat in a restaurant chomping down on freshly cooked lobster Lupino shoots James at point blank range in the head for failing to silence her, and sends of Clyde to kill her again, swearing vengeance on his family if he fails to do so. Meanwhile, Malloy makes a connection between reports of murders and sightings of the pair in cities where Reed's films were set. This prompts Malloy and Wiles to travel to Niagara Falls where they locate the pair just as Frank asks the Bride to marry him. Wiles confronts the Bride and tells her of her true identity as Ida. She shoots him in the lower leg in response. As Frank and the Bride flee, Frank admits that he wasn't entirely honest with her in the beginning and conveys that he actually did not know who she was before she died. She forgives him.

Wiles explains to Malloy that he and Ida were planning to take down Lupino and expresses guilt that his inaction led to her death. He decides to retire and promotes Malloy as his replacement. Malloy tracks Frank and the Bride to a drive-in cinema in Illinois. At the same time, Clyde arrives and fatally shoots Frank in the head. The Bride escapes with Frank's body and returns to Euphronius' laboratory, unaware that Malloy is following her. Euphronius declares that she is incapable of reviving Frank. Clyde breaks into the laboratory and shoots the Bride before leaving. The Police arrive en masse and all begin shooting at the Bride in a relentless hail of bullets. Malloy screams for them to stop, as the Bride's lifeless body slumps on top of Frank. She then orders them to search for Clyde seen exiting the building via the fire escape, leaving Euphronius with the Bride and Frank's corpses, saying 'take as long as you need'! Seemingly possessed by Shelley's spirit, Euphronius decides to revive the couple. Outside, the Police arrest Clyde who they have pinned to the ground, for killing the Bride and Frank. Malloy looks up at the building's upper most floor to see flashes of bright lights shine momentarily from the laboratory. Inside, the revived corpses hands are seen to be moving searching for each other, until they clasp together. 

During an end credits sequence, Lupino is seen to be apprehended by Wiles and the female rioters who were inspired by the Bride's rants, threatening to cut out his tongue, just as Lupino had done to all of his previous victims, and stored them in pickling jars on a shelf in his restaurant for all the world to see.

It's easy to see why 'The Bride' has polarised audiences and critics. On the one hand its good to see Maggie Gyllenhaal trying her hand at an age old story and giving it a bold new revisionist refresh that looks stylish, has high production values, is creative in its execution, has manic energy aplenty and is bolstered by exemplary performances from its two lead players in Buckley and Bale. Buckley's role here is about as far removed from that of Agnes Shakespeare in 'Hamnet' (reviewed last week) as you can get, but she steals the show here once again and proves her versatility and range as one of the most diverse Actors working today. But, on the other hand the screenplay is disjointed, with at times clunky dialogue, unfulfilled character arcs, and too many unrealised sub-plots, that ultimately all add up to a film that displays plenty of style, and less of substance. That said, if you're in the mood for a riff on 'Bonnie and Clyde', female empowerment, the feminist movement, and a reinvigorated look at a horror classic with a modern twist, then you could do worse.

'The Bride' merits three claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

THE GUILTY : Wednesday 6th October 2021.

With Greater Sydney still in COVID lockdown now until the 11th October, and as a result all cinema's closed until this date, I've been reviewing recently some the latest feature films released onto Netflix. One such film that I watched from the comfort of my own sofa at home this week is the American crime thriller 'THE GUILTY', Directed and Co-Produced by Antoine Fuqua, whose previous film making credits take in the likes of 'Training Day' in 2001 with Denzel Washington and Ethan Hawke, 'Shooter' in 2007 with Mark Wahlberg, 'Olympus Has Fallen' in 2013 with Gerard Butler and Aaron Eckhart, 'The Equalizer' and 'The Equalizer 2' in 2014 and 2018 respectively both with Denzel Washington, 'Southpaw' in 2015 with Jake Gyllenhaal and 'Infinite' this year too with Mark Wahlberg and Chiwetel Ejiofor. This film is based on the 2018 Danish film of the same name Directed and Co-Written by Gustav Moller who also serves as an Executive Producer here. It saw its World Premier screening at TIFF in mid-September this year, had a limited US theatrical release from 24th September and was then released onto Netflix on 1st October. It has garnered mostly positive Critical Reviews. 

Here then, Joe Baylor (Jake Gyllenhaal) is working the night shift at a 911 call centre, while he awaits to attend court the next day for an incident that occurred eight months ago while he was on duty patrolling the streets of Los Angeles with his partner. He has subsequently been demoted to the call centre pending the outcome of his court case. Out of control wild fires rage across large tracts of California and are steadily encroaching upon LA. We see Baylor fielding several calls, including a business executive, Matthew Fontenot (voiced by Paul Dano), stranded inside his rented BMW 7 series held captive by a pink haired voluptuous Hispanic prostitute; then from a crashed cyclist with a knee injury; then from a woman whose house is on fire; and a guy calling from a nightclub. 

In the meantime he takes an unexpected call on his mobile phone from a reporter from the Los Angeles Times wanting his side of the story in advance of his court appearance tomorrow, which he in no uncertain terms rebuffs. He also attempts to call his recently separated and soon to be ex-wife Jess (voiced by Gillian Zinser) wanting to say goodnight to his young daughter. 

He then answers a call from a young woman named Emily Lighton (voiced by Riley Keogh) who tells him in a high state of anxiety that she has been abducted. Baylor keeps her talking, making out that she is speaking with her young daughter, and learns that she and her abductor are traveling in a white van, but Emily is forced to hang up before she can provide more details. Baylor calls the California Highway Patrol (voiced by Da'Vine Joy Randolph) but they cannot locate the van because of the heavy smoke haze from approaching wild fires and the unknown license plate number. 

Desperate to get more information, Baylor calls Emily's home phone number and Abby answers, Emily's six year old daughter (voiced by Christiana Montoya) who is seemingly home alone with her younger brother Oliver who is sleeping. Abby is distraught telling Baylor that her Mum left them home alone after going off with their Dad, Henry. Abby provides Henry's mobile phone number from which he is able to look up the van licence plate number and get more details on Henry's record of assault and his time in prison. He relays the licence plate details to the CHP, and contacts his former Sergeant Bill Miller (voiced by Ethan Hawke) asking him to send a patrol car around to Emily's house and to check on Abby and Oliver.  He calls Henry (voiced by Peter Sarsgaard), threatens him and demands to know his intentions with Emily, but Henry hangs up on him. Baylor then calls his former partner Rick (voiced by Eli Goree) and asks that he visits Henry's house to gather whatever clues he can as to where Henry may be taking Emily. On that phone call, at 2:00am in the morning, Rick expresses concern to Baylor about the testimony he is to give at tomorrows court hearing.

Baylor takes a call from Abby in a panic when two LAPD officers arrive at the door, and he tells her to let them in. Over the phone, he overhears that the officers notice blood on Abby's hands and nightdress and find Oliver in the bedroom seemingly dead. Joe calls Emily back and tells her to pull the handbrake, which she does, but it fails to crash the van. Henry puts Emily into the back of the van. When Henry stops the van and tries to remove Emily from the back, she hits him with a brick and flees.

In the meantime, Rick has gained entry into Henry's house and finds documents from a psychiatric treatment facility where Emily had been a patient. Joe calls back Henry, who explains he was taking Emily back to the facility and that she had been off her meds for a few weeks because they couldn't afford them and, during a psychotic episode, unintentionally hurt Oliver. Henry says he did not report the incident to the authorities because he wanted to protect Emily and has no faith in the 'system'.

Emily calls Baylor back from somewhere on the freeway, implying that she is preparing to commit suicide by jumping off an overpass because she believed Oliver had 'snakes in his stomach' and that she 'took them out'. Joe directs the CHP to her location while attempting to talk her down. He attempts to distract her and keep her talking by revealing that he killed a 19-year-old boy while on duty because he was angry and wanted to punish him for hurting someone. He pleads with Emily that Abby loves and needs her and that he promised Abby that she would come home. Over the phone, Baylor hears patrol cars and officers arrive, as the line is cut off.

Soon afterwards the CHP calls Baylor to inform him that they got Emily down safely, and Sergeant Denise Wade (Christina Vidal) sticks her head around the door to advise that Oliver is alive and in the Intensive Care Unit. As she leaves she says to Baylor 'broken people help broken people, as a back handed compliment. A short time later, in the mens room, a distraught Baylor vomits before calling Rick and tells him to tell the truth at the hearing. Rick says he can't and if he does it will be years before he sees his daughter again. Sobbing, Baylor tells Rick again what he must do at the hearing. He then calls the LA Times reporter to tell her that he intends to plead guilty at the trial. News reports after the hearing indicate that Baylor is only the fourth Police Officer to be sentenced to prison for manslaughter. 

I never did see the original Danish film from 2018 of which this is a Hollywood remake, and as such I can't draw any comparisons between the two. Suffice to say, this taught, tense and emotional drama which takes place over a single night shift in a sparsely manned Police call centre, maintained my interest throughout, and while Gyllenhaal is in just about every frame for its ninety minute running time, he inhibits the role of fractured Joe Baylor, puts in a very convincing and powerful performance and proves his worth again as one of the finest Actors of his generation. Shot within the confines of two rooms, over the course of just eleven days and in the middle of a pandemic Antoine Fuqua has proven here too his ability to make a lot out of a little particularly when you have an Actor of Gyllenhaal's stature doing the heavy lifting supported by the equally convincing voice of Riley Keogh on the other end of the phone. If you haven't seen the original, then you could do worse than hunt this remake out as it will keep you on the edge of your seat from the get go.

'The Guilty' merits four claps of the Odeon Online clapperboard from a possible five claps. 

-Steve, at Odeon Online-

SPIDER-MAN : FAR FROM HOME - Tuesday 9th July 2019.

I saw 'SPIDER-MAN : FAR FROM HOME' earlier this week, which is classified with an 'M' rating. Here this twenty third film in the Marvel Cinematic Universe is a direct sequel to 2017's 'Spider-Man : Homecoming' and follows on shortly after the events of 'Avengers : Endgame'. Directed once again by Jon Watts this film had a budget of US$160M, compared to 'Homecoming' which had a budget of US$175M and grossed worldwide US$880M, and was released in the US last week too, one day after its Australian release earlier last week on Monday 1st July. Off the back of that US$160M production budget the film has so far grossed US$622M within its first ten days since release making it the sixth highest grossing film of 2019 to date, and has been positively Reviewed.

The film opens up with a black sedan vehicle weaving through the wreckage of the former community of Ixtenco, in Mexico, where the locals are reported to have seen a violent sand storm whip up, with a face. Out of the car step Nick Fury (Samuel L. Jackson) and Maria Hill (Cobie Smulders) just as the sand storm whips up again threatening to flatten what is left of the already destroyed town. Appearing in a flash of green light Quentin Beck (Jake Gyllenhaal) arrives to destroy the seemingly otherworldly entity, which we learn subsequently is the Earth Elemental.

Meanwhile, back in New York City, the Midtown School of Science and Technology restarts its new academic year to welcome back the students who were among those brought back to life in 'the Blip' (aka 'the Snap!') some eight months ago. The school organises a two-week summer science field trip to Europe, where Peter Parker (Tom Holland), still distraught over the death of his friend and mentor Tony Stark, plans to confess his emerging feelings towards classmate MJ (Zendaya) and stay well clear of any acts of heroism. A plan which he talks over with his good friend Ned Leeds (Jacob Batalon) on the eve of their departure. At a fundraiser for the homeless coordinated by his Aunt May (Marisa Tomei) Parker is forewarned by Happy Hogan (Jon Favreau) that Nick Fury will contact him, but Parker chooses to ignore the call when he calls through much to Happy's chagrin. Parker leaves after being overwhelmed by the gathered media by questions about Stark, the Avengers, and whether Spider-Man is now going to step up and lead the Avengers.

Parker and his friends board the flight to Venice. Shortly after arriving, Venice is attacked by the Water Elemental, which proceeds to wreak havoc on the city causing Parker's fellow classmates to flee for their lives. Beck arrives and destroys the creature, while Parker attempts to help. Afterwards Fury meets with Parker and gives him Stark's glasses, which were intended for his successor. The glasses are equipped with the artificial intelligence 'E.D.I.T.H.' (Even Dead I'm Top of the Heap), which can access all of the Stark Industries databases and commands a large orbital weapons cache.

At a subsequent meeting in an underground operations centre, Beck and Parker come face to face for the first time. Beck claims that these 'Elementals' - four extradimensional humanoids who became immortals with power over natural forces and who ruled a kingdom on Earth before the rise of the original Atlantis, which are Earth, Water, Fire and the Wind all killed his family and that he hails from a different reality known as Earth-833, one among many in the Multiverse. Upon hearing this, Parker begins to hypothesise about the existence of this Multiverse, but is quickly dismissed by Fury.

Fury states that Parker's talents are needed in Prague and for him to turn his back on his schoolmates and live up to the responsibilities that have been thrust upon him, and to continue with Tony Stark's legacy. However, Parker flatly rejects Fury's call to action, opting instead to rejoin his classmates. Fury covertly redirects the school's trip itinerary to Prague, where the Fire Elemental is anticipated to strike. Roger Harrington (Martin Starr) one of the school teachers accompanying the kids, organises tickets for the whole class to attend the famed Prague Opera much to everyone's disliking, instead of attending a massive carnival that same night. The Fire Elemental appears at the carnival where MJ and Ned, with his new love interest and fellow classmate Betty Brant (Angourie Rice) have snuck away from a night at the opera, to attend. Beck, who by now has coined the name 'Mysterio' by the world's ever present media, with Parker's help, destroys it, but not before the Fire Elemental was able to trash a few city blocks and the carnival show ground.

As a result of their success in overcoming the Elementals, Fury and Hill invite Parker and Beck to Berlin to discuss the formation of a new Superhero team. Over a drink in a bar somewhere in Prague later that evening, Parker considers Beck more worthy than he of being Stark's successor, a responsibility that he feels less than qualified to take on, and as such commands the E.D.I.T.H. glasses over to Beck as being a more suitable Superhero than he will ever be - after all, Parker is just your friendly neighbourhood Spider-Man and that's where he sees his calling right now.

After leaving the bar and having bequeathed the E.D.I.T.H. glasses to Beck, it is revealed that 'Mysterio' is in fact a former holographic-illusions specialist employed at Stark Industries who was fired by Tony Stark for his unstable manner. Beck now heads up a covert team of some two dozen disgruntled male and female ex-Stark employees all with specialist skills of some sort, and using advanced projector drones to simulate the Elemental attacks so that he can masquerade as a new bona fide Superhero.

After returning to his hotel, Parker plucks up the courage to ask MJ out for a late evening stroll before their rescheduled departure the next day. While Parker is digging deep to verbalise his true feelings for MJ, she interrupts him having deduced (sometime ago) that Parker is Spider-Man. Parker tries to deny this until she reveals a piece of debris she retrieved during the carnival battle which the pair quickly discover is a projector that presents a simulation of the Air Elemental, leading the two to deduce that Beck is a fraud. At this point and knowing that Beck cannot be trusted with the E.D.I.T.H. glasses, Parker comes clean over his alter-ego admitting to MJ that he is in fact Spider-Man. 

When preparing for another illusion master stroke, Beck discovers via street CCTV that MJ has evidence of his nefarious plans by way of the projector. Parker travels to Berlin and meets with Fury, only to realise that the version before him is an illusion created by Beck. Parker has to battle a multitude of lifelike illusions before Nick Fury apparently subdues Beck. Fury forces Parker to reveal anyone who has knowledge of the deception before being revealed as another illusion by which time Parker has already mentioned Ned's and MJ's names.

While battling Beck through various illusions Spider-Man is ultimately hit by a speeding train, and although Parker survives, badly battered and bruised, he falls unconscious in a train car. He comes round locked up in a jail cell in the Netherlands. He breaks out easily enough and contacts Hogan who picks up Parker in a tulip field in a Stark Industries jet. Hogan flies Parker to London and during the journey Parker reveals how he was taken in by Beck and how he feels he betrayed the trust that Tony Stark had in him. Hogan tells Parker not to be so harsh on himself and that Stark was a heavily flawed human being too. On board the private jet, Hogan reveals a suit-manufacturing machine, which Parker uses to synthesise a new customised Spider-Man suit.

In London, Beck uses E.D.I.T.H. to manipulate his grandest and most destructive illusion yet, referring to it as an Avengers Event - a fusion of all four Elementals, using it as a mask to kill MJ and any others to whom she might have revealed his secret. Using a series of heavily fortified drones which he launches in unison from a satellite orbiting in space, he unleashes his illusion on Tower Bridge where MJ, Ned, Betty and the others students are riding on a bus. They narrowly escape but are pursued by a number of killer drones into the Tower of London where they hide out in the heavily guarded room housing the Crown Jewels. Meanwhile, Beck is in full control of the combined destructive force of several hundred killer drones creating his grand illusion all at his command.

Parker is able to break through the illusion, and in a face-off with Beck involving further illusions defeats Beck, who dies from misfired drone gunshot wounds. Parker puts on the reacquired E.D.I.T.H. glasses, and orders for the remaining drones to be immobilised, so saving MJ, Ned, Betty and Hogan from near certain death. With the death of Beck, one of his associates who controls the drones and projector effects from a computer located away at a safe distance, is seen downloading the files to a USB memory stick, closing his laptop and hurriedly exiting stage left.  

Parker returns to New York City and his relationship with MJ blossoms. In a mid-credits scene, reporter J. Jonah Jameson (J.K. Simmons) of The Daily Bugle appears on a giant outdoor television screen in a breaking news bulletin blaming Spider-Man for the Elementals' attacks and broadcasting doctored footage of the incident filmed and recorded by Beck, in which he incriminates Spider-Man for his death and reveals his true secret identity as Peter Parker. 

I enjoyed 'Spider-Man : Far From Home' and this is indeed a fitting end to Phase Three of the MCU with Peter Parker (and the world) still lamenting the loss of his close friend Tony Stark; his torn loyalties between his duties as a Superhero and new recruit to the Avengers ensemble and his fellow classmates; the realisation that with great power comes great responsibility; and ultimately his preparedness to step up to the plate. The film has a country hopping teenage road trip feel about it interlaced with all the touchstones of a Superhero movie including the emotion, the comedy and the larger than life action, all cemented together by a strong cast that sees Tom Holland now well and truly settled into the role and Jake Gyllenhaal relishing playing the good guy on the surface but turned bad, real bad, underneath, with still some surprises in store even after his death, just like Tony Stark. A worthy sequel to 'Homecoming', the first instalment in a post 'Endgame' world and a satisfactory conclusion to Phase Three. Rest assured that Spider-Man will return in a third instalment and some point in Phase Four of the new MCU. Catch it on the big screen while you can.

'Spider-Man : Far From Home' merits four claps of the Odeon Online clapperboard out of a possible five.

-Steve, at Odeon Online-