BRIGHTBURN : Tuesday 28th May 2019.

I saw 'BRIGHTBURN' this week, and here we have something new and seemingly fresh - a superhero horror film as Directed by David Yarovesky, Written by Mark and Brian Gunn (cousin and brother of James Gunn respectively) and Co-Produced by James Gunn. Costing US$7M to bring to the big screen, has so far taken US$19M since its release in the US last week too, and has so far garnered generally mixed or average Reviews.




The film opens up in 2006 and we are introduced to Tori and Kyle Breyer (Elizabeth Banks and David Denman respectively) who after a difficult struggle with fertility, have their dreams of parenthood come unexpectedly true with the arrival of a mysterious baby boy who crash lands on Earth somewhere in the vicinity of Brightburn, small-town Kansas, from another world it appears. Upon finding the infant, in the woods behind their farm, the couple decide to keep their discovery a secret and adopt the child as their own, calling him Brandon.

Fast forward twelve years and now approaching his teenage years Brandon (Jackson A. Dunn) hears strange voices inside his head late one night. Over the next few days Brandon comes to the realisation that he has some very special powers, including a high degree of invulnerability to any pain or injury. This is evidenced when Kyle asks Brandon to mow the grass out in the paddock. Frustrated with getting the motor started on the mower, Brandon yanks so hard on the starter cable that he sends the mower flying skyward about one hundred meters into the distance. It lands in an upturned state with the rotor blades exposed and still running. Brandon saunters up to the mower, and promptly sticks his hand into the rapidly rotating blade, which brings the mower to an abrupt halt with the blade buckled beyond repair, and nary a scratch to young Brandon's hand.

Later that night, Brandon sleepwalks to the barn, and is seen trying frantically to open a chained and bolted trapdoor in the floor which contains the wreckage of the alien spacecraft that brought him to Earth. Tori was awakened by a red glowing light emanating from the barn and went to investigate. She sees Brandon crouched down at the trapdoor and wakes him, at which he is startled and doesn't know what he is doing there.

Over the ensuing days Brandon become more distant from his parents, more disobedient and more disrespectful of them. One morning over breakfast, Brandon is distracted by other thoughts and begins chewing on his fork, mangling it. Kyle witnesses this, and begins to suspect that something is not quite right with his son. That night Brandon visits the bedroom of fellow classmate Caitlyn (Emmie Hunter) and stares at her from behind the curtains until she notices him. She screams out, and when her mother enters the room he is gone. The next evening, when Kyle is securing the barn for the night, he hears a commotion from the adjacent chicken coup. Going to investigate he comes across Brandon glaring menacingly at said chooks. Later that night Kyle is woken by the sound of the chickens giving it all they've got. By the time he reaches the coup, all the chickens have been slaughtered. Tori claims it was the work of a wolf, but Kyle is more convinced it was the work of Brandon.

The next day at school, during a trust fall exercise Brandon is placed in the centre of the ring with his fellow classmates all tasked with catching him as he falls backwards. When Brandon is passed in the direction of Caitlyn she allows him to fall by stepping aside as she did not want to touch him after their previous episode. Brandon bangs his head on the ground but is unhurt. Caitlyn is tasked by the teacher to help Brandon get up. Reluctantly she stretches out a hand, which Brandon grabs and promptly crushes so breaking her hand. In a meeting of the parents in the Principal's Office, Brandon who has risen to the ranks of star pupil at the school, is suspended for two days by the Principal, and orders him to meet with his aunt Merilee McNichol (Meredith Hagner), the school Counsellor, afterwards.

A few nights later Tori finds her son levitating above the open glowing bright red trapdoor containing the hidden spaceship, repeating the words 'take the world' in an alien language that he hears inside his head again. Her interruption results in him falling and cutting his hand against a jagged piece of the spaceship - the first time in his life he has ever been injured or bled. Tori returns Brandon to the farmhouse and tends to his injury and then reveals the truth to him about his arrival on Earth. Despite her explanation and placing a positive spin on those events and his upbringing, Brandon leaves in a rage, claiming that they lied to him all these years.

Brandon visits Caitlyn once again at her house, who tells him that her mother has forbidden her from talking to him. Furious, a masked Brandon murders Caitlyn’s mother in the town’s diner where she works. During the first of the counselling sessions at the school, Merilee becomes concerned about Brandon's lack of remorse about his injuries to Caitlyn, and tells Brandon that she is required to report his progress to the local Police. 

Later that evening Brandon appears at Merilee's home unannounced to intimidate her into not reporting her concerns to the Police. A short time later, her husband Noah (Matt Jones) returns home after shooting some pool and enjoying a few beers at the local bar with Kyle and other friends. Noah finds Brandon hiding in their closet and furiously attempts to return him to his parents. Brandon attacks Noah in the driveway of their home, but escapes in his car. Its not long however, before Brandon catches up with the fleeing vehicle and kill Noah by wrecking his car - levitating it, turning it upside down and dropping it from a significant height with him inside. 

Tori and Kyle learn of Noah's death the next morning and are alarmed when Brandon does not emotionally react to the news of the death of his favourite uncle. Kyle attempts to explain to Tori that Brandon must've killed Noah, but she won't have any of it, so leading to a rift in their relationship. To make amends, Kyle plans a hunting trip with Brandon the following weekend under the guise of repairing his relationship with his son. While in a secluded woodland area, Kyle shoots Brandon in the back of the head only to have the bullet bounce off, unharming Brandon. Heartbroken and distraught, Brandon overpowers his father and using his laser vision burns through Kyle's eyes and straight out of the back of his head, dead!

Meanwhile, Tori is visited by the local Sheriff, Deputy Deever (Gregory Alan Williams) who shows her photographs of a symbol found at both the diner and Noah's accident scene - Brandon's signature mark. After sending the Sheriff away without a warrant, Tori searches through Brandon's room and finds his notebook, which contains drawings depicting graphic acts of violence and the various murders in addition to his repeated scribblings of his now familiar signature mark. Finally coming to terms with the full extent of Brandon’s involvement in the recent deaths, Tori frantically attempts to call her husband only for Brandon to answer his phone and inform her that her husband is dead.

Brandon returns home and begins destroying the house around Tori. She manages to find some temporary refuge to call the Police. Upon the Sheriff's arrival Brandon is seen to be levitating above the house. He sweeps in and brutally murders the Sheriff and then another responding officer. Escaping through a bedroom window, and landing awkwardly, and limping Tori makes it to the barn where the spaceship is located. Having remembered that it cut him, Tori arms herself with a sharp piece of the spaceship that she breaks off to use as a makeshift dagger.

Brandon finds Tori in the barn, who tries to settle him down. Tori assures Brandon that she still loves him no matter what, and that she has every confidence that there still remains good inside him. Once they embrace, Tori tries to stab him from behind with the makeshift dagger but fails. Enraged by her betrayal, Brandon holds onto Tori and flies her high above the clouds and then lets her fall to her to her death as a plane approaches him. Brandon crashes that plane into the Breyer farm, killing everyone onboard.

In the aftermath, news reports about the deaths of Brandon's parents and his other victims are attributed to the crash. Brandon is seen eating a cookie from the back of an ambulance, with his trademark signature inscribed on the planes fuselage in blood. Final reports show Brandon, nicknamed 'Brightburn' in the media, creating havoc, destroying buildings, setting forests ablaze, killing numerous people and leaving his signature on the landscape - seemingly afraid of no-one and nothing - because after all, he's only a young lad!

Basically 'Brightburn' is an alternative twist on 'Superman' with our red caped mild mannered Superhero out to save the world and do good by all of humankind is replaced by a similarly red caped evil inclined Superhero out to destroy the world and bring all of humankind to its knees. They both crash landed somewhere near small town America from some far away solar system, on a farm, were raised by good well meaning gentle folk, and from a young age came to the realisation that they were both special and possessed super powers - bullet proof, super human strength, stamina, speed, the ability to fly, laser vision, and an invincibility to anything man made. One chose to do good with his powers and the other pure evil. It's an interesting premise, that I was pleasantly surprised by given the average Reviews read prior. The film doesn't stop short on the gory aspects of Brandon's extreme acts of violence towards his victims, and at a lean 91 minutes running time the film moves along a good pace. The supporting characters are however, one dimensional, and in Brightburn it seems no-one is intelligent enough to spot a no-good early teen wreaking murder and mayhem most foul in the local community - not the Counsellor, nor the Sheriff, and not even his parents until it costs them their lives.  That said, it's good to see an alternative Superhero offering in this day and age of Superhero overload, and view the crowded genre from the other side of the tracks. You don't need to watch this on the big screen and can easily wait for the BluRay, download or your streaming service to catch it from the comfort of your own couch or mobile device. If successful the Producers have hinted at a sequel already, which was partially set up in a mid-credits sequence starring Michael Rooker as The Big T, an online TV channel conspiracy theorist and broadcaster.

'Brightburn' merits three claps of the Odeon Online clapperboard, from a possible five.

-Steve, at Odeon Online-

What's new in Odeon's this week : Thursday 30th May 2019.

And so the 72nd Cannes Film Festival drew to a close on Saturday 25th May, and as reported in this weekly update over the last couple of weeks there were twenty-one films in main competition for the prestigious Palme d'Or award and eighteen in the running in the Un Certain Regard section with eleven films competing for the Camera d'Or prize.

The final winners and grinners of these acclaimed awards and a few others too, are as given below :-

In Competition :
* Palme d'Or : 'Parasite' by Bong Joon-ho
* Grand Prix : 'Atlantics' by Mati Diop
* Jury Prize : 'Bacurau' by Kleber Mendonça Filho and Juliano Dornelles, and, 'Les Misérables' by Ladj Ly
* Best Director : Jean-Pierre and Luc Dardenne for 'Young Ahmed'
* Best Actress : Emily Beecham for 'Little Joe'
* Best Actor : Antonio Banderas for 'Pain and Glory'
* Best Screenplay : Céline Sciamma for 'Portrait of a Lady on Fire'
* Special Mention : Elia Suleiman for 'It Must Be Heaven'.

Un Certain Regard :
* Un Certain Regard Award : 'The Invisible Life of Euridice Gusmão' by Karim Ainouz
* Un Certain Regard Jury Prize : 'Fire Will Come' by Oliver Laxe
* Un Certain Regard Award for Best Director : Kantemir Balagov for 'Beanpole'
* Un Certain Regard Jury Award for Best Performance : Chiara Mastroianni for 'On a Magical Night'
* Un Certain Regard Special Jury Prize : Albert Serra for 'Liberté' and Bruno Dumont for 'Joan of Arc'
* Coup de Cœur Award : 'A Brother's Love' by Monia Chokri and 'The Climb' by Michael Angelo Covino.

Golden Camera :

* Camera d'Or : 'Our Mothers' by Cesar Diaz.

FIPRESCI Prizes :

* In Competition : 'It Must Be Heaven' by Elia Suleiman
* Un Certain Regard : 'Beanpole' by Kantemir Balagov
* Parallel section : 'The Lighthouse' by Robert Eggers. 

You can get all the latest news and views and the complete list of happy and celebrated awards winners by visiting the official website at : https://www.festival-cannes.com/en/

With just three latest release movies coming to your local Odeon in the week ahead, we kick off with this biopic of a flamboyant music legend whose stellar, albeit at times tumultuous, career spans six decades and he's still going strong today. We then move to a monster mash up in this Hollywood version of a Japanese monster icon, that sees our giant lizard face off against three menacing mythical foes that between them threaten all of humanity in the process. Closing out the week we see a French family friendly animated feature about a much loved medieval fellow and his sidekick on the quest to find a young druid and the secrets of a magic potion.

Whatever your taste in big screen film entertainment is this week - be it any of the three latest release new movies as Previewed below, or those doing the rounds currently on general release and as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the coming week.

'ROCKETMAN' (Rated MA15+) - here this biographical musical film based on the life and times of Sir Elton John (aka Reginald Kenneth Dwight) is Directed by Dexter Fletcher, whose previous film making credits include 'Wild Bill' in 2011, 'Sunshine on Leith' in 2013, 'Eddie the Eagle' in 2016, and an uncredited role as Director on last years 'Bohemian Rhapsody' having replaced Bryan Singer as Director for the final two weeks of filming, but received an Executive Producer credit due to Directors Guild of America rules. An Elton John biopic had been in development for almost two decades, with the project going through several Directors, studios and Actors before Sir Elton finally approached Paramount Pictures. In early 2018 Taron Egerton was cast to play Elton John having previously appeared with Sir Elton in the 2017 film 'Kingsman: The Golden Circle', and Egerton, as Johnny the Gorilla, sang John's song 'I'm Still Standing' in the animated film 'Sing'. The film cost US$41M to bring to the big screen, saw its Premier screening at the Cannes Film Festival on 16th May this year, was released in the UK last week on 22nd May and is released in the US and here in Australia this week.

The film follows Elton John's (Taron Egerton) early days as a prodigy at London's Royal Academy of Music through his influential and enduring musical partnership with Bernie Taupin (Jamie Bell), as well as his struggles with depression, substance abuse, and acceptance of his sexual orientation. Also starring Richard Madden as John Reid (Sir Elton's first manager from 1970 through until 1998, and lover for those first five years, during which time Reid also managed 'Queen' from 1975 until 1978), Bryce Dallas Howard, Stephen Graham and Gemma Jones. The film has so far generated largely positive Reviews. The film is titled after Sir Elton's 1972 UK #2 and US #6 hit single of the same name.

'GODZILLA II : KING OF THE MONSTERS' (Rated M) - this American monster fest is a sequel to 2014's 'Godzilla' that was Directed by Gareth Edwards at a cost of US$160M raking in a respectable US$530M at the global Box Office. This time around Directing duties fall to Michael Dougherty who also Co-Wrote the script in this the 35th film in the Godzilla franchise, the third film in Legendary's MonsterVerse, and the third Godzilla film to be completely produced by a Hollywood studio. This film costs US$200M, and the premise of this instalment is described as the crypto-zoological agency Monarch and its members face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra (a giant moth), Rodan (a pre-historic Pteranodon), and his ultimate nemesis, the three-headed King Ghidorah (an armless, bipedal, golden-scaled, bat-winged dragon with three heads and two tails). When these ancient super-species, believed to be the stuff of mythological legend, rise again, they all vie for supremacy, leaving humanity's very existence hanging in the balance. Starring an ensemble cast list that includes Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Bradley Whitford, Sally Hawkins, Charles Dance, O'Shea Jackson Jnr., Ken Watanabe and David Strathairn. A sequel, 'Godzilla vs. Kong', is scheduled to be released on March 13th 2020, and has already wrapped filming and is now in Post-Production, and is Directed by Adam Wingard.

'ASTERIX : THE SECRET OF THE MAGIC POTION' (Rated PG) - here we have a French computer animated family friendly adventure comedy film Directed by Alexandre Astier and Louis Clichy and based on the French Asterix comic books that date back to 1959. The film was released in France in early December 2018 and with the film's English dub release in Australia from this week onwards. In this tale, Asterix (voiced by Christian Clavier) and Obelix (by Guillaume Briat) embark on a quest across Gaul looking for a young druid worthy of learning the secret of the magic potion, after elderly village druid Panoramix (Bernard Alane) breaks his leg when he falls from a tree while picking mistletoe. Once Asterix and Obelix begin their quest, all hell breaks lose at home as the Romans start attacking. Meanwhile, an evil wizard named Sulfurix (Daniel Mesguich) does everything he can to steal the potion's secret recipe. The film has so far taken US$38M at the Box Office.

With three new release movies this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. In the meantime, I'll see you sometime somewhere in the week ahead, at your local Odeon.

-Steve, at Odeon Online-

ALL IS TRUE : Tuesday 21st May 2019.

I saw 'ALL IS TRUE'  earlier this week, two weeks after its Australian release. This British offering is Directed by Kenneth Branagh and Written by Ben Elton and stars the famed Actor and Director Branagh as William Shakespeare. The film takes it title from an alternative name for his play 'Henry VIII'. The film was shot without any fanfare and featured as the Opening Night Gala film at the Palm Springs Film Festival in early January this year after its very limited release Stateside over Christmas 2018 and before its release in the UK in early February. It saw a limited re-release in Los Angeles and New York on 10th May, after which a wider US release was planned. The film has so far grossed US$1.5M and has garnered generally favourable Reviews.

It is 1613, and William Shakespeare (Kenneth Branagh) is acknowledged as the greatest writer of the age. But disaster strikes when his renowned Globe Theatre burns to the ground in the opening scene in which we see a silhouette of Shakespeare standing in front of his beloved theatre as it is engulfed in a rage of flame. Devastated, Shakespeare returns to his home at Stratford-upon-Avon where he must face a troubled past and a neglected family, as he vows never to write again.

Haunted by the death of his only son, Hamnet, who died seventeen years previously, he struggles to repair the broken relationship with his wife Anne Hathaway (Judi Dench) and his two daughters Susanna and Judith (Lydia Wilson and Kathryn Wilder respectively). Shakespeare wasn't around when Hamnet died, much to the chagrin of Anne, and she reminds him that he was off penning 'The Merry Wives of Windsor' at the time and too distracted to care about the death of their only son. Now Shakespeare wants to play catch-up with his emotions, and begins to have visions of young Hamnet, who died in his pre-teen years. Although Anne has committed herself to a marriage of disappointments, she frequently reminds her husband that he has been absent from their lives for the last twenty years, and he is more like a guest in their family household than a husband, and a such she will not share her bed with him.

His daughter Judith (Kathryn Wilder) is more outspoken in her dealings with her father, who wishes for nothing more than to see his twenty-seven year old daughter give up the single life and do the very thing that every woman is brought into the world to do - bear children and give him a grandson, or two or three! His other daughter, Susannah (Lydia Wilson), seems content just to have him back in their lives but then becomes distracted, as does the whole Shakespeare clan, with a scandal in their Protestant village pointed squarely at her, and the advances of another man outside of her marriage.

And so while battling the 

emotions of the three grown women in his life, Shakespeare decides he would like to cultivate a garden to give him some purpose and as a distraction away from writing. He toils away turning the soil, planting seedlings, cultivating his meagre crop, pruning, replanting and keeping the neighbours pesky yet friendly dog at bay, all the while overseen by Anne from arms length.

In the meantime, Shakespeare is haunted by visions of Hamnet - putting the young lad up on a pedestal because of his apparent imaginative and witty writing prowess beyond his years. However, this all comes crashing down when in an emotional exchange Judith in fact reveals that she was the author of those poems which Shakespeare has credited his son for over the last seventeen years. All however, is fairly quickly forgotten and forgiven, when Judith announces her plans to marry Tom Quiney (Jack Colgrave Hirst) the local ladies man and all round Jack-the Lad. Its not long after the wedding ceremony that Judith announces her pregnancy, and needless to say the Shakespeare's are overjoyed. 

In a scene of outstanding word play, The Earl of Southampton (Sir Ian McKellen) comes to visit Shakespeare while in the area attending to other business. This is the man to whom Shakespeare allegedly penned his famous Sonnets. Shakespeare seems to hold a burning candle for the Earl, and in a foiled attempt to seduce him later that evening while sat beside a flickering fire, Shakespeare recites Sonnet 29 in its entirety. The Earl rejects Shakespeare's advances, and not to be outshone, the Earl recites the Sonnet straight back at Shakespeare but in a completely different, though no less meaningful and poignant rendition. At which point the Earl takes his leave. 

Later on we see Shakespeare visiting the local church and trawling through the records of those that have died in the parish. He is looking for Hamnet's name and finds it recorded on 11th August 1696 aged eleven. Later that evening at home Shakespeare confronts Anne and Judith about the cause of death. For all these past years Shakespeare had been led to believe that Hamnet died of the plague, but the records of the time seem to indicate otherwise. Eventually, Judith comes clean saying that Hamnet drowned in the pond at the bottom of their garden and was discovered by her and Anne the next morning face down in the water, with pages of his torn up poetry floating beside the lifeless young body. A few days later Shakespeare walks down to the pond late one afternoon and sees a vision of Hamnet sitting on bench by the edge of the pond. Hamnet speaks to his father saying that he is at peace and that he can move on. Shakespeare sits at the same bench as if to embrace Hamnet, and falls asleep.  

The next morning, with a chill in the air Shakespeare wakes from a deep sleep by the edge of the pond. Over the next few days Shakespeare's health declines steadily, during which time his family rally around him. He passes away on his 52nd birthday - on April 23rd 1616. 

Kenneth Branagh is no stranger to the works of The Bard himself, having committed over the past four decades or so to film such big screen adaptations as 'Henry V', 'Hamlet', 'Othello', 'Much Ado About Nothing' amongst others. Here he blends fact and fiction and to coin a phrase used in the film by Shakespeare himself, he never let the 'truth get in the way of a good story'. This is an entertaining enough story that is elevated by Branagh, Dench and McKellen, the cinematography and production values are top notch, is is well scripted by Ben Elton and more than aptly realised by the Director and lead Actor, Branagh. Whilst this mildly paced costume drama won't be for everyone, it has enough redeeming features to be worthy of consideration if you're looking for quality filmmaking and an exploration of the great poets perhaps fictionalised final few years. And given that Shakespeare died 403 years ago and he is even more popular today than he was when he lived, what harm can there really be in a little poetic license here?

'All Is True' merits three claps of the Odeon Online clapperboard from a potential five.  

-Steve, at Odeon Online-

What's new in Odeon's this week : Thursday 23rd May 2019.

As reported last week, the 72nd Cannes Film Festival is now in full swing until 25th May. As well as those twenty-one films in main competition for the prestigious 'Palme d'Or' award, the 'Un Certain Regard' section sees a further eighteen films compete for the 'Prix Un Certain Regard' which was introduced to the section to recognise young talent and to encourage innovative and daring works by presenting one of the films with a grant to aid its distribution in France. The name literally translated means 'a certain glance' but is understood by French speakers to mean 'from another point of view'. Here it means films with various types of visions and styles, which tell their stories in nontraditional ways. This section presents 'original and different' works which seek international recognition. The 'Camera d'Or' ('Golden Camera') is an award of the Festival for the best first feature film presented in one of the Cannes' selections and is awarded during the Festival's Closing Ceremony by an independent jury. The rules define first film as 'the first feature film for theatrical screening (whatever the format; fiction, documentary or animation) of sixty minutes or more in length, by a Director who has not made another film of sixty minutes or more in length and released theatrically.

Of those films competing for the Camera d'Or, below you'll find a quick summary of the main contenders :-

* 'A Brother's Love' - here this Canadian drama comedy offering is Directed and Written by Monia Chokri about Sophia (Anne Elisabeth Bosse), an immature university graduate student who is forced to reassess her life when her brother Karim (Patrick Hivon), with whom she has always had a very close and codependent relationship, falls in love with her gynecologist Éloise (Évelyne Brochu).

* 'Les Miserables' - this is a French drama film Directed and Co-Written by Ladj Ly about the 2005 Paris riots and stars Damien Bonnard.

* 'Bull' - this American drama film is Directed and Written by Annie Silverstein and stars Vicky Kadian, Yolonda Ross and Rob Morgan.

* 'Homeward' - this is a Ukrainian drama offering Written and Directed by Nariman Aliev.

* 'Particles' - this French/Swiss Co-Produced drama film is Directed and Written by Blaise Harrison and stars Thomas Daloz, Salvatore Ferro and Leo Couilfort.

* 'Port Authority' - this is an American drama film Directed and Written by Danielle Lessovitz

* 'The Bare Necessity' - this French drama film is Written and Directed by Erwan Le Duc and stars Fanny Ardant, Maud Wyler and Swann Arlaud.

* 'The Climb' - is an American comedy film Directed and Written by Michael Covino

* 'Sick, Sick, Sick' - this Brazillian/French and Dutch Co-Produced drama offering is Written, Directed and Co-Edited by Alice Furtado and stars Digao Ribeiro, Juan Paiva and Lourenco Mutarelli.

* 'Song Without a Name' - here this Peruvian and Swiss Co-Produced drama film is Co-Written, Directed and Co-Edited by Melina Leon and stars Lidia Quipse, Lucio Rojas and Maykol Hernández.

* 'Summer of Changsha' - this Chinese crime drama film is Written and Directed by Zu Feng.

You can get the full low down on these films, plus the many more screening both in and out of competition, and all the latest news and views at the 72nd Cannes Film Festival by visiting the official website at : https://www.festival-cannes.com/en/

Putting the focus back to this weeks latest release films coming to your local Odeon, we have four new offerings to tempt the ardent cinema goer. We launch into the week with a live action remake of a critically and commercially successful Disney animated feature from 27 years ago that sees a street urchin offered a chance to make something of his life courtesy of a magic lamp, a genie and three wishes. We then have a change of pace completely with a superhero horror offering that sees the gift of a perfect baby boy turn on its head when that young lad reaches puberty and things begin to go south very quickly for those around him. Next up we have an acclaimed foreign language offering about a pair of previously wealthy women, who by virtue of inheritance, have fallen on tough times for the first time in their thirty years together. Resorting to driving well to do ladies around town to make ends meet, one of the women makes a new connection that breathes fresh and invigorating life into the old girl. We then close the week with a documentary offering a look at an ideal future twenty years hence that is well within humanities grasp to effect lasting and meaningful change based on the technologies available today, for the benefit of the next generation and those that come after it, our planet and our collective future.  

Whatever your taste in big screen film entertainment is this week - be it any of the four latest release new movies as Previewed below, or those doing the rounds currently on general release and as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the week ahead.

'ALADDIN' (Rated PG) - in 1992 Disney released a feature length animated 'Aladdin' film starring Robin Williams as our titular genie from the magic lantern, which was in turn based on the Arabic folktale of the same name from the 'One Thousand and One Nights' which dates back to the early 18th Century. That film was made for US$28M, grossed US$504M at the global Box Office, was hailed a critical success and spawned various derived works and other material inspired by the film, including two direct-to-video sequels, 1994's 'The Return of Jafar' and 1996's 'Aladdin and the King of Thieves', an animated television series of the same name, and a Broadway production. The film picked up 32 award wins and 22 other nominations including two Academy Awards wins, three Golden Globe wins and five Grammy wins. Fast forward to 2016 and Guy Ritchie (yes he of 'Lock, Stock and Two Smoking Barrels', 'Snatch', 'Revolver', two successful 'Sherlock Holmes' films and 'The Man from U.N.C.L.E.' fame amongst others) was announced to Direct a live action remake of the Disney classic of the same name.

And so here we are, opening in cinemas around the world this week, Aladdin (Mena Massoud), a young street urchin who's only friend is his kleptomaniac pet monkey Abu (voiced by Frank Welker), falls in love with Jasmine (Naomi Scott), the Princess of Agrabah who is set to marry a Prince by her Sultan father (Navid Negahban). When he and Abu find a magic lamp containing a Genie (Will Smith channelling the late great Robin Williams), however, they must protect it from the wicked Grand Vizier, Jafar (Marwan Kenzari) and his loyal parrot Iago (voiced by Alan Tudyk), who both want to rule Agrabah with the Genie’s wishes and powers most awesome.

'BRIGHTBURN' (Rated MA15+) - here we have something new and seemingly fresh - a superhero horror film as Directed by David Yarovesky, Written by Mark and Brian Gunn and Co-Produced by James Gunn. Costing US$7M to bring to the big screen, the film tells the story of Tori (Elizabeth Banks) who after a difficult struggle with fertility, has her dreams of motherhood come unexpectedly true with the arrival of a mysterious baby boy who crash lands on Earth somewhere in the vicinity of  small-town Kansas form another world it appears. Young Brandon (Jackson A. Dunn) appears to be everything Tori and her husband Kyle (David Denman) ever wanted, he's bright, talented and curious about the world. But as Brandon nears puberty, a powerful darkness seems to manifest within him, and Tori becomes consumed by terrible doubts about her son. Once Brandon begins to act on his twisted urges, those closest to him find themselves in grave danger, as the miracle child transforms into a vicious predator. The film is released in the US this week too.

'THE HEIRESSES' (Rated M) - this Paraguayan drama film is Directed, Written and Co-Produced by Marcelo Martinessi and saw its Premier screening at the Berlin International Film Festival back in February 2018 where it was in main competition for the Golden Bear, and it was also selected as the Paraguayan entry for the Best Foreign Language Film at this years 91st Academy Awards, but it was not nominated. The film has however, accumulated a total of 34 award wins and 35 other nominations from around the awards and festivals circuit and has garnered generally positive Reviews. Only now does it go on limited release in Australia. Here, Chela (Ana Brun) and Chiquita (Margarita Irun) are both descended from wealthy families in Asunción, Paraguay and have been together for more than thirty years. Recently however, their financial situation has declined leaving them no option but to sell off their inherited possessions. But when their debts result in Chiquita being imprisoned on fraud charges, Chela is forced to face a new harsh reality. Driving for the first time in years, she starts to provide a local taxi service to a group of well off elderly ladies. As Chela settles into her new life, she encounters the much younger Angy (Ana Ivanova), forging a fresh and invigorating new connection. Chela finally begins to break out of her shell and engage with the world, embarking on her own personal, intimate revolution.

'2040' (Rated G) - here Australian Actor, Writer, Producer and Director Damon Gameau delivers us this climate change documentary with a difference. This award winning Director for his debut feature length 2014 doco 'That Sugar Film', drills down on the best minds from around the world to focus on climate, economics, technology, civil society, agriculture and sustainability. '2040' maps out a pathway for change that can lead us to a more ecologically sustainable and equitable future. Motivated by his four year-old daughter who will turn 25 in 2040 and a concern for the planet she will inherit, Damon Gameau ventures out on a global journey to meet the proactive innovators and change agents at the forefront of delivering the best solutions already available to us today to improve the health of our planet and societies tomorrow, rather than the politicians who simply take a reactive approach to the matter by throwing seemingly vast sums of cash at the issue without any clear strategy. Described as an aspirational film full of hope about the possibility to make changes that will shift the course for humanity and the planet. This is the narrative the next generation needs to see, to aspire to, and to believe is possible.

With four new release movies this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. In the meantime, I'll see you sometime somewhere in the week ahead, at your local Odeon.

-Steve, at Odeon Online-

JOHN WICK 3 : PARABELLUM - Wednesday 15th May 2019.

I saw 'JOHN WICK 3 : PARABELLUM' at an advance screening at my local multiplex earlier in the week and here we see the third and allegedly final instalment in the 'John Wick' fast paced neo-noir action thriller film series, that launched in 2014 with 'John Wick' then its sequel in 2017 with 'John Wick : Chapter 2' and now 'Parabellum'. All three films have been Directed by Stuntman and movie maker Chad Stahelski with the first two films in the franchise grossing US$260M at the global Box Office off the back of a combined US$65M Production Budget, and positive Critical acclaim. The films title 'Parabellum' is taken from a Latin adage 'Si vis pacem, para bellum' which when translated becomes 'If you want peace, prepare for war'. The phrase is used above all to affirm that one of the most effective means to ensure peace for a people is always to be armed and ready to defend oneself. Seemingly a television series spin off titled 'The Continental' based on the characters and safe haven location for assassins and hitmen of the film series is in the works with Keanu Reeves, Chad Stahelski and David Leitch Producing. Released in the UK, the USA and in Australia last week, the film cost US$55M and has garnered positive Press.

And so following hot on the heels of the last instalment we find John Wick (Keanu Reeves) is on the run as he is being hunted down for a global US$14M open contract on his life, and for breaking a central rule - taking a life on Continental Hotel grounds. Wick's unauthorised victim was a member of the High Table - a Camorra crime lord, Santino D'Antonio, who ordered the open contract. John should have already been executed, except the Continental’s manager, Winston (Ian McShane) has given him a one-hour grace period before he’s officially declared 'excommunicado' ie. membership revoked, banned from all services and cut off from other members. In the pouring rain he runs half way across Manhattan with his trusted dog beside him, jumps in a taxi, and orders the driver to take him to the New York Public Library.

Concealed in a fake 19th Century Russian art book Wick retrieves a marker, a crucifix neck chain and five gold coins. After a brief one on one fight with an assassin looking to cash in on the cool US$14M (the 7ft3in. tall Serbian professional basketball player for the Philadelphia 76ers, Boban Marjanovic), whom John dispenses with fairly quickly using his Russian art book, he returns the now bloodied tome to its place on the shelf, dusts himself down and promptly leaves.

Leaving the library, Wick is spotted by a group of Chinese assassins which leads them down some back streets, alleyways and eventually into a warehouse where are kept cases and cases of antique weaponry - swords, daggers, knives, axes, pistols, rifles, shotguns all neatly arranged in glass display cabinets. Here Wick takes on six or so men in very close quarter combat, and the knives are thrown thick and fast in every direction in one of the most impressive set pieces of the film series so far. Needless to say Wick survives while the others all perish from their multiple stab wounds.

Meanwhile across town, The Adjudicator (Asia Kate Dillon) a member of The High Table, turns up at The Continental wanting to meet with Winston (Ian McShane) the Hotel Manager of the past forty years. She orders Winston to relinquish his role at The Continental within seven days for allowing Wick one hours grace period before he was declared officially excommunicado. The Adjudicator also visits The Bowery King (Laurence Fishburne) because he gave Wick the seven chamber hand gun that he used to kill Santino D'Antonio on the grounds of The Continental. She delivers him the same message . . . or suffer the consequences. In the meantime Wick visits The Director (Anjelica Houston) a figure from his past who is also a member of the High Table. He hands over the crucifix necklace to her which acts as a form of currency so permitting him one wish which she is obliged to honour. Wick asks for safe passage to Casablanca.

Having arrived on a slow boat from New York to Casablanca, Wick visits a local branch of The Continental and meets with Sofia (Halle Berry) a former close friend and female assassin from his past who owes him a favour. Wick hands Sofia the 'marker' he retrieved from the library - a medallion which symbolises an unbreakable bond by one person to fulfil a task requested by another. Wick asks Sofia to honour the marker by helping him locate The Elder - the most senior member of The High Table.

After pointing a gun at Wick and some forthright words across the table, Sofia reluctantly agrees to take her former friend to see a local guy who might just be able to point Wick in the right direction. That mans name is Berrada (Jerome Flynn) who in a round about way provides Wick with the Elders location - a long walk in the desert and just when you have reached the point of exhaustion, you need to keep walking until he finds you, retorts Berrada. In exchange for this valuable, albeit cryptic, information, Berrada demands some form of compensation, which he wants in the form of one of Sofia's trusted dogs. She tells him that its out of the question, to which Berrada becomes quickly agitated and promptly shoots the dog. Luckily for the dog, it was wearing a bullet proof vest which also conceals a pistol. With the help of her two trained canine friends who are adept at biting, gnawing, leaping, running and jumping, Sofia and Wick fight their way out of the heavily fortified building in another bullet ballet set piece before venturing in to the desert.

Having honoured her 'marker', Sofia leaves Wick to continue his long walk in the desert alone, through the day and the night before collapsing due to exhaustion sometime the next day under the blistering sun. Needless to say John is found face down in the sand by a passing traveller and taken unconscious draped over the back of a camel to The Elder's lavish Bedouin like tent. The Elder (Said Taghmaoui) gives John a choice. He can either die or accept a mission to kill Winston, the long term Manager of The Continental and Wick's friend and ally, on behalf of The High Table in exchange for the removal of the bounty on his head which has subsequently been upped to US$15M. John accepts the mission and as a show of his commitment to The High Table, severs his ring finger and hands his wedding ring to The Elder.

While all of this going on, The Adjudicator recruits an assassin, Zero (Mark Dacascos), and his gang to act as enforcers for The High Table. They visit both The Bowery King and The Director, kill several of their henchmen before inflicting physical punishment on both of them as a consequence for helping Wick. Wick arrives back in New York minus a finger but donning a brand new suit of clothes. He is confronted almost immediately by Zero and his gang but manages to escape on a motorcycle. After killing the pursuing motorcycle riding gang members in another impressive chase and be killed set piece, Wick is followed in hot pursuit by Zero to The Continental where Wick takes sanctuary by placing his hand on the bottom step leading to the entrance of the Hotel.

Wick speaks with Winston who tells him he is aware that he is there to kill him. The Adjudicator arrives, however, Wick refuses to carry out the kill order and Winston refuses to surrender his position at the Hotel. Consequently, The Adjudicator declares The Continental as 'deconsecrated' with immediate effect, so permitting killing on the premises once again, before requesting an armed unit of killers elite from The High Table to converge on the Hotel armed to the teeth to take down Winston and Wick once and for all.

It's not long before two bus loads of heavily armed and armoured men with night vision eye wear and bullet proof everything converge on The Continental. With the help of the hotel's Concierge Charon (Lance Reddick), John takes on The High Table's forces inside the hotel with Winston's blessing and full and unhindered access to the hotel's private armoury, which contains all the latest cutting edge weaponry. 

Ultimately Wick, Charon, and various hotel staffers defeat the High Tables own private army, before Wick is confronted by Zero's gang once again. Wick eventually overcomes the two gang members in a fierce hand to hand, toe to toe, head to head battle royale eventually overcoming the pair, before facing off against Zero in the hotel's glass encased boardroom and killing him.

Seeing from her own private suite within the confines of The Continental that her now largely dead or dying team are no match for the one man army that is John Wick, The Adjudicator contacts Winston and offers to negotiate. Eventually she agrees to allow Winston to remain at The Continental, but states that Wick remains problematical. At a roof top meeting, Winston shoots Wick several times at close range. He falls from the roof of the hotel several storeys to the streets below. A short time later they observe Wick's body is gone, though Winston casually assures The Adjudicator that he won't get far. Wick's dog runs out of the hotel and catches up with the Tick Tock Man (Jason Mantzoukas), one of the Bowery King's men, who has retrieved Wick in a shopping trolley and brings him to the heavily scarred Bowery King - stitched up from the seven deep and potentially life threatening scars inflicted by The Adjucators enforcers. The Bowery King speaks to the injured, but still breathing Wick, saying just how pissed off he is with the antics of the High Table, and both express a desire to take it down once and for all.

I enjoyed 'John Wick Chapter 3' as much as I did the previous two instalments. This is a no holds barred fast paced in yer face actioner that owes its success to the vision of the stuntman turned Director Chad Stahelski as it does to the hard hitting keeping it real lead Keanu Reeves, who proves once again his action acting chops knows no equal, other than perhaps Tom Cruise. The action comes thick and fast and every fight sequence is choreographed in spectacular bloody, violent and creative fashion to the Nth degree. The antagonists succumb to Wick's ire in all manner of inventive ways - whether its death by book, by horse, by motorcycle, bullet, cartridge, knife, sword or axe the body count just keeps on rising and really makes you wonder how John Wick can possibly survive such a relentless and unforgiving physical onslaught - but he does, and that's what we pay our coin to see. And then of course there is the occasional gesture or one liner that adds a hint of humour to bring the action and gratuitous violence right back down to Earth. For sheer action escapism, high body count, expertly choreographed creative fight and chase sequences, and gun fu and knife play aplenty backed up by a strong supporting cast, you can't go much further than 'John Wick Chapter 3 : Parabellum' . . . . and the dog is pretty cute too! For lovers of the genre, catch it on the big screen - you won't be disappointed.

'John Wick : Parabellum' merits four claps of the Odeon Online clapperboard from a possible five.

-Steve, at Odeon Online-