LEE : Monday 28th October 2024

I saw the M Rated 'LEE' earlier this week, and this British biographical drama film is Directed by Ellen Kuras in her feature film making debut, and is based on the 1985 biography 'The Lives of Lee Miller' written by Antony Penrose. It saw its World Premiere showcasing at the Toronto International Film Festival in early September 2023, was released in the UK in mid-September this year, in the US at the end of September, has so far grossed US$15.5M and has garnered generally positive reviews. The film was a passion project for lead Actress and Co-Producer Kate Winslet, who started developing the film, and in October 2015, the project was officially announced with Ellen Kuras on board to Direct from mid-2020.

The film opens up during the late 1930's, as Hitler rises to power in Germany. Elizabeth 'Lee' Miller (Kate Winslet) leaves her artistic circle of friends and life behind in France, including Solange d'Ayen (Marion Cotillard), Paul Eluard (Vincent Colombe) and Nusch Eluard (Noemie Merlant), and travels to London after falling madly, and very quickly, in love with the artist Roland Penrose (Alexander Skarsgard), to whom she describes herself as being done 'living a life as the model, the muse, the ingenue, and only good at drinking, having sex, and taking pictures'.

The two embark on a passionate relationship, just as war breaks out in Europe. Already a well regarded photographer, Lee lands a job completing assignments for British Vogue magazine, where she takes photographs of the London Blitz by bringing the chaos and urgency of those air raids to the pages of a popular and well regarded fashion publication. However, she is shocked by the restrictions placed on female photographers, and the attitude of Cecil Beaton (Samuel Barnett) a British fashion, portrait and war photographer also working for British Vogue magazine at the same time. 

As Hitler’s regime takes over large swathes of Europe, Lee becomes increasingly frustrated that her work is constrained by rules dictated by men. Determined to be where the action is, she defiantly pushes back against the establishment and, with the blessing of her friend and Vogue Editor Audrey Withers (Andrea Riseborough), Lee overcomes enormous obstacles to get herself to the frontline of World War II, by using the excuse that as an American citizen she is not governed by stuffy British rules about what women should and shouldn't do. 

And so sent over to Normandy following the D-Day invasion of 1944, Miller was tasked with reporting on what she was told was the newly-liberated town of Saint-Malo. She traveled there only to find that the town was still being heavily fought over. Miller's military accreditation as a female war correspondent did not allow her to enter an active combat zone, but rather than leave she decided to stay, and spent five days on the front lines photographing as much of the Battle of Saint-Malo as she could. Her photographs included the first recorded use of napalm. 

Compelled to document the truth, she turns her lens in the direction of suffering, and slowly begins to reveal the horrific loss of life due to Hitler’s diabolical crimes against the innocent victims of his regime. Miller teamed up with American photojournalist David Scherman (Andy Samberg), a Life magazine correspondent, on many assignments, including the liberation of Paris, the Battle of Alsace, and the horrors of the Nazi concentration camps at Buchenwald and Dachau. 

Scherman's iconic photograph of Miller sitting in the bathtub in Adolf Hitler's private apartment in Munich, with the dried mud of that morning's visit to Dachau on her boots deliberately dirtying Hitler's bathmat was taken in the evening on 30th April 1945, coincidentally the same day that Hitler committed suicide with his wife Eva Braun in his bunker in Berlin. 

Upon returning to London after the end of the war, her husband returns home bearing the latest edition of Vogue magazine in which she expected to see her photographic account and accompanying article on the horrors of what she witnessed in Germany, but there are none. She hurries across to the Vogue offices to see Audrey Withers for an explanation but she is not there, and so tears through a filing cabinet seeking out the negatives of all the images she sent back, and promptly sets about ripping them up and cutting them up with scissors. Audrey appears and explains that she was not allowed to go to print with her images as they were way too graphic. Miller breaks down, and storms out. A short time later sat on the steps outside the Vogue offices Miller speaks of a profoundly traumatic experience when she was just seven years old when she was left home alone with an adult male friend of her family. She says that she has had to live with that shame, fear, and fury, for all of these years and has never told anyone as she was raised to keep secrets. 

Throughout the film we return to 1977 and Miller's home at Farley Farm House, in Chiddingly, East Sussex where she is being interviewed by Antony Penrose (Josh O'Connor) about her time as a WWII photojournalist and recounting the stories behind some of the most influential photographs of that era. Miller is somewhat distant of Penrose only opening up when he agrees to tell her something about his life. At the end Miller says it's your turn and it's then that we realise that Antony Penrose is in fact her son, who tells her that growing up she always was distant, disconnected from him, and almost an obstacle to her life. Miller remarks 'that's disappointing'. She pulls out a box containing a lock of his hair from his very first hair cut, the first book she ever read to him, and the first picture he ever painted. As the camera pulls away, Miller is not there, but spread all over the floor are Lee's photographs that Penrose only discovered after her mothers death in 1977, when he came across them in the attic of Farley Farm House by chance. 

Lee Miller carried out this dangerous work for the sake of the female readers of Vogue magazine, from whom the reality of war was largely kept hidden, and in the process yielded an indelible series of photographs which to this day continue to shape how we view these events.

'Lee' is a fairly detailed character study of this icon of WWII photojournalism that charts her story from the late 1930's through until just after the end of the war. It is at times harrowing, emotional, thought provoking and funny, and Kate Winslet shines in the role of the conflicted, yet thoroughly determined Lee Miller, and appears in almost every scene. Ellen Kuras as former Cinematographer turned Director has crafted a biopic of a woman you may not have previously heard of, but through this film her enduring legacy is granted a new life which she so rightly deserves. Alexander Skarsgard is miscast as Roland Penrose and his dialogue comes across as stilted and barely interested, and Josh O'Connor comes across as the floundering Prince Charles - the role he played in 'The Crown'. Andrea Riseborough, Marion Cotillard and Andy Samberg are all first rate in their roles. 

'Lee' merits four claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

What's new at Odeon's this week : Thursday 31st October 2024.

The 38th Leeds International Film Festival takes place this year from Friday 1st November through until Sunday 17th November. Founded in 1987, this annual film festival is hosted in Leeds, West Yorkshire, England, and is the largest film festival in England outside of London. LIFF features five programme sections - Official Selection, Retrospective, Cinema Versa, Fanomenon and Short Film City. LIFF is a qualifying film festival for the Academy Awards. 

'The world’s first films were made in Leeds in 1888 by Louis le Prince and today the city is a leading national centre for film culture. Leeds film culture includes fantastic new and historic cinemas, exciting film festivals throughout the year, special film events in landmark locations, four universities and colleges with dedicated film departments, a dynamic movement of societies and individuals organising their own film activities, and much more. Home to Channel 4 and Screen Yorkshire, Leeds is a major hub for film and television production and for talent development' - so reads the official website.

LIFF's Opening Film this year is 'The Ties That Bind Us' from Writer and Director Carine Tardieu, this French and Belgian drama is about what brings people together in unsettling times and the new kinds of ties that can bloom unexpectedly. UK Premiere screening. The LIFF Central Film is 'All We Imagine As Light' from India, France, Netherlands, Luxembourg and Italy, is Directed by Payal Kapadia and paints a portrait of the lives, loves, and longings of three women working in the Mumbai Hospital. The Closing Film presentation is 'All The Long Nights' from Japan and Directed by Sho Miyake. The film follows Misa, a young woman with debilitating PMS that manifests in volatile outbursts.When she leaves her corporate job for a gentler workplace, a company making scientific toys, she encounters the shy Takatoshi, a co-worker struggling with panic disorder. Through mutual support and small acts of kindness, the two discover a world outside themselves. UK Premiere showcasing.

Constellation is the new name for the main programme section where many of the most talked about films of the year are previewed, and UK Premieres of films are presented from exciting new filmmakers in the feature film competition. There are eight film in Competition, these being :-

* 'The Fable' - from India and the USA and Directed by Raam Reddy. UK Premiere.

* 'The Editorial Office' - from Ukraine, Germany, Slovakia and the Czech Republic and Directed by Roman Bondarchuk. UK Premiere.

* 'Simon of the Mountain' - from Argentina, Chile and Uruguay and Directed by Federico Luis. UK Premiere.

* 'Pierce' - from Singapore, Thailand and Poland and Directed by Nelicia Low. UK Premiere.

* 'East of Noon' - from Egypt, Netherlands and Qatar and Directed by Hala Elkoussy. UK Premiere.

* 'Betania' - from Brazil and Directed by Marcelo Botta. UK Premiere.

* 'Ivo' - from Germany and Directed Eva Trobisch. UK Premiere.

* 'Toxic' - from Lithuania and Directed by Saule Bliuvaite. UK Premiere.

The Opening and Closing films of Constellation this year are both much-anticipated comedy dramas, featuring stand-out lead performances with Kieran Culkin in Jesse Eisenberg’s 'A Real Pain' and Amy Adams in Marielle Heller’s 'Nightbitch'. There are a further thirty-two films being showcased in the Constellation section. 

For the full programme of feature films and short films being showcased, plus the summaries of the aforementioned films, you can visit the official festival website at :- https://www.leedsfilm.com/

Looking ahead to this weeks six new release movies coming to your local big screen Odeon, and we kick start with a drama offering from an acclaimed Director in which multiple generations of couples and families inhabit the same home over the course of a century. This is followed by a biographical drama film that sees tensions run high as the Producer and a ferocious troupe of young comedians and writers prepare for the first ever broadcast of 'Saturday Night Live'. Next up we turn to a pair of Aussie horror offerings, the first of which sees a young mother becoming increasingly unstable when she is terrorised by a malevolent spirit she believes is trying to take her children; and then a creature feature set in the remote outback town of Axehead, where terror takes the form of Rippy, a monstrous giant zombie kangaroo. Then we have an Italian film set in postwar 1940's Rome, that follows a working mother, wife and carer breaking traditional family patterns and aspiring to a different future, after receiving a mysterious letter; before closing out the week with an action thriller that has a former DEA agent and a former undercover operative revisit their romance during a fateful weekend in Taipei, unaware of the dangerous consequences of their past.

Whatever your taste in big screen film entertainment is this week - be it any of the six latest release new films as Previewed below, or those doing the rounds currently on general release or as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the coming week.

'HERE' (Rated M) - this American drama film is Co-Written for the screen, Co-Produced and Directed by Robert Zemeckis, and is based on the 2014 graphic novel by Richard McGuire. Zemeckis has a long and varied career as a Writer, Producer and Director with his more notable feature film output including his 1978 debut with 'I Wanna Hold Your Hand' to 'Romancing the Stone' in 1984, 'Back to the Future, Parts I, II and III' in 1985, 1989 and 1990 respectively, 'Who Framed Roger Rabbit' in 1988, 'Death Becomes Her' in 1992, 'Forrest Gump' in 1994, 'Contact' in 1997, 'Cast Away' in 2000, 'The Polar Express' in 2004, 'Flight' in 2012, 'Allied' in 2016 and 'Pinocchio' in 2022. This film saw its Premiere at the American Film Institute Festival on 25th October and goes on wide release this week too in the USA.

'Here' is an original film about multiple families and a special place they inhabit. The story travels through generations, capturing the most relatable of human experiences, with Richard Young (Tom Hanks) and his wife Margaret (Robin Wright) starring in a tale of love, loss, laughter and life, all of which happen in a single spot of land spanning from the past and well into the future. Also with Paul Bettany, Kelly Reilly and Michelle Dockery. 

'SATURDAY NIGHT' (Rated MA15+) - is an American biographical comedy drama film Co-Written, Co-Produced and Directed by Jason Reitman whose previous feature film making credits include his debut in 2005 with 'Thank You for Smoking', then 'Juno' in 2007, 'Up in the Air' in 2009, 'Labour Day' in 2013, 'Tully' in 2018, 'The Front Runner' in 2018 also, and 'Ghostbusters : Afterlife' in 2021. Here then, at 11:30pm on 11th October 1975, a ferocious troupe of young comedians and writers changed television, and culture, forever. Based on the true story of what happened behind the scenes in the ninety minutes leading up to the first broadcast of 'Saturday Night Live'. Full of humour, chaos, and the magic of a revolution that almost wasn't, we count down the minutes in real time until we hear those famous words delivered by Chevvy Chase (Cory Michael Smith) 'Live from New York. It's Saturday Night!' The film stars Gabriel LaBelle as Producer Lorne Michaels, with amongst an ensemble cast that includes Dylan O'Brien as Dan Aykroyd, Nicholas Braun as Andy Kaufman and Jim Henson, Willem Dafoe as David Tebet, J.K. Simmons as Milton Berle, Matt Wood as Jim Belushi and Tracy Letts as Herb Sargent. The film had its World Premiere at the Telluride Film Festival in late August, and went on general release in the US on 11th October on the 49th anniversary of the show's premiere. It has received positive reviews from critics and has grossed US$7M from a production budget of about US$28M.

'THE MOOGAI' (Rated M) - this Australian horror film is Written and Directed by Jon Bell and is based on his own 2020 fifteen minute short film of the same name, which won the Midnight Shorts Grand Jury Award at the 2021 SXSW Film Festival, as well as Best Director at the 2021 Brooklyn Horror Film Festival. Here, A young Aboriginal couple bring home their second baby. What should be a joyous time takes a sinister turn, as the baby's mother starts seeing a malevolent spirit she is convinced is trying to take her baby. The film includes Indigenous Australian themes related to the Stolen Generations (a government policy of forced removal of Aboriginal children from their parents) and The Dreaming. Moogai is the Bundjalung word for 'ghost'. The film saw its World Premiere in the Midnights section of this years Sundance Film Festival toward the end of January, and had its Australian Premiere at the Sydney Film Festival in June of this year. 

'THE RED' (Rated MA15+) - is an Australian horror comedy film Co-Written and Directed by Ryan Coonan in his feature film making debut, and develops the story taken from his own short film 'Waterborne'. Set in a remote Queensland community of Axehaed, terror takes the form of Rippy, a giant red Zombie Kangaroo. As the undead-roo leaves a trail of carnage in its wake, the only hope lies in local young sheriff Maddy (Tess Haubrich) who is trying to live up to her dead father's legacy finds herself tested when locals start being found ripped to shreds, forcing her to face her past as she works with her eccentric uncle in a battle for survival and a desperate mission to defeat the beast. Also starring Michael Biehn and Aaron Pedersen.

'THERE'S STILL TOMORROW' (Rated M) - this Italian period comedy drama film is Co-Written, Directed and stars Paola Cortellesi in her Directorial debut. Set in May of 1946 in Rome, Italy with Allied troops still roaming the streets in Jeeps, Delia (Paola Cortellesi) plays exclusively the roles of wife and mother to her three children while her husband, Ivano (Valerio Mastandrea), is the head of the family. Between domestic engagements she nurses her sullen father-in-law Ottorino (Giorgio Colangeli) and does occasional sewing for various city stores, as well as laundry for the wealthy. One day, Delia receives a mysterious letter, and the woman is able to imagine a better future for herself. The film cost US$5.5M to produce, has so far grossed US$50M, has collected twenty award wins and a further eighteen nominations from around the awards and festivals circuit, and has garnered positive critical acclaim. The film was shot in black-and-white in the neorealist style of the 1940's and '50's.

'WEEKEND IN TAIPEI' (Rated MA15+) - is a French and Taiwan action film Co-Written by George Huang who made his Directorial debut with 'Swimming with Sharks' in 1994, and who has largely Written or Produced since then, up until this film, which is also Co-Written and Co-Produced by Luc Besson. John Lawlor (Luke Evans), a committed American Drug Enforcement Administration agent, fell in love with Joey (Gwei Lun-mei), a Taipei-based transporter, but was forced to separate due to the disruption of criminal and corruption activities. Fifteen years later, the pair is reunited when Lawlor is on a mission in Taipei. The film was released in its native France and Taiwan in early September, is released this week in Australia and in the US on 8th November. 

With six new release movie offerings this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. In the meantime, I'll see you sometime somewhere at your local Odeon in the week ahead.

-Steve, at Odeon Online-

KNOX GOES AWAY : Tuesday 22nd October 2024.

I saw the M Rated 'KNOX GOES AWAY' aka 'ASSASSIN'S PLAN' aka 'A KILLER'S MEMORY' earlier this week, and this American crime thriller film is Co-Produced, Directed and starring Michael Keaton who made his Directorial debut in 2008 with 'The Merry Gentleman'. This film saw its World Premiere screening at the Toronto International Film Festival in September 2023, had a limited cinema release in the US in mid-March this year, has so far grossed US$654K and has garnered mixed critical reviews.

The film follows a contract killer John Knox (Michael Keaton), who is estranged from his wife and son and lives alone, only interacting with other members of his industry and Annie (Joanna Kulig), the Polish sex worker who comes to visit him once a week on a Thursday, has done so for the past four years, and who shares his love of books. One night Knox meets up with his partner Thomas Muncie (Ray McKinnon) and announces that he has to cut their dinner short as he has to go to the airport to fly out to San Francisco for personal reasons and will be back in 24 hours. Muncie presses him for the reasons behind his flight but Knox just reiterates that it's personal. 

There Knox has an appointment with a specialist doctor and is diagnosed with a rapidly evolving form of dementia called Creutzfeldt–Jakob disease. Knox asks him how long has he got, and the Doctor responds with weeks only. Back home, Knox quickly makes arrangements to cash out and retire from the business. Before that, he undertakes one last job with Muncie. 

During the job, after successfully killing his target but also unintentionally killing the woman who was with him in the shower, Knox accidentally kills Muncie in his dementia-induced state. He hurriedly stages the scene and leaves. Later that night, he is unexpectedly visited by his estranged son who he hasn't seen or heard from for many years, Miles (James Marsden), who tearfully admits to killing a man for raping his sixteen year old daughter Kaylee (Morgan Bastin), Knox's granddaughter. Miles is fully aware of what his dad does for a living, and so believed that his father was the only man he could turn to under the circumstances. Knox tells his son to clean up thoroughly in the shower, while he bags up all of Miles clothes.

Knox instructs his son to remain quiet to the authorities and to go about his normal business as usual. Knox later that night arrives at the crime scene and meticulously removes evidence that may incriminate Miles, while mysteriously storing them away for later use. Meanwhile, determined detective Emily Ikari (Suzy Nakamura) is on both murder cases, and resolves to track down the killer.

Knox later visits his long term friend Xavier Crane (Al Pacino), a former thief. Together, they hatch a plan to set Knox's family up for life while leaving the business behind, all while Knox battles his fading mental capabilities. Meanwhile, Detective Ikari links both crimes to a single perpetrator. 

She questions Knox with little or no clarity, and he later plants the evidence he had previously stored away around his son Miles' home, in an apparent act of betrayal. Miles is arrested for the murder of his daughter's rapist, and is visited by Knox in prison, where Knox accuses his son of ratting him out to the IRS in a tax evasion case several years prior, for which he spent six years in prison. 

Knox visits a cabin in the woods that he used to own but which his son sold two years prior. He breaks in and removes a stone tile from under a wood burning stove to retrieve a small pouch of diamonds. He then wanders off into the woods and gets lost but is picked up by a kindly hiker who calls Crane to come and collect him. Crane drives him home. 

Upon reaching home, he is confronted by a group of three heavy set burglars and Annie, who had become aware of Knox's dementia and the fact that he had been cashing out and ratted him out as a result. Overpowering them all and finishing them off each with a couple of rounds Knox confronts Annie at gunpoint and informs her that she would have gotten a one third share anyway, with the other two thirds going to Miles and his ex-wife Ruby (Marcia Gay Harden).

Despondent, Knox calls Xavier, who wishes him all the best before calling the Police as part of their plan, and telling them that Knox is at home with three dead bodies. He is arrested by Detective Ikari. The Police later discover signs that the evidence found at Miles house may have been tampered with, and planted there by Knox, leading to the conclusion that Knox may have framed his own son for the murder. When asked by Ikari on a possible motive, Miles, recalling his father's accusation of him in prison, responds accordingly, shifting the blame on to Knox. He is then released.

A few weeks weeks later, Miles visits his father in prison. Knox, now having fully lost his mental faculties, does not recognise his own son and is later moved from prison to a medical facility, having only weeks left to live. Miles and his mother receive equal shares of Knox's fortune now split just two ways, ensuring the completion of his retirement plan. Annie, who is spared, is shown receiving Knox's library and opening the cover of 'A Tale of Two Cities'. Knox is seen staring out of a window in a catatonic state. 

'Knox Goes Away' is a slow burn neo-noir crime thriller that doesn't feature explosions, car chases, or OTT gun play or close quarter combat. Instead, Director and star Keaton has delivered a character study that is engaging and nuanced, tautly wound and clever all at once, while eeking out top notch, albeit low key performances from its cast. As for the storyline, it's a little convoluted and almost bordering on the unbelievable, but that shouldn't stop you from enjoying this race against the clock for this hitman with rapid onset dementia to redeem himself to the people he cares most about. 

'Knox Goes Away' merits four claps of the Odeon Online clapperboard from a possible five claps.

    

-Steve, at Odeon Online-

What's new at Odeon's this week : Thursday 24th October 2024.

The 37th Tokyo International Film Festival takes place this year from Monday 28th October through until Wednesday 6th November in the capital city of Japan, Tokyo. Established in 1985, this event was held biennially from 1985 to 1991 and annually thereafter. According to the FIAPF (International Federation of Film Producers Associations), it is one of Asia's competitive film festivals and the second largest film festival in Asia behind the Shanghai International Film Festival, as well as the only Japanese festival accredited by the FIAPF. 

The awards bestowed during the festival have changed over time, but the Tokyo Grand Prix, handed to the best film, has stayed as the top award. Other awards that have been given regularly include the Special Jury Award and awards for best Actor, best Actress and best Director.

This years Opening Night Film presentation is '11 Rebels' from Japan, is Directed by Shiraishi Kazuya and tells the story of the 11-member suicide squad who take on a hopeless fortress defence mission. When the interests of the Shibata domain, the old shogunate and the new government collide, their heroic battle begins! World Premiere screening. The Closing Film is 'Mercello Mio' from France and Written and Directed by Christophe Honore, and charts an actress, the daughter of Marcello Mastroianni and Catherine Deneuve, who during a summer that sees her reality fall into disarray, Chiara decides to live as her father. She dresses like him, speaks like him and even breathes like him. Chiara's impersonation is so convincing that people around her begin to believe. They call her 'Marcello'. Japanese Premiere.

The Centrepiece film is 'Gladiator II' from the USA and the UK and Directed by Ridley Scott, and after his home is conquered by the tyrannical emperors who now lead Rome, Lucius is forced to enter the Colosseum and must look to his past to find strength to return the glory of Rome to its people. 

There are fifteen films in Official Competition for the Tokyo Grand Prix Winning Film, these being :-

* 'Adios Amigo' - from Colombia and Written and Directed by Ivan D. Gaona. Asian Premiere.

* 'Big World' - from China and Directed by Yang Lina. World Premiere.

* 'Bury Your Dead' - from Brazil and Written, Directed and scored by Marco Dutra. Asian Premiere.

* 'Cadet' - from Kazakhstan and Written and Directed by Adilkhan Yerzhanov. World Premiere.

* 'Daughter's Daughter' - from Taiwan and Directed by Huang Xi. Asian Premiere.

* 'The Englishman's Papers' - from Portugal and Directed by Sergio Graciano. World Premiere.

* 'In His Own Image' - from France and Written and Directed by Thierry de Peretti. Asian Premiere.

* 'Lust in the Rain' - from Japan and Taiwan and Directed by Katayama Shinzo. World Premiere.

* 'My Friend An Delie' - from China and Written, Directed and starring Dong Zijian. World Premiere.

* 'Papa' - from Hong Kong and Written and Directed by Philip Yung. World Premiere.

* 'Promise, I'll Be Fine' - from Slovakia and the Czech Republic and Written, Directed and Edited by Katarina Gramatova. World Premiere.

* 'She Taught Me Serendipity' - from Japan and Written and Directed by Ohku Akiko. World Premiere.

* 'Teki Cometh' - from Japan and Written and Directed by Yoshida Daihachi. World Premiere.

* 'Traffic' - from Romania, Belgium and the Netherlands and Directed by Teodora Ana Mihai. Asian Premiere.

* 'The Unseen Sister' - from China and Written, Directed and Edited by Midi Z. International Premiere.

For the full synopsis of the above mentioned films, plus the other film strands being showcased and a whole bunch of other good stuff, you can go to the official website at : https://2024.tiff-jp.net/

This week we have five new releases gracing a big screen Odeon near you, kicking off with the third and possibly final instalment in this successful Superhero action film that sees this pair of Marvel Comics characters go on the run from both of their worlds. Next we have a biographical drama film about the life and times of a photographic journalist during WWII for Vogue magazine. This is followed by a dark comedy psychological thriller offering about a man, who after undergoing facial-reconstructive surgery, becomes fixated on an Actor in a stage production based on his former life. Then we turn to a documentary about eight childhood sexual abuse survivors in a groundbreaking programme combining boxing and creative writing for healing; before closing out the week with a family animated adventure film that tells the story of when an evil wizard threatens this near thirteen year old girls family, she will leave on a quest to discover the powers she already has.

Whatever your taste in big screen film entertainment is this week - be it any of the five latest release new films as Previewed below, or those doing the rounds currently on general release or as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the coming week.

'VENOM : THE LAST DANCE' (Rated M) - this American Superhero film features the Marvel Comics character Venom, is the sequel to 2018's 'Venom' and 2022's 'Venom : Let There Be Carnage' and is the fifth film in Sony's Spider-Man Universe. Those first two instalments grossed a combined US$1.36B off the back of a total production budgets of US$220M, with the first film in the franchise being Directed by Ruben Fleischer and the second by Andy Serkis. This third and seemingly final offering is Written and Directed by Kelly Marcel in her feature film making debut. The film is released in the US this week too, and cost in the region of US$110M to produce.

Here then, Eddie Brock (Tom Hardy once again reprising his role and also taking a Writer and a Co-Producer credit) and Venom are on the run. Hunted by both of their worlds and with the net closing in, the duo are forced into a devastating decision that will bring the curtains down on Venom and Eddie's last dance. Also starring Chiwetel Ejiofor, Stephen Graham, Juno Temple, Rhys Ifans and Peggy Lu. 

'LEE' (Rated M) - is a British biographical drama film Directed by Ellen Kuras in her feature film making debut, and is based on the 1985 biography 'The Lives of Lee Miller' written by Antony Penrose. The film stars Kate Winslet (who also Co-Produces here) as WWII journalist Lee Miller who goes from a career as a model to enlisting as a photographer to chronicle the events of World War II for Vogue magazine, covering events such as the London Blitz, the liberation of Paris, and the concentration camps at Buchenwald and Dachau. The film also stars Marion Cotillard, Andrea Riseborough, Andy Samberg, Noemie Merlant, Josh O'Connor and Alexander Skarsgard. It saw its World Premiere showcasing at the Toronto International Film Festival in early September 2023, was released in the UK in mid-September this year, in the US at the end of September, has so far grossed US$12.5M and has garnered generally positive reviews. 

'A DIFFERENT MAN' (Rated MA15+) - this American dark comedy psychological thriller film is Written and Directed by Aaron Schimberg in only his third feature film outing following 'Go Down Death' in 2013 and 'Chained for Life' in 2018. Here, Edward Lemuel (Sebastian Stan) is a struggling Actor with neurofibromatosis that manifests itself as a disfiguring facial condition. He undergoes a radical medical procedure to drastically transform his appearance, but his new dream face quickly turns into a nightmare, as he loses out on the role he was born to play and becomes obsessed with reclaiming what was lost. Also starring Renate Reinsve and Adam Pearson, the film saw its World Premiere screening at this years Sundance Film Festival at the end of January, was released Stateside at the end of September, in the UK earlier this month, has so far grossed US$991K and has generated largely favourable reviews.

'LEFT WRITE HOOK' (Rated MA15+) - is an Australian documentary film Co-Written, Co-Produced and Directed by Shannon Owen. The film follows the journey of eight female and gender diverse survivors of childhood sexual abuse, who participate in an innovative recovery programme combining the physicality of boxing with the emotional power of creative writing. Gaining a space to release their memories, reclaim their bodies and imagine new lives for themselves, while guided by coach and academic Donna Lyon, participants Nikki, Dove, Pixie, Gabrielle, Claire, Julie and Lauren learn not just to box but also to recast the darkest chapters of their pasts into poetry, a powerfully cathartic exercise in reclaiming their life narratives. What begins as an eight-week commitment expands into a relationship of eighteen months as the women deepen their bonds and decide to present their work to the wider world – ultimately in hopes of puncturing the shroud of silence and shame, and reassuring others like them that they’re not alone.

'MY FREAKY FAMILY' (Rated PG) - this family animated adventure film is a German, Irish and Australian Co-Production that is Directed by Mark Gravas, and is based on the children's books 'The Floods' by Colin Thompson. Here, on the eve of her 13th birthday Betty Flood (voiced by Evanna Lynch), budding musician and magical being, just wants to be like the rest of her fabulous, but very different family, so why is her magical Mum so against it? As Betty wrestles with this, she also learns the amazing truth about her family and discovers that the not so normal, the magical and the musical are all a part of her fabulously freaky family. 

With five new release movie offerings this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. In the meantime, I'll see you sometime somewhere at your local Odeon in the week ahead.

-Steve, at Odeon Online-