Wednesday, 12 December 2018

What's new in Odeon's this week : Thursday 13th December 2018.

The Australian Academy of Cinema and Television Arts (AACTA) Awards were held at Sydney's Star Hotel and Casino on Wednesday 5th December 2018, and as the official website states, these are a continuum of the AFI Awards, which have honoured screen excellence in Australia since 1958. The AACTA Awards recognise film, television and documentary screen craft excellence - including Directing, Producing and Acting, through to Cinematography, music and score composition and costume design - across more than fifty Awards each year. The AACTA's are Australia's highest film and television Awards which began in their now current format in August 2011, following the AFI's launch of the Australian Academy. and are held annually in Sydney, Australia in recognition and celebration of Australia’s highest achievements in film and television, as judged by the industry itself.

This year, amidst all the glitterati, glamourati, and the paparazzi the proud winners and grinners of the big screen awards were presented to the following :-

* AACTA Award for Best Feature Film : 'Sweet Country'
* AACTA Award for Best Indie Film : 'Jirga'
* AACTA Award for Best Direction : Warwick Thornton for 'Sweet Country'
* AACTA Award for Best Lead Actor : Hamilton Morris for 'Sweet Country'
* AACTA Award for Best Lead Actress : Angourie Rice for 'Ladies in Black'
* AACTA Award for Best Supporting Actor : Simon Baker for 'Breath'
* AACTA Award for Best Supporting Actress : Nicole Kidman for 'Boy Erased'
* AACTA Award for Best Original Screenplay : David Tranter and Steven McGregor for 'Sweet Country'
* AACTA Award for Best Adapted Screenplay : Joel Edgerton for 'Boy Erased'
* AACTA Award for Best Cinematography : Warwick Thornton for 'Sweet Country'
* AACTA Award for Best Original Musical Score : Christopher Gordon for 'Ladies in Black'
* AACTA Award for Best Sound : 'Breath'
* AACTA Award for Best Costume Design : Wendy Cork for 'Ladies in Black'
* AACTA Award for Best Feature Documentary : Paul Damien Williams for 'Gurrumul'
* AACTA Award for Best Visual Effects or Animation : Animal Logic for 'Peter Rabbit'
and, The AACTA Longford Lyell Award for Lifetime Achievement was awarded to Bryan Brown.

This week then sees the release of four new films coming to your local Odeon. We launch off with a re-cut, re-edited, and partially re-shot version of a strictly adults only anti-hero superhero film of earlier this year that re-wrote the rule book in all of its bloody violence, foul mouthed, wise arsed glory. This version has been toned down for a family audience this festive season, whilst still retaining many of the touchstones that has made this franchise so popular. Next up is a tale of mid-nineteenth century Ireland with the backdrop of the Great Famine and one mans struggle to seeks justice, or revenge or both on those that did him, and his family, wrong. We then go to a revenge action thriller concerning a one woman army out to wreak bloody vengeance on those that killed her husband and her daughter - and there's plenty of miscreants lining up it seems on both sides of the law. Wrapping up the week is an animated feature film concerning multiple web-slinging superheroes with arachnid like tendencies who inhibit an alternate universe to their live action counterparts.

Whatever your taste in big screen film entertainment is this week - be it any of the four latest release new movies as Previewed below, or those doing the rounds currently on general release and as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the week ahead.

'ONCE UPON A DEADPOOL' (Rated M) - in 2016 the Marvel character of Deadpool aka Wade Wilson burst onto our screens in this origin feature of the fourth wall breaking potty-mouthed wise-cracking indestructible anti-hero superhero. A huge financial success raking in a Box Office haul of US$783M off the back of a US$58M Budget, critically acclaimed, multi-award winning and record breaking 'Deadpool' was Directed by Tim Miller and starred Ryan Reynolds as our titular hero who hunts down the man who gave him mutant abilities and caused his scarred physical appearance. Of course, off the back of this success came 'Deadpool 2' earlier this year as Directed by David Leitch for US$110M and bringing home US$734M in which our hero forms the team X-Force to protect a young mutant from the time-travelling soldier, Cable. 'Deadpool 3' is currently in development.

And so 'Once Upon a Deadpool' is a re-cut PG version of 'Deadpool 2' said to be more family friendly and less potty-mouthed with a Christmas twist, that also includes twenty minutes of new footage not previously seen. Those scenes mostly take in Deadpool's bedside dialogue with Fred Savage in a homage to Savage's starring role as the Grandson in the 1987 bedtime-story classic 'The Princess Bride'. Other than these additions to frame the story, and some additional light hearted child friendly themeing, the bulk of the film is a re-edited, supposedly toned down version of 'Deadpool 2'.

'BLACK '47' (Rated MA15+) - this Irish historical period offering is Directed and Co-Written for the screen by Lance Daly and is based on a short story made into a short film called 'An Ranger' by Pierce Ryan and P.J. Dillon. The film saw its World Premier screening at the Berlin Film Festival back in March this year, was released in Ireland in September and now goes on a limited release here is Australia this week. Telling the story set in 1847 during the Great Famine of 1845-1849, of an Irish Ranger Martin Feeney (James Frecheville) who returns from war to find that his mother has died in the famine of starvation, and his brother has been hanged by the British having stabbed a bailiff during the family's eviction from their home. When his plans to emigrate to America fails, he starts a vendetta against the establishment in Ireland. Also starring Hugo Weaving, Stephen Rea, Jim Broadbent, Freddie Fox and Barry Keoghan the film has received generally positive Reviews and has so far grossed US$2M.

'PEPPERMINT' (Rated MA15+) - here French film Director and Cinematographer Pierre Morel, whose previous Directing credits include 'District 13', 'Taken', 'From Paris With Love' and 'The Gunman', delivers us an American action vigilante movie that has been described by one Critic as 'Death Wish' on steroids'. Released in the US in early September, the film cost US$25M, has so far recovered US$49M but has received generally negative Press along the way. In this story Riley North (Jennifer Garner) awakens from a coma after surviving a brutal attack that killed her husband and daughter. When the system shields the murderers from justice, Riley sets out to transform herself over  a period of five years, from law abiding citizen to urban killing machine using all the close quarter combat tactics in the guerrilla playbook. Channelling her frustrations at the system and the injustice served into motivation, the young widow spends years in hiding teaching her mind, body and spirit to become an unstoppable force. Eluding a drug cartel underworld headed up by Diego Garcia (Juan Pablo Raba), the Police in the form of Detectives Stan Carmichael and Moises Beltran (John Gallagher Jnr. and John Ortiz respectively) and the FBI Agents Lisa Inman and Barker (Annie Illonzeh and Method Man respectively), Riley embarks on a deadly quest to deliver her own personal form of justice by utilising her own set of very particular skills.

'SPIDER-MAN : INTO THE SPIDER-VERSE' (Rated PG) - here we have a computer animated feature film based on the famed Marvel Comics character and produced by Columbia and Sony in association with Marvel. Directed by Bob Persichetti, Peter Ramsey, and Rodney Rothman the film cost US$90M to make, is released Stateside this week too and has generated widespread Critical acclaim for the quality of innovative animation, the story line, humour and voice acting. The film is set in a shared multiverse called the 'Spider-Verse', which features different alternate universes. Bitten by a radioactive spider, teenager Miles Morales (Shameik Moore) suddenly develops mysterious powers that transform him into Spider-Man. Juggling his high-school demands with his new found super powers, he must now use his new skills to battle the Kingpin, aka Wilson Fisk (Liev Schreiber), a hulking madman who can open portals to other dimensions. Miles however, is one only of many Spider-Men (or Spider-Persons to be PC), including Peter Parker (voiced by Jake Johnson). Hailee Steinfeld voices Gwen Stacey aka Spider-Gwen, Lily Tomlin is May Parker, Zoe Kravitz is Mary Jane Watson and Nicolas Cage, Brian Tyree Henry, Oscar Isaac, Mahershala Ali, Kathryn Hahn and of course the obligatory cameo by the late great Stan Lee. A sequel is already in the early stages of development together with several potential spin-offs based on the buzz surrounding this feature. The film has been nominated for an early 2019 Golden Globe Award in the Best Animated Feature category.

With four new release films this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. In the meantime, I'll see you sometime somewhere in the week ahead at your local Odeon.

-Steve, at Odeon Online-

Friday, 7 December 2018

CREED II : Tuesday 4th December 2018.

I saw 'CREED II' earlier this week, and this sports drama film probably needs little introduction. After all it is the sequel to 2015's highly acclaimed 'Creed' film as Directed and Written by Ryan Coogler and Co-Produced and starring Sylvester Stallone in his seventh turn as our titular pugilist hero Rocky Balboa. That film cost US$40M to make, grossed US$174M and picked up a whole slew of awards and nominations along the way. Now the team reunite for 'Creed II' the eighth film in the 'Rocky' franchise, but this time Directing duties are given over to Steven Caple Jnr. in only his second feature film outing as Director. Ryan Coogler takes an Executive Producer credit and Sylvester Stallone takes on the role once more as Rocky Balboa, Co-Wrote the Screenplay and also Co-Produces. Released in the US on 21st November, the film has so far recovered US$100M from its US$50M Budget investment, and has generated generally positive Reviews.

The film opens up somewhere in a drab and dreary Ukraine. It is early morning, and woken up from his slumber on the sofa is Viktor Drago (Florian Munteanu). The man who did the wake up call is his father Ivan Drago (Dolph Lundgren) as he looks out of his apartment window on to the grey city scape before him. We then cut to Las Vegas and a bout at the MGM Grand involving Adonis Creed (Michael B. Jordan) and Danny 'Stuntman' Wheeler (Andre Ward) for the WBC (World Boxing Council) World Heavyweight Championship title. His trainer Rocky Balboa (Sylvester Stallone) gives Adonis a final pep talk, before his girlfriend Bianca Taylor (Tessa Thompson) has the final word. Needless to say Adonis wins the title and is crowned World Heavyweight Boxing Champion.

With his new found fame, Adonis decides to propose marriage to Bianca, which she accepts. Bianca later suggests to Adonis that they move away from Philadelphia and return to Los Angeles where she can concentrate on her escalating singing career, and he can still train and be based there. However, Philadelphia has been good to him, he is established, is known, and furthermore, and perhaps most importantly, Rocky lives there, and there is a great sense of loyalty between the pair.

In the meantime, Ivan Drago, a former Russian boxer who killed Adonis's father, Apollo Creed (Carl Weathers seen in flashback), in the ring thirty-three years earlier, sees a chance to regain the glory that was taken from him as a result of his loss to Rocky Balboa in Moscow later that same year by pitting his son, Viktor Drago, against Adonis. Boxing Promoter Buddy Marcelle (Russell Hornsby) has been maintaining a watchful eye on Viktor's progress in the ring in recent times, and when he feels that Viktor is ready, he pitches the idea to both sides.

Ivan and Viktor both arrive in Philadelphia even though the bout has not yet been agreed to. Ivan visits Rocky in his restaurant one evening unannounced. The pair eye off against each other for the first time in more than thirty years. Ivan says that he returned to Russia a broken man after his fight in which he lost to Rocky, and that Russia turned its back on him. He has nothing . . . . except his son now. Ivan goads Rocky by saying that his son Viktor will break his boy. When Adonis mentions the idea to Rocky, he refuses to support the notion, and says that he'll be going into the ring without him therefore. Feeling betrayed and dejected, Adonis leaves with Bianca for LA where they take out a luxurious apartment overlooking the city skyline, and close to Apollo's widow and Adonis' adoptive mother Mary Anne Creed (Phylicia Rashad).

The day of the bout with Drago is quickly upon them. Adonis has been training in LA with Tony 'Little Duke' Evers (Wood Harris), the son of Apollo's, and later Rocky's, trainer. Bianca meanwhile has announced that she is pregnant. With so much going on his life - marriage proposal, baby on the way, recently relocated to LA, newly crowned World Champ, new trainer, no Rocky - Adonis rushes into his world title defence bout with Drago.

Drago is clearly the far superior Boxer, in terms of his height, weight, reach, strength and build. Adonis is ill prepared and comes off worse, and badly injured as well. Maintaining a bedside vigil, Bianca and Little Duke receive news that the Boxing Governing Body has upheld the decision to disqualify Drago for punching Adonis while he was still down, so allowing the World Champ to still retain his crown. Viktor and Ivan return to Russia where their popularity soon grows on a wave of national support.

Afters several weeks of recuperation in hospital Adonis is released with a frenzy of the media in waiting. Back at his apartment over the following weeks and months he becomes increasingly distant from Bianca. His body is still hurting, his confidence has taken a blow, and his mind is on other things. Mary Anne reaches out to Rocky in the hope that with his support and advice he will pull through his personal crisis. Rocky arrives at Mary Anne's palatial house, and waits for Adonis to arrive expecting to meet with his mother. Instead the pair say a few candid words to each other and make up their differences. Rocky agrees to train Adonis in preparation for a rematch with Drago which the Boxing Governing Body are putting pressure on Adonis to name an opponent or forfeit his title, due to the time that has now lapsed between world title contests.

Meanwhile back in Russia at a grand dinner at which Viktor and Ivan are the centre of attention by the gathered guests and dignitaries, in waltzes Ludmilla Drago (Brigitte Neilsen), the former wife of Ivan and mother to Viktor, who deserted them both soon after Ivan's loss to Rocky. Viktor can hardly contain himself out of anger towards seeing his mother all proud, glamorous and clearly well off while they have nothing. He walks out of the dinner quickly followed by Ivan, much to the chagrin of the other guests. Meanwhile back in LA Bianca has given birth to a girl, whom they name Amara.

Viktor continues to goad Adonis, while Ivan puts his son through a relative pedestrian albeit fairly brutal training regime. Rocky, on the other hand, drives Adonis out to the middle of the Californian desert to a run down dust bowl of an outdoor gym with makeshift equipment and a boxing ring. Rocky tells Adonis, that it is a place where fighters come to be 'reborn'.

What follows is the obligatory training montage that sees Adonis beating the sand and the dust with a sledgehammer with all his might, running to keep up with Rocky driving the car ahead, getting pummelled to the stomach with a medicine ball, strengthening his neck by lifting weights with his head, shadow boxing with the camp fire at dusk and sparring with an opponent in the ring with each man having to maintain a foot inside a tyre. This brutal regime goes on for seemingly a few weeks, but eventually Adonis has got his mojo back, he's in great shape and ready for the fight of his life (predictably).

The rematch is staged in Moscow, amidst all the glitz and glamour that Russia can muster and in front of a capacity crowd all cheering on Drago. Early on Adonis, in a more controlled and focused manner that his first bout against Drago, is on an equal footing with the Russian, exchanging blows one for one. Drago wins the second round by punches landed and the number of times Adonis falls to the mat.

And so it continues, into Rounds three, four, five and six. Drago has always won his fights by a knock out early on, and so is unaccustomed to going the distance with a worthy adversary, and someone who can take a pummelling and still keep coming back. A fact that Adonis plays to his advantage. In Round 10, after being floored again, Adonis gets mightily pissed off at himself and barely rising up off the mat musters the strength and the inner rage to let his punches rain down on Drago, sending him to the mat twice.

Ludmilla, who had been sitting ringside with other supporters of Viktor, departs when the fortunes of this title bout start leaning very much in Adonis' favour. Viktor sees this and is caught off-balance emotionally. Ivan also noted her prompt departure, but has now seemingly reconciled the fair-weathered nature of those supporters who had run Ivan out of Russia originally thirty years before. With Viktor cornered and Adonis landing multiple strikes without any retaliation by his opponent, Rocky watches in disbelief as Ivan steadily inches his way to where his son is cornered and throws in the towel, conceding the fight to Adonis to ensure his son isn’t seriously injured or worse.

Though Viktor is ashamed by his defeat, Ivan embraces his son motioning that it's OK that he lost and that he put up an admirable fight. Bianca, also watching from a ringside seat enters the ring to celebrate with Adonis who motions for Rocky to join them. Rocky stops himself from joining the celebrations telling Adonis that it is 'his time' and so he takes a seat and watches them from outside the ring. Sometime after the fight and back in LA, Adonis visits the gravesite of his father to make peace with him and for carrying the heavy burden of his legacy. Ivan and Viktor are seen jogging through the streets back in Ukraine. Rocky visits his estranged son Robert (Milo Ventimiglia) in Vancouver and meets with his young grandson Logan, for the first time. 

For the eighth film in the 'Rocky' franchise this instalment is light on genuine surprises and follows a tried and tested, and predictable, formula. Champion Boxer has crisis of confidence, check; has inner demons he must overcome, check; gets beaten up, loses and has a rematch, check; must face off against a formidable opponent against the odds, check; undergoes a brutal training regime seen in montage, check; goes the full ten rounds in the World Title fight despite being battered, bruised, bloody and broken, check; slo-mo body and facial blows, check; but wins the day and is victorious, check; and the principle characters all have their own little side story to deal with along the way too, check! Despite the predictable formulaic nature of this franchise as described, it is nonetheless a well executed sequel to 'Creed' that has strong performances from Jordan and Stallone once more especially, the fight scenes are well choreographed and excitingly shot from a myriad of angles, and the film has heart and conviction that invests you in the characters, their lives, challenges, triumphs and emotions. Certainly worth the price of your ticket.

'Creed II' warrants three claps of the Odeon Online clapperboard from a possible five claps.
-Steve, at Odeon Online-

Wednesday, 5 December 2018

What's new in Odeon's this week : Thursday 6th December 2018.

In November the world bid a fond farewell to a number of stars of the silver screen and the small screen. In brief, shown below, is my passing tribute to those stars who leave an indelible mark on the entertainment industry, and in particular the world of film and television. May you all Rest In Peace, and thanks for the memories . . . . Stan Lee, Ken Swofford, William Goldman, Nicolas Roeg, Ricky Jay and Bernardo Bertolucci.

* Ken Swofford : born Kenneth Charles Swofford on 25th July 1933 and died 1st November 2018, aged 85. Swofford was an American film and television Actor who amassed 125 acting credits over a career spanning six decades. His movie credits included the likes of 'The Andromeda Strain', 'Skyjacked', 'The Domino Principle', 'S.O.B.', 'Annie' (the 1982 version) and 'Thelma & Louise'. He was however, more prolific in his TV career with guest and recurring appearances on a number of popular series including 'The Virginian', 'Mission : Impossible', 'The Streets of San Francisco', 'Columbo', 'The Waltons', 'The Partridge Family', 'Gunsmoke', 'Ellery Queen', 'Rich Man, Poor Man : Book II', 'Police Story', 'The Six Million Dollar Man', 'The Rockford Files', 'Fame', 'Dynasty', 'Dallas', 'Baywatch' and 'Murder, She Wrote'.
* Stan Lee : born Stanley Martin Leiber on 28th December 1922, died 12th November 2018 aged 95. Lee was an American comic book Writer, Editor, and Publisher who was active from the '40's right through to the 2010's. He rose through the ranks of a family-run business to become Marvel Comics' uppermost creative leader for two decades, spearheading its expansion from a small division of a publishing house to a multimedia corporation that dominated the comics industry, and many would say the movie industry too. Collaborating with others at Marvel, especially fellow Co-Writer and Artists Jack Kirby and Steve Ditko, he was responsible for co-creating many popular fictional characters that are now forever ingrained in our sub-conscience, including superheroes Spider-Man, the X-Men, Iron Man, Thor, the Hulk, the Fantastic Four, Black Panther, Daredevil, Doctor Strange, and Ant-Man, amongst others, all of whom have enjoyed considerable world wide success on the big screen over the past ten years or so. Following his retirement from Marvel in the 1990's, he remained a public figurehead for the company, and frequently made cameo appearances in films based on his Marvel characters, on which he received an honorary 'Executive Producer' credit. Records show that Lee had 218 Writing credits to his name, 154 Producer credits and 121 as Actor amongst numerous others. He also was the recipient of eleven award wins and a further nine nominations. What a legacy this man leaves behind!
* William Goldman : born 12th August 1931, and died 16th November 2018, aged 87. Goldman was an American novelist, Playwright and Screenwriter who first came to prominence with the release of his first novel in 1957 titled 'The Temple of Gold'. Over the years he wrote another fifteen novels, releasing his last in 1986, as well a s number of short stories and non-fiction works. In between time he became a prolific Screenwriter penning numerous films from 1965 right up until 2015. These included 'Harper', 'Butch Cassidy and the Sundance Kid', 'The Stepford Wives', 'The Great Waldo Pepper', 'Marathon Man' (based on his own novel), 'All the President's Men', 'A Bridge Too Far', 'Magic' (also based on his own novel), 'The Princess Bride' (again based on his own novel), 'Twins', 'Misery', 'Chaplin', 'Maverick', 'The Chamber', 'The Ghost and the Darkness', 'Absolute Power', 'Hearts in Atlantis' and 'Wild Card' (once more based on his own novel) amongst others. He won eleven awards including two Academy Awards for 'All the President's Men' and 'Butch Cassidy and the Sundance Kid', was nominated for three Golden Globes, and won one BAFTA and was nominated for another. He was also the recipient of three wins and three nods from the Writers Guild of America. He was described as 'one of the late twentieth century's most popular storytellers'.
* Nicolas Roeg : born Nicolas Jack Roeg on 15th August 1928 and died 23rd November 2018 aged 90. Roeg was an English Director and Cinematographer who after completing National Service in 1947 got a job in the film industry working as tea boy then the clapper loader at Marylebone Studios in London. Throughout the '50's he progressed to various camera jobs graduating to the role of camera operator in which he worked on several film and television productions during the '60's including 'The Trials of Oscar Wilde', 'The Sundowners', 'Lawrence of Arabia', 'Doctor Zhivago', 1967's 'Casino Royale' and TV series 'Ghost Squad'. It wasn't until 1970 that he gained his first Directing credit with the crime drama 'Performance' starring Mick Jagger. He followed this up with 'Walkabout', 'Don't Look Now' in 1973, 'The Man Who Fell to Earth' in 1976 with David Bowie, 'Bad Timing' in 1980 with Art Garfunkel, 'Eureka', 'Castaway', 'Two Deaths' and 2007's 'Puffball' being his last feature length film. All up Roeg had 29 Director credits to his name, twenty as Cinematographer and 26 working in the camera department. He accumulated nine award wins and another fourteen nominations including three BAFTA nods and three Cannes Palme d'Or nominations. In 1999, the British Film Institute acknowledged Roeg's importance in the British film industry by naming 'Don't Look Now' and 'Performance' as the 8th and 48th greatest British films of all time. In 2011, Roeg was made a Commander of the Order of the British Empire.
* Ricky Jay : born Richard Jay Potash on 26th June 1946 and died on 24th November 2018, aged 72. An American stage Magician, Actor, Writer and Consultant and in addition to his renown with sleight of hand tricks, he was also known and highly regarded for his card tricks, card throwing, memory feats and quick fire stage patter. He is well authored in magic and its history having published eleven books on the subject, had numerous articles published and given lectures, demonstrations and exhibitions too. Jay had 39 Acting credits to his name since his television debut on 'Simon & Simon' back in 1983. Since then he has worked regularly in both film and TV on such productions as 'House of Games', 'Homicide', 'The Spanish Prisoner', 'Boogie Nights', 'Tomorrow Never Dies', 'Mystery Men', 'Magnolia', 'State and Main', 'Heist', 'The Prestige', 'The Brothers Bloom' and his last film role in 2015's 'The Automatic Hate'. In between his movie appearances he worked on both single and multiple episodes of such television shows as 'The X-Files', 'Deadwood', 'Kidnapped', 'The Unit' and 'Lie To Me'. Jay worked with Writer and Director David Mamet on seven of his films.
* Bernardo Bertolucci : born 16th March 1941 and died 24th November 2018, aged 77. He was an Italian Director and Screenwriter whose first Directing and Writing credit was on the 1962 murder mystery thriller film 'The Grim Reaper'. He worked progressively throughout the remainder of the '60's, '70's, '80's and '90's with his output slowing in the 2000's amassing a career portfolio that took in 25 Directing credits, 25 Writing credits and three as Producer. Among his more notable works were 1972's 'Last Tango in Paris' with Marlon Brando, 1976's '1900' with Robert De Niro, 1987's multi-award winning (including nine Academy Award wins) 'The Last Emperor', 1990's 'The Sheltering Sky', 1993's 'Little Buddha' with Keanu Reeves, 1996's 'Stealing Beauty' with 2012's 'Me and You' being his last feature film outing. All up Bertolucci garnered 49 award wins including two Oscars, two Golden Globes and one BAFTA win; and a further 32 nominations. He was bestowed with the inaugural Honorary Palme d'Or at the opening ceremony of the 2011 Cannes Film Festival, and also has a star on the Hollywood Walk of Fame.

Turning attention to this week then, we have no fewer than nine new cinematic offerings gracing an Odeon near you in the coming week. We kick off with a dystopian post apocalyptic world where a heroine emerges to stop London, now a giant city that has been propped up on wheels and roams the country side, from destroying everything in its path, whilst also trying to thwart an all powerful man she blames for the death of her mother. We then switch to a reimagining of the WWII Battle of Normandy and the eve of the D-Day Landings in this zombie gore fest tale of a small platoon of US soldiers who stumble across a Nazi experimental lab. Sticking with the undead genre we have next a British Christmas zombie comedy musical film that is quite probably something we haven't seen before; followed by a tale of college sweethearts in America whose life becomes inextricably linked by a twist of fate to a group of people in Spain. Next up is a true story about a successful writer who falls out of favour and so to make ends meet begins forging letters of the deceased rich & famous and selling them off for a tidy profit. This is followed by a RomCom about a 40 something year old Mum who has let her life pass her by, but who gets a second chance at a successful career by bluffing and faking her way into a major finance company under the guise that she is an expert Consultant. We then have another alleged true story set in the '90's in which a hip-hop dance troupe holed up in deserted school overnight and continue their celebrations whilst under the influence of illicit substances; before turning to a film surrounding two very different sisters one of which has a seemingly serious online relationship with a mystery man, whilst the other can see through the ruse and tries to prevent her siblings world form crashing in around her. We then wrap up with a supernatural horror offering set in a creepy abandoned school that harbours more deathly secrets than this mothers cares to overcome as she searches amongst its corridors and old classrooms for her missing son.

Whatever your taste in big screen film entertainment is this week - be it any of the nine latest release new movies as Previewed below, or those doing the rounds currently on general release and as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the week ahead.

'MORTAL ENGINES' (Rated M) - here the supremely collaborative team of Peter Jackson, Fran Walsh and Phillippa Boyens get their creative minds around this latest post-apocalyptic steampunk adventure offering based on the book of the same name by Philip Reeve. The threesome here Co-Produce and between them penned the Screenplay of this American and New Zealand co-production that cost US$100M to bring to the big screen, is Directed in his debut by fellow New Zealander Christian Rivers, saw its Premier in London at the end of November, is released in New Zealand and Australia this week, and the US next week.

Set hundreds of years after civilisation was destroyed by a cataclysmic event, we meet Tom Natsworthy (Robert Sheehan) who is a twenty-something Londoner who has only ever lived inside his travelling hometown, and his feet have never touched grass, land or mud. His first introduction to the world outside comes abruptly one day when Tom gets in the way of a mysterious young woman named Hester Shaw (Hera Hilmar). She emerges as the only one who can stop London, now a giant, predator city on wheels from swallowing up everything in its path, whilst also attempting to execute a plan to kill Thaddeus Valentine (Hugo Weaving) a powerful man whom she blames for the death of her mother. Hester and Tom wind up getting themselves banished from the moving 'traction' city, to fend for themselves. Driven by the memory of her mother, Hester joins forces with Tom along with Anna Fang (Jihae), a dangerous outlaw with a bounty on her headAlso starring Stephen Lang and Patrick Malahide.

'OVERLORD' (Rated MA15+) - here we have an American WWII horror offering that spins a new slant on the historical D-Day Landings. Directed by Western Australian Julius Avery, whose only other feature so far has been 'Son of a Gun' in 2014, this film is Co-Produced by J.J. Abrams and is set on the eve of D-Day with American paratroopers preparing to drop in behind enemy lines to penetrate the walls of a fortified church and destroy a radio transmitter. When their plane is shot down the five remaining soldiers Corporal Ford (Wyatt Russell), Private Boyce (Jovan Adepo), sniper Tibbet (John Magaro), photographer Chase (Iain De Caestecker) and Dawson (Jacob Anderson) must continue on foot. En route they run into a French woman who agrees to escort them to their target, Chloe (Mathilde Ollivier). As the soldiers approach their destination, they soon come to the realisation that there's more going on in the Nazi-occupied village than a simple military operation. Making their way to an underground lab, the outnumbered men stumble upon a sinister experiment that forces them into a vicious battle against an army of the undead. The film was released in the US on 9th November, cost US$38M to make, has so far grossed US$39M and has generated mixed or average Reviews so far.

'ANNA AND THE APOCALYPSE' (Rated MA15+) - sticking with the undead theme, here where we have a British Christmas zombie comedy musical of all things, Directed by John McPhail. This offering saw its World Premier at Fantastic Fest way back in September 2017, and saw its US & UK release last week before its release in Australia this week. It has so far garnered generally positive Press. This film tells the story of how a zombie apocalypse threatens the sleepy town of Little Haven – at Christmas time, forcing Anna (Ella Hunt) and her friends to fight, slash and sing their way to survival, as they face off against the undead in a desperate race to reach their loved ones. But they soon discover that no one is safe in this brave new world, and with civilisation crumbling all around them, the only people they can truly rely on, are each other.

'LIFE ITSELF' (Rated MA15+) - this American drama film is Directed and Written by Dan Fogelman in only his second Directorial outing after 2015's 'Danny Collins'. The film follows college sweethearts Will (Oscar Isaac) and Abby (Olivia Wilde) as they fall in love, get married and prepare to bring their first child into the world. As their story unfolds in New York, fate links them to a group of people in Seville, Spain, including a troubled young woman, a man and his granddaughter, a wealthy landowner and a plantation manager all over several generations. With an ensemble cast that takes in Mandy Patinkin, Olivia Cooke, Annette Benning, Antonio Banderas and Samuel L. Jackson the film had its World Premier screening at TIFF in September, was released later that same month in the US, cost US$10M, has so far recovered about US$5M and has received generally negative Reviews.

'CAN YOU EVER FORGIVE ME?' (Rated M) - this American biographical drama offering is brought to us by Director, Actor and Writer Marielle Heller recounting the real life exploits of Lee Israel, a noted American author who became a literary forger and thief. Based on Lee Israel's own 2008 confessional autobiographical book of the same name, the film stars Melissa McCarthy as Lee Israel who made her living through the '60's, '70's and '80's writing profiles of high-achieving women such as Katharine Hepburn, cosmetics executive Estée Lauder and journalist Dorothy Kilgallen and charts her subsequent life as she attempts to revitalise her sagging writing career in the '90's by forging letters from deceased authors and playwrights. She died in 2014 aged 75. The film also stars Richard E. Grant as her loyal and trusted friend Jack Hock. The film has received Critical praise in particular for McCarthy's and Grant's performances, and ha so far taken just $7M at the Box Office since its US release in mid-October following its Premier screening at Telluride in early September.

'SECOND ACT' (Rated M) - here we have an American RomCom Directed by Peter Segal whose previous film making credits include 'Anger Management', '50 First Dates', 'The Longest Yard', 'Get Smart' and most recently 2013's 'Grudge Match'. Here he Directs Jennifer Lopez as Maya, an under achieving forty something year old mother who has struggled with unfulfilled dreams and career frustrations. But, Maya's life is about to turnaround when she gets a chance to prove to Madison Avenue that street smarts are as valuable as book smarts, and that it's never too late for a second act when a private finance firm is misled into believing that she's an accomplished Consultant, and hire her to handle a major business deal. Also starring Vanessa Hudgens, Leah Remini, Treat Williams and Milo Ventimiglia. The film is set for release in the US the week before Christmas.

'CLIMAX' (Rated MA15+) - this French musical horror mash-up is Directed, Written, Edited and Co-Produced  by Argentinian filmmaker Gasper Noe whose previous Directing credits take in 'Irreversible', 'Enter the Void' and 'Love'. The film screened in the Directors' Fortnight category at the 2018 Cannes Film Festival where it won the Art Cinema Award, cost US$3M, has so far recovered US$790K and has received widespread Critical acclaim. Allegedly based on a true story, here a troupe of young hip-hop dancers gather in a remote and empty school building to rehearse on a cold night one Winter sometime during the '90's. Their all-night celebration soon turns into a hallucinatory nightmare when they learn that their drinks have been laced with LSD. The film stars Sofia Boutella.

'NOBODY'S FOOL' (Rated MA15+) - this is an American romantic comedy drama offering from Writer and Director Tyler Perry. Released in the US earlier last month, the film has so far grossed US$32M off the back of a US$19M Budget investment, and has garnered generally lacklustre Reviews so far. And so, following a five year jail term, wild child Tanya (Tiffany Haddish) looks to her prim & proper do the right thing sister Danica (Tika Sumpter) to help her in getting reestablished into society. The feisty former prison inmate however, becomes suspicious and concerned when Danica tells her that she's in a long-distance, online relationship with a mystery man she has never met. As the polar opposites start to butt heads, Tanya quickly discovers that her sister's near perfect existence may not be quite what it seems, and her online love interest might really be a fake. Also starring Whoopi Goldberg, Chris Rock, Missi Pyle and Omari Hardwick.

'THE SCHOOL' (Rated M) - Written and Directed in his feature film debut, Aussie Storm Ashwood here crafts an Australian horror and otherworldly action fantasy offering that goes on limited release across selected cinemas this week. When Dr. Amy Wintercraig (Megan Drury) who is searching for her missing son, awakens to find herself in an abandoned school, she must survive a supernatural terror known affectionately as 'The Hungries' who are half dead teenage kids baying for blood, and a gang of youths headed up by Zac (Will McDonald) who seem to run the outlandish horror show, as well as face her own demons if she is to find the truth about where her son is. Also starring Nicholas Hope, Milly Alcock, Texas Watterston and Jack Ruwald.

With nine new release films this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. In the meantime, I'll see you sometime somewhere in the week ahead at your local Odeon.

-Steve, at Odeon Online-

Saturday, 1 December 2018

WIDOWS : Wednesday 28th November 2018.

'WIDOWS' which I saw earlier in the week at my local multiplex, is an American heist drama film based on the 1983 and 1985 British television series of the same name that was written by Lynda La Plante, and which ran for two series each of six episodes. Now in 2018 that earlier inspiration has been given a makeover some thirty years later and this time is written for the screen by Gillian Flynn, the author of the acclaimed novel and later film 'Gone Girl'. Directed by Steve McQueen whose previous Directorial credits include 'Hunger', 'Shame' and '12 Years a Slave', here he has amassed an ensemble cast for a Production Budget of US$42M and what has so far received widespread Critical praise. The film saw its Premier screening at TIFF back in September, was released in the UK early in November, the US and Australia mid-November, has so far grossed US$42M and has been Critically praised.

The story here surrounds a Police shootout that leaves four career thieves and partners in crime dead during an explosive armed robbery attempt in Chicago that goes horribly wrong for the gang of four. Those men were Harry Rawlins (Liam Neeson), Carlos Perelli (Manuel Garcia-Rulfo), Florek Gunner (Jon Bernthal) and Jimmy Nunn (Coburn Goss). We see the four men in the lead up to their fateful robbery living the domestic life with their wives, children, pets, jobs and each man leaving their domestic situation on the morning of the daring heist . . .  never to return. We then cut to the funerals of each one in turn - mostly small & private, expect for Harry's which was a much grander affair attended by many guests and a few dignitaries. The widows left behind are Veronica Rawlins (Viola Davis), Linda Perelli (Michelle Rodriguez), Alice Gunner (Elizabeth Debicki) and Amanda Nunn (Carrie Coon). At Harry's funeral, after his body is lowered into the ground, Veronica is approached by Jack Mulligan (Colin Farrell) who is running for election for the position of Alderman in the South Side Ward of Chicago, offering his deepest sympathies and his support, if ever she needs anything.

Meanwhile Jamal Manning (Brian Tyree Henry) is also running for election as Alderman of the South Side Ward against Mulligan, and there is a fierce rivalry between the two. Mulligan believing that as his father and grandfather before him occupied that seat, that he has a divine right to it having been born into the role, and Manning believes that he is a man of the people and is their voice at a grassroots level. However, Manning is also a crime boss, and has his younger brother Jatemme (Daniel Kaluuya) to do his dirty work for him, including dispensing with ruthless efficiency with those that would cross the pair or stand in the way of them getting what they want. We quickly learn that Harry and his gang robbed Jamal of US$2M which went up in smoke, and now the Manning's are wanting their money back, as this money was to fund Manning's electoral campaign against Mulligan. The pair look on menacingly from a distance at Harry's funeral.

Harry's trusted long time driver Bash (Garret Dillahunt) while driving Veronica around, hands her a small package containing a key and a handwritten note with the location of a safety deposit box. Recovering the box she opens it up to reveal a note book, in which are contained copious detailed notes of Harry's former robberies, and those planned. In it are contained notes of a future robbery worth US$5M in cash. Meanwhile, Jamal has visited Veronica in her home, demanding repayment of the US$2M that her husband stole from him, and gives her one month to pay up in full or suffer the consequences. Veronica claims to have known nothing about her husbands criminal activities and doesn't have that sort of money, despite the facade of living in a plush apartment with all the trappings of success. Despite what she may or may not claim to know about her husbands 'business', she has one month.

Veronica, realising the seriousness with which Jamal speaks and the threats made against her, decides to carry out the plan as laid out in Harry's note book in order to repay her debt to Jamal. She sets up a secret meeting with the three other widows whom she has never met before, and whose details she coerced out of Bash. Veronica is successful in recruiting both Alice and Linda to assist execute her plan, but this is completely new territory to the widows and they are each pretty clueless about what's involved - they just know they've gotta complete the task now in hand, and live with the consequences whatever they might be. The fourth widow however, Amanda, does not show to their initial meeting. Veronica outlines the plan in brief and says that if the girls are 'in' to meet tomorrow night at 11:30pm at a secret location which turns out to be Harry's former warehouse and and centre of operations, which remains just as the gang left it before their last job.

At that meeting, after some soul searching and weighing up their options, Alice and Linda are both in. Veronica charges Alice to buy the getaway van and three Glock pistols, while Linda is tasked with deciphering a blueprint in Harry's plan that is the location of the planned heist. Alice purchases a van from a used vehicle auction house, and the three pistols from a gun fair. Linda however, struggles to locate the whereabouts of the building depicted on the photocopied blueprint. Meanwhile, Alice has become an 'escort' at her mother Agnieska (Jacki Weaver) suggestion, to raise some much needed cash and all the trappings that go with it. On her first 'date' she falls into a transactional relationship with David (Lukas Haas) a real estate developer. She uses David's knowledge to trace the origin of the blueprint and the location of the building depicted thereon. He comes back some days later stating that it is a safe room within Jack Mulligan's home. As for Amanda, Veronica visits her and learns that she has a four month old newborn baby, and so decides not to mention their upcoming heist or to seek her involvement. 

Bash is visited unannounced in his home by Jatemme and his henchmen seeking the whereabouts of the notebook, realising the value contained in its detailed handwritten pages. When Bash claims no knowledge of its whereabouts he is promptly beaten to a pulp and murdered while Jatemme looks on. Still with no driver to provide their getaway, Linda recruits Belle (Cynthia Erivo), her children’s babysitter, and a hairdresser in a Salon underpinned by funding from Mulligan. Veronica is reluctant, but with six days only remaining on the month long deadline to pay up, she agrees to take Belle on, and it seems like she is made of sterner stuff, and can drive. Veronica visits the Mulligan home to ask Jack for protection from Manning, to which he politely declines, and to scout out the building in advance of the heist, while Belle scans the external security systems. Veronica also successfully acquires the code to the Mulligan safe by blackmailing the CEO of the Mulligans' security company, Ken (Matt Walsh) using explicit photographs of him of a sexual nature left in Harry's notebook.

The group commences the heist at night by creating a distraction down the street to divert police attention. The house is believed to be empty save for a lone Security Guard whom they taser and incapacitate. Jack Mulligan is away at an election debate between him and Jamal Manning. Having gained access to the safe and loaded up with US$5M in cash, in making their exit they are interrupted by Tom Mulligan (Robert Duvall), father of Jack and the current sitting Alderman, who shoots and wounds Alice. Linda returns fire and kills him. They escape with the money, but are caught by Jamal's brother Jatemme who is holding Belle at gunpoint and who in turn steals it from them, leaving the four girls standing on the side of the road penniless. 

Thinking he is clear Jatemme relaxes with a big smile on his dial behind the wheel of the girls getaway van, only to be heavily shunted from behind by a station wagon with the four widows giving chase and Belle at the wheel. Jatemme looses control of the vehicle and smashes into a crash barrier head-on killing him instantly. The girls retrieve the money and make their getaway. Linda takes Alice to the nearest hospital for medical attention to her gun shot wound and remains with her. Veronica drops Belle off at home before returning to the hideout with the stash of cash. Upon leaving the hideout having taken care of some final business, Veronica torches their getaway car, before loading up the final bag of swag into her own car. 

A few days later it is announced on the radio that Jack Mulligan won the election on a wave of public sympathy following his father's murder. Linda reacquires the store she lost upon her husband's death due to his gambling debts, Alice sets up her own business, and Belle moves out of town with her own children. Out of danger of Manning, Veronica donates much of her share to endow a library building in her and Harry's deceased son's memory and name at the school he attended.

I enjoyed 'Widows' but not as much as I thought I would, and I felt let down by the glowing Critical acclaim that seemingly has been bestowed upon McQueen's heist actioner. The performances are top rate - especially Viola Davis and Elizabeth Debicki, the film looks good enough, but for a heist movie set in Chicago of all places, the actual and only heist takes place in the final ten minutes of a two hour+ long movie, and there are plot holes aplenty too. Four dead career criminal husbands, four grieving and at a complete loss desperate wives, political power play, father and son machinations, gangsters making demands, violence, death and emotional turmoil are all at play here, together with a seemingly completely incompetent Chicago PD. The film moves along at a goodly pace, but some of the scenes felt rushed, especially towards the end leaving questions unanswered and plot holes uncovered, and some of the characters were left hanging without any real sense of closure. Critics seems to be raving about 'Widows' but audiences less so, and I'm in the camp with the audience I must say. Despite this the film has plenty of redeeming features too and is worth a look - it's good, but it's not great!

'Widows' merits three claps of the Odeon Online clapperboard, from a potential five.
-Steve, at Odeon Online-