Wednesday, 13 July 2022

What's new in Odeon's this week : Thursday 14th July 2022.

Now in its 26th year, The Fantasia International Film Festival, which was launched in 1996 is held in the Canadian city of Montreal, from Thursday 14th July through until Wednesday 3rd August. Since its inception, this festival is now recognised as the largest and most influential event of its kind in North America, a leader on the genre film scene and one of the country’s most popular film festivals. With a varied programming and an emphasis on the imaginative cinema of Canadian and world film, Fantasia’s offerings range from unique and powerful personal visions to international commercial crowd-pleasers rarely seen in North America, while discovering and nurturing exciting new talents and offering a platform through which artists and audiences can connect. 

Since it began, the Fantasia International Film Festival has explored the diverse realms of genre cinema, creating bridges between the cutting edge and the mainstream, and providing a festive but professional environment where emerging artists are given exposure alongside their more established counterparts, both locally and internationally.

The Opening Night film is 'Polaris' from Canada and Directed and Written by Kirsten Carthew and tells the story, set in 2144, against the harsh backdrop of a post-apocalyptic subarctic wasteland, of a young girl, raised by a Polar Bear, narrowly escapes capture from a brutal band of warrior women and sets out across the vast winter landscape in search of the only guiding light the girl knows, the Polaris star.

The Closing Night film is 'Next Sohee' from South Korea and is Directed and Written by Jung Ju-ri and is about Sohee, a high school student who starts training for a subcontracted position at a Call Centre. She is unable to bear the stressful work culture, when a mysterious incident leads to her death. A Detective starts an investigation into her death.

The main competition for feature films is the Cheval Noir Competition, and this year there are fourteen films in contention. Briefly, these are :-

* 'The Artiface Girl' from the USA and Directed by Franklin Ritch. World Premier.
* 'Convenience Story' from Japan and Directed by Satoshi Miki. World Premier.
* 'Coupez!
 (Final Cut)' from France and Directed by Michel Hazanavicius. North American Premier.
* 'Detective vs Sleuths' from Hong Kong and Directed by Wai Ka-Fai. North American Premier.
* 'The Elderly' from Spain and Directed by Raul Cerezo and Fernando Gonzalez Gomez. World Premier.
* 'The Fish Tale' from Japan and Directed by Shuichi Okita. World Premier.
* 'The Harbinger' from the USA and Directed by Andy Mitton. World Premier.


* 'House of Darkness' from the USA and Directed by Neil LaBute. International Premier.
* 'Megalomaniac'
from Belgium and Directed by Karim Ouelhaj. World Premier.
* 'My Broken Mariko' from Japan and Directed by Yuki Tanada. World Premier.
* 'Next Sohee' from South Korea and Directed by Jung Ju-ri. North American Premier.
* 'Polaris' from Canada and Directed by Kirsten Carthew. World Premier.
* 'Popran' from Japan and Directed by Shinichiro Ueda. North American Premier.
* 'Special Delivery' from South Korea and Directed by Park Dae-min. North American Premier.

For more detail on the above mentioned films in The Cheval Noir competition, plus the other competitions running - The New Flesh Competition for Best First Feature and The International Short Film Competition, plus a whole lot more besides, you can visit the official website at : https://fantasiafestival.com

This week there are five new release movies to tempt you out to your local Odeon on a fresh mid-Winter's evening, kicking off with an action thriller that sees the CIA's top asset, his identity known to no one, who uncovers agency secrets, triggers a global hunt by assassins set loose by his ex-colleague. This is followed up by an amateur golfer who achieves his late-in-life goal of participating in the British Open Golf Championship in 1976, much to the ire of the staid golfing community. Next up we have a brilliant young fund manager who leaves her unfulfilling job and long-term boyfriend to chase her lifelong dream of becoming an opera singer. Then we turn to a romantic drama offering that following a fatal accident, this young woman is given the chance to save the love of her life when she discovers that their mixtape can take her back in time. And closing out the week we have a doco that offers the viewer the 'definitive' exploration of the Canadian singer and songwriting legend as seen through the prism of his most famous song.

Whatever your taste in big screen film entertainment is this week - be it any of the five latest release new films as Previewed below, or those doing the rounds currently on general release or as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the coming week.

* 'THE GRAY MAN' (Rated MA15+) - is an American action thriller film Directed by Joe and Anthony Russo who have previously helmed four MCU films, being 'Captain America : The Winter Soldier' in 2014, 'Captain America : Civil War' in 2016, 'Avengers : Infinity War' in 2018 and 'Avengers : Endgame' in 2019, amongst other feature films and TV series. Based on the 2009 novel of the same name by Mark Greaney, the film goes on limited release from this week before being released on Netflix from 22nd July. Costing US$200M to produce it is the most expensive film ever made by Netflix, and it hopes to start a series of films based on the 'Gray Man' novels.

The Gray Man is CIA black ops agent Court Gentry (Ryan Gosling), aka, Sierra Six. Plucked from a federal penitentiary and recruited by his handler, Donald Fitzroy (Billy Bob Thornton), Gentry was once a highly-skilled, Agency-sanctioned mercenary. But now the tables have turned and Gentry is the target, hunted across the globe by Lloyd Hansen (Chris Evans), a former cohort at the CIA, who will stop at nothing to take him out. Agent Dani Miranda (Ana de Armas) has his back, and it looks as though he’ll need it! Also starring Jessica Henwick, Rege-Jean Page, Dhanush, Alfre Woodard, Callan Mulvey, Scott Haze and Michael Gandolfini.

* 'THE PHANTOM OF THE OPEN' (Rated M) - is a British biographical comedy drama film Directed by Craig Roberts in his third film making effort following 'Just Jim' in 2015 and 'Eternal Beauty' in 2019, although he also has forty-one screen acting credits to his name also in both major feature films and TV series. This film is based on the 2010 biography 'The Phantom of the Open: Maurice Flitcroft, The World's Worst Golfer' by Simon Farnaby and Scott Murray. The film tells the heartwarming true story of Maurice Flitcroft (Mark Rylance), a dreamer and unrelenting optimist. This humble crane operator from Barrow-in-Furness, in Cumbria, England who managed to gain entry to The British Open Golf Championship qualifying in 1976, despite never playing a round of golf before. He shot the worst round in Open history and drew the ire of the golfing elite, but became a folk hero in the process and, more importantly, showed his family the importance of pursuing your dreams. Also starring Sally Hawkins and Rhys Ifans the film saw its World Premier screening at the BFI London Film Festival back in mid-October last year, has so far grossed US$3.1M and has garnered generally favourable Reviews.

* 'FALLING FOR FIGARO' (Rated M) - this romantic comedy film id Directed and Co-Written by Ben Lewin who has twenty Directorial credits to his name including his debut feature film in 1988 'Georgia', and then the likes of 'The Sessions' in 2012 and 'The Catcher Was a Spy' in 2018. Here then, Millie Cantwell (Danielle Macdonald), an American fund manager, realises one day that her life-long dream is to become an opera singer. Quitting the job and moving away from her boyfriend, she travels to Scotland where she eventually becomes an opera singer following intensive vocal training from former opera diva Meghan Geoffrey-Bishop (Joanna Lumley) and fierce competition from other opera singers. The film was screened at the TIFF in mid-September 2020 but was not released in the US and the UK until October 2021 and only this week in Australia, having generated mixed or average Reviews and grossing just US$170K so far. 

* 'PRESS PLAY' (Rated PG) - this American romantic drama film is Co-Written for the screen and Directed by Greg Bjorkman in his feature film making debut. A young woman, Laura (Clara Rugaard) has a chance to save the love of her life, Harrison (Lewis Pullman) when she discovers that the mix-tape they made together can transport her back in time. Also starring Danny Glover, Matt Walsh, Christina Chang and Lyrica Okano, the film was released Stateside towards the end of June and has received mixed Reviews. 

* 'HALLELUJAH : LEONARD COHEN, A JOURNEY, A SONG' (Rated M) - this music documentary film is Co-Written, Produced, Directed, and Co-Edited by the long time documentary film making pairing of Daniel Geller and Dayna Goldfine. Here, they take us on a journey of Canadian singer-songwriter, poet and novelist Leonard Cohen as seen through the prism of his internationally renowned hymn, 'Hallelujah'. This American documentary combines three creative strands, namely, the songwriter and his times, the song's dramatic journey from record label reject to chart-topping hit, and moving testimonies from major recording artists for whom Hallelujah has become a personal touchstone. Approved for production by Leonard Cohen just before his 80th birthday in 2015, the film shows us never-before-seen archival materials from the Cohen Trust including his own personal notebooks, journals and photographs, performance footage and extremely rare audio recordings and interviews. 'Hallelujah' has been performed by almost two hundred artists the world over in various languages. The song is the subject of the book 'The Holy or the Broken: Leonard Cohen, Jeff Buckley & the Unlikely Ascent of 'Hallelujah' by Alan Light and published in 2012. Cohen died in late 2016 aged 82.

With five new release movie offerings this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. In the meantime, I'll see you sometime somewhere at your local Odeon in the coming week.

-Steve, at Odeon Online-

Friday, 8 July 2022

THOR : LOVE AND THUNDER : Wednesday 6th July 2022.

I saw the M Rated 'THOR : LOVE AND THUNDER' at an early screening this week, and this American Superhero offering is Written and Directed by Taiki Waititi who returns to the Director's chair following his success with helming 2017's 'Thor : Ragnarok' (which grossed US$854M off the back of a US$180M production budget) to which this is a direct sequel. This is the 29th film in the Marvel Cinematic Universe, the fourth instalment in the 'Thor' series, and is part of the MCU Phase Four. Filming took place in Sydney, Australia at a production cost of in the region of US$250M and was originally set for release an early November 2021, but was delayed to mid-February this year, due to the COVID-19 pandemic. It was then delayed once again to early May before shifting for the final time to the July 2022 date. The film has generated largely favourable Reviews. The film has so far taken US$16M.

The film opens up with a man carrying a young child through a dry, barren desert landscape with the sun beating down. He cradles the young girl in his arms as they take shelter from the sun and a sand storm behind a rock. He calls out to his gods to protect his daughter and save her. Later, the young girl dies, leaving the man distraught. He falls asleep from exhaustion and wakes to the sound of a faint whisper in the distance. He follows the whispering to an oasis in the desert where he meets his god who taunts and derides him which quickly turns him into a non-believer. Ultimately, he is chosen by a long sword, called the Necrosword, which enables him to create an army of shapeshifting shadow creatures and to use the sword to kill all gods, starting with the one who has just turned his back on him and disregarded his cries for help. 

After the opening credits have rolled we turn to Korg (Taika Waititi) telling a story to a group of gathered children giving the back story of Thor (Chris Hemsworth), and how he turned from being a Dad Bod into a God Bod, how he once loved a Jane Fonda (corrected to a Jane Foster) and how he teamed up with The Guardians of the Galaxy. After this brief recap to bring us up to date, Thor receives a distress signal from his childhood friend Sif (Jaimie Alexander) that The Guardians (Chris Pratt, Dave Bautista, Karen Gillan, Pom Klementieff, Vin Diesel and Bradley Copper) need his help on some distant planet to thwart an attack, after which the Guardians depart to fight some battle in another part of the galaxy, leaving Thor and Korg looking on as their ship leaves. Sif warns Thor of Gorr, the God Butcher (Christian Bale), a being possessing the god-killing weapon the Necrosword seeking the extinction of all gods as revenge for ignoring the death of his family, and that his next target is New Asgard. 

Dr. Jane Foster (Natalie Portman) is first seen in a hospital receiving chemo therapy treatment for her Stage Four cancer. She returns to her lab to run further tests of her own in trying to find a cure, when she turns to a book of Viking myths. In it she reads of the healing powers of Thor's hammer Mjolnir. Jane takes a trip to New Asgard to see the old fragmented hammer encased under a glass dome as a tourist attraction. As she stands besides the glass dome the broken pieces of Mjolnir begin to vibrate, shake and reform as it bonds itself to Jane after sensing her worthiness and so giving her the power of Thor. Gorr attacks New Asgard at night just as Thor arrives to begin battle with his shadow creatures, and is surprised to find Jane wielding Mjolnir like there's no tomorrow as Mighty Thor. Thor, Jane, Korg and Valkyrie, the King of New Asgard (Tessa Thompson) do battle with Gorr and the shadow creatures, ultimately overcoming them, but Gorr is able to escape, but not before he kidnaps all the children of New Asgard. 

The group travels to Omnipotent City to warn the other gods and ask for their help in destroying Gorr, The God Butcher. The god Zeus (Russell Crowe) is not prepared to help and has Thor captured, forcing the group to fight off Zeus's men. Zeus reduces Korg to nothing more than a pile of volcanic rubble and so in retaliation Thor appears to kill Zeus using his own thunderbolt, which Valkyrie then steals during their get away. 

They then travel to the Shadow Realm to save the children. However, this turned out to be a diversion for Gorr to take Stormbreaker (Thor's mighty and powerful axe), which he intends to use on the Bifrost to enter Eternity and seek the destruction of all gods. Gorr manages to overpower Thor's group and successfully steal Stormbreaker. Gorr uses Stormbreaker to open the portal to Eternity. With Valkyrie injured from being stabbed by the thunderbolt, and Jane suffering from the effects of her progressive cancer, Thor is left no option but to go it alone to confront Gorr once and for all. Once he has found the kidnapped Asgardian children, he temporarily imbues them and their weapons with the power of Thor to fight alongside him. Jane joins Thor in fighting Gorr and destroys the Necrosword, so diminishing the power of Gorr which ultimately will lead to his own death. However, Gorr stumbles through the portal and enters Eternity. 

Admitting defeat, Thor manages to convince Gorr that all he wanted from Eternity was not to destroy the gods but to get his daughter, Love, back. Jane dies in Thor's arms after succumbing to her Stage Four cancer which was only sped up by taking on the mantle of Mighty Thor. Eternity grants Gorr's request to revive Love (India Hemsworth), whom he asks Thor to take care of before he dies from the effects of the destroyed Necrosword. The children all return safe to New Asgard where they are greeted by the welcoming and relieved parents. Sometime after Valkyrie and Sif begin training them combat skills. Meanwhile, Thor, now in possession of Mjolnir again, continues to go on adventures to help people in their time of need, with Love, now wielding Stormbreaker, by his side, as the pairing of Love and Thunder. 

The film also stars cameo appearances from Matt Damon, Sam Neill, Luke Hemsworth, Melissa McCarthy, Ben Falcone and Idris Elba. Remain in your seat for the mid-credits and end-credits sequences, although if the truth be told, you won't be missing much if you choose not to!

'Thor : Love and Thunder'
for me is the most disappointing film out of four in this franchise so far as it trades in a lot of substance for style, wisecracks and quips that often fail to land, and a whole dollop of cheese and corn that is enough to make even Thor's Dad Bod former self belch. That said, this has all of the Waititi touchstones over it that made 'Thor : Ragnarok' so welcoming and refreshing, including the thumping soundtrack, the colourful visuals, his irreverent sense of humour, the action set pieces, and he has proven here too that he can get serious and emotional when it is called for. And whilst Chris Hemsworth glides through his role as Thor, Christian Bale as Gorr shines through in his role as a mash up of Voldemort, Pennywise and Gollum, and Natalie Portman provides a welcome distraction as Jane Foster that brings the story full circle. It's not a great film, but it's also not that bad either and at just on two hours in length it's long enough to keep you engaged and doesn't outstay its welcome.

'Thor : Love and Thunder' merits three claps of the Odeon Online clapperboard from a possible five claps. 
-Steve, at Odeon Online-

Wednesday, 6 July 2022

What's new in Odeon's this week : Thursday 7th July 2022.

The 26th Bucheon International Fantastic Film Festival (BIFAN), held in the city of Bucheon, the second most densely populated city in South Korea after Seoul, takes place between the 7th and 17th July. This festival is a non-competitive international film festival with a competitive section. With 'Stay Strange' as its motto, BIFAN strives to be a film festival that caters for the non-mainstream, while discovering and giving courage to talents that are pushed to the margins. This year BIFAN will feature 268 films from forty-nine countries and comprise eighty World Premier screenings, twenty International Premiers, seventy-nine Asian Premiers and fifty-one Korean Premiers. The festival will open with the screening of folk horror tale 'Men' by Alex Garland and close with film noir thriller 'The New Normal' from Korea and Directed by Jeong Beom-sik.

In competition for the Bucheon Choice Awards that offer a new outlook on the world, a unique style, and experimentation and progress in terms of genre conventions. Three feature film awards and two short film awards are voted on by a jury consisting of international film professionals. Audience Awards for both the features and shorts categories are determined by audience vote. In the feature film category, awards are presented for Best of Bucheon with a cash prize of the equivalent of US$15,500, Best Directors Choice offering US$3,850 and the Jury's Choice also offering US$3,850.

The ten films in competition are :-

* 'Alien Artist' - from Japan and Directed by Hoya Seiyo. Supernatural coming of age crime noir. International Premier.
* 'Huesera'
- from Mexico and Peru and Directed by Michelle Garza Cervera. Supernatural thriller. Asian Premier.
* 'La Pieta' - from Spain and Directed by Eduardo Casanova. Asian Premier.
* 'Sissy' - from Australia and Directed by Hannah Barlow and Kane Senes. Horror drama comedy. Asian Premier.
* 'SLR' - from Thailand and Directed by Lertsiri Boonmee and Vutichai Wongnophadol. Supernatural horror. International Premier.
* 'Social Distancing' - from Hong Kong and China and Directed by Gilitte Leung. Horror thriller. World Premier.
* 'Speak No Evil' - from Denmark and The Netherlands and Directed by Christian Tafdrup. Thriller. Asian Premier.
* 'Vesper'
- from Lithuania, France and Belgium and Directed by Kristina Buozyte and Bruno Samper. Supernatural Sci-Fi. Asian Premier.
* 'The Womb' - from Indonesia and Directed by Fajar Nugros. Horror. World Premier.
* ' You Won't Be Alone' - from Australia and Directed by Goran Stolevski. Supernatural horror. Asian Premier.

In the Korean Fantastic Competition section which was established to support and encourage Korean genre films, four feature film awards are chosen by the Korean competition jury. Those ten films are : 'Body Parts', 'Cabriolet', 'Chiaksan Mountain', 'The Fifth Thoracic Vertebra', 'A Good Boy', 'Mind Universe', 'Next Door', 'Thunderbird', 'Tiger's Trigger' and 'The Woman in the White Car'

For the full programme of events, screenings, and all the sections of this years 26th Bucheon International Fantastic Film Festival, you can visit the official website at : http://www.bifan.kr/eng/

This week, turning attention back on to the four new release movies coming to an Odeon near you, we kick off with the 29th film in the MCU and the fourth film featuring the Asgardian God of Thunder who this time, with the help of some trusted friends, must thwart Gorr the God Butcher who intends to make the Gods extinct. Next up we have a wealthy family on vacation in Mexico until a distant emergency cuts their trip short, and when one relative disrupts the family's tight-knit order, simmering tensions rise to the surface. This is followed by a French comedy about a young convicted man who is sentenced to community services, and must now work in a retirement home, where he learns a thing or two about life from the residents there. And closing out the week we have a drama film that sees a Finnish student and an rough Russian miner slowly forge a hesitant connection when they are thrown together in a cramped train compartment on a journey across Russia.

Whatever your taste in big screen film entertainment is this week - be it any of the four latest release new films as Previewed below, or those doing the rounds currently on general release or as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the week ahead.

'THOR : LOVE AND THUNDER' (Rated M) - is an American Superhero offering that is Written and Directed by Taiki Waititi who returns to the chair following his success with helming 2017's 'Thor : Ragnarok' to which this is a direct sequel. This is the 29th film in the Marvel Cinematic Universe and is part of the MCU Phase Four. Filming took place in Sydney, Australia at a production cost of in the region of US$250M and has generated largely favourable Reviews.

Thor (Chris Hemsworth) is on a journey unlike anything he's ever faced - a quest for inner peace. But his retirement is interrupted by a galactic killer known as Gorr the God Butcher (Christian Bale), who seeks the extinction of the Gods. To combat the threat, Thor enlists the help of King Valkyrie (Tessa Thompson), Korg (Taika Waititi) and ex-girlfriend Jane Foster (Natalie Portman), who, much to Thor's surprise has come to inexplicably wield his magical hammer, Mjolnir, as the Mighty Thor. Together, they embark upon a harrowing cosmic adventure to uncover the mystery of the God Butcher's vengeance and stop him before it's too late. Also starring Jaimie Alexander, Russell Crowe, with Chris Pratt, Pom Klementieff, Dave Bautista, Karen Gillan, Vin Diesel, and Bradley Cooper reprising their roles from the 'Guardians of the Galaxy' franchise, and Sean Gunn, Jeff Goldblum, Matt Damon, Sam Neill, Luke Hemsworth, Melissa McCarthy and Ben Falcone.

'SUNDOWN' (Rated MA15+) - this Mexican, French and Swedish Co-Produced drama film is Written, Co-Produced, Directed and Co-Edited by Michel Franco whose previous film making offerings include 'After Lucia' in 2012 that won the Un Certain Regard Award at Cannes, 'Chronic' in 2015 with Tim Roth and 'New Order' in 2020 with Diego Boneta. Here then, the wealthy London man Neil Bennett (Tim Roth) is vacationing with his sister Alice (Charlotte Gainsbourg) and her two children at a resort in Acapulco, Mexico until she receives a phone call. There's been a death in the family, and everyone must return home. However, at the airport, Neil pretends to have left his passport as the hotel, which delays his return, while Alice and her children return to London, leaving the seemingly uncaring and apathetic Neil to his own devices. The film has garnered generally favourable reviews, and has so far grossed US$336K since its release in the US at the end of January having seen its World Premier as the Venice Film Festival back in September last year. 

'THE VILLA' (Rated M) - is a French and Swiss Co-Produced comedy Directed by Thomas Gilou whose previous Directorial efforts include his 1986 feature film debut with 'Black Mic Mac' then 'Rai' in 1995, 'Would I Lie To You' in 1997 and its two sequels in 2001 and 2012, with 'Victor' in 2009 and four episodes of 'Marseille' in 2016. Having been raised in an orphanage, Milann Rousseau (Kev Adams) does precious little with his life. Hosted by his lawyer and childhood friend, the latter constantly pushes him to move. After causing property damage that nearly killed an old woman in a supermarket, Milann is sentenced to two months of community service. Hired as a handler in a retirement home, it is a real nightmare for Milann who does not support the elderly. Despite his clumsiness and his lack of motivation, Milann in time becomes attached to the residents, where he forges a close rapport in particular with Lino Vartan (Gerard Depardieu), a former boxer, who will teach him to defend himself and take his life in hand.

'COMPARTMENT NO. 6' (Rated MA15+) - this internationally Co-Produced drama film is Co-Written and Directed by the Finnish Juho Kuosmanen in just his third feature film following 2010's 'The Painting Sellers' and 2016's 'The Happiest Day in the Life of Olli Maki'. The film is based on the 2011 novel of same name by Rosa Liksom. Here then, traveling by train from Moscow to Murmansk in the far north western part of Russia to study the Kanozero Petroglyphs, (a set of about 1300 rock drawings dating back to the 2nd and 3rd millennium BC), a Finnish student Laura (Seidi Haaria) forms an unlikely friendship with a gruff Russian miner, Lyokha (Yuri Borisov) as they are forced to share the long ride and a tiny sleeping car. This unexpected encounter leads the occupants of Compartment No. 6 to face major truths about human connection. The film was selected to compete for the Palme d'Or at the 2021 Cannes Film Festival in July of that year, where it shared the Grand Prix with Asghar Farhadi's film 'A Hero', has garnered generally favourable Reviews and has taken US$3.2M at the Box Office so far.

With four new release movie offerings this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. In the meantime, I'll see you sometime somewhere at your local Odeon in the coming week.

-Steve, at Odeon Online-

Sunday, 3 July 2022

The Odeon Online Obituary : Remembering the screen celebrities who passed away in June 2022.

In June, the world bid a fond farewell to a number of stars of the silver screen and the small screen. In brief, shown below, is my passing tribute to those stars who leave an indelible mark on the entertainment industry, and in particular the world of film and television. May you all Rest In Peace, and thanks for the memories . . . . . Roger Scholes, Revel Guest, Matt Zimmerman, Philip Baker Hall, Jean-Louis Trintignant, Carol Raye, Leon Lissek, Duncan Henderson, Robert A. Katz, Frank Williams, Mary Mara and Joe Turkel.

* Roger Scholes - born 11th December 1950 and died 3rd June 2022, aged 71. Scholes was an Australian independent film and television maker from 1983 onwards. He worked as a Producer, Director, Writer, script editor, Cinematographer, and Editor in drama and documentary projects for cinema and television. His screen work began in 1983 with his debut coming in the short twenty-eight minute film 'The Sealer' which he wrote, edited, Produced and Directed. His only feature film was 1987's 'The Tale of Ruby Rose' which he also wrote and Produced, and from here he would go onto Direct the doco 'The Coolbaroo Club' in 1996, then the TV series 'The Human Journey' in 2000, three episodes of the documentary series 'Stories from the Stone Age' in 2004, the made for TV movie 'Cable' in 2005 with the three episode documentary series 'The Passionate Apprentices' in 2008 being his final TV and film making credit, although he did Produce and lens a handful of short films and a TV movie as recently as 2015. He has written numerous screenplays for film and television and has worked as a production designer and script editor on many feature film, documentary and community education projects. He has also worked as a lecturer, mentor and tutor in film writing, Directing, cinematography and production for many institutions including the Australian Film Television and Radio School, the Swinburne University Film and Television School, Film Victoria, the Australian Film Commission, Screen Tasmania, and has served as a board member for the Swinburne Film School, the Tasmanian Film Festival and Screen Tasmania.

* Revel Guest - born 14th September 1931 and died 8th June 2022, aged 90. Guest was a British Director, Producer, Writer, journalist and author who notched up one writer credit, four as Director and twenty-one as Producer during a career which began with her Directorial debut on a single episode of 'The Human Side' in 1964. From here, her other Directing credits were two TV movie documentaries in 1971 with 'Peer in Focus' and in 1984 with 'Placido : A Year in the Life of Placido Domingo', finishing up with the TV series documentary 'Greek Fire' in 1990. Her Producer credits took in the likes of 'Salome', 'Otello', 'Stiffelio', 'Romeo et Juliette', 'La traviata' and the TV movie documentaries 'Three Gorges : The Biggest Dam in the World' in 1998 and 'China's Mega Dam' in 2006 with Steven Spielberg's 'War Horse' in 2011 being her last Producer credit. In 1968 Guest formed Transatlantic Films, the first truly independent documentary film company to co-produce quality films for the international television market. Since its creation Transatlantic has produced over one hundred and fifty films and series, working in co-production with the BBC, Channel 4 and other major U.K. broadcasters, as well as with leading TV networks in the United States, Canada, Australia and Europe. She was awarded the OBE (Officer of the Order of the British Empire) in the 2018 HRH the Queen's New Years Honours List for her services to Literature. 

* Matt Zimmerman - born 26th December 1934 and died 9th June 2022, aged 87. Zimmerman was a Canadian Actor who generated thirty-five screen acting roles during his career which launched in 1965 on two TV movies 'Songs of the Wild West' and 'Chicago in the Roaring 20's', but he is perhaps best known for providing the voice of Alan Tracy in thirty-two episodes of 'Thunderbirds' between 1965 and 1966, and again in the two spin off feature films 'Thunderbirds Are GO' in 1966 and 'Thunderbird 6' in 1968. His first live action feature film came with 'A Man for All Seasons' in 1966 which he would follow up with small roles in other features including 'Birth of the Beatles' in 1979, 'Quincy's Quest' in 1979 also, 'Haunted Honeymoon' in 1986 and 'Margaret's Museum' in 1995 being his last feature film role. In the intervening years there were also appearances on 'The Hitchhikers Guide to the Galaxy', 'Whoops Apocalypse', 'Never the Twain', 'Jeeves and Wooster', 'Liquid Television' and his final screen appearance on the made for TV movie 'Firestorm' in 2018. Also a stage actor, he starred in plays such as 'Annie Get Your Gun', 'Anything Goes', 'Once in a Lifetime', 'West Side Story', 'Fiddler on the Roof' and he appeared in the touring cast of 'Cabaret'.

* Philip Baker Hall
- born 10th September 1931 and died 12th June 2022, aged 90. Hall was an American character Actor who accumulated 185 screen acting credits during his five decade spanning career which began with an uncredited role in his debut feature film 'Zabriskie Point' in 1970. His first credited role came later that same year with 'Love-in '72'. His other more notable feature film appearances came with the likes of 'Secret Honor' for Robert Altman in 1984 playing Richard Nixon in a fictional account of the President's life after the White House, making him one of the few actors to ever carry an entire film alone, 'Midnight Run' with Robert De Niro and Charles Grodin in 1988, 'Say Anything' in 1989 with John Cusack, 'Ghostbusters II' in 1989 also, 'Hard Eight' in 1996 for Paul Thomas Anderson, an uncredited role in Michael Bay's 'The Rock' also in 1996, 'Air Force One' in 1997 with Harrison Ford and Gary Oldman and 'Boogie Nights' that same year for Paul Thomas Anderson again, 'The Truman Show' in 1998 with Jim Carrey and Ed Harris, 'The Insider' in 1999 with Russell Crowe and Al Pacino, 'Magnolia' in 1999 for Paul Thomas Anderson once more, 'Rules of Engagement' in 2000 with Tommy Lee Jones and Samuel L. Jackson, 'The Sum of All Fears' in 2002 with Ben Affleck and Morgan Freeman, 'Dogville' in 2003 with Nicole Kidman and Paul Bettany, 'Zodiac' in 2007 for David Fincher, an uncredited role in Ben Affleck's 'Argo' in 2012 with 'The Last Word' in 2017 with Shirley MacLaine and Amanda Seyfried being his final big screen role. In the intervening years there were numerous TV series appearances including 'Man from Atlantis', 'M*A*S*H', 'The Waltons', 'Cagney & Lacey', 'Miami Vice', 'Family Ties', 'Falcon Crest', 'Murder, She Wrote', 'Chicago Hope', 'The Practice', 'Seinfeld', 'Boston Legal', 'The West Wing', 'The Loop', 'Modern Family' with his final work coming on six episodes of 'Messiah' in 2020. All up Hall was the recipient of seven award wins and another five nominations from around the awards and festivals circuit. 

* Jean-Louis Trintignant
- born 11th December 1930 and died 17th June 2022, aged 91. Trintignant was a French Actor, Writer and two time Director who accumulated 146 screen acting credits throughout his seven decade spanning career beginning with his feature film debut in 1955 in 'If All the Guys in the World . . . ' and he would follow this up with other noteworthy films including ' . . . And God Created Woman' in 1956 with Brigitte Bardot, 'Les liaisons dangereuses' with Jeanne Moreau in 1959, 'A Man and a Woman' in 1966, 'Z' in 1969 with Yves Montand, 'The Secret' in 1974 with Philippe Noiret, 'Other People's Money' in 1978 with Catherine Deneuve, 'Deep Water' in 1981 with Isabelle Huppert, 'Three Colours : Red' for Krzysztof Kieslowski in 1994, 'The City of Lost Children' in 1995 with Ron Perlman, 'Janis and John' in 2003 with Francois Cluzet, 'Amour' in 2012 with Emmanuelle Riva and Isabelle Huppert, 'Happy End' in 2017 with Isabelle Huppert again with 'The Best Years of a Life' in 2019 being his final screen role. All up Trintignant won nine awards and was nominated a further twenty times from around the awards and festivals circuit.

* Carol Raye
- born Kathleen Mary Corkrey on17th January 1923 and died 19th June 2022, aged 99. Raye was a British-born Australian Actress of film, television, radio, theatre and revue, comedian, singer, dancer, and radio and television Producer and Director. Raye was known for her career, spanning some seven decades from the late 1930's, firstly as a film star and theatre performer in the United Kingdom in which she would star, and often dance and sing, in such movies as 'Strawberry Roan' in 1944 with William Hartnell, 'Waltz Time' in 1945, 'Green Fingers' in 1947, 'While I Live' that same year, after which she briefly worked in Kenya where she was offered the lead role in the first feature film produced in that country 'No Rain in Timbura' in 1954, before immigrating to Australia in 1964, where she became notable for her small screen roles. Starting in November 1964, the Seven Network gave the green light for the now iconic 'The Mavis Bramston Show', in which Raye would star, and Co-Produce the series until its final run in 1968. She would go on to appear in thirty-five episodes of 'Number 96' from 1973 until 1975 and then fifteen of 'The Young Doctors' from 1976 until 1977. After this she made just two more Australian films - the ill fated and poorly received 'The Journalist' in 1979 with Jack Thompson and Sam Neill, and 'Relatives' in 1984. Her final screen appearance came in 2000 on a single episode of 'SeaChange'. She also appeared in many Australian theatre productions, including 'California Suite', 'Travelling North', 'The Merry Wives of Windsor', 'You Can't Take It With You' and 'Noises Off'. Raye was a subject of 'This Is Your Life' and she appeared as a guest on 'Parkinson in Australia' in 1980. She was honoured in the 2022 Commonwealth of Australia Queens Birthday Honours List, with an appointment to the Member of the Order of Australia (AM), one week before her death, with the citation 'For Services to the Arts as an Actress and Producer'.

* Leon Lissek
- born 19th January 1939 with his death being announced on 21st June 2022, aged 83. Lissek was an Australian born and raised Actor who relocated to England in 1963. He had 107 screen acting credits to his name from a career which launched in 1961 on the TV movie 'Quiet Night', with his feature film debut coming in 1963 in 'Ninety Nine Per Cent'. He would follow this up over the next six decades with other films including 'Marat/Sade' in 1967 with Patrick Magee and Glenda Jackson, 'The Last Valley' in 1971 with Michael Caine and Omar Sharif, 'The Blockhouse' in 1973 with Peter Sellers, 'Sweeney 2' in 1978 with John Thaw and Dennis Waterman, 'Time Bandits' in 1981 with Sean Connery and Shelley Duvall, 'Eleni' in 1985 with John Malkovich, 'Personal Services' in 1987 with Julie Walters, 'The Unbearable Lightness of Being' in 1988 with Daniel Day-Lewis and Juliette Binoche, 'Surviving Picasso' in 1996 with Anthony Hopkins with 'I Really Hate My Job' in 2007 with Neve Campbell and Danny Huston being his final film appearance. In the years in between, there were also roles on TV series taking in 'Softly Softly : Task Force', 'The Protectors', 'Roberts Robots', 'Power Without Glory', on sixty-eight episodes of 'The Sullivans', 'The Professionals', 'Return of the Saint', 'Shogun', 'Remington Steele', 'Eastenders', and 'Foyle's War' in 2010 being his last screen role. Lissek also boasted an extensive theatre portfolio taking in many varied roles in Australia, as well as in Britain and in the United States for both on and off-Broadway productions.

* Duncan Henderson
- born in 1950 and died 21st June 2022, aged 72. Henderson was an American film Producer, Assistant Director and Production Manager who generated twenty-two Producer credits, nineteen as Assistant Director and eight as Production Manager whose career behind the camera began in 1980 on 'American Gigolo' as Trainee Assistant Director. His other Assistant Director roles included 'Heaven's Gate', 'Halloween II', 'Staying Alive', 'The Star Chamber', 'Rocky IV', 'Cobra', 'Outbreak' and his last gig on 'Harry Potter and the Philosopher's Stone' in 2001. His Producer credits began with 'Earth Girls Are Easy' in 1988 and subsequently included 'Dead Poet's Society', 'Green Card', 'Outbreak', 'Deep Blue Sea', 'The Perfect Storm', 'Harry Potter and the Philosopher's Stone', 'Master and Commander : The Far Side of the World' (which garnered Henderson an Oscar and a BAFTA nod for Best Film), 'Poseidon', 'The Way Back', 'Battleship', 'Oblivion', 'Ben Hur', 'Maleficent : Mistress of Evil' and 'Space Jam : A New Legacy' most recently. He also worked on a number of the aforementioned films as Production Manager. In 2020 he received the Frank Capra Achievement Award from the Directors Guild of America honouring career achievement and service to the DGA.

* Robert A. Katz
- born 7th February 1943 and died 22nd June 2022, aged 79. Katz was an American film and television Producer who generated thirty-five Producer credits during his career which began with the ten minute short film 'Shoeshine' in 1987 and which garnered him an Academy Award nomination for Best Live Action short film and which starred Ben and Jerry Stiller. From here he went onto Produce other films including 'The Telephone' in 1988 with Whoopi Goldberg, 'The Ambulance' in 1990 with Eric Roberts and James Earl Jones, 'Gettysburg' in 1993 with Tom Berenger and Martin Sheen, 'Selena' in 1997 with Jennifer Lopez, 'Price of Glory' in 2000 with Jimmy Smits, 'Gods and Generals' in 2003 with Stephen Lang and Robert Duvall, 'Do You Believe?' in 2015 with Mira Sorvino and Sean Astin and 'Art of Love' in 2021 being his final Producer credit. In the meantime, he also Wrote, Directed as well as Produced the TV movie documentary 'Steve McQueen' : The King of Cool' in 1998, as well as Executive Producing eight episodes of 'Celebrity Crime Files' in 2012. As well as his Oscar nod, he was also nominated for the Primetime Emmy Award for Outstanding Television Movie for 'Introducing Dorothy Dandridge' in 1999 and starring Halle Berry in the title role. 

* Frank Williams
- born 2nd July 1931 and died 26th June 2022, aged 90. Williams was an English Actor who accumulated 135 screen acting roles during his seven decade spanning career, which launched with an uncredited role in the feature film 'Derby Day' in 1952 with Anna Neagle and Michael Wilding. His first credited big screen role came in 1956 with 'The Extra Day' with Richard Basehart followed by the likes of 'The Bulldog Breed' in 1960 with Norman Wisdom, 'Dad's Army' (in 1971) with Arthur Lowe, John Le Mesurier and Clive Dunn, 'Jabberwocky' in 1977 with Michael Palin, 'Revenge of the Pink Panther' in 1978 with Peter Sellers, 'The Human Factor' in 1979 with Richard Attenborough, 'Tanner' in 2007, 'Decline of an Empire' in 2014 with Peter O'Toole, Edward Fox and Steven Berkoff and 'Dad's Army' (in 2016) with Toby Jones, Bill Nighy, Michael Gambon and Tom Courtenay. In the years in between there were also single and multiple appearances on TV series including on forty-seven episodes of 'The Army Game', 'Z Cars', 'Never Mind the Quality, Feel the Width', 'Love Thy Neighbour', on forty episodes of 'Dad's Army' in perhaps his most famed role as Reverend Timothy Farthing, 'The Brief', 'Minder', 'Bergerac', 'Hi-de-Hi!', 'Boon', on fourteen episodes of 'You Rang M'Lord?' and 'Stella' being his final screen role in 2017. His autobiography, 'Vicar to Dad's Army : the Frank Williams story', was published in 2002. With other surviving members of the 'Dad's Army' cast he walked in the 100th Birthday parade for Queen Elizabeth The Queen Mother in 2000, because 'Dad's Army' was her favourite programme.

* Mary Mara
- born 21st September 1960 and died 26th June 2022, aged 61. Mara was an American Actress of film and TV who notched up eighty-three screen acting credits throughout her career which kicked off on the TV movie 'The Preppie Murder' in 1989. Her big screen debut came the next year in 1990 with 'Blue Steel' with Jamie Lee Curtis, which she would follow up with other feature films including 'The Hard Way' in 1990 with Michael J. Fox and James Woods, 'Mr. Saturday Night' in 1992 for and with Billy Crystal, 'A Civil Action' in 1998 with John Travolta and Robert Duvall, 'K-PAX' in 2001 with Kevin Spacey and Jeff Bridges, 'Prom Night' in 2008 with 'Break Even' in 2020 being her final screen appearance. In the intervening years there were also roles on TV shows taking in the likes of nine episodes on 'ER', twenty-three on 'Nash Bridges', 'NYPD Blue', 'Ally McBeal', 'Farscape', 'Law & Order', 'The Practice', 'Judging Amy', 'The West Wing', 'Boston Public', 'The Guardian', 'Monk', 'Law & Order : SVU', 'Bones', 'Lost', 'Dexter', 'Shameless', 'Ray Donovan', 'Criminal Minds' and 'Secrets and Lies'. She also performed on stage in 'Kindertransport', 'Dream of a Common Language' and 'Mad Forest' for the Manhattan Theatre Club in New York, as well as in a New York Shakespeare Festival production of 'Twelfth Night', alongside Michelle Pfeiffer, Jeff Goldblum and Mary Elizabeth Mastrantonio, and with William Hurt in a Yale Repertory production of 'Ivanov'.

* Joe Turkel
- born 15th July 1927 and died 27th June 2022, aged 94. Turkel was an American character Actor who accumulated 142 screen acting credits throughout his six decade spanning career which launched in 1949 in the feature film 'City Across the River'. After a string of uncredited roles he had credited roles in the likes of 'The Naked Street' in 1955 with Farley Granger, Anthony Quinn and Anne Bancroft, 'The Killing' in 1956 for Stanley Kubrick, 'Hellcats of the Navy' in 1957 with Ronald Reagan, 'Paths of Glory' in 1957 for Stanley Kubrick again and with Kirk Douglas, 'King Rat' in 1965 with George Segal and Tom Courtenay, 'The Sand Pebbles' in 1966 with Steve McQueen and Richard Attenborough, 'The St. Valentine's Day Massacre' in 1967 with Jason Robards and George Segal, 'The Hindenburg' in 1975 with George C. Scott and Anne Bancroft, 'Which Way is Up?' in 1977 with Richard Pryor, 'The Shining' in 1980 for Stanley Kubrick and with Jack Nicholson and Shelley Duvall, 'Blade Runner' in 1982 for Ridley Scott and with Harrison Ford with 'The Dark Side of the Moon' in 1990 being his final feature film role. In the meantime, there were also numerous appearances on TV shows including 'The Lone Ranger', 'The Adventures of Rin Tin Tin', 'The Californians', 'Wagon Train', 'The Untouchables', 'Bonanza', 'Ironside', 'Land of the Giants', 'Police Story', 'Kojak', 'Fantasy Island' and 'Miami Vice'. Prior to his death, Turkel wrote a memoir, 'The Misery of Success', scheduled for a release later this year.

With twelve deaths reported this month from the film and television community at large, that community is just a little bit poorer as a result. As many of us the world over are now learning to live with COVID and life is regaining a degree of normalcy, however, we should all continue to be cautious by remembering the basic principles that continue to be advocated - maintain a reasonable safe distance, hand hygiene and wear a mask if you are unable to maintain a safe distance and get vaccinated and then get a booster jab - together we can all overcome this thing and keep on top of it. Stay safe and remain healthy wherever you are in the world. R.I.P. you screen legends.

-Steve, at Odeon Online-

Friday, 1 July 2022

ELVIS : Tuesday 28th June 2022.

I saw the M Rated 'ELVIS' at my local multiplex this week, and this Australian and US Co-Produced biographical musical drama film is Co-Written for the screen, based on a story, Directed and Co-Produced by Baz Luhrmann whose previous film making credits take in his debut 'Strictly Ballroom' in 1992, 'Romeo + Juliet' in 1996, 'Moulin Rouge!' in 2001, 'Australia' in 2008 and 'The Great Gatsby' in 2013. The film had its World Premier screening at the Cannes Film Festival on 25th May where it received a twelve minute standing ovation. Released in Australia and worldwide last week, it was originally scheduled to be released in early October 2021, before being delayed to early November 2021 due to the COVID-19 pandemic, and then later to last week. It cost US$85M to produce, has so far grossed US$52M from its opening weekend and a further US$13M since for a worldwide total so far of US$65M, and has garnered generally positive critical acclaim.

The film opens up in 1997 with Colonel Tom Parker (Tom Hanks) on his death bed recalling his memories of how he first discovered Elvis Presley (Austin Butler) and how he led him on the path to worldwide superstardom as his manager, mentor, guardian and custodian. The film then takes us back to the late 1940's and a young Elvis (Chaydon Jay) had a largely poverty driven upbringing in Tupelo, Mississippi with his parents Vernon (Richard Roxburgh), who had served jail time, and Gladys (Helen Thomson). Elvis finds his personal means of escape and his own lifeline in music, and in particular gospel music, which he falls under the spell off as a young boy. In his late teens he is often ridiculed by his peer group because of his strong leaning towards African American music to be heard bellowing out from the clubs and bars on Memphis' Beale Street where the likes of B.B. King (Kelvin Harrison Jnr.) and Little Richard (Alton Mason) hang out at 'Club Handy'.

Parker grew up around the carnivals and travelling fair's turning a dollar on the gullibility on his audience night after night. He is also managing Hank Snow (David Wenham) and his son Jimmie Snow (Kodi Smit-McPhee) but as soon as Parker hears Elvis belting out his debut song on the radio he becomes determined to track the singer down and manage his affairs from here on in. Parker eventually meets and persuades Elvis to let him take control of his career by having Vernon and Gladys sign a contract with Vernon appointed as Elvis' Business Manager which begins a meteoric ascent. 

However, not all of the public is impressed with the young entertainer, labelling him 'Elvis the Pelvis' because of his trademark hips and legs wiggle. Many parents fear that his music is corrupting their children, especially the young and impressionable daughters, and racist politicians also attack him. He is asked to downplay the wiggle and stand up straight, not gyrate his hips, and wear a suit with tails onstage, which he does once under the guise of 'The New Elvis', but his fans rebel against this demanding they want 'The Old Elvis' back. After a violent incident at a stadium concert, Elvis finds himself facing a possible jail term because he gave the fans what they wanted to hear and see. However, it is suggested that Parker persuades the government to draft Elvis into the US Army in 1958 as a way of avoiding any further legal proceedings. During his time in the Army on a posting to Germany, Elvis learns that Gladys has died of alcoholism. He is distraught by the news and almost inconsolable. Parker comforts Elvis and Vernon in their hour of need and says to Elvis that while he is overseas seeing out his Army service that he will take care of all of his affairs and need not worry about a thing. 

While stationed in Germany, Elvis meets Priscilla Beaulieu (Olivia DeJonge), and upon his discharge, he resumes his career-making concert tours and Hollywood feature films while Parker's control of his life takes on an even stronger grip. Elvis is devastated by the assassinations of Martin Luther King Jr. in 1968 and Robert Kennedy also in 1968, and wishes to become more politically outspoken in his music while Parker merely wants him to sing family friendly frivolous songs that will be No.1 best sellers. He hires Jerry Schilling (Luke Bracey) and Steve Binder (Dacre Montgomery) to resurrect his ailing career (which they described as being 'in the toilet'), much to Parker's disliking. Schilling and Binder orchestrate Elvis' 1968 Comeback Tour which has massive television success and reestablishes the singer right back to his former glory years. 

The International Hotel is set to open on the Las Vegas strip, and while Elvis has plans to tour Europe Parker has other ideas. He downplays touring Europe based on the cost involved that would heavily eat into any profits made and the security risks associated with travelling to foreign lands. Instead, Parker suggests that The International Hotel would offer Elvis a six week residency at no cost, because they need a big name act to help establish the new hotel as a gaming and entertainment destination, and quickly. Afterwards, Parker says, he can tour overseas. But afterwards never comes, as Parker who is now heavily in debt to a casino for his gambling addiction, secretly and without any consultation with Elvis commits the singer to a residency term of five years in exchange for US$5M for Elvis, plus an unlimited line of credit and the waiving of all debts owed by Parker. 

Elvis puts his all into his sell out stage shows at The International Hotel, but eventually grows tired of Parker and attempts to fire him, only to be sued by the latter for more than US$8M for expenses incurred since day one of their relationship. Elvis chides Vernon as his Business Manager saying that he was supposed to oversee all of his finances, but Vernon only responds with the fact that he will have to sell Graceland and that sum will leave him broke and destitute. A vicious argument ensues between Elvis and Parker as he is about to leave for the airport and embark on a European Tour, but afterwards Elvis has to concede that he has no choice but to maintain his management from Parker, and instead embark on a fifteen city tour of the US instead. Ultimately, they grow apart and rarely see each other afterwards.

Following this, Elvis's life spirals on a seemingly ever downward trajectory as Priscilla takes their daughter Lisa Marie and leaves him over his prescription drug addiction, which grows even stronger after she is gone. They divorce in 1973. Later, as Elvis is about to board his private plane and bidding farewell to Lisa Marie at the airport, Priscilla jumps in the back of the limo and the pair share a private and tender moment. Elvis says to his former wife that he is approaching his fortieth birthday and that no one will remember him when he is gone. As the pair part company and Elvis boards his plane he mouths the words 'I will always love you' to Priscilla. Elvis died from a heart attack on 16th August 1977 at the age of 42. 

The final scene is one of Elvis's last shows which depicts him as being bloated and pale looking, while singing 'Unchained Melody' at the piano, with real footage from the concert as key moments from his life are shown, with Parker passing away old and alone in 1997. The closing credits reveal that Parker's financial and contractual abuse of Elvis was the subject of litigation by the Presley Estate after Elvis' death. Parker spent his last years gambling away his money on casino slot machines, while Elvis remains the best-selling solo artist of all-time and one of the most beloved entertainers in music history.

I sat in a packed out cinema theatre half full of baby boomers who would have been around in the '60's and '70's to see the real events unfold, with the other half being millennials who would have been there for the entertainment and education factors and to see the legendary King of Rock 'n' Roll writ large on the silver screen. What was unusual was the applause this film garnered from the gathered audience when the end credits rolled, which is telling in its own right! Unlike his previous 'The Great Gatsby' which for me was all style with little substance, in 'Elvis' Luhrmann has delivered an extravagant spectacular biopic that has style and substance in equal measure and that will keep you glued to the screen for all of its 160 minute run time. Austin Butler lives and breathes EP and his performance is near perfect in terms of his looks, his singing, his gyrating, his dancing and his persona in a role that we are unlikely to find as convincing this year. As for Tom Hanks in his fat suit and prosthetic face and nose made up to resemble Col. Tom Parker in all his manipulative, controlling illegal alien personality, it was at times hard for me to see behind the Mr. Nice Guy image that Hanks more often than not portrays in his film roles. That said though, I learned a lot about EP's Manager and their 20+ year relationship that turned toxic towards the end, even though Elvis kept coming back to him time after time like a lost puppy no matter how harshly he was treated. 'Elvis' is a brash film that will keep you pondering the King's life, and all of its twists and turns, ups and downs long after the credits have rolled. It's memorable for a whole bunch of reasons and has Luhrmann's trademark glitz and glamour written all over it while attempting to explain how a little kid growing up poor in Tupelo came to become the most successful solo music artist of all time and as popular still today some 45 years after his death, as he was when he was alive. 

'ELVIS' merits four claps of the Odeon Online clapperboard from a possible five claps. 
-Steve, at Odeon Online-