JOJO RABBIT : Thursday 2nd January 2020.

I finally saw the M Rated 'JOJO RABBIT' earlier this week, and this American satirical black comedy that is a send up of Nazi Germany during WWII is Directed, Co-Produced, Written and starring New Zealand's very own Taika Waititi, whose last film outing was the highly acclaimed 'Thor : Ragnarok' and before that 'The Hunt for the Wilderpeople'. This film is based on Christine Leunens's 2008 novel 'Caging Skies', and had its world Premiere showing at TIFF in early September where it won the top prize, the 'Grolsch People's Choice Award' before its wider release in the US in mid-October and in New Zealand in late October. The film has divided Critics, however, most seem to be praising the performances, the humour, the screenplay and the heart-warming story. Made for US$14M the film has so far grossed US$26M. It has so far picked up nineteen award wins and a further 99 nominations from around the awards and festival circuit, with many of those nominations still awaiting final determination.

Here lonely ten year old German lad Johannes 'Jojo' Betzler (Roman Griffin Davis) is living in Nazi Germany during the late stages of WWII with his mother Rosie (Scarlett Johansson). His father has been missing in action somewhere on the Italian front for the last two years and his older sister Inge died more recently of influenza. Jojo has an imaginary friend that he frequently speaks with, confides in and seeks advice from - a childish version of Adolf Hitler (Taika Waititi).

Jojo and his best friend Yorki (Archie Yates) attend a Hitler Youth training camp for 10-14 year old boys and girls, run by Captain Klenzendorf (Sam Rockwell). When Jojo is ordered to kill a rabbit to prove himself by more senior ranking Hitler Youth members, he tries to release it and runs off crying after the other boys taunt him with the name 'Jojo Rabbit'. Following a morale boosting pep talk from Adolf, Jojo returns to his fellow young youth recruits with a new found enthusiasm and throws a Stickgrenade without permission, which bounces off a tree and explodes at his feet, leaving him with facial scars and a slight limp.

After Jojo has sufficiently recovered and is well enough to rejoin the cause, Rosie asks Klenzendorf, demoted after the incident for negligence, to make her son feel included despite his now healed but nonetheless scarred injuries. Jojo is given menial duties such as spreading propaganda material through the town, and rounding up scrap metal for the war effort.

One day, having arrived home before his mother, to an empty house, he hears noises coming form upstairs. Venturing to investigate he discovers Elsa Korr (Thomasin McKenzie), a teenage Jewish girl and a former classmate of his sister, hiding upstairs, behind the wall of Inge's bedroom. Jojo threatens to reveal her presence to the Gestapo, but Elsa warns that she, him and his mother would be killed for harbouring her. He agrees reluctantly to keep her hidden, on the condition she reveals her 'Jew secrets' so he can write a book for Klenzendorf. Elsa plays along by making up stories about the hidden powers that all Jews possess, including growing horns when they turn 21, mind reading, sleeping upside down like bats, and their preferred foods including chocolate, cookies and bread.

Jojo continues with his interrogation of Elsa, learning she has a boyfriend called Nathan with whom she wants to reunite when the war is over and live in Paris together. Jojo forges a letter from 'Nathan' and reads it aloud to Elsa in which he states that he has found someone else and wants to split up with her. Hearing her sobbing from behind the wall, Jojo writes another letter telling her to disregard the first one. Jojo and Adolf argue, with Adolf insisting Elsa is a monster, who can't be trusted. Later, while on one of his metal collecting trips, Jojo spots his mother leaving 'free Germany' postcards around town.

Jojo is home alone one day when the Gestapo come knocking on his door, led by Captain Deertz (Stephen Merchant). Klenzendorf coincidentally arrives at the house a short time afterwards while it is being searched with his second in command, Finkel (Alfie Allen). Elsa reveals herself, making out to be Inge, and produces Inge's identification papers and confirms her birthday from memory to satisfy the Gestapo's line of questioning. They also pick up JoJo's 'Jewish Secrets' hand drawn book which Deertz thumbs through and finds it very amusing, helping to diffuse an otherwise tense situation. When they have all left Jojo is relieved, but Elsa later realises she recited Inge's wrong birth date and that Klenzendorf covered for her, but is certain the Gestapo will eventually come to realise their ruse.

Later that day, Jojo stumbles across his mother who had been hanged in the town square with three others. Devastated and distraught, he returns home and stabs Elsa in the shoulder with his standard issue Hitler Youth knife barely breaking the skin, and then breaks down sobbing. Elsa comforts him.

Later on Jojo runs into Yorki, who is now a fighting soldier, who tells him Hitler has committed suicide and that the Allies are gaining ground rapidly. Jojo encounters Fraulein Rahm (Rebel Wilson), and offsider of Klenzendorf, arming and sacrificing children as the battle closes in around them, and she gives him a soldier's coat and a machine gun, before being killed herself. Confronted by both American and Soviet forces, the city's German stronghold collapses and they surrender. The Soviets have rounded up several captured Germans into a courtyard when Jojo stumbles in, having taking shelter until after the cease fire, and encounters a wounded Klenzendorf who tells the young lad that his mother was a good woman. He saves him by removing his German Hitler Youth coat, calling him a Jew, and spitting on him, leading the Soviet guards to drag him away. The soldiers thrust Jojo into the street and tell him to go home. He runs off as several shots are heard in the background.

Jojo returns home, and to stop Elsa from leaving as he has now developed feelings for her, tells her that Germany won the war. Realising her despair, he recites a new 'letter' from Nathan claiming that he and Jojo have figured out a way to smuggle her to Paris where they can live happily ever after. Upon hearing this, Elsa reveals that Nathan died the previous year. Jojo tells her he loves her, and she tells him she loves him in a 'little brother' kind of way. A beleaguered Adolf sporting a bloodied bullet hole through the head angrily confronts Jojo for siding with Elsa, and Jojo promptly kicks him out the window never to be seen again. Jojo takes Elsa outside, where she sees the Allies have won after witnessing American soldiers driving up and down the street flying the US flag. She slaps Jojo in the face for lying, and then they proceed to dance in the street to the sound of David Bowie's German Remix version from 1989 of 'Helden'.

There are some moments of real laugh out loud humour in 'Jojo Rabbit' just as much as there are some tender heartfelt emotional moments too, that keep the story grounded in all the horrors of WWII Nazi Germany. At its heart however, this is a black satirical comedy that demonstrates that despite the racial hatred, the indoctrination of an ideal from a very early age, and the brutality and horrors of war that love conquers all and a child can overcome adversity with acceptance and confidence. Roman Griffin Davis is perfectly cast in the role of Jojo and gives a revelatory performance, his best friend Archie Yates as Yorki does not a miss a beat in the delivery of his dead pan one liners and comedic turns and Thomasin McKenzie as Elsa is considered and even tempered in her delivery of raw emotion and satirical beats in her performance too. And as for the Director, Writer and star of the show as the imaginary man-child friend The Fuhrer, Waititi's performance is priceless ranging from the absurdest childlike actions of an eleven year old to the brutal and demanding rantings of the Adolf Hitler that we have all come to know and loathe. This is a quirky, whimsical film that only the off-beat humour of Taika Waititi could deliver that offers a breath of fresh air in this era of big action blockbusters that occupy so many of our cinemas screens these days, and is still a highly relevant story that resonates today as much as it did in 1944/45. It is easy to see why this film has divided audiences and Critics, but trust me, it is well worth the price of entry.

'Jojo Rabbit' merits four claps of the Odeon Online clapperboard from a possible five.

-Steve, at Odeon Online-