Duke Leto Atreides (Oscar Isaac) of House Atreides, the ruler of the planet Caladan, is assigned by the Emperor of the Universe Shaddam Corrino to replace House Harkonnen as fief rulers of the planet Arrakis. House Harkonnen have presided over Arrakis for the past eight hundred years and so this news comes as a bitter disappointment to them needless to say. Arrakis is a harsh desert planet and the only known source of 'spice' in the universe, a valuable substance that bestows its users greater vitality and expanded consciousness. It is also critical for interstellar travel as it allows Spacing Guild Navigators to use a limited form of foresight to safely navigate through interstellar space. The reality is however, that Shaddam is scared and jealous and intends to have House Harkonnen stage a violent and bloody coup to retake the planet with the aid of the Emperor's Sardaukar troops, eradicating House Atreides once and for all, whose influence threatens Shaddam's control. Leto is reluctant but but can see the political advantages of controlling the spice planet and forming an alliance with its native population, skilled desert dwelling fighters known as the Fremen.
Leto's mistress Lady Jessica (Rebecca Ferguson) is a disciple of the Bene Gesserit, an exclusive sisterhood whose members possess advanced physical and mental capabilities. As part of their centuries-long breeding regime, the Bene Gesserit instructed Jessica to bear a daughter whose son would become a male Bene Gesserit, a messianic superbeing with the power of second sight necessary to guide humanity to a better future. Instead she gave birth to a son, Paul (Timothee Chalamet). Throughout his life, Paul is trained by Leto's aides, Duncan Idaho (Jason Momoa), Gurney Halleck (Josh Brolin), and the Mentat Thufir Hawat (Stephen McKinley Henderson), while Jessica trains Paul in the ways of the Bene Gesserit.
Paul confides in Jessica and Duncan that he has recurring dreams of the future. Because of these dreams, the Emperor's Truthsayer the Reverend Mother Gaius Helen Mohiam (Charlotte Rampling) visits Caladan and subjects Paul to a deadly test to assess his impulse control, which he passes. Mohiam instructs House patriarch Baron Vladimir Harkonnen (Stellan Skarsgard) to spare Paul and Jessica during his coup on Arrakis, to which he responds that he, will not harm them. Some two weeks later, House Atreides arrives at Arrakeen, the fortress stronghold on Arrakis, where Duncan and an advance party have been learning all they can about the planet and the Fremen. It is unknown who remained on Caladan to oversee and protect the Atreides home planet in the meantime. Leto negotiates with the Fremen's chieftain Stilgar (Javier Bardem) and meets the Imperial ecologist and Judge of Change Dr. Liet-Kynes (Sharon Duncan-Brewster). Kynes informs Leto, Paul, and Halleck of the dangers of spice harvesting, including giant sandworms which can grow up to four hundred metres long and which travel under the desert sands and are attracted by vibrations and sounds on the surface. During a flight, they spot a sandworm approaching an active spice harvester with a stranded crew on board. Leto and his team rescue the workers with barely minutes to spare before the sandworm swallows the harvester. Paul's exposure to the spice-laden air triggers more intense visions of the future.After an attempt on Paul's life by a Harkonnen agent, Leto places his army on high alert. Suk doctor Wellington Yueh (Chang Chen) disables Arrakeen's protective shields which allows Harkonnen and Sardaukar troops to overwhelm the Atreides forces, and ultimately destroy Arrakeen. Yueh incapacitates Leto and tells him he had no choice but to make a deal to deliver him to the Baron Harkonnen in exchange for freeing his captive wife. Yueh replaces one of Leto's teeth with a poison gas capsule and is killed by the Baron after delivering the Duke. As Leto lies naked in chair at the end of a long table and in an incapacitated state he murmers, and the Baron leans in to listen. Leto bites down on the fake tooth and releases the poison gas, killing himself and members of the Baron's court almost immediately, but the Baron survives.
Duncan escapes and steals an ornithopter (a flying machine with the body of a helicopter but the wings that oscillate rapidly like a dragon fly). Harkonnens soldiers capture Paul and Jessica and take them into the desert where they will be dumped to die. However, Paul and Jessica overpower and kill their captors using a Bene Gesserit ability known as 'the Voice', a means of controlling the actions of others through verbal commands. Finding a survival kit left for them by Yueh, Paul and Jessica spend the night in a tent, which by daybreak is buried under the sand. Paul experiences more dreams, this time of a 'holy war' raging across the universe in his name. The next morning, they make their way out of the buried tent and continue their journey in search of the Fremen.
Running to a rocky outcrop they manage to evade a sandworm and there meet a group of Fremen, among them Stilgar and Chani (Zendaya), the girl seen by Paul's in his dreams. Fremen warrior Jamis (Babs Olusanmokun) protests their admission into thier encampment and is killed by Paul in a ritual duel to the death. Against Jessica's wishes, Paul insists on joining the Fremen to fulfil his father's goal of bringing peace to Arrakis, and preventing a holy war spreading across the universe in his name.
'Dune' is an epic film in just about every sense of the term. From the stunning visuals, the action set pieces, the character development, the cinematography, the ensemble cast, the world building and the Hans Zimmer composed thumping soundtrack this ticks all the boxes and must be seen on a big cinema screen to truly appreciate the scale and spectacle of what Director Denis Villeneuve has delivered. At over two-and-a half hours in length, sure the movie lags in places but it moves along at a swift pace and never leaves you wanting, and whilst some critics have commented that it only covers half of Frank Herbert's novel, that is the Director's intention as the opening credit says 'Dune : Part One'. Aside for being a Sci-Fi spectacle for the ages and all ages, the film has emotional heft and delves into the human psyche as much as it does the grandeur of the set designs and the manner in which the action scenes play out. For a universe set some eight thousand years into the future however, one thing that left me scratching my head was why, oh why, with all their advanced technology, world building prowess and interstellar travel capabilities, do they still go into hand to hand battle with swords and daggers? Clearly, ours is not to reason why . . . ! Bring on 'Part Two'.
'Dune' warrants four claps of the Odeon Online clapperboard from a potential five claps.
-Steve, at Odeon Online-
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