THE WEIGHT : Tuesday 22nd September 2026

I saw the MA15+ Rated 'THE WEIGHT' this week at my local independent movie theatre, and this German and American Co-Produced historical drama film is Directed and Co-Edited by Padraic McKinley in his feature film making debut. The film had its World Premiere screening at this years Sundance Film Festival in late January and had its International Premiere out of competition at the Berlin International Film Festival in mid-February. It was released in the US last week too, having garnered generally favourable critical reviews, and so far grossing US$2.5M.

The film opens with an aerial shot of a deserted gravel back road in Eugene, Oregon in 1933 - four years into the Great Depression. Driving down that road at almost break neck speed in Samuel Murphy (Ethan Hawke) with his young daughter Penny (Avy Berry) sat in the back seat whooping for joy while getting tossed around and urging her father to go faster. We then see the pair in their apartment later that night with Murphy attempting to darn a hole in a sock, and saying that he can fix motor cars, build an engine, and that he even made Penny, and that he can sure mend a hole in a sock, to which Penny retorts that she's not so sure. The next day or two and the pair climb the stairs to their apartment to find all their worldly possessions out on the landing and the lock changed - they have been evicted, and must find a new place to live. Later, down an alley way with Penny. while knocking on a prospective landlord’s door, three men approach, demand to know what they’re up to, and warn them against 'squatting'. The resultant confrontation quickly rises into an all out brawl. As it transpires one of the men Murphy punched was a plainclothes Policeman. The authorities place Penny in children's home and sentence her father to one year in the remote Deschutes County Convict Labor Camp, overseen by Warden Clancy (Russell Crowe) - an imposing man who seems to relish in breaking down his prisoners spirits through intimidating, punishing, and by assigning tasks he knows are almost impossible.

Clancy then puts Murphy in charge of one such task - to remove a huge boulder that sits in the way of a road, and that needs to be cleared today, because tomorrow is Sunday, and the Warden has a baseball game planned for the prisoners versus the guards and the result is one game all, and if the boulder is not removed today then the prisoners forfeit the game and Clancy will not be happy, at all. Murphy surprises Clancy by taking charge and getting the job done with ingenuity, by using two pump up jacks, and getting two other prisoners to hammer two holes in the rock on opposite sides, and having them then insert the ends of their wooden pick axe handles into the holes and pushing with all their might. Eventually, the boulder moves, only slightly at first, but with momentum it is eventually shifted and rolled away. Watching Murphy successfully accomplish the task, Clancy realises he’s a good leader with many useful skills, who is a man of his word and gets the job done without fuss. 

So, after getting Murphy to fix up his Ford Model 18 which had several mechanical problems and which he had purloined from some criminal bootlegger who was now serving time, Clancy offers him a chance at freedom and getting his daughter back. President Franklin Delano Roosevelt had recently set in motion a proclamation whereby in an attempt to slow down or even halt the currency deflation that was extending the Depression, his administration had decided to take the US off the gold standard, and began sending federal marshals around the country to withdraw gold held in vaults by the Federal Reserve Bank. Murphy will lead a team of three other trustworthy inmates to steal the gold bars kept at Klamath Falls gold mining camp deep in the forest before the Feds get their hands on them, then bring them to Clancy, who will divide them between himself and his partners. The drop off point is fifty miles away through dense forest terrain, and Murphy and his team have six days to make the rendezvous. For successfully completing the mission, Clancy will give the participating inmates early release papers dated to the day of their return with the gold. Murphy can hardly refuse the offer, as Penny will become a ward of the State in five months, long before his sentence ends.

And so the gang of four set out, having been giving their strict orders by Taggert (Alec Newman), who in no uncertain terms sets out his very clear expectations for their upcoming mission. There is Singh (Avi Nash) an Indian American socialist, Olson (Lucas Lynggaard Tonnesen) a Scandinavian immigrant, Rankin (Austin Amelio) the bad apple of the group, and Anna (Julia Jones) an Indigenous runaway who was living at the mining camp, but decided to flee and hooks up with the gang after the fact and acts as their cook and medic. And then accompanying the group there are two of Clancy's armed foot soldiers who are loyal to the Warden, and are not afraid to throw their weight around - Letender (George Burgess) and Amis (Sam Hazeldine).

What follows is a series of action set pieces that put the group through their paces, that involve them traversing a rickety old rope bridge; a river crossing involving a log jam in which Murphy gets caught under; stealing a couple of boats belonging to a group of nefarious locals who seem determined to come between the group and their mission; and a brutal fist fight between Letender and Murphy. Needless to say it doesn't end well for two of the group. 

And so after six days battling the elements and each other, the remaining group make their rendezvous point ahead of time. They rest up for the night, and are greeted the next morning with three members of the group missing and Taggert having pulled up in his car waiting for the knapsacks full of gold bars to be loaded onto his vehicle. Singh and Amis are the only ones around, and Murphy appears out of the woods having just fought with Letender, who was strangled to death by Rankin. A shoot out follows in which Murphy guns down Amis, while Taggert makes off in his car laden with the gold bars. Murphy commandeers a passing US Government car which has a speed limiter of 35MPH, and so stops the car with little hope of catching up to Taggert. He opens up the hood, plays around with the engine and disengages the speed limiter, and so the chase is back on. Murphy catches up with Taggert and runs his vehicle off the road causing it to flip end over end down a steep embankment and coming to rest on its roof. 

Murphy, Anna, Singh and Rankin return to the work camp and confront Clancy. They have the gold in their possession but Murphy outlines how the deal is going to go down, saying that they are prepared to split the gold equally including a share for the Olson family and for him to take a share, in exchange for signing their release papers there and then, for his silence and for their silence in not revealing his complicity in the crime. And one other thing Murphy asks for - the vehicle that he fixed up for the Warden the previous week, and the registration papers to be signed over. The deal is done, and everyone walks away happy and content, and Murphy is reunited with Penny as they drive off at speed in their new car down the back roads of Oregon. 

For first time Director Padraic McKinley, he has delivered us a film with 'The Weight' that is a throw back to the movies of yesteryear with an all too relatable story, strong performances, beautiful scenery, some moments of tension and a thumping soundtrack. All kudos must go to the understated everyman performance of Ethan Hawke, who is light on dialogue but high on emotional facial expressions in this tale of stolen gold bullion and ne'er do well crims masquerading as upstanding law abiding citizens. Beautifully filmed, this is a movie for Dad's everywhere wanting to sit back and enjoy a confidently made historical survival thriller the like of which is all too thin on the ground these days. 

'The Weight' merits four claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

HOKUM : Tuesday 12th May 2026.

I saw the M Rated 'HOKUM' earlier this week, and this Irish, UAE and US Co-produced supernatural horror film is Written and Directed by Damian McCarthy, in his third feature film making outing following 'Caveat' in 2020 and 'Oddity' in 2024. The film Premiered at the SXSW Film & TV Festival in mid-March this year, was released Stateside and here in Australia the week ending 1st May, has received generally positive critical reviews, and has so far grossed US$18M from a production budget of US$5M.

The film opens with reasonably successful novelist Ohm Bauman (Adam Scott) struggling to write the Epilogue of his 'Conquistador' trilogy. After experiencing a brief vision of the ghost of his mother at home, Ohm decides to visit The Bilberry Woods Hotel in rural Ireland, where his parents had honeymooned, to lay their ashes finally to rest. Upon arrival, he is greeted by the hotel staff - owner Cob (Brendan Conroy), his son-in-law and front desk clerk Mal (Peter Coonan), groundskeeper Fergal (Michael Patric), bartender Fiona (Florence Ordesh) and bellhop Alby (Will O'Connell). 

While checking in for his week long stay, Ohm overhears Cob tell two children the story of a local witch who kidnaps children, clasps their hands in shackles and leads them in chains on a tour through the underworld, where they are clawed at by the souls who live there. Ohm is abrasive and dismissive toward the staff, but strikes up a friendlier rapport with Fiona after she identifies the location of a photo his mother took, standing next to a redwood tree. While spreading his parents' ashes - his mothers which he places thoughtfully around the roots of the tree, and his fathers which he empties out randomly next to the same tree, he meets and bonds with Jerry (David Wilmot), a local living in his van who frequently consumes milk laced with the ground up powder of magic mushrooms. He offers Ohm some of his homemade 'moonshine', which he gratefully knocks back a few sips before returning the bottle and going on his way.

Later that night in the bar while downing a couple of glasses of whisky, Fiona and Alby tell Ohm that the honeymoon suite is locked off, has been for many years and is supposedly haunted by a witch that Cob had trapped inside. Ohm dismisses this as 'hokum'. After belittling Alby's dreams of a writing career, Ohm returns to his room. Concerned, and having left his voice recorder and the photo of his mother at the bar, Fiona goes to check on Ohm and has Alby unlock his door. As she walks in to his room and switches on the light Fiona discovers he has hanged himself. Ohm comes round in hospital, alive thanks to Fiona's intervention. When he returns to the hotel, Mal informs him that Fiona has been missing since the hotel's Halloween party and Jerry is the #1 suspect for both Fiona's disappearance and the murder of his wife some years prior. The hotel is in final preparations to close for the winter season, and so Ohm collects his luggage and leaves.

However, Ohm pulls up a short distance away, and confronts Jerry at his van, who claims to have seen Fiona's ghost in the hotel directing him to the honeymoon suite. Ohm doesn't believe Jerry's story but agrees to check the suite with him. Jerry confesses to killing his wife, but says it was a mercy killing due to her terminal illness. With the hotel now closed for the season, Ohm and Jerry break in to investigate, once all staff and their vehicles have left, and undercover of darkness. 

Fergal remained back at the hotel however, and knocks Jerry unconscious, cable ties his hands together and bundles him into the back of his van before driving him to the Gardai (the national Police and Security Service of the Republic of Ireland). Fergal doesn't see Ohm who has snuck out of sight when Fergal appears. Ohm sneaks into the honeymoon suite, where he is haunted by supernatural visions of his mother and memories of shooting her dead by accident with his father's gun as a child. Ohm falls asleep on the honeymoon bed and is abruptly woken by Mal, who pleads with Ohm that they must return back downstairs and out of the honeymoon suite. 

Ohm inspects a dumbwaiter, discovering Fiona's corpse inside, dressed in her Halloween bunny outfit. Mal locks Ohm in the suite and flees the hotel. Ohm finds his tape recorder on Fiona and learns from her voice recordings that she was pregnant with Mal's baby, and that Mal drugged her and locked her in the suite to prevent his family finding out.

Jerry comes round in Fergal's van and is able to cut through the cable ties with a pocket knife, and jumps out of van's rear doors and escapes to the hotel. The hauntings intensify as Ohm struggles to find a way out. Spotting a fire escape on a map of the basement, Ohm removes Fiona's body to a nearby chair and descends via the dumbwaiter. He reaches the fire escape but finds it bricked up. Hearing eerily ghost like noises following him he quickly rushes back to the dumbwaiter and ascends to whence he came from. The Witch (Sioux Carroll) though follows him, enters the room but he fends her off with a circle of chalk he draws around the honeymoon bed. He falls asleep and wakes up the next morning with no sign of the Witch. A short time later Mal arrives at the hotel to dispose of Ohm and is surprised to find a badly injured Jerry from his fall out of the van. Ohm manages to ring the suite bell, alerting Jerry to his presence. Ohm starts a fire in the suite by covering an electric plug in heater with a thick blanket. Meanwhile, Mal shoots Jerry dead with Fergal's crossbow, as Jerry attempts to break into the suite to release Ohm. 

Ohm flees into the basement again, and is pursued by Mal. Ohm draws another chalk circle to protect himself in the narrow basement corridor, but not before being shackled and chained himself. Mal is also confronted by the witch, who shackles and chains his hands and leads him to the underworld. Ohm makes peace with his mother's ghost and removes his own chains before escaping back up the dumbwaiter and out of the honeymoon suite. As the hotel burns, Ohm is saved by Fergal after he hears Fiona's spirit calling to him. 

Alby visits Ohm in hospital, telling him Fiona and Jerry's remains have been found but Mal is missing. Alby admits to vengefully spiking Ohm's whisky with Jerry's magic mushroom powder. Ohm notices he still has bruises on his wrists consistent with being placed in shackles, and recalls Jerry telling him that drugs allow people to open their mind to the supernatural. Ohm agrees to read Alby's manuscript the next day, and finishes opening his laptop and writing a more hopeful ending to his Conquistador (Austin Amelio) trilogy. 

With 'Hokum' Writer and Director Damian McCarthy has here crafted a modern day ghost story replete with tension, emotion, drama, the requisite jump scares, horror elements and a few moments of real jet black humour, as the perfectly cast Adam Scott delivers his sardonic, depressed and guilt ridden role with a deft touch. The atmosphere and sense of dread created on screen is almost palpable, which when added to the sound mix and production design make for a very worthwhile entry into the Irish horror folklore genre, that is certainly worth the price of your cinema ticket despite there being a couple of fairly glaring plot holes (spot them if you can!)

'Hokum' merits four claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-