THE WEIGHT : Tuesday 22nd September 2026

I saw the MA15+ Rated 'THE WEIGHT' this week at my local independent movie theatre, and this German and American Co-Produced historical drama film is Directed and Co-Edited by Padraic McKinley in his feature film making debut. The film had its World Premiere screening at this years Sundance Film Festival in late January and had its International Premiere out of competition at the Berlin International Film Festival in mid-February. It was released in the US last week too, having garnered generally favourable critical reviews, and so far grossing US$2.5M.

The film opens with an aerial shot of a deserted gravel back road in Eugene, Oregon in 1933 - four years into the Great Depression. Driving down that road at almost break neck speed in Samuel Murphy (Ethan Hawke) with his young daughter Penny (Avy Berry) sat in the back seat whooping for joy while getting tossed around and urging her father to go faster. We then see the pair in their apartment later that night with Murphy attempting to darn a hole in a sock, and saying that he can fix motor cars, build an engine, and that he even made Penny, and that he can sure mend a hole in a sock, to which Penny retorts that she's not so sure. The next day or two and the pair climb the stairs to their apartment to find all their worldly possessions out on the landing and the lock changed - they have been evicted, and must find a new place to live. Later, down an alley way with Penny. while knocking on a prospective landlord’s door, three men approach, demand to know what they’re up to, and warn them against 'squatting'. The resultant confrontation quickly rises into an all out brawl. As it transpires one of the men Murphy punched was a plainclothes Policeman. The authorities place Penny in children's home and sentence her father to one year in the remote Deschutes County Convict Labor Camp, overseen by Warden Clancy (Russell Crowe) - an imposing man who seems to relish in breaking down his prisoners spirits through intimidating, punishing, and by assigning tasks he knows are almost impossible.

Clancy then puts Murphy in charge of one such task - to remove a huge boulder that sits in the way of a road, and that needs to be cleared today, because tomorrow is Sunday, and the Warden has a baseball game planned for the prisoners versus the guards and the result is one game all, and if the boulder is not removed today then the prisoners forfeit the game and Clancy will not be happy, at all. Murphy surprises Clancy by taking charge and getting the job done with ingenuity, by using two pump up jacks, and getting two other prisoners to hammer two holes in the rock on opposite sides, and having them then insert the ends of their wooden pick axe handles into the holes and pushing with all their might. Eventually, the boulder moves, only slightly at first, but with momentum it is eventually shifted and rolled away. Watching Murphy successfully accomplish the task, Clancy realises he’s a good leader with many useful skills, who is a man of his word and gets the job done without fuss. 

So, after getting Murphy to fix up his Ford Model 18 which had several mechanical problems and which he had purloined from some criminal bootlegger who was now serving time, Clancy offers him a chance at freedom and getting his daughter back. President Franklin Delano Roosevelt had recently set in motion a proclamation whereby in an attempt to slow down or even halt the currency deflation that was extending the Depression, his administration had decided to take the US off the gold standard, and began sending federal marshals around the country to withdraw gold held in vaults by the Federal Reserve Bank. Murphy will lead a team of three other trustworthy inmates to steal the gold bars kept at Klamath Falls gold mining camp deep in the forest before the Feds get their hands on them, then bring them to Clancy, who will divide them between himself and his partners. The drop off point is fifty miles away through dense forest terrain, and Murphy and his team have six days to make the rendezvous. For successfully completing the mission, Clancy will give the participating inmates early release papers dated to the day of their return with the gold. Murphy can hardly refuse the offer, as Penny will become a ward of the State in five months, long before his sentence ends.

And so the gang of four set out, having been giving their strict orders by Taggert (Alec Newman), who in no uncertain terms sets out his very clear expectations for their upcoming mission. There is Singh (Avi Nash) an Indian American socialist, Olson (Lucas Lynggaard Tonnesen) a Scandinavian immigrant, Rankin (Austin Amelio) the bad apple of the group, and Anna (Julia Jones) an Indigenous runaway who was living at the mining camp, but decided to flee and hooks up with the gang after the fact and acts as their cook and medic. And then accompanying the group there are two of Clancy's armed foot soldiers who are loyal to the Warden, and are not afraid to throw their weight around - Letender (George Burgess) and Amis (Sam Hazeldine).

What follows is a series of action set pieces that put the group through their paces, that involve them traversing a rickety old rope bridge; a river crossing involving a log jam in which Murphy gets caught under; stealing a couple of boats belonging to a group of nefarious locals who seem determined to come between the group and their mission; and a brutal fist fight between Letender and Murphy. Needless to say it doesn't end well for two of the group. 

And so after six days battling the elements and each other, the remaining group make their rendezvous point ahead of time. They rest up for the night, and are greeted the next morning with three members of the group missing and Taggert having pulled up in his car waiting for the knapsacks full of gold bars to be loaded onto his vehicle. Singh and Amis are the only ones around, and Murphy appears out of the woods having just fought with Letender, who was strangled to death by Rankin. A shoot out follows in which Murphy guns down Amis, while Taggert makes off in his car laden with the gold bars. Murphy commandeers a passing US Government car which has a speed limiter of 35MPH, and so stops the car with little hope of catching up to Taggert. He opens up the hood, plays around with the engine and disengages the speed limiter, and so the chase is back on. Murphy catches up with Taggert and runs his vehicle off the road causing it to flip end over end down a steep embankment and coming to rest on its roof. 

Murphy, Anna, Singh and Rankin return to the work camp and confront Clancy. They have the gold in their possession but Murphy outlines how the deal is going to go down, saying that they are prepared to split the gold equally including a share for the Olson family and for him to take a share, in exchange for signing their release papers there and then, for his silence and for their silence in not revealing his complicity in the crime. And one other thing Murphy asks for - the vehicle that he fixed up for the Warden the previous week, and the registration papers to be signed over. The deal is done, and everyone walks away happy and content, and Murphy is reunited with Penny as they drive off at speed in their new car down the back roads of Oregon. 

For first time Director Padraic McKinley, he has delivered us a film with 'The Weight' that is a throw back to the movies of yesteryear with an all too relatable story, strong performances, beautiful scenery, some moments of tension and a thumping soundtrack. All kudos must go to the understated everyman performance of Ethan Hawke, who is light on dialogue but high on emotional facial expressions in this tale of stolen gold bullion and ne'er do well crims masquerading as upstanding law abiding citizens. Beautifully filmed, this is a movie for Dad's everywhere wanting to sit back and enjoy a confidently made historical survival thriller the like of which is all too thin on the ground these days. 

'The Weight' merits four claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

BEAST : Tuesday 28th April 2026.

I saw the MA15+ Rated 'BEAST' earlier this week, and this sports action drama film is Co-Produced and Directed by Tyler Atkins in only his second feature film making effort following 'Bosch & Rockit' (aka 'Ocean Boy'). The film was released Stateside earlier in April, has so far grossed US$1.3M and has garnered generally favourable critical reviews. 

The film opens up in the changing rooms of a One Championship MMA (Mixed Martial Arts) Arena where trainer Sammy (Russell Crowe, who gets a Co-Writing credit on this film too) is putting his Champion fighter Patton 'The General' James (Daniel MacPherson) through his final paces before a bout. Sammy's mantra which he makes Patton repeat back to him several times is 'Why do we breath, so we can think, and why do we think, so we can win'. We then see the pair exit the change room, and out into a packed arena, with bright lights, the crowd roaring, and Patton greeting his legions of adoring fans with his arms raised. We then fast forward ten years and Patton is working as a commercial fisherman having long turned his back on his MMA career. But working for a small boat with fellow fisherman Neal (George Burgess) and the gruff and unforgiving skipper (Nathan Phillips) who calls Patton a 'Jonah' because he has put a curse on his lowly catch, and eventually fires Patton for speaking out against the small operator and his dodgy boat and sub standard equipment. 

Patton is very happily married to Luciana (Kelly Gale) and they have a young daughter Maddie (Sol Nc Carrico), with Luciana announcing that she is expecting a second child. One day while working out in his makeshift gym in his garage, he has his TV turned on to a MMA bout featuring his younger brother Malon James (Mojean Aria) against reigning World Champion Xavier Grau (Bren Foster). Needless to say Malon is no match for Grau who pummels him quickly and delivers a crushing blow to the head after the bell has rung marking the end of the round. This puts Malon in hospital in a coma, and potentially putting him out of the cage for a least five months, assuming he recovers. While Patton, Luciana and Nadine (Malon's partner [Saphira Moran]) are waiting in hospital Grau's manager Gabriel (Luke Hemsworth) shows up and offers Patton a bout with Grau, and a guaranteed purse of US$100K. Gabriel also tells Patton that Malon is in debt to Barry (Matt Nable), a lone shark and strip joint owner to the tune of AU$50K. Patton declines, but Gabriel thrusts his business card into Maddie's hand, and says for daddy to call him if he changes his mind.

Sometime later, and Patton meets with Gabriel in a bar overlooking Sydney harbour. Patton says he'll agree to the fight for US$150K, with 50% upfront and six months in which to get fighting fit. Gabriel reluctantly agrees but says the fight is fixed for seven weeks time, and pulls out a contract for him to sign on the spot. Patton, goes to Sammy's MMA Fight gym in an attempt to rekindle his past relationship with Sammy, but Sammy tells him in no uncertain terms to fuck off. 

Sammy's daughter Rose (Amy Shark) a former MMA fighter herself but now retired due to a career ending knee injury, is now a trainer. Patton explains to Rose that he's agreed to the fight for cash, and she agrees to train him, much to Sammy's chagrin. Rose begins putting Patton through a rigorous training regime, but it is clear that he has a long way to go to stand any hope of defeating Grau. 

Meanwhile, in Bangkok, Grau and Gabriel are sat in front of a panel of One Championship officials who ban Grau from fighting for six months and strip him of his World Championship title for that final blow to Malon's head after the end of round bell had rung. We also learn that Patton KO'd Grau in six seconds in an earlier bout ten years ago - a record that still stands to this day, and which was Grau's only defeat. 

And so with Grau unable to fight Patton, the latter pockets the US$150K and pays off Malon's debts to Barry in full with interest. Malon meanwhile has recovered albeit has been ordered not to fight for a least five months to allow his head and brain injuries to heal. Malon visits Patton at Sammy gym, and the pair almost come to blows as the estranged brothers argue over their absence from each others lives for the past five or so years. 

A short time later Patton and Malon meet unexpectedly while out training. Patton invites Malon to Maddie's upcoming birthday party, saying how much she would love to have him there. Malon agrees to attend. The birthday party arrives the following Monday afternoon and Malon rocks up and hands Maddie a gift wrapped box, and then makes his quick apologies and promptly leaves, saying he needs to be somewhere and not to worry. Patton chases after him, but Malon speeds off in his truck, wheels spinning. Later, Maddie opens the gift box from Malon, revealing several wads of cash all bundled up in AU$10K packages. This prompts Patton and Neal to track down Malon to a warehouse later that night and an unofficial and unsanctioned bout between Malon and Grau, which sold to a select audience for AU$10K a ticket. The bout is fought on an open floor with onlookers gathered around. Once again it is clear that Malon is outmatched by his far superior opponent, who pummels, punches and kicks the still recovering fighter. Patton and Neal arrive at the unfolding scene just as Malon is delivered a high kick to the head which sends him careening backwards where his head comes into contact with a large iron box. He stumbles backwards with a large gash to his head, coughing up blood and collapses on the floor, dead. Patton rushes forward and cradles his dead brother in his arms. 

After Malon's funeral, Patton climbs inside a bottle drinking heavily, not sleeping too well, having given up hope of ever returning to the ring, and growing increasingly distant from Luciana. Until the day comes when Luciana recognises Patton's internal turmoil, and tells him that she can no longer stand seeing him like this. Go off and do what you need to do, she tells him, and come back to me when your done. This is the news that Patton needed to hear. Patton goes back to Sammy and they share a conversation about why they drifted apart. Patton was involved in a bar brawl that got him landed in prison for just over two years. Every other day while inside he said, he had to fight against some new inmate who wanted to push their weight around. He got sick of fighting and when released he turned his back on it. Sammy said that he waited at the gym, hanging by the phone for Patton to call upon his release saying to pick up from where they left off, but that call never came, and Patton made no attempt to reconnect. Sammy also said that his daughter Rose wasn't allowed in his gym until she turned thirteen and he always knew that MMA fighting was in her blood, and now she is one the best trainers he knows. He gives his blessing to Patton to utilise Rose's training techniques to beat Grau. 

And so a rigorous training montage follows with Patton being coached by Rose and with Neal as his sparring partner, the bout with Grau is finally fixed for the One Championship Arena in Bangkok, Thailand. There is no guaranteed payout, there is no backing out, its a winner takes all bout for the One Champions World title and a US$3M payday. The night of the bout arrives and both contenders are in top fighting form. For Grau this grudge match is so that he can redeem himself in front of his fans for his humiliating defeat against Patton all those years ago and finally get his revenge. For Patton its all about proving to himself that he still has what it takes and to be able to provide for his family without counting every dollar, and perhaps to a certain extent to avenge the death of his brother at the hands of his opponent.

With Rose and Neal in Patton's corner, the first round goes to Grau, who punches and kicks with a ferocity that Patton seems almost defenceless against. The second round is more evenly matched, with Patton landing many kicks, punches, head locks and leg locks to Grau's surprise. The third round gets messy with Grau gouging at Patton's eye with his thumb, which is seen on TV the world over. The Referee gives Patton one minute to recover, but he can barely see out of his injured eye. As a result, Patton suffers many punches to the head, chest and stomach until Grau flinches clutching his hand which appears to be broken. This gives Patton the opportunity to breath, think and ultimately win with a series of crushing blows to Grau as he recoils against the cage fencing, and is KO'd after four minutes and seventeen seconds of Round 3. Back home in Sydney, Luciana, Sammy and Barry are cheering from the top of their voices as Patton is hailed Champion. 

With 'Beast' Director Tyler Atkins is hardly reinventing the MMA/Boxing drama film genre, but he does nonetheless deliver us a respectable offering that ticks all the boxes you have come to expect from a movie of this ilk. The fight scenes are very well choreographed and put you right in the centre of the action as every punch and kick lands, and every choke hold and leg lock is administered. Sure the film follows a tried and tested formula that is nearly as old as cinema itself, but it does possess enough emotional heft to rise above the also rans sports drama films that seem to come along all too frequently. The two big name leads in MacPherson and Crowe do what they do best, but the remaining supporting cast are largely generic and one dimensional, save perhaps for Amy Shark in her first big screen role. There are also a number of plot holes and examples of poetic license for the sake of dramatic effect that let the movie down to a degree, but if seeing two pugilists go head to head and toe to toe in the octagon floats your boat, then this film is for you. 

'Beast' merits three claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

NUREMBERG : Tuesday 9th December 2025

I saw the M Rated 'NUREMBERG' this week at my local multiplex, and this American psychological thriller historical drama film is Written for the screen, Co-Produced and Directed by James Vanderbilt in only his second Directorial outing following his 2015 'Truth', although he is perhaps best known as a prolific script writer and Producer of many Hollywood blockbusters and has worked with numerous top Directors. This film is based on the 2013 book 'The Nazi and the Psychiatrist' by Jack El-Hai. The film had its World Premiere in the Gala Presentations section of the Toronto International Film Festival in early September this year where it received a four-minute standing ovation, one of TIFF's longest standing ovations ever, and was released theatrically in the US in early November having received generally positive reviews from critics, and has so far taken US$20M at the Box Office.

The film opens on 7th May 1945, one day before Nazi Germany surrenders to the Allied forces, Reichsmarshall Hermann Goering (Russell Crowe), Hitler's former second-in-command, surrenders with his family to US forces in Austria. At the same time, Associate Justice Robert Jackson (Michael Shannon) is informed of Goering's arrest, which prompts a discussion with his secretary, Elsie Douglas (Wrenn Schmidt), about establishing an international tribunal to charge the surviving Nazi leadership with war crimes. Initially, the US is reluctant to support Jackson's plans preferring instead summary executions by hanging, however, Jackson persists by winning the support of Pope Pius XII (Giuseppe Cederna) by implying his knowledge of the latter's controversial relationship with the Nazi regime back in 1933.

Meanwhile, US Army psychiatrist Major Douglas Kelley (Rami Malek) is summoned to Bad Mondorf, Luxembourg, to evaluate the mental health of twenty-two Nazi leaders who are being held under Allied custody, including Goering, who have been selected for prosecution. Reporting to the Warden, Col. Burton Andrus (John Slattery), Kelley begins his assignment with the assistance of interpreter Sergeant Howard Triest (Leo Woodall). While initial meetings with Goering are civil, other prisoners such as Robert Ley (Tom Keune) and Julius Streicher (Dieter Riesle) respond with contempt and anger. Personally, using a series of cognitive tests and through conversation Kelley appraises Goering as intelligent yet highly narcissistic, and plans to use his notes of those discussions and meetings to write a tell-all book for personal gain, once his assignment is complete.

In time, Jackson and British barrister Sir David Maxwell Fyfe (Richard E. Grant) are made prosecuting counsels for the newly-established International Military Tribunal to be held in Nuremberg, Germany - which in turn, charges the detainees with crimes against peace, war crimes, crimes against humanity and conspiracy. In the lead up to the trial, Kelley and Goering interact well. Goering even helps Kelley examine former-Deputy Fuhrer Rudolf Hess (Andreas Pietschmann), in exchange for being allowed to write to his wife Emmy (Lotte Verbeek) and daughter Edda (Fleur Bremmer). Kelley also develops a rapport with them, acting as a courier for the exchange of letters between them and Goering. In private, Kelley is approached by Jackson to report the prisoners' legal defence to him in order to help steer the prosecution in the right direction. Kelley responds with the argument of Doctor and patient privilege, but is persuaded to comply with Jackson's wishes on the basis of the greater good.

Before the trial begins, Ley commits suicide by strangling himself in his cell. As a result Andrus summons psychologist Gustave Gilbert (Colin Hanks) to provide a second opinion. At the trial's beginning, Jackson delivers a strong opening statement highlighting the need for accountability, while Goering is silenced and instead ordered to enter a plea, to which he and the other prisoners plead not guilty. During adjournments, Kelley learns that Goering's family had been arrested in connection with his reported art thefts and requests Andrus to intervene. Goering later learns of this development from Gilbert, causing his and Kelley's relationship to sour. Outside the cell, in a specially designed enclosed walkway for the prisoners, Kelley and Gilbert get into a fist fight, and are hauled in front of Andrus, who asks Gilbert if he wishes to press charges against Kelley, to which he responds with a 'no'. 

When the trial recommences, the prosecution shows film footage displaying the regime's atrocities committed inside its numerous concentration camps, causing an upset Kelley to confront Goering, who had previously denied any knowledge of such actions. Goering continues his stance of unawareness, and resorts towards denying the atrocities or comparing them with alleged crimes committed by the Allies. Dismayed, Kelley proceeds to get drunk and unwittingly reveals his private discussions with Goering to Lila (Lydia Peckham), a journalist with The Boston Globe, who subsequently publishes the information as headline front page news. Infuriated, Andrus relieves Kelley and orders him out, but not before revealing that he was able to get Emmy and Edda released. 

While waiting at the train station to leave back to the US Kelley meets Triest who reveals that he is a German-born Jew, who grew up in Germany but was given a one way ticket to the US aboard a ship as a teenager to stay with a cousin in New York before settling in Detroit. After the Japanese invaded Pearl Harbour he waited to be called up, which eventually came in 1943, and he actively joined the war effort landing on the Normandy beaches two days after D-Day. While his younger sister was able to escape to Switzerland, his parents were sent to Auschwitz in 1942 and never survived.

Triest warns that the regime's cruelty went unchallenged because of a general impassivity towards evil, which compels Kelley to stay and submit all his private notes on Goering to Jackson and Fyfe - predicting that Goering plans to use the trial to defend the regime's conduct. True to his predictions, Goering is able to elude Jackson's cross-examination of him, and proceeds to declare that his decree of the Final Solution was actually intended as a 'complete and total solution' focused on the emigration of Germany's Jews rather than extermination. In turn, Jackson's ire towards Goering earns him a stern disapproval by the tribunal, prompting Fyfe to take over. Fyfe exploits Goering's vanity and goads him into overtly admitting his continued loyalty to Hitler despite the atrocities, which finally corners him. At the end of the trial, Goering, together with the remaining prisoners, are all sentenced to death by hanging.

Kelley pays Goering a final visit before leaving, where he comes to terms with Goering's true nature. On 15th October 1946, the night before his scheduled execution, Goering commits suicide by ingesting a cyanide capsule, much to Andrus' anger. The remaining executions proceed as scheduled with two journalists for the US (one of which is Lila), two from the UK, two from France and two from Russia being allowed to sit in and witness the proceedings. Streicher meanwhile, suffers a nervous breakdown in his cell, before Triest comes to his aid, and who had yearned to reveal his Jewish heritage to Streicher before his execution, but is instead compelled to gently assist him to the gallows.

Kelley, traumatised by his experiences at Nuremberg, returns to the US and publishes his tell-all book, '22 Cells in Nuremberg', and in a live radio broadcast loses his cool warning about the possibility of a future regime parallel to the Nazis in the US or any other country around the world. When he is marched out of the studio one of the presenters says to Kelley that disrespecting your country is no way to sell your book. The film's closing credits reveal that Kelley resorted to alcoholism, that his book was a failure and that he committed suicide in 1958 by ingesting cyanide just as Goering did. Triest managed to reunite with his sister and died at the age of 93 in 2016. Jackson's prosecutorial efforts at Nuremberg laid the foundation for international prosecution of war crimes.

'Nuremberg' is a well executed historical drama offering that is underpinned by an on point ensemble cast, with particular standout performances by Russell Crowe especially, and Michael Shannon and Richard E. Grant. As for Rami Malek's performance I can't help feeling he may have been miscast with his permanently pursed lips, almost vacant facial expression, his wild staring eyes and his magic tricks - where did that come from? Director James Vanderbilt has delivered us a gripping true story account of a trial that changed the course of history that is made all the more effective by including actual archival footage of the horrors uncovered when the Concentration Camps were liberated, which is central to the story here. The film serves as a timely reminder, 80 years on, of the horrors of war, and whether as a global community we have really learned anything from it, given the current geopolitical situation we currently finds ourselves in. 'Nuremberg' is certainly well worth the price of your movie ticket as a history lesson, for Russell Crowe's compelling performance, and as a conversation starter as I did with my 24 year old son. 

'Nuremberg' merits four claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

KRAVEN THE HUNTER : Tuesday 17th December 2024

I saw the MA15+ Rated 'KRAVEN THE HUNTER' earlier this week, and this American Superhero film features the Marvel Comics characters of the same name and is the sixth film in Sony's Spider-Man Universe. It is Directed by J.C. Chandor who made his feature film making debut with 'Margin Call' in 2011 and would follow this up with 'All Is Lost' in 2013, 'A Most Violent Year' in 2014, and 'Triple Frontier' in 2019. The film was released here in Australia and the US last week, cost a reported circa US$120M to produce, has so far grossed US$29M worldwide and has garnered generally negative critical reviews. Apparently, earlier this month and following the projected financial failure of the film, it was reported that 'Kraven the Hunter' would be the final film in Sony's Spider-Man Universe, ending any chance for a sequel or crossover film, although one well known publication stated that this will not be the last film in the franchise . . . . . so who do you believe?

The film opens up with a convoy of prison vehicles driving along a snow covered landscape deep inside Siberia. The convoy comes to halt at a fuel stop so that the prisoners can relieve themselves before continuing their onward journey. One of the prisoners is Sergei Kravinoff aka Kraven (Aaron Taylor-Johnson) who is assigned a cell with a mean looking MoFo of a man. Kravinoff tells his fellow inmate to give him just three days before he escapes. The next day Kraven is brought to the attention of Seymon Chorney (Yuri Kolokolnikov) a Russian crime lord and fellow inmate, after he successfully overpowers two of Chorney's henchmen in the exercise yard. Chorney asks Kraven who he is, to which comes the reply that he is the Hunter, with Chorney responding that it's just a myth. Within a minute Chorney and his two henchmen are dead, stabbed with the tooth of a lion which Kraven plucked from a lion skin rug on the floor. Kraven then makes his escape through the prison effortlessly clambering up walls, running along roof tops, jumping barbed wire fences, and evading a hail of bullets from the prison guards. Once outside he runs into a snow storm in which is waiting an aircraft to transport him back home. 

We then back track sixteen years, and following the death of his mother, Sergei Kravinoff (Levi Miller), along with his half-brother Dmitri Smerdyakov (Billy Barratt), are taken out of school by their father Nikolai (Russell Crowe) to prepare to take over his drug trafficking operations. During a hunting trip in Tanzania, Sergei is mortally wounded protecting his brother from a legendary apex lion. Almost dead from the savage mauling, he is found by a girl named Calypso (Diaana Babnicova), who, having been forewarned by her grandmother that she would intervene in an accident very soon and give its victim great power, heals him with a serum gifted by her grandmother, and calls for rescue, leaving a tarot card in the hands of an unconscious Sergei. A few days later Sergei comes around in a hospital bed having been officially pronounced dead for three minutes, but now appears to be fighting fit. Nikolai discharges his son from hospital and the three return to their grand home on the outskirts of London. Nikolai reveals he killed the lion to teach his sons a lesson about showing no fear, and in his world it is very much survival of the fittest. Sergei, meanwhile having discovered his physical attributes have become animal like, becomes sickened by his father's actions and his intentions for his sons, and retreats to a sanctuary his mother owned in the remote wilderness of eastern Russia, leaving Dmitri behind to fend for himself.

Fast forwarding to the present day and Kraven travels to London for Dmitri's (Fred Hechinger) birthday, which he does every year. Unable to sleep that night on the sofa of Dmitri's lavish apartment, he goes for a walk falling asleep in the park outside Dmitri's building. He wakens the next day and goes back up to the apartment to find Dmitri gone and blood stains on his pillow and bed sheets. Dmitri had been captured by mercenaries, and when Nikolai refuses to pay the US$20M ransom, Kraven tracks down Calypso (Ariana DeBose), now working as an investigative lawyer in London, and convinces her to help track down his brother's kidnappers. 

Meanwhile, Dmitri is met by his kidnappers' boss Aleksei Sytsevich (Alessandro Nivola) who took part in an experiment spearheaded by a cutting edge New York doctor, granting him the strength and outward appearance of a rhinoceros which he is able to control by way of a back pack containing a serum which continually drip feeds via a tube into his lower side. When he unplugs the tube, he turns into Rhino but says the process is extremely painful. Aleksei proposes an alliance to overthrow Nikolai, but upon discovering Kraven's connection to Dmitri, Aleksei lures him to an abandoned monastery in Turkey, with the intention of taking out Kraven there, but he survives the ambush. 

Aleksei is then approached by the Foreigner (Christopher Abbott), an assassin who uses ocular hypnosis to disorientate his targets, with an offer to kill Kraven, having carefully studied his modus operandi for years. Tracking Kraven and Calypso to his sanctuary in eastern Russia and using Dmitri as bait, Aleksei and the Foreigner ambush Kraven. Drugging him with neurotoxin, the Foreigner attacks Kraven and is successful in overpowering and paralysing him but just as he is standing over Kraven and about to pull the trigger of the gun pointed at his head Calypso kills him with an arrow straight in to his eye, and revives Kraven with a vile of the serum. Kraven then uses a buffalo stampede to trap Aleksei, who, despite turning into the Rhino and briefly overpowering him, is killed. 

Having determined that Nikolai was the one who revealed his existence to Aleksei, Kraven tracks his father down to a snow covered Siberian forest for answers. There in the dead of night Nikolai states that he knew Aleksei was targeting him and manipulated his sons to remove him. Kraven refuses to kill his father and turns his back on him and as he walks away he drops the ammunition he unloaded from his fathers shotgun on the ground just as Nikolai is attacked and killed by a bear. 

One year later on the occasion of Dmitri's birthday, Kraven again visits his brother in London. Dmitri in the meantime has gained shapeshifting abilities from the doctor who experimented on Aleksei, and after discovering this new found ability disowns Kraven, stating that despite his claims of being morally superior, he and Nikolai were the same - big game hunters searching for their next big trophy. Dmitri demonstrates this to Kraven by changing his appearance before becoming chameleon like and then changing back to his natural appearance. 

At his family home, Kraven comes across a note left for him by Nikolai along with a vest made from the skin and the mane of the killed lion that mauled Sergei when he was young, which he puts on, and takes a seat in front of a mirror.

'Kraven the Hunter' is not a bad film, but it's also not that good either. The plot is fairly thin on the ground, the action set pieces are well enough choreographed, but the CGI is left wanting and sub-par for a film costing well north of US$100M, and, nothing that we haven't already seen before. The dialogue is also pretty lame, and the only saving grace is in the performances of Taylor-Johnson, Crowe, Nivola and DeBose, with the latter being given too little screen time and too little to contribute. J.C. Chandor whose previous film output has been far far better, has crafted a film that seems to have had too much studio and Producer interference, resulting in a film that is sure to disappear into the annals of mediocrity and leaving Sony's Spider-Man Universe to bow out on a whimper.

'Kraven the Hunter' merits two claps of the Odeon Online clapperboard from a potential five claps.

THE POPE'S EXORCIST : Tuesday 18th April 2023.

I saw the MA15+ Rated 'THE POPE'S EXORCIST' earlier this week at my local independent movie theatre, and this American supernatural horror film is Directed by Julius Avery whose previous feature film credits are 'Son of a Gun' in 2014, 'Overlord' in 2018 and 'Samaritan' in 2022. This film is based on the Italian Catholic Priest and Exorcist Father Gabriele Amorth of the Diocese of Rome, who lived from 1925 until 2016, and who claimed to have performed thousands of exorcisms throughout his life, as recounted in his memoirs 'An Exorcist Tells His Story' and 'An Exorcist : More Stories'. The film cost US$18M to produce, has so far brought in US$38M at the global Box Office, has generated mixed or average reviews and was released first in India earlier this month and then in the US and here in Australia last week.

The film opens up in mid-1987 and Father Gabriele Amorth (Russell Crowe), acting as the Pope's personal Exorcist pulls up at an Italian village on his Lambretta scooter where a man is allegedly possessed by a demon. With the help of a local priest, Amorth enters the room where the man is tied up, shouting obscenities in English although he has never uttered a word of English in his life up to this point. While exorcising the man, using a Saint Benedict sacramental Medal, Amorth drives the demon into a pig, which is then killed with a shotgun, leaving the man in a crumpled heap on the bed seemingly to recover.

This 'exorcism' gets Amorth into some seemingly serious trouble with a Church tribunal, since he acted without permission from his superiors. One tribunal member is a friendly African bishop, Lumumba (Cornell John), but another is an overly zealous American cardinal, Sullivan (Ryan O'Grady) who is skeptical of demonic possession, and readily discounts all of Amorth's counter arguments. Amorth replies that evil does exist, and that he did not perform a true exorcism, but instead, some psychological theatre to help the mentally-disturbed man. Amorth goes on to explain that 98% of cases can be attributed to mental or scientific reasons, but the remaining 2% are down to pure evil. However. disgusted by the accusations made by the panel before him, he walks out of the tribunal hearing.

The Pope assigns Amorth to visit a possessed boy named Henry (Peter DeSouza-Feighoney) in Spain. Henry, his mother Julia (Alex Essoe), and his rebellious teenage sister Amy (Laurel Marsden) had traveled from America to take possession of a mysterious old Spanish abbey which was Henry's father's sole bequest to his family after he died tragically in a car accident in which Henry was present in the back seat, and saw his father impaled. The traumatised Henry has not spoken since the accident, which was one year ago now. The group of workmen, who were restoring the abbey so the family could sell it, leave after a mysterious fire breaks out in the basement. Hereafter, Henry starts behaving bizarrely and self-harms. His mother takes him to a local hospital but various blood tests and MRI scans show nothing to be out of the ordinary.

Henry, mercilessly possessed, requests a priest, and when the local Father Esquibel (Daniel Zovatto) arrives, Henry obscenely chastises him and sends him hurtling through the air to come crashing down against a cupboard and saying 'wrong priest'. Amorth arrives and with no alternative, enlists Esquibel as his assistant, though Esquibel is untrained as an exorcist. Amorth states the importance of prayer and staying the course despite the distractions that Henry might throw his way. However, Esquibel makes several mistakes as an assistant exorcist, including attempting to strangle Henry when he derides him, and mocks him for his sins.

The pair attempt to exorcise Henry, without success, as he utters blasphemous rantings throughout the ritual. Furthermore, without the demon's name, their attempts prove futile. Amorth finds Julia has not been a religious believer since childhood, but he convinces her to pray after she reveals she believed a guardian angel was always by her side during her early school years.

Meanwhile, back in Rome, the Pope (Franco Nero) becomes gravely ill while reading documents about the Spanish case, and is rushed into hospital. Amorth locates a well on the abbey grounds going down to an underground cavern sealed off by the Church as being demonically dangerous. He learns that a founder of the Spanish Inquisition, an exorcist, was possessed, which let him infiltrate the Church and in turn conduct much evil. Amorth also discovers that the Church covered this up centuries ago, and eventually learns the name of Henry's demon, Asmodeus, which will help with the exorcism.

Amorth and Esquibel participate in a Confession and Absolution, mutually confessing, and absolving each other of their sins - with Amorth, an Italian partisan, who survived World War II and vowed to serve God in gratitude, when later a mentally-ill woman asked for Amorth's help, and subsequently died by suicide when he did not help her due to pride, with Esquibel fornicating with a young woman he later abandoned. The two prepare themselves and Amorth instructs Esquibel to wear a Miraculous Medal necklace. During the exorcism, they are tormented by visions of the women whom they failed. The exorcism succeeds only when Amorth offers himself to be possessed, which coincides with Asmodeus's earlier stating that he wants to destroy Amorth.

Amorth attempts to hang himself, but Asmodeus doesn't allow it, preferring that Amorth infiltrate and destroy the Church from within. However, Esquibel helps Amorth drive away the demon that emerges from a well as the Blessed Virgin Mary elevating before him, as well as the demonic manifestations of the two women who so troubled the men. The Pope makes a full recovery, as does Henry who has returned to the USA with his mother and sister. The triumphant pair visit Rome, and find Sullivan has taken extended leave in Guam, being replaced by Lumumba. Amorth and Esquibel are escorted to a special Church archive with many of the relics recovered from the cavern. Lumumba tells Amorth that he will be visiting 199 other evil sites, depicted on a world map Amorth discovered at the abbey, to combat the Devil, to which Amorth replies that it will be a life's work and that he will need an assistant, to which Esquibel acknowledges his support.

'The Pope's Exorcist' is entertaining enough but it doesn't offer the viewer anything new that we haven't seen many times before. There are plenty of plot holes here too, for example, I really can't believe that Amorth rode his Lambretta scooter all the way from Rome, through northern Italy, through southern France and down into Spain; or how Julia gets slammed head first into a bathroom sink that shatters and she gets up with nary a scratch; or how Henry and Amorth seem to recover from their demonic possessions almost instantly; or . . . . well, you know what I'm sayin' here! The film is however, elevated by Russell Crowe's performance as the often quirky, not too serious, scooter riding, whisky guzzling albeit dodgy accented Father Amorth who saves the day to battle it out on another occasion as the open ended conclusion paves the way for a potential sequel. The scares here are few and far between and the tension rarely amounts to much, but stylistically and visually the films looks the part, with particular credit going to Crowe and the twelve year old DeSouza-Feighoney who add a certain gravitas to the proceedings.

'The Pope's Exorcist' merits three claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-