Showing posts with label CIA. Show all posts
Showing posts with label CIA. Show all posts

Friday, 5 August 2016

JASON BOURNE : Monday 1st August 2016.

'JASON BOURNE' which I saw earlier in the week is based on the action spy thriller books and the character created by Robert Ludlum who first burst onto our screens in 2002 in 'The Bourne Identity' with Matt Damon playing the title character of a CIA assassin suffering extreme memory loss who chases across the world to uncover the secrets of his past, and claim back his identity. The first film was Directed by Doug Liman, with the second and third instalments - 'The Bourne Supremacy' in 2004 and 'The Bourne Ultimatum' in 2007 both Directed by Paul Greengrass. In 2012 'The Bourne Legacy' was Directed by Tony Gilroy with Jeremy Renner as Aaron Cross on the run as a result of Bourne's actions in 'Ultimatum', and although Damon declined to return as our titular hero, he does appear in archival photographs and dialogue as the storylines overlap. Those first four films were made for a combined US$370M and grossed worldwide US$1,222B and collectively were hailed as both critical and commercial successes. Now almost ten years after last playing the character, Matt Damon is back and reunited with Paul Greengrass in this further instalment - made for US$120M with the screenplay written by Greengrass and both Damon and Greengrass acting as Co-Producers. The film has so far grossed US$128M since its release.

After ten years of laying low following the events at the conclusion of 'Ultimatum', we find Bourne (Matt Damon looking all the more grizzled and world weary) scraping together a meagre living by engaging in illegal fist fights for money somewhere on the Turkish/Bulgarian border. Meanwhile in Reykjavik, Iceland, Nicky Parsons (Julia Stiles) is collaborating with a computer hacker, whistleblower and privacy activist to hack into the CIA mainframe and expose their black op's programmes. Whilst doing so, Parsons finds documents relating to Bourne's past and in particular his entry into the Treadstone project and the part his father, Richard Webb, played in it, which ultimately cost him his life back in 1999. Armed with this extensive new found data Parsons travels to Greece to track down Bourne and alert him, convinced that while his memory has returned, these files will contain revealing new information that he will not be aware of.

Whilst Parsons is hacking into the CIA main frame, Heather Lee (Alicia Vikander) who heads up the CIA's cyber operations team is alerted that their system has been compromised, and so a trace is put on Parson's with suspicions that she is linked to Bourne. Let the chase begin! Lee works for Robert Dewey (Tommy Lee Jones) the Director of the CIA who gives the go ahead to put full resources behind tracking Parsons and in turn Bourne - mobilising 'The Asset' (Vincent Cassel) to take them out in a search and destroy mission - ask no questions. Soon enough Parsons meets up with Bourne in a anti-government riot stricken Athens with CIA operatives and The Asset hot on their heels.

What follows is an intense action set piece around the back streets of Athens as Parsons and Bourne separate on foot and then meet up at Syntagma Square and commandeer a motorcycle tearing off down the side streets and alleyways chased by The Asset, the local Police and the CIA. They successfully manage to evade and by-pass rioting hordes, riot police, motorcycle police, the CIA in hot pursuit in the obligatory black trucks and The Asset chasing them down at high speed and then on foot. But The Asset comes good in the end with the help of drone surveillance from above, and a link to Lee in his ear, and with a single well aimed shot takes down Bourne and Parsons sending the former slamming into a parked car and the latter with a bullet in her back. Muttering her dying words she passes a luggage locker key to Bourne, containing a hand written notebook and an encrypted USB stick.

Moving to Berlin, Bourne locates the hacker that Parsons was dealing with back in Reykjavik, and has him decrypt the USB files. Looking through these he learns more truths about his father and how he was the originator of the Treadstone project that ultimately got him killed. However, Lee is able to trace the location of Bourne through malware implanted in the files which he has now accessed, and so a team is sent to take him out. By now however, Lee is beginning to form her own opinions of Bourne based on the information that she is seeing unfold in front of her own eyes. She alerts Bourne to the onset of the raid and that his cover is blown, just as he makes off, and the computer files are erased remotely. 

Using the data he recovered from these files the action moves to London, where Bourne tracks down a Malcolm Smith (Bill Camp), a former Treadstone Surveillance Agent now working at his own security firm. Smith is instantly nervous that Bourne wants to see him and alerts Dewey and in turn Lee that a rendezvous has been arranged. Lee meanwhile persuades Dewey to allow her one attempt to bring Bourne in having studied his files further. Dewey agrees to her plan but secretly mobilises The Asset to take down Lee's team and eliminate Bourne once and for all. Sensing that the CIA will be watching his every move, Bourne sets up some diversion and distraction tactics of his own in the very public gathering place he is to meet with Smith. He whisks Smith away long enough to question him on a roof top, not knowing that Dewey is in Smith's ear ordering him not to divulge anything to Bourne. However, Bourne is growing increasingly impatient threatening to launch Smith off the edge five storey's up. Smith relents and advises that Richard Webb created Treadstone, but tried to prevent his son's entry into the programme. Smith also advises that under orders from Dewey, he had The Asset kill Bourne's father but stage the death to look like a terrorist attack, so giving the young David Webb the impetus to join Treadstone. The Asset takes out Smith before any more beans can be spilled, and Bourne jumps to safety from five floors up!

Bourne meanwhile meets up with Lee who is left scratching her head wondering what the hell just happened to her team. She confesses that she is questioning Dewey's motives, and advises him that Dewey is due to speak at a Las Vegas convention with Aaron Kalloor (Riz Ahmed), the CEO of a social media application with 1.5 billion subscribers - called 'Deep Dream'. Kalloor has a huge following being the face of corporate social responsibility in the internet age, but his company is being secretly funded by Dewey, who wants to use his technology as a backdoor entry for unhindered surveillance of the masses in a project now known as 'Iron Hand'. Kalloor has an attack of his conscience and intends to come clean at the convention in front of a gathered audience and the worldwide media. But Dewey has other thoughts and orders The Asset to take out both Kalloor and Lee whilst they sit on the speakers panel, but this attempt is thwarted by Bourne just in time. In the frenzy afterwards Bourne makes it to Dewey's suite to confront him with what he knows with both the CIA and Lee closing in. In the ensuing fracas Dewey is shot by Lee, and Bourne sustains a bullet wound from Craig Jeffers (Ato Essandoh), Deweys right hand guy, but not before Bourne puts a bullet in him.

This only leaves The Asset on the run having sustained a bullet wound from Bourne at the convention assassination attempt. The Asset commandeers a SWAT truck to make his getaway, leaving Bourne to do likewise with a car through the streets of uptown Las Vegas in what is a lengthy and well choreographed chase sequence. When both vehicles come to rest in a casino amidst much carnage, destruction and collateral damage, a foot chase leads to a sewer where its close quarter hand to hand combat between Bourne and The Asset. Needless to say, the latter buys the farm!

In the aftermath when the dust has settled and Bourne has gone back underground, he meets in a park with Lee who attempts to persuade him to come back in, promising him that the CIA is changing with the times and can be the organisation he thought it was when he first signed up. He walks away saying he'll think about it, but does not respond when she calls after him 'how will I reach you'? The film closes as Lee sits back in her car with a recording device planted earlier by Bourne that has audio visual evidence that she cannot be trusted.

I liked 'Jason Bourne' but it delivers exactly what you have come to expect from this franchise. It is well delivered but fairly formulaic and predictable. The action set pieces look good at the hands of Director Paul Greengrass who has proven his ability to stage intense close up fist fights and epic multiple vehicle city centre chases on foot, on motorcycle and by car. Bourne has proven as indestructible and indefatigable as ever surviving bullet wounds, near strangulation, countless body blows, falling off a roof five storeys high with nothing but an industrial strength washing line to break his fall, careering off a motorcycle at high speed and into a parked car, and driving his car into a SWAT truck that pins him under the roof of the porte cochere to a casino. And that is just in this film! Their are some confusing elements to this film, questions left unanswered and plot holes that includes what has Bourne been doing for the last ten years as we see him engaging in various underground illegal fist fights - for what purpose exactly I wonder? It is worth seeing for sure, but you can wait for the DVD/Bluray release, and while this film sets up a possible further instalment, I do wonder if this franchise has now run its course and its time for Bourne to ease himself into retirement once and for all, and concentrate on his future rather than his past.
-Steve, at Odeon Online-

Monday, 30 March 2015

HANNA : archive from 3rd August 2011.

Saw 'HANNA' last night because I thought this looked quite intriguing, has a strong cast, a proven Director in Joe Wright at the helm, and pace, emotion and gritty set pieces. The film was made for US$30M and made about US$64M at the global Box Office so not a huge success, but along the way it picked up five award wins and 24 other nominations.

The story surrounds Hanna (Saoirse Ronan) and her father Erik Heller (Eric Bana) who have been holed up in the frozen backwoods of remote Finland, ever since Erik said goodbye to his life as a CIA operative about 13 years or so earlier. Since Hanna was knee high to a grasshopper she has been trained religiously and diligently by Dad as a ruthless skilled assassin but with intelligence, an education and the smarts to survive on her own. Cut off from the outside world Hanna has not experienced music, film, electricity, the Internet or McDonald's, let alone other human contact. Hanna even has several identities all drummed into her over the years with intricate history detail that she can call upon as she travels across Europe and further afield. Erik's focus has been clear, and his mission with Hanna has been to prepare for the inevitable day when his teachings will be duly required to serve then both well.

Erik harbours a closely guarded secret and knows that the day will come when senior CIA Official Marissa Wiegler (Cate Blanchett) will finally catch-up with him and attempt to take him out . . . unless he and Hanna can get to her first! With the day fast approaching Erik advises Hanna that she is now 'ready' and so sets in motion a chain of events that will bring those searching for them out of the woodwork all guns blazing.

A game of cat & mouse ensues across Europe as Hanna finds herself up against the authorities, against travelling tourists, against hired killers instructed to take her out, and against the wonders and dangers of everyday life that she has never experienced before, and, with Wiegler hot on her tail. With the intention of meeting up with her father in Berlin, Hanna must overcome adversity and put her particular set of skills to the test on many occasions so that she can move ahead and accomplish the mission. As the plot moves on there are a few twists & turns as you would expect, moments of tension, some intense action, and it is delivered in a gritty style that reminded me of 'Bourne' with a few truths emerging that will help piece this puzzle together.

A lot of this has been seen before in 'The Professional' but it's an interesting take on the orphan brought up to be a killing machine by a lone parent living in the middle of nowhere until the teenager can wreak revenge on the establishment. Some good set pieces and a thumping Chemical Brothers soundtrack, this alternative coming of age story is OK only, and you can easily wait for the DVD, or catch it now on TV as I did again only recently.

-Steve, at Odeon Online-

Thursday, 27 November 2014

SAFE HOUSE - archive from 18th February 2012.

Saw 'SAFE HOUSE' this week at my local independant picture house with a couple of mates. This latest Denzel Washington actioner is Directed by Daniel Espinosa and co-stars Ryan Reynolds, Brendan Gleeson and Vera Farmiga in a CIA cat & mouse romp set this time in South Africa. Also supporting is Robert Patrick, Sam Shepard, and Liam Cunningham who all add gravitas to the plot. The action comes at you hard & fast (Bourne style) and the plot is not dissimilar to something seen before (Mission:Impossible) but it is gritty (hand held camera work) and reasonably intelligent.

The story here surounds former CIA operative Tobin Frost (Washington) who has jumped the fence and turned international criminal. He has acquired a data storage devise from a rogue MI6 Agent and when together they are ambushed forcing Frost to surrender himself to the local American Embassy in Cape Town. He is quickly moved to the 'safe house' which is being guarded by Matt Weston (Reynolds) - a rookie agent recently promoted into this dead beat position.

Needless to say the 'safe house' gets attacked leaving a trail of bloody broken bodies, but Weston escapes with Front in tow. What follows is a cat & mouse game as Frost breaks free from Weston, Weston tries to re-secure Frost, Frost gains the upper hand, another safe house is revealed that provides for the ultimate showdown, and then Weston wins the day albeit not necessarily in one piece but retrieves the data storage device and learns what is contained therein - using it for his eventual gain.

Ryan Reynolds is quickly proving his acting chops and plays the reluctant hero well, but I can't help thinking that once again Denzel phone's it in with a part that he is all too comfortable with, and you have seen before in other roles before . . . and since! Brendan Gleeson is the devlish wolf in sheeps clothing as David Barlow (senior CIA and superior to Weston) but can he really be trusted and Vera Farmiga as Catherine Linklater is also with the CIA but really surplus to requirements and canon fodder in the end! 

This film cost US$85M to make and brought in a global box office haul of US$208M and it picked up one award win and seven other nominations. Entertaining enough, fast paced, well written, well acted out and worth the price of a ticket for an intelligent action drama of basic cops & robbers with a few added twists & turns that is set somewhere different for a welcome change!

-Steve, at Odeon Online-

Thursday, 20 November 2014

KILL THE MESSENGER - Tuesday 18th November 2014.

I saw 'KILL THE MESSENGER' at my local suburban cinema earlier this week with a couple of movie buddies, and largely enjoyed this retelling of the late 90's US true story exposed across the national press that shook the nation, and the upper echelons of both the government and the CIA. Jeremy Renner stars in the lead role as noted investigative journalist Gary Webb, and the film is based on his book 'Dark Alliance' and Directed by Michael Cuesta. Jeremy Renner is very watchable, and puts in a convincing turn as the journalist for the San Jose Mercury News whose brief 15 minutes of fame is quickly torn from under him as the Washington power brokers do everything they can to stop the truth from getting in the way of a good story!

The films cast list reads like a Who's Who of Hollywood talent including Andy Garcia, Ray Liotta, Oliver Platt, Robert Patrick, Michael Sheen, Barry Pepper, Paz Vega - all of whom have relatively fleeting, but nonetheless very important, screen time with the exception of Oliver Platt who plays Jerry Ceppos who manages the paper where Gary works, and Mary Elizabeth Winstead as Anna Simons the newspapers Editor. The roles of the latter two are much more pivotal as Gary Webb goes from hero to zero as his story unfolds, gets a foothold and then starts to unravel. Of course, Webb's family of Susan Webb his wife, played by Rosemarie DeWitt, and the three children are brought into the fray too and all of the performances are solid, grounded and believable in the context of the unfolding story arc.

Essentially, working for small town newspaper the San Jose Mercury News, Gary Webb is contacted by the wife of a suspected drug smuggler (Paz Vega) with a hot lead, and evidence, that high ranking officials in the government are linked to bringing crack cocaine into the USA from South America, selling it on the streets for vast sums of money with which to buy arms for the Nicaraguan Contra Rebels. In the process the US is gripped by a drug crazed portion of the populace who are buying the shit quicker than the CIA can bring it in to the country! 

Of course the more and more digging that Webb does the more he uncovers that goes high up into the Whitehouse, the CIA and the drug enforcement authorities who all have a hand in these shenanigans. Feathers get ruffled, and the more they get ruffled the more Webb keeps searching - to the point when he is hauled into a room with high level CIA officers and told to back off in no uncertain times - although of course 'they would never do anything to bring harm to his family' smirks one Agent! This is the proverbial straw that broke the camels back for Webb, and with this and enough information now to go to print, he publishes his story with the blessing of Ceppos and Simons at the paper. 

In no time the story is syndicated around the world - on the TV, the radio, the big print media publications and of course the fledgling Internet, and suddenly Gary Webb is hotly in demand for TV appearances, radio interviews, and chat shows. Naturally, the government and the CIA quickly go into defence mode and deny everything, and with this starts a smear campaign against Webb digging up just about every bit of historical dirt no matter how small and insignificant it may seem and promptly going public to now not only discredit Webb as journalist of repute in the pursuit of truth, justice and transparency, but also smear him forever as a human being, a husband, a father and a hardworking man. It gets ugly as his world starts to cave in around him from all directions, and those that did support him now turn their backs!

As the final credits role we read that certain officials in the CIA and the government stand down in the resulting enquiries, and that largely the whole sorry matter gets swept under the carpet as news breaks across the world of Clinton and Lewinski's dalliance which makes for more newsworthy fodder. Sad but true! The way that Webb is ostracised is also very sad and very telling, and for many wrapped up in this either directly or indirectly it didn't end well needless to say.

A strong cast, a solid performance from Renner, a gripping story and well told . . .  but in the end I felt a little cheated by the brisk running time that left me wanting more. I felt more of this story could have been told, and what Webb did in the years following this, and how in the fullness of time he was vindicated and his story was accepted as more factual now 15 years hence than it was at the turn of the century. Webb too was a Pulitzer Prize winner for Journalism, and various other awards in his time.

-Steve, at Odeon Online-