BLACK BAG : Tuesday 18th March 2025

I saw the M Rated 'BLACK BAG' this week, and this American spy thriller film is Directed, photographed and Edited by Steven Soderbergh, whose prior feature film making credits take in his debut in 1989 with 'Sex, Lies, and Videotape' which he would follow up with numerous others, including 'Out of Sight' in 1998, 'Erin Brockovich' and 'Traffic' both in 2000, 'Ocean's Eleven', 'Ocean's Twelve' and 'Ocean's Thirteen' in 2001, 2004 and 2007 respectively, 'Contagion' in 2011, 'Magic Mike' in 2012, 'Side Effects' in 2013, 'Logan Lucky' in 2017, 'Unsane' in 2018, and 'Presence' most recently released earlier this year. This film was released in the US last week too, has generated universal critical acclaim, and has so far grossed US$15M from a production budget of about US$55M.

Here British intelligence officer George Woodhouse (Michael Fassbender) is given one week by his superior, Meacham (Gustaf Skarsgard), to investigate the leak of a top-secret software programme code-named Severus. One of five suspects is his wife, Kathryn (Cate Blanchett), also an intelligence officer. He invites the other four suspects, who are also fellow spies, over for dinner on Saturday evening. The four suspects are satellite imagery specialist Clarissa Dubose (Marisa Abela), her boyfriend Freddie Smalls (Tom Burke), agency psychiatrist Dr. Zoe Vaughan (Naomie Harris) and Zoe's boyfriend Col. James Stokes (Rege-Jean Page). At dinner, George drugs their food, but beforehand tells Kathryn not to eat a certain dish, to lower their inhibitions and reveals that Freddie has been cheating on Clarissa, who upon hearing this revelation promptly impales Freddie's hand with a steak knife to the table.  

The next evening while Meacham enjoys a peaceful Scotch on the balcony of his apartment, he suddenly grabs at his chest and keels over, dead from an apparent heart attack. George becomes suspicious of Kathryn after she denies having seen a certain film, although he found a cinema ticket stub in her bathroom garbage bin. The next day he covertly enters her office, logs into her computer diary and learns she will be traveling to Zurich later in the week, on a 'black bag' mission. He persuades Clarissa to redirect a spy satellite for three minutes and twenty seconds and watches Kathryn meet with a Russian operative in real time in a city square in Zurich, Switzerland. 

Meanwhile, James informs George that Kathryn has access to a Zurich bank account containing GB£7M in misdirected and unexplained funds. In a tense psychiatric session, Zoe asks if Kathryn prioritises her career or her husband. In a subsequent session, Zoe breaks up with James. Upon returning from Zurich late at night, Freddie waits for Kathryn outside their house and informs her that George suspects her. Kathryn says that she needs the night to consider her options and next steps. 

We learn that during the three+ minutes George redirected the satellite to watch Kathryn's meeting in Zurich, another Russian operative disappeared from a Liechtenstein safehouse with a copy of the Severus programme, and is now making his way to Eastern Europe to use it to cause a nuclear meltdown. Kathryn uses Clarissa to track the Russian. She suspects that their boss, Arthur Stieglitz (Pierce Brosnan), deliberately allowed Severus to leak in order to cause a nuclear meltdown in order to disrupt the government, even though it could potentially kill thousands of innocent lives.

She leaks the Russian's location to a CIA contact, resulting in a drone strike on a car in Poland, killing both Russians. George puts all suspects except his wife Kathryn through a polygraph test to determine when they first learned about Severus. In bed that night, the husband and wife compare notes and come to the realisation that they are being set up.

George and Kathryn invite the other four suspects to a second dinner party, at which no food or drink is served, but instead Kathryn places a gun on the table, while George says they will play a game. He reveals several secrets - that Freddie and Zoe had an affair, and that Zoe learned of the Severus programme from James but attempted to stop its dissemination due to her Catholic faith. George states that there were two plots - the first by Stieglitz and James to leak Severus and cause a nuclear meltdown, and the second by Zoe and Freddie to use Kathryn to stop it. James grabs the gun, confesses to plotting with Stieglitz and killing Meacham, and attempts to shoot George, but the gun was loaded with blanks. Kathryn pulls out another gun and shoots and kills James with a bullet to the head. The next day George dumps James' body in a pond, where he goes to fish in peace and quiet, while the others return to work. Kathryn informs Stieglitz that his plot failed and suggests he remove himself from the picture, as she has her eyes on his role. Later that night as Kathryn and George reaffirm their love for each other, they realise that the Zurich bank account containing the GB£7M remains untouched and could potentially still be theirs.

With 'Black Bag' Director Steven Soderbergh has crafted an intelligent, mature and engaging spy thriller that pays tribute to the spy classics of yesteryear. This film has both style and substance, and Writer David Koepp will keep you guessing right up until end, and with on point performances from Blanchett and Fasbender, as well as the other principle cast, this all adds up to a very well paced film that doesn't outstay its welcome at a brisk and concise 93 minute run time. 

'Black Bag' merits four claps of the Odeon Online clapperboard from a potential five claps.

-Steve, at Odeon Online-

TAR : Monday 16th January 2023.

I saw the M rated 'TAR' at Sydney's Open Air Cinema at Mrs. Macquarie's Point overlooking the Sydney Opera House, Harbour Bridge and the city skyline, on Monday evening this week, ten days ahead of its Australian release on 26th January. This psychological drama film is Written, Co-Produced and Directed by Todd Field whose previous two feature film making credits are his 2001 debut with 'In the Bedroom' and his 2006 'Little Children' which between them garnered the Writer/Director three Academy Award nominations, plus a further thirty award wins and another 108 nominations from around the awards and festival circuit for his complete body of work so far, including 'Tar'. This film saw its World Premier screening at the Venice International Film Festival in early September last year and its wide release in the US from the end of October, where it has so far recovered US$6.5M from its production budget of US$35M and has generated universal critical acclaim. 'Tar' has so far won fifty-six awards and another 200 nominations (some of which are still pending a final outcome).

The film opens up with 49 year-old celebrity virtuoso Lydia Tar (Cate Blanchett who also Co-Produces here) who is a multi award winning composer, only one of fifteen people to win the coveted EGOT (Emmy, Grammy, Oscar and Tony) Awards and the first female chief conductor of the Berlin Philharmonic Orchestra, being interviewed by Adam Gopnik (Adam Gopnik) at The New Yorker Festival. During the course of the interview she promotes a number of upcoming new projects, including her pending live recording of Mahler's Fifth Symphony and her new autobiographical book 'Tar on Tar'. Lydia relies heavily on Francesca Lentini (Noemie Merlant) her Personal Assistant and former lover to manage her affairs, and Sharon Goodnow (Nina Hoss), her concertmaster violinist and wife. Later, Lydia has lunch with Eliot Kaplan (Mark Strong) an investment banker and conductor who with Lydia co-founded the Accordion Foundation to support and nurture aspiring female conductors. Amongst other things they discuss the interview, her technique, replacing Lydia's assistant conductor Sebastian Brix (Allan Corduner), and filling a vacant cello position in Berlin.

Lydia guest lectures a small graduate masterclass at the Juilliard School. She mocks the black indigenous person of colour and pangender student Max (Zethphan Smith-Gneist) for not taking interest in white composers like J. S. Bach, encouraging students to look past superficial differences and focus on the music itself. Max angrily storms out of the class. Before returning to Berlin, Lydia receives a package delivered to her at her hotel of a first edition of Vita Sackville-West's 1923 novel 'Challenge' from Krista Taylor (Sylvia Flote), a former Accordion fellow. 

Before a blind audition for the cello position, Lydia comes across young Russian hopeful Olga Metkina (Sophie Kauer) in the female toilets. Lydia is attracted to Olga and subsequently treats her favourably over others, including granting her a coveted soloist position in the companion piece to Mahler's Fifth, Edward Elgar's Cello Concerto. As Lydia intensively prepares for the recording, her relationships with Francesca and Sharon grows increasingly strained, as both can see her attraction to Olga. 

After increasingly frequent and desperate e-mails to Francesca, Krista commits suicide, and Lydia instructs Francesca to delete any and all text and e-mail correspondence from or about Krista and retains a lawyer, as Krista's parents plan to sue. Lydia informs Sebastian of his imminent replacement. He is naturally incensed, indicates that the orchestra is aware of her favouritism, and speculates that Francesca will be his replacement. Unperturbed by the accusations, Lydia remarks that she intends to replace Sebastian with a different candidate. Without advising Lydia, Francesca suddenly and without warning resigns upon learning that she will not be promoted. 

One day after rehearsing Olga's solo, Lydia drives her home, but Olga inadvertently leaves a small teddy bear behind in the car. Lydia calls after her but she does not hear so she follows her into an abandoned, dilapidated apartment building. Spooked by a dog in the basement, Lydia runs out of the building trips and injures herself on a set os stone steps that she was hurriedly climbing. She gets home where Sharon treats her facial wounds and lies to her wife and the orchestra the next day, claiming the injuries were from an assault by an unknown male assailant. 

An edited, out-of-context video of Lydia's earlier Juilliard class in which she admonishes Max goes viral, and an article with accusations against her appears in the New York Post. Lydia, accompanied by Olga, returns to New York to attend a deposition for Krista's lawsuit and to promote her book, where she is met by placard wielding angry protestors. During the deposition, it is implied that Francesca has shared damning e-mails with the plaintiffs. The Kaplan Foundation cuts its ties with Lydia. Olga declines Lydia's dinner invitation, saying that she is jet lagged and is going to sleep, but instead sneaks out dressed up to the nines for a night out on the town. 

Back in Berlin, Lydia is removed as conductor. Furious over the allegations, but more so at Lydia's lack of communication, Sharon bars Lydia from seeing their adopted six year old daughter Petra (Mila Bogojevic). Lydia retreats to her old studio and gradually becomes increasingly depressed. At the live recording of Mahler's Fifth Symphony she physically punches and kicks her replacement, before being restrained by two burly security guards and the sounds of disbelief coming from the packed concert hall. Lydia is told to lay low by her management company, and so she returns to her working-class childhood home on Staten Island, where it is revealed that her birth name is Linda Tarr by her brother Tony who chastises her for turning her back on her roots.

Sometime later, Lydia finds work conducting in the Philippines. Seeking a massage to ease her jet lag, she asks the concierge at the low-end hotel she is staying in for a recommendation. She is sent to a high-end brothel, where she is directed to select an escort from the 'fishbowl' where numerous young women are seated in a chamber orchestra-like formation, all with their eyes lowered towards the floor. One woman with the number five pinned to her chest stares into Lydia's eyes, her position the same as Olga's. Lydia rushes outside to vomit on the side of the street. With her new orchestra, Lydia conducts the score for the video game series 'Monster Hunter' before an audience of avid cosplayers. 

'Tar' is a very well made film and worthy of all the accolades bestowed up on it. Here Director, Writer and Producer Todd Field has crafted a film that takes us from the very pinnacle of Lydia's career when it appears she can do no wrong to the very depth's of her career when she is cast asunder and to all intents and purposes, cancelled! Cate Blanchett's performance is outstanding and rivetingly nuanced as she goes from the very highs of her conducting and musical scoring expertise to the depth's of despair having lost almost everything and starting over in the Philippines, all alone in the world. The energy, emotion and complexity with which she imbues her character, not to mention the 10% or so of her dialogue delivered in German, is exemplary and puts Blanchett firmly on a trajectory for Oscar glory later this year, having already won the Golden Globe and Critics Choice Awards for Best Actress earlier this month. My only criticism of the film is that at a two-and-a-half hour+ run time it does drag its heels in places and becomes just a tad repetitive. This film won't be for everyone, but for those more mature audience members looking for a break from the horror, action and Superhero fare offered up by studio's these days, you can't go far wrong with 'Tar'. 

'Tar' warrants four claps of the Odeon Online clapperboard from a possible five claps. 

-Steve, at Odeon Online-

NIGHTMARE ALLEY : Tuesday 25th January 2022.

I saw the MA15+ Rated 'NIGHTMARE ALLEY' this week, which is an American neo-noir psychological thriller film Directed, Co-Written for the screen and Co-Produced by Guillermo del Toro whose previous film making credits take in 'Hell Boy', 'Pacific Rim', 'Crimson Peak' and the Academy Award winning 'Pan's Labyrinth' and 'The Shape of Water'. This film is based on the 1946 novel of the same name by William Lindsay Gresham, and is the second feature film adaptation following the 1947 film starring Tyrone Power. The film has garnered generally positive Reviews and has recovered US$15M in Box Office receipts from its US$60M production budget so far, having been released Stateside in mid-December last year. It has also so far won fourteen awards and been nominated a further seventy-seven times (of which some of those nominations are still awaiting an outcome) from around the awards circuit. 

The film opens up in 1939, and we see Stanton Carlisle (Bradley Cooper, who also Co-Produces here) dragging a bundled up body across the floor of a ramshackle dwelling and dumping that body under the floorboards. He then douses the body and the surrounding room with petrol, strikes a match, and walks out of the rural house perched on a hill as it becomes engulfed in flames. He gets on bus, and sleeps. When he wakes its nighttime and the bus has reached the end of the line. He gets out and walks toward a travelling carnival, ultimately securing a job as an employee (a carny) on that travelling carnival. When the carnivals resident 'geek' becomes ill, the owner Clem Hoately (Willem Dafoe) has Carlisle help him drop off the body at a nearby inner-city Church, on the promise of a steak and eggs dinner. Over dinner, Clem explains that he finds alcoholics or drug addicts, who are often men with a troublesome history, and coaxes them in with promises of a temporary job, somewhere to sleep and regular meals, but gives them alcohol that contains a few drops of opium tincture. He uses their gradual dependence to physically and mentally abuse them until they sink into madness and depravity, thus creating a geek for his carnival. Later that night Clem shows Carlisle where he stores the moonshine he brews to control the other carnies, warning him not to mistake it for the wood alcohol for pickling medical specimens he stores in jars nearby, for that stuff will easily kill a man.

After a lot of fetching and carrying, erecting and dismantling the big carnival tents and sideshows, often in the pouring rain, Carlisle lands a job with clairvoyant act Madame Zeena (Toni Collette) and her alcoholic husband Pete (David Strathairn). Zeena and Pete use an ingenious coded language system, devised by Pete, to make it seem that she has extraordinary mental powers, which Pete begins teaching to Carlisle. Pete and Zeena warn him not to use these skills to continue leading patrons on when it comes to the dead, which they refer to as a 'spook show'. They always tell their customers after the show that it is a deception for fear of people getting hurt. Meanwhile, as Carlisle becomes more and more familiar with their act, and he grows in confidence, he is attracted to fellow performer Molly (Rooney Mara) and approaches her with an idea for a two-person act away from the carnival, using his new found mentalist abilities. 

One night, after Pete asks Carlisle to secure him a bottle of Clem's moonshine, he gives Pete the wrong bottle (possible accidentally) and the old man dies the next morning in Zeena's arms from consuming wood alcohol. In the aftermath, Carlisle swears his love to Molly and reiterates his plan. She accepts, and they leave the carnival behind. Two years later, Carlisle has successfully reinvented himself as 'The Great Stanton', a mentalist act for New York's wealthy ruling class, together with Molly as his assistant, using Zeena and Pete's tried and tested techniques. During a performance, their act is interrupted by psychologist Dr. Lilith Ritter (Cate Blanchett), who attempts to expose their system of code. Stan's line of questioning allows him to gain the upper hand over Ritter, keeping their act safe while publicly humiliating her. He is later approached by the wealthy Judge Kimball (Peter MacNeill), who engaged Ritter to test Carlisle. He is now convinced of Carlisle's abilities and offers to pay him handsomely to allow him and his wife Felicia (Mary Steenburgen) to communicate with their dead son who died in Nomansland during WWII at the age of 23. Despite Molly's objections to the unwritten 'spook show' ruling, Carlisle agrees.

Ritter invites Carlisle to her office. She knows full well that he is a con man, but is nevertheless intrigued by his skills of mental manipulation. Through her recorded sessions with her clients, she has accumulated a wealth of potentially sensitive information about various members of New York's movers and shakers and the rich and famous. Sharing a connection, she and Carlisle begin an affair, and they conspire together to manipulate Kimball, with Ritter secretly providing private and sensitive information to fuel his pretence. She does this on the condition that she can start therapy sessions with Carlisle, based on complete honesty, who reveals his guilt over Pete's death, and his hatred of his alcoholic father, who he killed in their home before joining the carnival. 

Kimball introduces Carlisle to the powerful and very private Ezra Grindle (Richard Jenkins), whose lover, Dory, died of a forced abortion. Despite warnings from Ritter that Grindle is dangerous, Carlisle begins to scam Grindle and starts to drink, having told her previously that he 'never' touches the stuff!. Ritter feeds information to Carlisle, which he supplements by doing his own clandestine investigations, to use against Grindle as revenge for him previously attacking her. She shows Carlisle a scar down her chest and abdomen she received from Grindle. Molly becomes increasingly uncomfortable, and upon learning of the affair with Ritter, leaves Carlisle. He begs her to stay, but she refuses, only agreeing to help him one last time. 

She poses as Dory for Carlisle's ultimate act: manifesting herself as Dory from the other side for Grindle so that he can ask for her forgiveness. However, he loses control of Grindle, who reveals himself to be a violent abuser of many women due to his guilt for Dory. He then clutches hold of Molly wrist before she can exit the escalating out of control scene and realises that his vision of Dory is a fake. Unknown to Carlisle, Grindle's head of personal security, Anderson (Holt McCallany), hears a radio broadcast announcing that Judge Kimball and his wife have been found dead in an apparent murder-suicide, because of Carlisle's promises to Felicia that they would be reunited with their dead son after their own deaths. She had shot dead her husband and then turned the gun on herself. Knowing that Carlisle was recommended to Grindle by the Judge, he goes to check on what was going down between the two.

Upon coming to the realisation that 'Dory' is fake, Grindle becomes enraged and promises to ruin Carlisle. A tussle breaks out between the two men and Carlisle beats him to death with repeated blows to the face, then kills Anderson during their escape by running over him, twice, in their car. As he begins to smash up their car to create the impression that it was stolen, Molly leaves Carlisle for good. Carlisle goes to Ritter for help but discovers she has been scamming him all along, revealing that she wanted revenge for what happened during their initial meeting. She speaks of her disappointment in realising that he was nothing more than a base money-driven petty criminal. She calls the Police and threatens to use her recordings of their sessions as evidence that he is mentally disturbed should he try to implicate her. Ritter shoots Carlisle in the ear, and he tries to strangle Ritter using the telephone cable with the line to the Police still open but as the Police arrive, he flees.

Wanted, injured, with no money, nowhere to go and only the clothes on his back, Carlisle jumps a train and hides behind a wall of chicken coups, as the Police search the carriages but find no evidence of him. He wanders around for years as an aimless alcoholic tramp. At his limit, he tries to get a job as a mentalist at another carnival. The owner (Tim Blake Nelson) turns him away but offers him a drink and a 'temporary' job as the new geek at the last minute, using the same patter that Clem recounted to him all those years previously. Carlisle accepts, laughing out, 'I was born for it'. Seemingly aware of his fate, his laughs turn to tears.

In 'Nightmare Alley' Director Guillermo del Toro has here hung up his all too familiar horror fantasy tropes and traded these in for a psychological melodramatic offering that is bathed beautifully in the colours and images of the era in which the film is set with the emphasis on meticulous detail, whilst still retaining the filmmaking DNA that del Toro is so renowned for. Cooper here shines in his role as the fractured tormented soul with regrets about his past 'indiscretions' but willing to brush these under the carpet for his share of the limelight and all the trappings of his success only for it to all come crumbling down around him that ultimately brings him full circle. And the other A-listers in supporting roles including Blanchett's femme fatale, Collette, Dafoe, Mara, Strathairn and Jenkins all give top notch performances that lend an authenticity to the early 1940's setting, some more menacingly than others. This is a film of life on the road as a travelling carny, of dark and stormy nights, of misdirection and deception, of regret and redemption and of murder most foul all wrapped up in a morality tale that transcends the ages. My only gripe is that of the 150 minute running time, del Toro could easily have shaved twenty-minutes off without sacrificing the story or his undeniable artistic integrity. 

'Nightmare Alley' warrants four claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

THOR : RAGNAROK - Tuesday 31st October 2017.

'THOR : RAGNAROK' which I saw earlier this week, is the third film in the 'Thor' franchise and the seventeenth film in the Marvel Cinematic Universe, and has been much hyped, keenly awaited and highly anticipated since the first trailers were released and New Zealander Taika Waititi was announced for Directing duties. With a production budget of US$180M and filmed largely at Australia's Gold Coast film studios, the film has already received largely positive press, hailing it the best of the three so far, ahead of its US release in early November, and its Australian release last week. The first two films in the series, 2011's 'Thor' and 2013's 'Thor : The Dark World' were made for a combined US$303M and grossed between them close to US$1.1B, so expectations are running high for this instalment. The film has so far taken US$109M.

By way of a lesson into Norse mythology, Ragnarok is a series of future events, including a great battle, foretold to ultimately result in the death of a number of major figures (including the gods Odin, Thor and Loki), the occurrence of various natural disasters, and the subsequent submersion of the world in water. Following such a cataclysmic event, the world will resurface afresh, renewed and fertile, the surviving and returning gods will meet, and the world will be repopulated by two human survivors. This film then, is set four years after the events of 'Thor: The Dark World', and two years following on from 'Avengers: Age of Ultron'. As the film opens we find Thor wrapped in chains imprisoned on some far away planet by the fire demon Surtur (voiced by Clancy Brown and acted in MoCap by Taika Waititi) having unsuccessfully scoured the four corners of the universe for the Infinity Stones. In a comical opening scene we see Thor dangling by a chain deep within a cavernous cave taunting Surtur who tells him that his father Odin, has abandoned Asgard and that the realm will soon be destroyed in a foretold Ragnarok as soon as he is able to unite himself with The Eternal Flame that burns beneath the city of Asgard. Using his mighty hammer, Mjolnir, Thor is able to defeat Surtur and remove his crown, so preventing the apocalyptic Ragnarok . . . or so he thinks. Thor returns to Asgard.

On Asgard, Thor arrives to find Loki (Tom Hiddleston) posing as Odin (Anthony Hopkins) and therefore ruling over all of Asgard. Thor can see over Loki's ruse, and reveals his true identity to the people of Asgard. He also convinces Loki to help find his father. They travel to Earth and with the help of Stephen Strange (Benedict Cumberbatch) they locate Odin hanging out in Norway. Odin explains to his sons that he is dying and has little time left. He further explains that with his passing, this will allow his first born daughter Hela, the Goddess of Death (Cate Blanchett) to be freed from prison where she was exiled to long long ago. Hela has at one time back in the dim and distant past been the leader of Asgard's almighty armies and with Odin they conquered the Nine Realms, and built Asgard to be the mighty civilisation it now is. But Hela got too big for her boots and became over ambitious, hence her imprisonment and being written out of the family history, to the extent that she was not even known of by Thor or Loki.

Odin dies and almost immediately Hela arrives. Hela commands that Thor and Loki kneel before her, but they refuse. Thor goes into battle mode determined to wipe his older sister from the face of the Earth, but she'll have none of it, for Hela is all powerful and in a show of strength stops Mjolnir at arms length and crushes it as though it were glass. Thor's hammer falls to the floor shattered into several chunks with Thor looking on in disbelief. At this Thor and Loki decide its time to get outta Dodge and summons the Bifrost Bridge to return them to Asgard. Hela pursues them and chases them through the wormhole overpowering them and causing the two brothers into space to supposedly perish and die, while she continues onto Asgard. She quickly asserts her power and single handedly wipes out the Asgardian army, resurrects the ancient dead with whom she once fought and who are buried deep within a secret vault below the castle, and appoints the new sentry of the Bifrost Bridge, Skurge (Karl Urban) as her new executioner. While Hela and Skurge are otherwise pre-occupied stamping their mark on Asgard, Heimdall (Idris Elba) who is in self imposed exile during Loki's reign, scales the mountainside and steals the sword that controls the Bridge, to prevent Hela from using the Bridge for her own empire building gain.

Meanwhile, Thor lands on the garbage planet Sakaar, and is immediately picked up by locals who are then overpowered by a lone mercenary and bounty hunter called Scrapper 142 (Tessa Thompson). She in turn overpowers Thor and drags him off to meet the planets immortal ruler, Grandmaster (Jeff Goldblum) who runs a gladiator arena for the sport of the local population.

Grandmaster determines that Thor should fight in his Contest of Champions against his so far unbeaten champion prize fighter. After a brief introduction, a lesson in all things Sakaar, getting his golden locks shorn off by a Stan Lee cameo appearance and befriending a stone being named Korg (a laugh out loud Taika Waititi performance rendered in MoCap) as his only ally on the garbage planet, Thor is thrust into the arena to await his fate up against an all conquering foe that he does not yet know. Meanwhile, Loki has emerged too and has ingratiated himself to the Grandmaster and is living the free and easy life, unlike his now captive brother who tries to reason with him so that he can be set free too. But, Loki will have none of it!

As Thor readies himself under the spotlights of the arena, so he comes face to face with old buddy 'from work', Hulk (Mark Ruffalo). The pair clash in a brutal battle with Thor gaining the upper hand and almost defeating his old friend, before Grandmaster fixes the fight to guarantee Hulk's victory and to save face. Still held in captivity at the mercy of Grandmaster, Thor and Hulk, begin to reconcile their differences. Thor needs a plan and a Team to get back to Asgard, before Hela unleashes more death and destruction on Asgard and the Realms.

Thor tries to convince Hulk and Scrapper 142 to join forces and help him save Asgard and defeat Hela. They are not interested, even though he recognises Scrapper 142 as being one of the Valkyrie, a legendary force of female fighters who were all but wiped out trying to defend Asgard from Hela in days long since gone by. So Thor decides to go it alone using the Quinjet that bought Hulk to Sakaar two years previously. He breaks out of the Grandmaster's palace and gets to the Quinjet. Hulk follows behind where a recorded message on a monitor from Natasha Romanoff (Scarlett Johansson) is the catalyst for Hulk turning back into Bruce Banner for the first time since the incidents at Sokovia two years previously.

Grandmaster orders that Scrapper 142 and Loki join forces to hunt down Thor and Banner, but the pair are hardly a match made in Heaven, and ultimately Scrapper 142 has a change of heart, takes Loki prisoner and agrees to join forces with the other two. Loki is however, reluctant to be left behind on the garbage planet now that he is a wanted man, and so he provides the group with the means to commandeer one of Grandmasters ships. They then set free the other gladiators led by Korg who stage a revolution.

Loki, being one not to be trusted, attempts to betray his brother but Thor can see through this, and immobilises him and leaves him behind. However, he is soon picked up by an unsuspecting Korg and the revolutionaries. Thor, Banner and Scrapper 142 escape through a giant wormhole known affectionately as the Devil's Anus, and arrive back on Asgard.

Upon arrival the three are confronted by Heimdall and the citizens of Asgard who are under siege by Hela, Skurge, their undead forces and a giant man eating hound that Hela has at her command. Banner transforms into Hulk again and with Scrapper 142 they fight Skurge and his forces, while Thor is off to see to unfinished business with Hela. Loki, Korg and the gladiators arrive aboard a giant ship having come through the Devil's Anus too. They join in the fight while the fleeing citizens of Asgard board the giant ship that will take them to someplace else, safe!

In his fight with Hela, Thor is overpowered and suffers stabbings, slashing and the loss of an eye. But theses mere scrapes do not deter him from the end game. In a moment of clarity, Thor has a vision of Odin, his father, that makes him see that only Ragnarok can defeat Hela. While Thor, Hulk and Scrapper 142 keep Hela distracted in battle, Loki sets off to retrieve the crown of Surtur and thrust it into the Eternal Flame, so resurrecting the fire demon bringing on Ragnarok to engulf all of Asgard and destroy Hela.

Thor and his crew board the giant ship with the now safe citizens of Asgard. Thor is crowned King, and when asked by Korg where to, he replies Earth, where perhaps he intends to rebuild Asgard. Watch out for the mid-credits scene and if you can wait it out until the final credits have rolled, there is a closing sequence featuring Grandmaster. The film also stars cameo performances from Matt Damon, Sam Neill and Liam Hemsworth (brother of Chris).

It is hardly surprising that Critics have heaped praise upon 'Thor : Ragnarok'. Whilst the film takes the 'Thor' movie franchise off in a new direction, and the MCU for that matter, the film retains many of the Thor touchstones including the action, the spectacle and the characterisation but freshens them up with a deadpan sense of humour, sarcasm, a wild ride and fun that is not out of place. For a hitherto little known New Zealand Director, Writer and Actor, Taika Waititi (whose previous credits include 'Boy', 'What We Do In The Shadows' and 'Hunt for the Wilderpeople'), what he has achieved here in his first big budget epic scale Hollywood picture is reinvigorate the Thor character and those around him, but reenergise the series and reestablish our faith in the MCU. Solid performances (if a little tongue in cheek at times), a good story, epic battles that are always preposterous but entertaining nonetheless, bold Direction and endless fun from start to finish - catch it on the big screen, and you won't be disappointed.

-Steve, at Odeon Online-