Showing posts with label Chris Tucker. Show all posts
Showing posts with label Chris Tucker. Show all posts

Friday, 14 April 2023

AIR : Tuesday 11th April 2023.

I saw the M Rated 'AIR' earlier this week, and this American biographical sports drama film is Co-Produced, Directed and stars Ben Affleck whose previous film making credits take in 'Gone Baby Gone' in 2007, 'The Town' in 2010, 'Argo' in 2012 and 'Live by Night' in 2016. This film saw its World Premier screening as the Closing Night film of SXSW in mid-March recently, has so far garnered generally positive reviews, was released Stateside last week too and has grossed to date US$35M off the back of a circa US$80M production budget. It was originally slated for release on Amazon Prime Video before Amazon Studios decided to release the film theatrically following strong results from test screenings.

Here then, it is 1984 and the Nike, Inc. business sits looking down the barrel of bankruptcy due to is declining footwear sales, with the company capturing just 17% of the American sports footwear sales market, compared to Converse and the dominant player in the market Adidas. Recognising the financial strife they are in, Marketing VP Rob Strasser (Jason Bateman), together with co-founder and CEO Phil Knight (Ben Affleck), task Nike's basketball talent scout Sonny Vaccaro (Matt Damon, who also Co-Produces here) to come up with a new pitch for a shoeline based on current American sports, believing that basketball's days are numbered. While considering other basketball players chosen in the 1984 NBA draft, Nike's executives think third pick Michael Jordan is off limits, being both a fan of Adidas and too expensive for the basketball division's meagre budget of US$250K, which it aims to spread amongst three or four players, whereas Jordan is rumoured to have been offered US$250K plus a brand new red Mercedes 380 SL by Adidas, with Converse being his second pick. 

One evening while feeling down but not defeated, Vaccaro is sat at home with his TV dinner watching highlights of a Jordan game together with a TV commercial by Arthur Ashe for his Head tennis rackets. Seeing the eighteen year old Michael Jordan from a different perspective he is convinced that Nike should pursue the player that he now considers to be a once in a generation talent with both Jordan and Nike building off one another. With his new found enthusiasm he first pitches the idea to Strasser and then Knight who dismiss the notion as wildly too expensive to blow their entire budget on just one player, and besides the Board would never agree to it. 

Vaccaro heads to LA to meet his friend George Raveling (Marlon Wayans), who coached Jordan in the 1984 Summer Olympic tournament in Los Angeles and asks for his support in courting the star. Vaccaro then drives to the Jordan household in Wilmington, North Carolina, where he turns up unannounced. He tells Michael's mother Deloris (Viola Davis) that Nike would give Jordan all the attention that he would not get from his preferred brands Adidas and Converse and begins to recite the opening lines that each of those companies would greet them with. He also asks Deloris to ask a pointed question to the Board members when she meets with those two companies, and to carefully and cautiously gauge their responses and reactions.

After receiving a very angry call from Jordan's agent David Falk (Chris Messina) about visiting his client's family, Vaccaro learns that the Jordans have still scheduled a meeting at Nike's Beaverton, Oregon HQ the following Monday. Vaccaro and Strasser start preparing their pitch while tasking shoe designer Peter Moore (Matthew Maher) to work through the remaining week and weekend to prepare a single prototype, which Moore names 'Air Jordan' after Nike's Air Sole was deemed inappropriate. In the meantime, Knight reluctantly accepts to assign the basketball division's entire US$250K budget to hire Jordan. 

Monday arrives and the Jordan's pull up at Nike's HQ to be met by Vaccaro. He ushers them up to the Boardroom where they are warmly welcomed by Strasser, Moore, and Howard White (Chris Tucker) with Knight deliberately arriving seven minutes late. Vaccaro can sense that Deloris and Michael are non-plussed by the meeting, so he breaks off a video presentation and makes an off-the-cuff impassioned speech on how he sees Michael's future unfolding with Nike, the good times and the bad, and how long after the Nike executives in the room with him that day are gone and forgotten, his legacy will live on. Vaccaro's speech turns the meeting around but he subsequently learns that Adidas matched the US$250K offer while adding a red Mercedes 380SL into the mix, and he believes the deal is done and dusted with Adidas. 

However, he later receives a call from Deloris, who states that Michael will sign with Nike for US$250K, plus that he earns a percentage of every Air Jordan sold anywhere in the world. Vaccaro believes the company's CEO and Board would not accept such a bonus proposal, which sets a precedent. Once Knight is told he calmly shrugs and says that if it is necessary to ensure the endorsement, then accept the terms, saying to himself how much can it be worth, they sold US$3M in shoes last year! Vaccaro calls back Deloris to tell her that Nike will accept her terms and then speaks with Michael welcoming him to Nike. He then goes out into the open plan office and loudly announces 'we signed Jordan'. 

The closing credits reveal various milestones in Michael Jordan's stellar basketball career, how Phil Knight has so far given away US$2B of his personal fortune to philanthropic causes, how David Falk sold his agency for US$100M, how Peter Moore designed the Jumpman logo for the Air Jordan shoe, and how the Air Jordan shoe sold US$162M in the year following its launch and how today sales are upwards of US$4B and Jordan has earned US$400M from residuals. 

'Air'
is a notable return to form for Director Ben Affleck since his last misstep with 'Live By Night', for which he can be forgiven on the strength of this gem of a film about a struggling underdog company whose courage of its convictions ultimately wins the day, and well and truly turns the fortunes of Nike around turning it into the one of the most recognised brands and successful companies in the world. The script moves the film along at a steady pace, the ensemble cast are spot-on with their performances, the recreation of the mid-1980's is a slam-dunk and the music score took me right back there to my early twenties. My only criticism is that Michael Jordan as a character in this film is only ever seen from the back of his head, or his hands caressing the prototype Air Jordan shoe, or as the real life Michael Jordan in archival footage as the end credits roll. This film is less about the sport and more about the marketing guys working tirelessly to sign MJ and the advertising strength that his name will bring to brand Nike - and on that level 'Air' delivers, and the rest, as they say, is history!

'Air' merits four claps of the Odeon Online clapperboard from a potential five claps.
-Steve, at Odeon Online-

Thursday, 1 December 2016

BILLY LYNN'S LONG HALFTIME WALK : Thursday 24th November 2016.

'BILLY LYNN'S LONG HALFTIME WALK' which I caught on its opening day in Australia is based on the 2012 book of the same name by Ben Fountain, and Directed and Co-Produced by multi-award wining Ang Lee. This Iraq War drama was made for US$40M, was released in the US in early November and in the UK not until mid-February, and has so far recovered US$24M at the Box Office. For this film Lee used an unprecedented shooting and projection rate of 120 frames per second in 3D at 4K High Definition resolution, which is the first feature film in history to use such a high frame rate (24 fps is most commonly used). Lee stated that he wanted the film to be an 'immersive' and 'realistic' experience for the viewer into the emotion and realities of the soldiers journey.

Starring in his feature film debut, English Actor Joe Alwyn is US Army Specialist Billy Lynn, a 19 year old, who is part of an eight man team known as Bravo Squad under the leadership of Sgt. David Dime (Garrett Hedlund). A few brief moments of an intense firefight known as 'the Battle of Al-Ansakar Canal' are captured by a embedded Fox News crew that sees Lynn go to the rescue of a wounded Sergeant, Shroom (Vin Diesel) who ultimately dies in his arms, but not before Lynn kills three insurgents - two with pistol shots and the other in close quarter hand to hand combat using a knife to dispense with his assailant. This footage is quickly beamed around the world and Lynn and his fellow soldiers are hailed as heroes back home and Lynn is awarded the Silver Star. The Squad are invited back home by President George W. Bush for a two week Victory Tour to rally support for the war effort.

On the Tour, the Squad are accompanied by Albert Ratner (Chris Tucker) a fast talking but relatively low level Hollywood Producer who has designs on having their story made into a big Hollywood movie, with a promise of a pay day for each of the Squad of US$100K. After some back story centering on Lynn's arrival back home in rural Texas and over dinner with his family including older sister Kathryn (Kristen Stewart) the crew are collected from their hotel on their final day in a stretched Hummer accompanied by Ratner, and they make there way to the Dallas Cowboys Stadium. Here the tour will culminate at the half-time show of the Dallas Cowboys during the 2004 Thanksgiving Day home game, on stage with 'Destiny's Child' and amidst a fanfare of fireworks, cheerleaders, thumping music, giant screen projection and an audience of millions. At this point the Squad don't know that yet, and we see Lynn recounting memories of his time in Iraq with his fellow buddies, with Sergeants Dime and Shroom, and conversations with sister Kathryn in the last few days about why he should seek medical discharge from the Army to avoid going back to Iraq - a notion that doesn't sit well with Lynn, but he's prepared to consider it to appease his sister.

Upon arrival at the Stadium the Squad are ushered to their seats wearing full dress uniform. They get up, sit down, lark around and occasionally have the cameras trained on them. They go to a Members area for lunch and fill their boots with the lavish spread of foods the like of which they have rarely seen before, whilst strangers sidle up to them wanting to speak with real war heroes, thank them, shake their hands and acknowledge their efforts, although they really have no concept at all of the war zone or the battlefield.

It is here that the Squad are introduced to Norman Oglesby (Steve Martin) the owner of the Dallas Cowboys who can't pour enough respect on the boys and is happy to have them paraded in front of the nation at his Stadium and with his Team. Ratner is also seeking to secure funding for the film from Oglesby as a major investor, and whilst he is interested he reduces Ratner's promised fee of US$100K a head down to a paltry US$5,500 each. Needless to say, both Dime and Lynn tell Oglesby later on exactly where he can stick his US$5,500 despite his best intentions telling him that their story is not for sale at that price.

Before kick-off during a photocall and Q&A session with the gathered press, Lynn spies the Dallas Cowboys Cheerleader girls standing along the perimeter of the room, and in particular one pretty young thing named Faison Zorn (Makenzie Leigh), whom he falls instantly for, and she reciprocates. They share an intimate moment or two behind a curtain, before the boys are ushered back to their seats - they exchange phone numbers and keep in contact via text messaging.

Come half-time and the boys are to assemble on the goal line wearing their combat ready gear to be paraded down the length of the field walking behind the Cheerleaders, Destiny's Child and various others. Once at the far end they are to mount a stage and stand on an elevated platform while the all girl band sing their hearts out directly in front of them. Lynn is ordered only to walk down onto the stage and stand dead still directly behind the girls as they belt out 'Soldier'. With a crescendo of fireworks, thumping music, cameras flashing, a live television audience, the heat of the spotlights Lynn zones out and reminisces further about his life so far, conversations about his promising Army future with Dime and Shroom, his Squad colleagues, about friendships, family and decisions made and yet to be made.

Through flashbacks recounting the realities of that intense battle and fierce firefight in which Shroom died we learn that those realities were far different from what the US public were led to believe in the media, and how those perceptions are in stark contrast to the tragic consequences suffered by so many young men in the Iraq War. Those realities are tearing away at Lynn, and whilst over a few hours he has formed an attachment to Faison, and his sister Kathryn pleads with him to stay at home and not return to Iraq, ultimately the US Government has not relieved the Squad from their duties and they are under orders to return to Iraq imminently.

As the Hummer awaits post celebration at the designated collection point within the bowels of the Stadium, both Faison and Kathryn emerge. Both are disappointed when Lynn bids his farewells and returns to his fellow waiting comrades with whom he has more in common and with whom he shares a greater sense of belonging and brotherhood and what it really means to support the war effort on the frontline with bullets flying. This is in stark contrast to the manufactured media circus that they have just been party to. The average Joe Blow in the street back home on safe secure American soil has no idea of what that war effort means to those serving soldiers, the sacrifices made and the lasting impact on their lives. No idea at all! He steps foot inside the waiting Hummer, but for a moment he sees himself in his armoured patrol vehicle with Shroom beside him providing some comforting words of wisdom and encouragement, that just reinforces what he knew already.

I was a little underwhelmed by this film. For all the technological wizardry and cutting edge camera work deployed in making this film, the subject matter labours. This is more a character study of a young nineteen year old lad and the loss of his innocence at war as he grows up very quickly trying to keep the peace in Iraq a long way from his rural Texas home, whilst at the same time killing insurgents and maintaining the comradeship of his Squad. We see very little of Lynn's family other than sister Kathryn, but then I guess his family now is his Bravo Squad, and he feels more of a connection with the heat, dust and emotion of Iraq than he does on his home soil. The scenes that give reason to the Victory Tour are delivered quickly and efficiently and take you to the centre of the action in flashback, but don't expect any extended battle scenes, or slow-mo action, or torn bodies and flailing limbs here. Instead, it's all about the long halftime walk that occurs at the Stadium and the impact this has on the men of Bravo Squad. Lee delivers this with all the pomp & ceremony, sound and light, and overwhelming spectacle that you would expect at such an occasion, and Lee makes it feel as though you are there amongst it. Joe Alwyn as the newcomer to watch, and Garrett Hedlund give the standout performances in this film, whereas Steve Martin as the Team owner is just an OTT archetype, and Vin Diesel channelling his inner wannabe Zen Master fails to convince. The film has garnered mixed Reviews so far, and I can understand why.
-Steve, at Odeon Online-