Showing posts with label Iraq War. Show all posts
Showing posts with label Iraq War. Show all posts

Thursday, 1 December 2016

BILLY LYNN'S LONG HALFTIME WALK : Thursday 24th November 2016.

'BILLY LYNN'S LONG HALFTIME WALK' which I caught on its opening day in Australia is based on the 2012 book of the same name by Ben Fountain, and Directed and Co-Produced by multi-award wining Ang Lee. This Iraq War drama was made for US$40M, was released in the US in early November and in the UK not until mid-February, and has so far recovered US$24M at the Box Office. For this film Lee used an unprecedented shooting and projection rate of 120 frames per second in 3D at 4K High Definition resolution, which is the first feature film in history to use such a high frame rate (24 fps is most commonly used). Lee stated that he wanted the film to be an 'immersive' and 'realistic' experience for the viewer into the emotion and realities of the soldiers journey.

Starring in his feature film debut, English Actor Joe Alwyn is US Army Specialist Billy Lynn, a 19 year old, who is part of an eight man team known as Bravo Squad under the leadership of Sgt. David Dime (Garrett Hedlund). A few brief moments of an intense firefight known as 'the Battle of Al-Ansakar Canal' are captured by a embedded Fox News crew that sees Lynn go to the rescue of a wounded Sergeant, Shroom (Vin Diesel) who ultimately dies in his arms, but not before Lynn kills three insurgents - two with pistol shots and the other in close quarter hand to hand combat using a knife to dispense with his assailant. This footage is quickly beamed around the world and Lynn and his fellow soldiers are hailed as heroes back home and Lynn is awarded the Silver Star. The Squad are invited back home by President George W. Bush for a two week Victory Tour to rally support for the war effort.

On the Tour, the Squad are accompanied by Albert Ratner (Chris Tucker) a fast talking but relatively low level Hollywood Producer who has designs on having their story made into a big Hollywood movie, with a promise of a pay day for each of the Squad of US$100K. After some back story centering on Lynn's arrival back home in rural Texas and over dinner with his family including older sister Kathryn (Kristen Stewart) the crew are collected from their hotel on their final day in a stretched Hummer accompanied by Ratner, and they make there way to the Dallas Cowboys Stadium. Here the tour will culminate at the half-time show of the Dallas Cowboys during the 2004 Thanksgiving Day home game, on stage with 'Destiny's Child' and amidst a fanfare of fireworks, cheerleaders, thumping music, giant screen projection and an audience of millions. At this point the Squad don't know that yet, and we see Lynn recounting memories of his time in Iraq with his fellow buddies, with Sergeants Dime and Shroom, and conversations with sister Kathryn in the last few days about why he should seek medical discharge from the Army to avoid going back to Iraq - a notion that doesn't sit well with Lynn, but he's prepared to consider it to appease his sister.

Upon arrival at the Stadium the Squad are ushered to their seats wearing full dress uniform. They get up, sit down, lark around and occasionally have the cameras trained on them. They go to a Members area for lunch and fill their boots with the lavish spread of foods the like of which they have rarely seen before, whilst strangers sidle up to them wanting to speak with real war heroes, thank them, shake their hands and acknowledge their efforts, although they really have no concept at all of the war zone or the battlefield.

It is here that the Squad are introduced to Norman Oglesby (Steve Martin) the owner of the Dallas Cowboys who can't pour enough respect on the boys and is happy to have them paraded in front of the nation at his Stadium and with his Team. Ratner is also seeking to secure funding for the film from Oglesby as a major investor, and whilst he is interested he reduces Ratner's promised fee of US$100K a head down to a paltry US$5,500 each. Needless to say, both Dime and Lynn tell Oglesby later on exactly where he can stick his US$5,500 despite his best intentions telling him that their story is not for sale at that price.

Before kick-off during a photocall and Q&A session with the gathered press, Lynn spies the Dallas Cowboys Cheerleader girls standing along the perimeter of the room, and in particular one pretty young thing named Faison Zorn (Makenzie Leigh), whom he falls instantly for, and she reciprocates. They share an intimate moment or two behind a curtain, before the boys are ushered back to their seats - they exchange phone numbers and keep in contact via text messaging.

Come half-time and the boys are to assemble on the goal line wearing their combat ready gear to be paraded down the length of the field walking behind the Cheerleaders, Destiny's Child and various others. Once at the far end they are to mount a stage and stand on an elevated platform while the all girl band sing their hearts out directly in front of them. Lynn is ordered only to walk down onto the stage and stand dead still directly behind the girls as they belt out 'Soldier'. With a crescendo of fireworks, thumping music, cameras flashing, a live television audience, the heat of the spotlights Lynn zones out and reminisces further about his life so far, conversations about his promising Army future with Dime and Shroom, his Squad colleagues, about friendships, family and decisions made and yet to be made.

Through flashbacks recounting the realities of that intense battle and fierce firefight in which Shroom died we learn that those realities were far different from what the US public were led to believe in the media, and how those perceptions are in stark contrast to the tragic consequences suffered by so many young men in the Iraq War. Those realities are tearing away at Lynn, and whilst over a few hours he has formed an attachment to Faison, and his sister Kathryn pleads with him to stay at home and not return to Iraq, ultimately the US Government has not relieved the Squad from their duties and they are under orders to return to Iraq imminently.

As the Hummer awaits post celebration at the designated collection point within the bowels of the Stadium, both Faison and Kathryn emerge. Both are disappointed when Lynn bids his farewells and returns to his fellow waiting comrades with whom he has more in common and with whom he shares a greater sense of belonging and brotherhood and what it really means to support the war effort on the frontline with bullets flying. This is in stark contrast to the manufactured media circus that they have just been party to. The average Joe Blow in the street back home on safe secure American soil has no idea of what that war effort means to those serving soldiers, the sacrifices made and the lasting impact on their lives. No idea at all! He steps foot inside the waiting Hummer, but for a moment he sees himself in his armoured patrol vehicle with Shroom beside him providing some comforting words of wisdom and encouragement, that just reinforces what he knew already.

I was a little underwhelmed by this film. For all the technological wizardry and cutting edge camera work deployed in making this film, the subject matter labours. This is more a character study of a young nineteen year old lad and the loss of his innocence at war as he grows up very quickly trying to keep the peace in Iraq a long way from his rural Texas home, whilst at the same time killing insurgents and maintaining the comradeship of his Squad. We see very little of Lynn's family other than sister Kathryn, but then I guess his family now is his Bravo Squad, and he feels more of a connection with the heat, dust and emotion of Iraq than he does on his home soil. The scenes that give reason to the Victory Tour are delivered quickly and efficiently and take you to the centre of the action in flashback, but don't expect any extended battle scenes, or slow-mo action, or torn bodies and flailing limbs here. Instead, it's all about the long halftime walk that occurs at the Stadium and the impact this has on the men of Bravo Squad. Lee delivers this with all the pomp & ceremony, sound and light, and overwhelming spectacle that you would expect at such an occasion, and Lee makes it feel as though you are there amongst it. Joe Alwyn as the newcomer to watch, and Garrett Hedlund give the standout performances in this film, whereas Steve Martin as the Team owner is just an OTT archetype, and Vin Diesel channelling his inner wannabe Zen Master fails to convince. The film has garnered mixed Reviews so far, and I can understand why.
-Steve, at Odeon Online-

Thursday, 29 January 2015

AMERICAN SNIPER : Tuesday 27th January 2015.

Nominated for six golden statues at the upcoming 2015 Academy Awards, I saw 'AMERICAN SNIPER' earlier this week at my local multiplex with a bunch of mates. Like the other films that this one is up against in the Best Motion Picture and Best Actor categories this is a very solid screen telling of this true story set against the back drop of the War in Iraq in the aftermath of 9/11. Directed by Clint Eastwood, this was at first attached to Steven Spielberg, and I have to say I think this would have been a very different film had Spielberg not passed it up, despite his success with the likes of 'Private Ryan' and 'Schindler's List' - his other dramatic war time fare.

Here Eastwood has returned to the form we have not seen in a while, demonstrating his prowess behind the camera with a deft touch that sticks to the fundamentals of the story, does not over dramatise, and concentrates on the main character traits of his key subjects against a backdrop that is gritty, intense, emotional and immediate. Having not read the book upon which this film is based, I am told by those that have that there are some key departures from those written words - but hey, that's Hollywood and sometimes you can't let the truth get in the way of a good story!

And so this is the story of Chris Kyle (played out brilliantly by Bradley Cooper and never better) - a small town Texan kid growing up in a disciplined environment with his subservient Mum & strict God fearing authoritative Dad, and younger brother with dreams of becoming a cowboy. He attends church, respects his parents and his elders and learns to shoot from a young age - killing his first deer on a hunting trip with his father when he is about ten years of age. Growing up he leads a country life as a cowboy with his brother, drifting in & out of relationships, drinking beer, and riding rodeo. In the lead up to his 30th birthday he sees news footage on the TV of a terrorist attack against Americans on foreign soil from an unknown enemy - this prompts him to join the Navy SEALS to help safeguard his beloved country.

What follows is the obligatory training camp montage where he is trained to within an inch of his life, and toward the end of this he meets Taya (Sienna Miller) in a bar, and they eventually marry. Their marriage comes in the immediate aftermath of 9/11 and following the wedding and a brief honeymoon he disappears off to Iraq on his first tour of duty as the 'American Sniper' of the title.

His first kill on active duty is a young boy who exits a building with his mother - beneath her clothing she conceals a large looking anti-tank grenade which he identifies through his rifle sights. The woman mishandles the device as they move toward advancing US soldiers and an oncoming tank amongst the rubble of a war torn city. The boy runs with they grenade lurching toward the tank but is taken out by Kyle, and then the lads mother, in quick succession before the missile can reach its intended target. This sets the tone and tells us we are witnessing a cool, calculating, conscience free soldier doing what he does best, and protecting his colleagues, his country and his family ultimately, and can do so without hesitation. As his first tour progresses Kyle gains a reputation for his sharp shooting and in so doing saving the lives of countless fellow soldiers who all feel a debt of gratitude toward him, earning him the moniker of 'The Legend'.

He returns home after his first tour and Taya is pregnant with their first child. Following their son's birth, Kyle returns to Iraq for his second tour for more of the same - taking out insurgents with sharp shooting military precision time and time again. He does so a third time and then a fourth and amassing a confirmed kill record of 160, making him the most successful sniper in US military history! But each time he returns home, the emotional scars of battle are deeper. Kyle is fractured, distant, uncommunicative and clearly the strain of his job, what he has witnessed and the pressure to live up to the expectations of a 'hero' are a very heavy burden takings its toll on Taya, his young son and his second child, a daughter.

He is a driven man - driven by his his duty to God, to his country and to his family - in that order, and, to take out an insurgent sniper who is acting against him, and who is intent too on taking out Kyle. This sniper has become Kyle's own private obsession and partly the reason why he feels compelled to return because he stands in the way of a high-level evil drilling killing lunatic of a man known as 'The Butcher' and has been responsible for killing many of Kyle's buddies in the line of active duty. We learn that the insurgents have placed a significant bounty on Kyle's head, and so it is his personal crusade to either kill or be killed.

All of this continues to take it's toll on Kyle's mental and emotional state that he bottles up inside him as each tour comes & goes and he witnesses more & more the horrors of modern day combat and close quarter warfare. Eastwood doesn't spare the body count either on each side as friends and foe are sacrificed all in the name of freedom, but, there are no political statements here, no flag waving, no Uncle Sam spraying Iraq with a can of whoop ass! This story is Kyle's story, told through his eyes and the impact of war upon one man and the repercussions of it on those closest to him. Cooper gives a bold and convincing turn as the war torn, battle scared, emotionally fractured soldier just doing what he thinks is right. Sienna Miller too is solid as the left at home wife and mother torn between her love of her husband and her family but unable to reconcile what he does, why he does it, and for whom ultimately.

A must-see film that ranks up there with 'The Hurt Locker', but seen from a very different perspective, and probably one of the boldest accounts we have yet seen on the silver screen of the Iraq War and its direct and indirect impacts.

   

-Steve, at Odeon Online-