DUMB MONEY : Tuesday 7th November 2023

I finally got around to seeing the MA15+ Rated 'DUMB MONEY' after my three week sojourn in the UK. This American biographical comedy drama film, which was released here in Australia on 5th October, is Directed by Craig Gillespie whose prior feature film making credits take in his debut with 'Mr. Woodcock' in 2007 and 'Lars and the Real Girl' also in 2007 and then 'Fright Night' in 2011, 'Million Dollar Arm' in 2014, 'The Finest Hours' in 2016, 'I, Tonya' in 2017 and 'Cruella' in 2021. This film is based on the 2021 book 'The Antisocial Network' by Ben Mezrich, and saw its World Premiere at the Toronto International Film Festival in early September and was released in the US in limited theatres a week later before expanding into a wider release on 29th September. The film garnered generally favourable reviews and has so far grossed US$17.5M against a production budget of US$30M.

Keith Gill (Paul Dano) is a lower middle class man working as a financial analyst for MassMutual in Brockton, Massachusetts. During his spare time, he maintains a watchful eye on the stock market subreddit r/WallStreetBets, and posts his opinions on it via YouTube live streams under the name Roaring Kitty, with the disclaimer that he is not offering financial advice. He struggles to provide for his wife Caroline (Shailene Woodley) and his young child, and has a net worth of about US$98K. His presence on his home based YouTube channel is constantly being mocked by his brother Kevin (Pete Davidson) as nerdy rubbish. 

In June 2020, following the onset of the global COVID-19 pandemic, Keith notices that video game retailer GameStop's stock is falling and sinks more than half of his life savings (US$53K) into buying stock in it, frequently live streaming updates with his followers. 

Despite Kevin, and Keith's colleague Briggsy (Deniz Akdeniz) claiming this is a waste of time and money, by January 2021, activity on r/WallStreetBets reveals that several hedge fund investment firms, including Melvin Capital Management and its founder Gabe Plotkin (Seth Rogen), have been short selling stock in the chain on the assumption it would close, causing a mass increase in GameStop's overall stock price when online retail mum and dad stock buyers, including struggling nurse Jennifer Campbell (America Ferrera), GameStop retail employee Marcos (Anthony Ramos), and lesbian college couple Riri (Myha'la Herrold) and Harmony (Talia Ryder), start aggressively buying up stock, causing Plotkin and other investment CEO's to lose hundreds of millions of dollars within the same timeframe, and Keith to be heralded as a financial sensation.

Things take a turn for the worse when r/WallStreetBets is temporarily shut down for 'inflammatory and vulgar content' (even though that had been the way for years), causing a mass surge of panic selling in GameStop's stock in an attempt to beat a perceived price drop. When the commission-free stock trading website Robinhood is unable to adequately pay the US$3B for the sales, co-chairman Vlad Tenev (Sebastian Stan), at the behest of Citadel owner and multi-billionaire Ken Griffin (Nick Offerman), places a freeze on all purchasing of GameStop's stock in an attempt to drive down the price. 

The play ultimately works, but the subsequent negative backlash results in an investigation by the United States House Committee on Financial Services, with Tenev, Griffin, Plotkin, and Keith all being subpoenaed, the former three for their roles in the fiasco and the latter on suspicion of using the situation to trick the public into making himself rich. As the investors struggle to defend their actions, Keith adamantly denies any wrongdoing in the hearing on 18th February 2021, saying 'I did not solicit anyone to buy or sell the stock for my own profit' and further stating that he was only doing what anyone with a passing awareness of investment banking would do in that situation, while concluding that 'I like the stock', by which time his initial investment of US$53K had turned into a personal fortune of US$48M all largely off the back of GameStop. 

In the months that followed, pre-credits text shows how several of the individuals were impacted, namely Plotkin was forced to shut down Melvin Capital because of the net losses the incident caused; Robinhood was the target of several lawsuits following the fiasco and wound up with its IPO starting in the stock market significantly lower than it was prior; Harmony was able to use the money she obtained to pay off her family's debt issues and continues her relationship with Riri; Marcos sold half of his GameStop stock and quit his position in the company; Jennifer remains marginally in debt but has retained her shareholding; Keith retired from YouTube in late April to get out of the public eye and sold a small portion of his now US$33M fortune to buy Kevin a brand new red Porsche 911 as a way to stop his nagging about how he will not loan him his car for his food deliveries work. Kevin still calls him a nerd however.

'Dumb Money' is a compelling story mainly because it fell in such recent times that just about all of us with the remotest interest in the stock market will remember the events that unfolded around GameStop and the events that came to pass as part of the zeitgeist of the pandemic era. The acting is on point here with particular nods to Dano and Davidson, and this cautionary tale is dramatic, humorous and entertaining and you can't help but be carried along by the stories of the little people beating the mega rich of Wall Street at their own game. The term 'dumb money' BTW was coined by Wall Street for retail mum & dad investors, whereas 'smart money' is used to describe institutional, or professional, investors. The film also stars Vincent D'Onofrio, Clancy Brown, Dane DeHaan and Olivia Thirlby. 

'Dumb Money' merits four claps of the Odeon Online clapperboard out of a potential five claps. 

-Steve, at Odeon Online-

What's new in Odeon's this week : Thursday 5th October 2023.

The 67th British Film Institute London Film Festival this year runs from Wednesday 4th October through until Sunday 15th October. Held in London, England for two weeks in October every year, it is estimated that around 240 feature films and 150 short films from more than seventy countries are screened at the festival each year.

This years Opening Night Gala Film is 'Saltburn' written, Co-Produced and Directed by Emerald Fennel and starring Barry Keoghan, Jacob Elordi, Rosamund Pike, Richard E. Grant and Archie Madekwe. The film is set in the mid-2000's, and follows a young university student who becomes infatuated with his aristocratic schoolmate and his wealthy but eccentric family. The Closing Night Gala Film is 'The Kitchen' Directed by Kibwe Tavares and Daniel Kaluuya and also Co-Written and Co-Produced by Kaluuya, and sees a dystopian future London where all social housing has been eliminated, where a man and a young lad fight to navigate the world as residents of The Kitchen - a community that refuses to abandon their home.

The following films were selected for the Galas section, which screens World, European, and British Premieres of the most anticipated films :-

* 'All of Us Strangers' is a British fantasy drama film Written and Directed by Andrew Haigh and starring Andrew Scott, Paul Mescal, Jamie Bell and Claire Foy.

* 'One Life' is a British biographical drama film Directed by James Hawes and stars Anthony Hopkins, Johnny Flynn, Helena Bonham Carter, Jonathan Pryce, and Lena Olin.

* 'Chicken Run : Dawn of the Nugget' is a British stop motion animated comedy film Directed by Sam Fell and is a sequel to 2000's 'Chicken Run'. Starring the voice talents of Thandiwe Newton, Zachary Levi, Bella Ramsey, Jane Horrocks, Imelda Staunton and Miranda Richardson.

* 'The Bikeriders' from the USA is Written and Directed by Jeff Nichols and stars Jodie Comer, Austin Butler, Tom Hardy, Michael Shannon, Norman Reedus, Boyd Holbrook and Damon Herriman.

* 'The Book of Clarence' from the USA and is an epic biblical comedy drama film Written, Co-Produced, Directed and scored by Jeymes Samuel and starring LaKeith Stanfield, Omar Sy, Anna Diop, David Oyelowo, Alfre Woodard, James McAvoy and Benedict Cumberbatch.

* 'The Holdovers' from the USA and this comedy drama film is Directed by Alexander Payne and stars Paul Giamatti, Dominic Sessa and Da'Vine Joy Randolph.

* 'The Killer' is from the USA this neo-noir action thriller is Directed by David Fincher and stars Michael Fassbender, Charles Parnell, Tilda Swinton and Arliss Howard.

* 'Killers of the Flower Moon' from the USA and this epic Western crime drama film is Co-Written, Co-Produced and Directed by Martin Scorsese and starring Leonardo DiCaprio, Robert De Niro, Lily Gladstone, Jesse Plemons, John Lithgow and Brendan Fraser.

* 'Maestro' from the USA and is a biographical drama film that is Co-Written, Co-Produced, Directed and starring Bradley Cooper with Carey Mulligan, Maya Hawke and Sarah Silverman. 

* 'May December' is from the USA and this romantic drama film is Directed by Todd Haynes and stars Natalie Portman, Julianne Moore and Charles Melton.

* 'Nyad' from the USA and this biographical sports drama film is Directed by Elizabeth Chai Vasarhelyi and Jimmy Chin and stars Annette Bening, Jodie Foster and Rhys Ifans.

* 'Poor Things' from the UK, Ireland and the USA this steampunk dark comedy fantasy film is Directed by Yorgos Lanthimos and stars Emma Stone, Mark Ruffalo, Willem Dafoe, Ramy Youssef, Christopher Abbott, Jerrod Carmichael and Margaret Qualley.

In Competition, celebrates the highest creative achievements of British and international filmmakers, of which there are awards for Best Film, First Feature awarded for Directorial debut, Documentary feature film and Short Film. Most of the out-of-competition films have been organised into strands, each based on a different mood or emotion - these being Love, Debate, Laugh, Dare, Thrill, Cult, Journey, Create, Experimenta, Family and Treasures. 

For the full run down on the aforementioned films, those films competing for awards and the films strands being showcased, plus a whole lot more, you can go to the official website at : https://whatson.bfi.org.uk/lff/Online/default.asp

Turning the attention then back to this weeks slew of new movies to grace a big screen Odeon near you, of which there are six, we kick start with the fourth offering in this action franchise that sees this team of elite mercenaries go head to head with a ruthless terrorist intent on igniting WWIII. Next up we have a horror film that is a direct sequel to a classic 1973 film that sees a 12-year-old girl and her friend possessed by a mysterious demonic entity, forcing her father to seek the help of two priests, and the only person who has witnessed such events before, to save her. This is followed by a biographical comedy drama film about a group of rag-tag investors who banded together to put the squeeze on at least two hedge funds that had bet that GameStop shares would fall. Then we turn to a Norwegian offering about a young woman who becomes increasingly overshadowed by her boyfriend's recent rise to fame as a contemporary artist creating sculptures from stolen furniture, so she hatches a vicious plan to reclaim her rightfully deserved attention within the milieu of Oslo's cultural elite. Following this up, we have an Aussie drama about a young Iranian mother and her six year old daughter who find refuge in an Australian women's shelter over the two week period of the Iranian new year festivities; before closing out the week with an Aussie music drama film about a terminally ill forty-something year old musician who forms an unlikely bond with a teenage runaway.

Whatever your taste in big screen film entertainment is this week - be it any of the six latest release new films as Previewed below, or those doing the rounds currently on general release or as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the coming week.

'THE EXPEND4BLES' (Rated MA15+) - this American action film is Directed by Scott Waugh whose previous feature film offerings include 'Act of Valor' in 2012, 'Need for Speed' in 2014, '6 Below : Miracle on the Mountain' in 2017 and 'Hidden Strike' released on Netflix earlier this year. This is the fourth instalment in 'The Expendables' film series, following 2014's 'The Expendables 3' and the previous two films released in 2010 and 2012. Those first three films in the franchise grossed worldwide US$804M off the back of combined production budgets of $US275M, with this fourth, and seemingly final instalment so far grossing US$40M off the back of a budget of US$100M since its release in the US on 22nd September. The film has generated largely unfavourable reviews.

Armed with just about every weapon they can get their hands on and the skills to use them, The Expendables are the world's final line of defence and the team that gets called when all other options are off the table. But new team members with new styles and tactics are going to give 'new blood' a whole new meaning. The cast takes in returning Sylvester Stallone, Jason Statham, Dolph Lundgren and Randy Couture joined by that new blood, Megan Fox, 50 Cent, Tony Jaa, Iko Uwais, Jacob Scipio and Andy Garcia. 

'THE EXORCIST : BELIEVER' (Rated MA15+) - is an American supernatural horror film that is Co-Written and Directed by David Gordon Green whose prior feature film making efforts take in his debut in 2000 with 'George Washington' and then the likes of 'Pineapple Express' in 2008, 'Our Brand Is Crisis' in 2015 and then 'Halloween', 'Halloween Kills' and 'Halloween Ends' in 2018, 2021 and 2022 respectively. This film is the sixth instalment in 'The Exorcist' franchise, and serves as a direct sequel to 1973's 'The Exorcist'. When his daughter, Angela (Lidya Jewett), and her friend Katherine (Olivia Marcum), show signs of demonic possession, it unleashes a chain of events that forces single father Victor Fielding (Leslie Odom Jnr.) to confront the nadir of evil. Terrified and desperate, he seeks out Chris MacNeil (Ellen Burstyn, reprising her role from the first film), the only person alive who's witnessed anything like it before. The film is released this week too in the US and is the first in a new trilogy of films, with the second 'The Exorcist : Deceiver', also to be Directed by Green, due for release in mid-April 2025.

'DUMB MONEY' (Rated MA15+) - this American biographical comedy drama film is Directed by Craig Gillespie whose prior feature film making credits take in his debut with 'Mr. Woodcock' in 2007 and 'Lars and the Real Girl' also in 2007 and then 'Fright Night' in 2011, 'Million Dollar Arm' in 2014, 'The Finest Hours' in 2016, 'I, Tonya' in 2017 and 'Cruella' in 2021. This film is based on the 2021 book 'The Antisocial Network' by Ben Mezrich. Based on the true story  of everyday people who turn the tables on Wall Street and get rich by turning GameStop into one of the world's hottest companies in January and February of 2021. In the middle of everything is Keith Gill (Paul Dano), a regular guy who starts it all by sinking his life savings into the stock. When his social media posts start blowing up, so does his life and the lives of everyone following him. As a stock tip becomes a movement, everyone gets wealthy, until the billionaires fight back and both sides find their worlds turned upside down. The film saw its World Premiere at the Toronto International Film Festival in early September and was released in the US in limited theatres a week later before expanding into a wider release on 29th September. The film garnered generally favourable reviews and stars Pete Davidson, Vincent D'Onofrio, America Ferrera, Nick Offerman, Anthony Ramos, Sebastian Stan, Shailene Woodley, Seth Rogan and Dane DeHaan. It has so far grossed US$8M against a production budget of US$30M.

'SICK OF MYSELF' (Rated MA15+) - is a Norwegian film Written, Directed and Edited by Kristoffer Borgli. The film saw its World Premiere screening at the 2022 Cannes Film Festival and was released in its native Norway in early September last year, and only now does it get a limited showing in Australia, having so far grossed US$1M at the Box Office and having garnered generally favourable reviews. Signe (Kristine Kujath Thorp) and Thomas (Eirik Saether) are in an unhealthy, competitive relationship that takes a vicious turn when Thomas suddenly breaks through as a contemporary artist. In response, Signe makes a desperate attempt to regain her status by creating a new persona hell-bent on attracting attention and sympathy.

'SHAYDA' (Rated M) - this Australian drama film is Written, Co-Produced and Directed by Noora Niasari in her feature film debut having Directed a number of short films and the documentary 'Antunez House' in 2017. The film had its World Premiere screening at this years Sundance Film Festival in late January where it won the Audience Award in the World Cinema Dramatic Competition and has subsequently been selected as the Australian entry in the Best International Feature Film category for the 2024 Academy Awards. Here, a young Iranian mother Shayda (Zar Amir Ebrahimi) and her six-year-old daughter (Selina Zahednia) find refuge in an Australian women's shelter during the two weeks of the Iranian New Year (Nowruz) while trying to escape the manipulations of her separated, abusive husband. Also starring Leah Purcell and Osamah Sami. The film has garnered widespread critical acclaim.

'THREE CHORDS AND THE TRUTH' (Rated M) - this Aussie music drama film is Written and Directed by first time feature film maker Claire Pasvolsky, and is inspired by the real life story of singer and songwriter Jackie Marshall. If Angie (Jackie Marshall) wasn't so self-sabotaging, she could have been one of Australia's leading musicians. Now in her forties, she finds herself terminally ill and alone. She struggles financially and plays in a seedy downbeat pub to help finance the recording of her final album. When Angie meets Ruby (Maisie Owens), a teenage runaway, the two form an unlikely bond when Angie teaches her to play guitar and write songs, but as Ruby becomes increasingly dependent on Angie, it becomes unbearable for Angie to tell her new young friend that she only has months to live.

With six new release movie offerings this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. In the meantime, I'll see you sometime somewhere at your local Odeon in the week ahead.

-Steve, at Odeon Online-

CRUELLA : Tuesday 15th June 2021.

'CRUELLA' which I saw at my local multiplex this week is a PG Rated American crime comedy-drama film Directed by Craig Gillespie whose previous film making outings include 'Lars and the Real Girl', 'Million Dollar Arm', 'The Finest Hours' and 'I, Tonya' most recently in 2017. This film is based on the character Cruella de Vil, introduced in Dodie Smith's 1956 novel 'The Hundred and One Dalmatians' and specifically on the version from the Walt Disney 1961 animated film 'One Hundred and One Dalmatians'. It is the third live-action film in the '101 Dalmatians' franchise which were '101 Dalmatians' released in 1996 and '102 Dalmatians' released in 2000 both with Glenn Close playing Cruella de Vil. Those first two instalments grossed a total US$505M off the back of production budgets amounting to a combined US$160M. This film was released theatrically and simultaneously available on Disney+ with Premier Access from the end of May, has generated mostly positive Critical Reviews aside from the screenplay, has so far taken US$132M off the back of a production budget of somewhere in the vicinity of US$150M, and Disney announced earlier this month that a sequel is officially in the early stages of development with both Emma's (Stone and Thompson, who play the leads here) having stated that they would like to make a second film. 

The film opens up sometime in the early 1960's and we are introduced to young five year old Estella Miller (Billie Gadsdon) and her mother Catherine (Emily Beecham) at home fashioning clothes out of scraps of material for Estella's dolls. Already it is clear that the young child has an eye for fashion but also a mean streak, so her mother coins the nickname 'Cruella' for her. We then fast forward to Estella aged twelve (Tipper Seifert-Cleveland) and starting at a new school she is already out of sorts with her student cohort for her outlandish fashion sense, outspoken nature, rebellious streak and never say die attitude which gets her into all sorts of trouble with the Headmaster resulting in him blotting her record with black mark upon black mark. Ultimately Catherine is forced to pull Estella out of school before she is expelled, and the pair decide to travel to London to seek a fresh start there. En route, Catherine pulls over at the cliff top mansion of Baroness von Hellman (Emma Thompson) who is hosting a lavish ball. She asks the Baroness for financial assistance, at which Estella witnesses her mother being shoved over the edge of a cliff to her death by three of the Baroness' ferocious Dalmatian dogs. 

Needless to say the young Estella is mortified by what she witnessed and flees the scene, hitching a ride in the back of a garbage truck all the way to London. She gets out of the truck at a fountain at Regent's Park and is later the next morning greeted by two young street urchins - brothers Jasper and Horace Badun (Ziggy Gardner and Joseph MacDonald respectively). After being chased down by a Policeman on the beat the threesome all come together in an abandoned loft in what looks like a condemned building. In an attempt to go unnoticed she dies her unusual half black half white head of hair red. 

We then fast forward ten years and Estella (Emma Stone) remains with Jasper (Joel Fry) and Horace (Paul Walter Hauser) and have become very adept grifters, so much so that they are able to eek out a reasonable standard of living for themselves by picking pockets, stealing wallets and sundry items of jewellery from unsuspecting members of the public and shops around the city. All the while Estella works on her fashion skills by designing their disguises. On the occasion of her birthday Jasper and Horace present Estella with a contract of employment at the Liberty department store (a store that she has always aspired to work at), albeit as an entry level cleaner. After numerous attempts to convince her boss that she is more talented than scrubbing floors and cleaning toilets, but failed, one night in a drunken stupor she changes the window dressing of a particular display much to the chagrin of her boss, but also and more importantly, much to the prise of the Baroness who happens to be the owner of the store. Estella as a result lands a much coveted job with the Baroness who is a famous highly regarded albeit very demanding and authoritarian fashion designer. 

In time Estella wins over the confidence of the Baroness, until one day Estella notices the Baroness wearing a necklace and pendant that previously belonged to her mother Catherine, and which she had given her daughter on the night on her death. In fleeing the scene of the crime, the young Estella had dropped the necklace in panic and only noticed she had lost it when she arrived in London. Estella makes a casual enquiry as to the origin of the distinctive necklace, and the Baroness responds that an employee has once stolen it. At that Estella asks Jasper and Horace to help her steal it back. 

Estella, under the auspices of Cruella and now donning her natural half black half white hair colour, crashes one of the Baroness' lavish parties to steal back the necklace. When the Baroness uses a whistle to command her Dalmatians, Estella comes to the realisation that she used the same whistle to direct her dogs to murder Catherine. 

Now fuelled by revenge for her mother's death, Estella taunts the Baroness by appearing at her parties and social gatherings and upstaging her as Cruella in ever increasingly flamboyant outfits, designed with the aid of vintage clothing store owner, Artie (John McCrea). 

Cruella's unpredictable and often outrageous appearances gain publicity through her childhood friend Anita Darling (Kirby Howell-Baptiste) a gossip columnist. However, meanwhile Cruella's egotistical and arrogant behaviour increasingly antagonises Jasper and Horace so much so that they consider going their separate ways. The Baroness in the meantime, fires her lawyer Roger (Kayvan Novak) for failing to stop Cruella. Estella also kidnaps the Baroness' three Dalmatians after one of them accidentally swallows her mother's necklace, then relies on Jasper and Horace to retrieve the necklace when it appears out of the other end of the dog that swallowed it. 

Cruella later on sabotages the latest Spring collection hosted by the Baroness and stages her own show in front of the fountain at Regents Park wearing an outfit supposedly made out of Dalmatian fur. The Baroness in the meantime has come to the conclusion that Estella and Cruella are in fact the same woman. With her heavies in tow, the Baroness infiltrates their loft and when Estella returns from her successful Regents Park gig she is confronted by a tied and bound Jasper and Horace. Estella is tied and bound, and petrol is doused all around the place, with Jasper and Horace both being framed for her untimely death. The Baroness in turn lights a flame and leaves Estella to die in the fire which quickly engulfs the building. Jasper and Horace are both arrested. 

Cruella while presumed dead and reported as such in the press, is in fact rescued by the Baroness' long serving and trusted valet John (Mark Strong). When she comes round in John's modest home he reveals that he found the necklace, cleaned it with bleach, and therein is a key to a box containing Estella's birth records. She discovers that the Baroness is in fact her biological mother, and ordered John to have the baby Estella killed so she could concentrate exclusively on her fashion career. John couldn't bring himself to commit such an act so instead gave the baby to Catherine, one of the Baroness' maids, who raised Estella in secret. Estella is initially angered by Catherine's deception but in time comes to terms with the truth in an effort to complete her vengeance, so taking on the name Cruella permanently.

Cruella breaks Jasper and Horace out of jail using a garbage truck to ram the front entrance to the Police Station where they are being held (straight out of 'The Terminator' 1984), recruiting them and Artie for her final scheme. They sneak into the Baroness' charity gala, where Cruella has previously sent out an identical costume and black and white wig for all female guests to wear on the night under the pretext that it was sent by the Baroness (straight out of 'V for Vendetta' 2005). Cruella (dressed as Estella) standing on the same spot as her mother was thrown over the cliff all those years before, reveals to the Baroness that she is her abandoned daughter. The Baroness feigns remorse for her actions and asks to hug her before pushing her over the cliff top into the raging sea below, unaware her guests had been led outside and had witnessed the whole thing. The Baroness claims that Estella jumped just as the Police arrive. Cruella survives the fall using a parachute built into her clothing and picked up in a row boat by Horace. She discards her Estella disguise before returning to witness the Baroness being arrested, as Cruella.

Having adopted the last name de Vil (inspired by her stolen Panther De Ville car), Cruella inherits Hellman Hall, shortening it to Hell Hall, as its rightful biological heir, and she, Jasper and Horace attend the funeral of Estella as the only mourners in attendance. Stay seated for the mid-credits sequence in which Cruella has delivered to Anita and Roger (now married since he got fired as the Baroness' lawyer) two Dalmatian puppies named Pongo and Perdita. Roger is now writing songs for a living and begins singing the lyrics to 'Cruella de Vil' while tapping away at his piano. 

I have to say that I enjoyed 'Cruella' a whole lot more than I was expecting. For a Disney film this is quite dark in places and wickedly entertaining in the process. Director Craig Gillespie has here fashioned a Disney origin story that we never knew we needed, and delivered the goods in spades. The production values are top notch; the set designs impressive; the make up artistry equally so; and as for the punk era costumes as worn by Cruella and the haute couture outfits as worn by the Baroness, well they are awards worthy in the own right and worth the price of your ticket alone. Both Emma's shine in their roles, underscored by a strong supporting cast and Paul Walter Hauser nails it with his London accent and is about as far removed from 'Richard Jewell' as you can get. For a live action remake of a beloved Disney animated classic this film is right up there with the best of them and as for the running time of two hours fourteen minutes - fear not, it flies by and never leaves you wanting.

'Cruella' merits four claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

What's new in Odeon's this week : Thursday 27th May 2021.

The 2021 MTV Movie & TV Awards were broadcast on Sunday 16th and Monday 17th May. It was the 29th edition of the awards and the fourth to jointly honour movies and television, and the first to feature a second night, which was devoted exclusively to awards in reality television. The American Actress and Comedian Leslie Jones hosted the ceremony on the Sunday and on the Monday the American Actress, stand-up Comedian and podcast, radio and TV host Nikki Glaser also hosted an event titled 'MTV Movie & TV Awards : Unscripted', for awards going to reality television shows. The ceremony took place in the Hollywood Palladium, Los Angeles, California.

While the bulk of the awards were presented to TV series, those winners and nominees in the movie categories are as given below :-

Best Movie

* Awarded to 'TO ALL THE BOYS : ALWAYS AND FOREVER', beating out 'Borat Subsequent Moviefilm', 'Judas and the Black Messiah', 'Promising Young Woman' and 'Soul'.

Best Performance in a Movie

* Awarded to CHADWICK BOSEMAN for 'Ma Rainey's Black Bottom', beating out Sacha Baron Cohen for 'The Trial of the Chicago 7', Daniel Kaluuya for 'Judas and the Black Messiah', Carey Mulligan for 'Promising Young Woman' and Zendaya for 'Malcolm & Marie'.

Best Comedic Performance

* Awarded to LESLIE JONES for 'Coming 2 America', beating out Eric Andre for 'Bad Trip', Annie Murphy for 'Schitt's Creek', Issa Rae for 'Insecure' and Jason Sudeikis for 'Ted Lasoo'.

Best Music Documentary

* Awarded to 'BTS – BREAK THE SILENCE : THE MOVIE', beating out 'Ariana Grande : Excuse Me, I Love You', 'Framing Britney Spears', 'The Bee Gees : How Can You Mend a Broken Heart', 'Biggie : I Got a Story to Tell', 'Billie Eilish : The World's a Little Blurry', 'Demi Lovato : Dancing with the Devil', 'Tina', 'Shawn Mendes : In Wonder' and 'Taylor Swift : Miss Americana'.

Of the TV awards 'WANDA VISION' won four for Best Show, Best Performance in a Show going to Elizabeth Olson, Best Villain going to Kathryn Hahn and Best Fight going to 'Wanda vs. Agatha'. 'THE FALCON AND THE WINTER SOLDIER' picked up two awards for Best Hero going to Anthony Mackie and Best Duo going to Falcon and the Winter Soldier. Best Breakthrough Performance was awarded to REGE-JEAN PAGE for 'Bridgerton' and Most Frightened Performance went to VICTORIA PEDRETTI for 'The Haunting of Bly Manor'.

The Comedic Genius Award was presented to SASHA BARON COHEN and the MTV Generation Award was presented to SCARLETT JOHANSSON. 

For the complete low down on all the glitz and glamour, the winners and the also rans across all categories, you can go to the official website at : https://www.mtv.com/movie-and-tv-awards

This week we have five latest release new films coming to your local Odeon, and we launch with a sequel to a critical and commercial horror film success from 2018 that leaves a mother and her three children to venture forth beyond their farmhouse and into an unknown world, where blind monsters with an acute sense of hearing are not the only terrors that lie in wait on unsuspecting prey - there are other humans too! Next up we have the origin story of teenaged Estella who has a dream of becoming a fashion designer, having been gifted with talent, innovation, and ambition all in equal measures, but, life seems intent on making sure her dreams never come true, leading her down a life of crime with a particular liking for Dalmatian fur. And we close out the week with three documentary films - the first is an up close and personal look at the life and times of one of Australia's most famed indigenous Actors as he approaches the end of his life. This is followed by the exploits of a true underdog of the European soccer scene who in 2004 upset the status quo by winning the European Championship against all the odds; and we close out the week with an in-depth account of the last survivors of those who participated in Hitler's Third Reich and the impact of what they left behind. 

Whatever your taste in big screen film entertainment is this week - be it any of the five latest release new movies as Previewed below, or those doing the rounds currently on general release or as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the week ahead.

'A QUIET PLACE : PART II' (Rated M) - is an eagerly anticipated long awaited American horror follow-up to 2018's 'A Quiet Place' which grossed US$341M off the back of a US$20M production budget, and was Co-Written, Directed and starred John Krasinski. For this sequel John Krasinski returns to the Directors chair and he also wrote, Co-Produced and once again has a small role in this film, even though his character was killed off in the first film. This film saw its World Premier screening in New York City back on 8th March 2020, with a worldwide release set from 20th March 2020, but due to the COVID-19 pandemic it was rescheduled to 4th September 2020. It was then changed to 23rd April 2021 and then changed again to 17th September 2021. After three postponements, it was moved earlier in the year to this week.

Following the deadly events at home in which Lee Abbott (John Krasinski) was killed by the blind monsters with an acute sense of hearing, the Abbott family now headed up by mother Evelyn (Emily Blunt), with her three children, the deaf Regan (Millicent Simmonds), Marcus (Noah Jupe) and their new born baby must now face the terrors of the outside world as they continue their fight for survival in silence. Forced to venture into the unknown, they quickly realise that the creatures that hunt by sound are not the only threats that lurk beyond the sand path. Also starring Cillian Murphy, Djimon Hounsou and John Krasinski in newly filmed flashback sequences set before the events of the first film. 

'CRUELLA' (Rated PG) - this American crime comedy-drama film is Directed by Craig Gillespie whose previous film making outings include 'Lars and the Real Girl', 'Million Dollar Arm', 'The Finest Hours' and 'I, Tonya' most recently in 2017. This film is based on the character Cruella de Vil, introduced in Dodie Smith's 1956 novel 'The Hundred and One Dalmatians' and specifically on the version from the Walt Disney 1961 animated film 'One Hundred and One Dalmatians'. It is the third live-action film in the '101 Dalmatians' franchise which were '101 Dalmatians' released in 1996 and '102 Dalmatians' released in 2000 both with Glenn Close playing Cruella de Vil. Those first two instalments grossed a total US$505M off the back of production budgets amounting to a combined US$160M. Set in 1970's London during the punk rock movement, we here follow Estella de Vil (Emma Stone), an ambitious and aspiring fashion designer, and explores the path that will lead her to become a notorious and dangerous criminal, with a penchant for Dalmatian fur, known as Cruella de Vil. Also starring Emma Thompson, Mark Strong, Paul Walter Hauser, Emily Beecham, Joel Fry and Kirby Howell-Baptiste. The film is scheduled to be released theatrically and simultaneously available on Disney+ with Premier Access this week too in the US.

'MY NAME IS GULPILIL' (Rated M) - this Australian documentary film is Directed and Co-Produced by Molly Reynolds whose prior film making credits take in 'Twelve Canoes', 'Still Our Country', 'Another Country', and 'ShoPaapaa' most recently in 2020. David Gulpilil is an iconic figure of Australian cinema and has been for fifty years, since his breakout role in Nicolas Roeg's 'Walkabout' in 1971. His mesmerising, electrifying presence has leapt off the big screen and changed Australian screen representation forever. The only Actor to appear in both of the two highest-grossing Australian films of all time, 'Crocodile Dundee' and 'Australia'. Gulpilil is known throughout the world for his unforgettable performances - from his breakthrough 'Walkabout' to films including 'Storm Boy', 'Mad Dog Morgan', Peter Weir’s 'The Last Wave', 'The Tracker', 'Rabbit-Proof Fence', 'The Proposition' and his Cannes Best Actor award-winning role in Rolf de Heer’s 'Charlie’s Country'. Integral to the telling of so many legendary screen stories, Gulpilil, now nearing the end of his life having been diagnosed with lung cancer in early 2017, to which his Doctors gave him six months to live. Now four years later, he generously shares his own story with us as the Actor, dancer, singer and painter takes us boldly on the journey that is his most extraordinary, culture-clashing life.

'KING OTTO' (Rated G) - this sports documentary film is Directed and Co-Produced by Christopher Andre Marks in his full length doco debut having Directed two short films previously - the seven minute documentary 'Tiger Hood' in 2015 and the fifteen minute comedy 'Being Richard Kensington' in 2013 - both of which he also Produced and wrote. This documentary charts how in the summer of 2004, audiences looked on in disbelief as the Greek National Football Team, a country that had never previously won a single match in a major tournament, took down the giants of world football to become the unlikeliest of European Champions. The architect behind this unprecedented triumph was legendary German football coach 'King' Otto Rehhagel. After accomplishing every major success in Germany, he made the bold decision to leave all he knew behind and work in a foreign country with the underachieving Greek National Team. This is the story of how these two contrasting cultures came together to speak the same language and write a new chapter of Greek mythology.

'FINAL ACCOUNT' (Rated M) - is a German-language British-American documentary film Directed Produced and lensed by Luke Holland, who died shortly after filming completed on June 10, 2020. Holland's previous film making credits were two TV movie doco's only - 1993's forty-six minute 'Good Morning, Mr. Hitler' and 2000's one hour long 'I Was a Slave Labourer'. This film follows the last living generation of German participants in Adolf Hitler's Third Reich. Over a decade in the making, it raises vital, timely questions about authority, conformity, complicity and perpetration, national identity, and responsibility, as men and women ranging from former SS members to civilians in never-before-seen interviews reckon with – in very different ways – their memories, perceptions and personal appraisals of their own roles in the greatest human crimes in history. The film saw its World Premier screening at the Venice International Film Festival in September last year, and has garnered generally favourable Reviews. 

With five new release films this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. In the meantime, I'll see you sometime somewhere in the coming week, at your local Odeon.

-Steve, at Odeon Online-