SUPERGIRL : Tuesday 30th June 2026.

I saw the M Rated 'SUPERGIRL' earlier this week, and this American superhero film is based on the titular character from DC Comics. The film is Directed by Craig Gillespie and is the second film in the DC Universe (DCU), following 2025's 'Superman' which was Written and Directed by James Gunn - the joint CEO of DC Studios with Peter Safran, and starred David Corenswet as the Man of Steel. Craig Gillespie's prior feature film making credits take in his 2007 debut with 'Mr. Woodcock', and which he would follow up with the likes of 'Lars and the Real Girl' also in 2007, 'Fright Night' in 2011, 'I, Tonya' in 2017, 'Cruella' in 2021 and 'Dumb Money' in 2023. This film forms part of the DCU's 'Chapter One : Gods and Monsters', and as recently as last month Peter Safran commented that Supergirl would have a major role in the future of the DCU beyond her return in the Superman follow-up film 'Man of Tomorrow' scheduled for release on 9th July 2027. This film had its World Premiere screening in Brooklyn, New York on 22nd June, and was released worldwide from the 25th June onward. It has so far grossed US$79M from a production budget somewhere in the region of US$180M, and has generated mixed or average reviews.

The film opens in the present day with Kara Zor-El aka Supergirl (Milly Alcock) celebrating her 23rd birthday, with her dog Krypto by travelling to several planets across the galaxy and drinking excessively, getting drunk and waking up the next morning with the mother of all hang overs - a routine she repeats frequently it seems. Her elder cousin Clark Kent aka Superman (David Corenswet) calls her often, out of concern that she is spending way too much time off-world and seemingly unable to settle on planet Earth.

During one such off planet stops, Supergirl encounters Ruthye Marye Knoll (Eve Ridley), the last survivor of her family who were murdered by the Brigand leader Krem of the Yellow Hills (Matthias Schoenaerts), who heads up a group of space pirates and human traffickers. Ruthye requests Supergirl's assistance in her quest for vengeance, but is denied. Krem hijacks Supergirl's ship together with several other Brigands, and shoots Krypto with a poisonous dart when he tries to stop them. Upon learning that Krypto has only three days left to live, Supergirl decides to pursue Krem to retrieve an antidote that he keeps on person, while also reluctantly taking on Ruthye as her companion.

After a brief run-in with the Sklarian Raiders, a group of all female space pirates, aboard an interstellar bus, Supergirl interrogates them and learns of Krem's location on the planet Bilquis. There, Supergirl and Ruthye learn from a local couple, Bomar (Kadiff Kirwan) and Mareck (Thalissa Teixeira), that the Brigands have been kidnapping young women to force them to be their brides. Mareck attempts to drug Supergirl to trade her and Ruthye to the Brigands in exchange for their daughter Sarna (Asha Soetan), but Supergirl resists and fights the Brigands, and is assisted by the bounty hunter Lobo (Jason Momoa), who is targeting the Brigands' lieutenant Drom Baxton (Diarmaid Murtagh). 

During the battle, Supergirl stops Ruthye from killing Krem, allowing him to escape after killing Bomar and his family. A guilt-ridden Supergirl decides to go after Krem alone, and is escorted by several local aliens to the Brigands' location on the planet, Barenton. However, Supergirl is weakened by the planet's green sun, and is tended to by Ruthye, who secretly followed her and who pulls her into a cave and out of the way of the harmful green suns rays, but not out of danger.

In a moment between Supergirl and Ruthye we learn of Kara's backstory. During the destruction of the planet Krypton, scientist Zor-El (David Krumholtz) and his wife Alura (Emily Beecham) evacuate along with many Kryptonians to Argo City, where Zor-El activates a force field system that separates a chunk containing the city from the planet, preventing it from being destroyed when its core explodes. However, before doing so the infant Kal-El is shipped off to Earth in a pod. Eight years later, Alura gives birth to her and Zor-El's daughter, Kara. Eventually, it is discovered that the separation of Argo City exposed a mineral known as 'Kryptonite', which is slowly killing the citizens through radiation. After Alura dies from Kryptonite poisoning, Zor-El decides to send the ten year old or so Kara and her puppy Krypto off in a pod bound for Earth, where she will join her older cousin. Upon landing, and unable to speak the Earth language, they are greeted by Kal-El, who is living a double life as Clark Kent and Superman. Although she is unable to understand, Superman tells Kara that her powers will very soon start to kick-in. Kara later tries to adjust to her new life on Earth, and in Metropolis, while also adopting the alias 'Supergirl'.

Ruthye is later kidnapped by the Brigands after she exits the cave to fetch a drink of water for Supergirl, and is taken to their ship, where Lobo is also imprisoned. Ruthye manages to escape her cell and free Lobo, but is caught by Krem as she makes it topside. She is then saved by Supergirl, who has managed to recover after the planet rotates to a yellow sun. 

With Lobo's aid, Supergirl defeats the Brigands and frees the captive women on board. She pleads with Ruthye to not kill Krem, convincing her that it would not ease her pain, and if she did then that is something she would have to live with for the rest of her life.

As Ruthye walks away, Supergirl picks up her sword and uses it to kill Krem herself. She recovers the antidote and returns to Krypto, saving him in time. Later, as Supergirl bids a tearful farewell to Ruthye, she relents and invites her to join her aboard her retrieved ship in celebrating the rest of her 23rd birthday week. Sometime later, Supergirl reunites with Superman on Earth, where she states her wish to stay indefinitely, reaffirming that the planet is now her home.

This DCU second instalment represents solid enough entertainment, but it is fairly predictable, derivative and offers up nothing that we haven't really seen before. Milly Alcock as the titular Supergirl plays the sassy blond with attitude and a penchant for hard liquor and kicking ass, with conviction and determination, and it will be interesting to see what she does next with the character, and under a different Director. As for the other principle cast, Jason Momoa is well cast as Lobo and you can tell he was relishing the role, but Eve Ridley as Ruthye lapsed more than once into her native English language that she sounded more royal than the Princess of Wales, and was sidelined with seemingly nothing to do but twiddle her thumbs while the action played out around her. Matthias Schoenaerts character of Krem is a one dimensional villain leading a group of other one dimensional villains who serve as nothing more than the keeper of an antidote with which to revive the obviously CGI created Krypto, and they all naturally buy the farm in the end. It's a serviceable enough introduction to Supergirl, but the plot is paper thin, the CGI FX at times questionable, and the film is shot to a large extent in dark muted tones that makes it hard to discern what is happening on screen. 

'Supergirl' warrants three claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

CRUELLA : Tuesday 15th June 2021.

'CRUELLA' which I saw at my local multiplex this week is a PG Rated American crime comedy-drama film Directed by Craig Gillespie whose previous film making outings include 'Lars and the Real Girl', 'Million Dollar Arm', 'The Finest Hours' and 'I, Tonya' most recently in 2017. This film is based on the character Cruella de Vil, introduced in Dodie Smith's 1956 novel 'The Hundred and One Dalmatians' and specifically on the version from the Walt Disney 1961 animated film 'One Hundred and One Dalmatians'. It is the third live-action film in the '101 Dalmatians' franchise which were '101 Dalmatians' released in 1996 and '102 Dalmatians' released in 2000 both with Glenn Close playing Cruella de Vil. Those first two instalments grossed a total US$505M off the back of production budgets amounting to a combined US$160M. This film was released theatrically and simultaneously available on Disney+ with Premier Access from the end of May, has generated mostly positive Critical Reviews aside from the screenplay, has so far taken US$132M off the back of a production budget of somewhere in the vicinity of US$150M, and Disney announced earlier this month that a sequel is officially in the early stages of development with both Emma's (Stone and Thompson, who play the leads here) having stated that they would like to make a second film. 

The film opens up sometime in the early 1960's and we are introduced to young five year old Estella Miller (Billie Gadsdon) and her mother Catherine (Emily Beecham) at home fashioning clothes out of scraps of material for Estella's dolls. Already it is clear that the young child has an eye for fashion but also a mean streak, so her mother coins the nickname 'Cruella' for her. We then fast forward to Estella aged twelve (Tipper Seifert-Cleveland) and starting at a new school she is already out of sorts with her student cohort for her outlandish fashion sense, outspoken nature, rebellious streak and never say die attitude which gets her into all sorts of trouble with the Headmaster resulting in him blotting her record with black mark upon black mark. Ultimately Catherine is forced to pull Estella out of school before she is expelled, and the pair decide to travel to London to seek a fresh start there. En route, Catherine pulls over at the cliff top mansion of Baroness von Hellman (Emma Thompson) who is hosting a lavish ball. She asks the Baroness for financial assistance, at which Estella witnesses her mother being shoved over the edge of a cliff to her death by three of the Baroness' ferocious Dalmatian dogs. 

Needless to say the young Estella is mortified by what she witnessed and flees the scene, hitching a ride in the back of a garbage truck all the way to London. She gets out of the truck at a fountain at Regent's Park and is later the next morning greeted by two young street urchins - brothers Jasper and Horace Badun (Ziggy Gardner and Joseph MacDonald respectively). After being chased down by a Policeman on the beat the threesome all come together in an abandoned loft in what looks like a condemned building. In an attempt to go unnoticed she dies her unusual half black half white head of hair red. 

We then fast forward ten years and Estella (Emma Stone) remains with Jasper (Joel Fry) and Horace (Paul Walter Hauser) and have become very adept grifters, so much so that they are able to eek out a reasonable standard of living for themselves by picking pockets, stealing wallets and sundry items of jewellery from unsuspecting members of the public and shops around the city. All the while Estella works on her fashion skills by designing their disguises. On the occasion of her birthday Jasper and Horace present Estella with a contract of employment at the Liberty department store (a store that she has always aspired to work at), albeit as an entry level cleaner. After numerous attempts to convince her boss that she is more talented than scrubbing floors and cleaning toilets, but failed, one night in a drunken stupor she changes the window dressing of a particular display much to the chagrin of her boss, but also and more importantly, much to the prise of the Baroness who happens to be the owner of the store. Estella as a result lands a much coveted job with the Baroness who is a famous highly regarded albeit very demanding and authoritarian fashion designer. 

In time Estella wins over the confidence of the Baroness, until one day Estella notices the Baroness wearing a necklace and pendant that previously belonged to her mother Catherine, and which she had given her daughter on the night on her death. In fleeing the scene of the crime, the young Estella had dropped the necklace in panic and only noticed she had lost it when she arrived in London. Estella makes a casual enquiry as to the origin of the distinctive necklace, and the Baroness responds that an employee has once stolen it. At that Estella asks Jasper and Horace to help her steal it back. 

Estella, under the auspices of Cruella and now donning her natural half black half white hair colour, crashes one of the Baroness' lavish parties to steal back the necklace. When the Baroness uses a whistle to command her Dalmatians, Estella comes to the realisation that she used the same whistle to direct her dogs to murder Catherine. 

Now fuelled by revenge for her mother's death, Estella taunts the Baroness by appearing at her parties and social gatherings and upstaging her as Cruella in ever increasingly flamboyant outfits, designed with the aid of vintage clothing store owner, Artie (John McCrea). 

Cruella's unpredictable and often outrageous appearances gain publicity through her childhood friend Anita Darling (Kirby Howell-Baptiste) a gossip columnist. However, meanwhile Cruella's egotistical and arrogant behaviour increasingly antagonises Jasper and Horace so much so that they consider going their separate ways. The Baroness in the meantime, fires her lawyer Roger (Kayvan Novak) for failing to stop Cruella. Estella also kidnaps the Baroness' three Dalmatians after one of them accidentally swallows her mother's necklace, then relies on Jasper and Horace to retrieve the necklace when it appears out of the other end of the dog that swallowed it. 

Cruella later on sabotages the latest Spring collection hosted by the Baroness and stages her own show in front of the fountain at Regents Park wearing an outfit supposedly made out of Dalmatian fur. The Baroness in the meantime has come to the conclusion that Estella and Cruella are in fact the same woman. With her heavies in tow, the Baroness infiltrates their loft and when Estella returns from her successful Regents Park gig she is confronted by a tied and bound Jasper and Horace. Estella is tied and bound, and petrol is doused all around the place, with Jasper and Horace both being framed for her untimely death. The Baroness in turn lights a flame and leaves Estella to die in the fire which quickly engulfs the building. Jasper and Horace are both arrested. 

Cruella while presumed dead and reported as such in the press, is in fact rescued by the Baroness' long serving and trusted valet John (Mark Strong). When she comes round in John's modest home he reveals that he found the necklace, cleaned it with bleach, and therein is a key to a box containing Estella's birth records. She discovers that the Baroness is in fact her biological mother, and ordered John to have the baby Estella killed so she could concentrate exclusively on her fashion career. John couldn't bring himself to commit such an act so instead gave the baby to Catherine, one of the Baroness' maids, who raised Estella in secret. Estella is initially angered by Catherine's deception but in time comes to terms with the truth in an effort to complete her vengeance, so taking on the name Cruella permanently.

Cruella breaks Jasper and Horace out of jail using a garbage truck to ram the front entrance to the Police Station where they are being held (straight out of 'The Terminator' 1984), recruiting them and Artie for her final scheme. They sneak into the Baroness' charity gala, where Cruella has previously sent out an identical costume and black and white wig for all female guests to wear on the night under the pretext that it was sent by the Baroness (straight out of 'V for Vendetta' 2005). Cruella (dressed as Estella) standing on the same spot as her mother was thrown over the cliff all those years before, reveals to the Baroness that she is her abandoned daughter. The Baroness feigns remorse for her actions and asks to hug her before pushing her over the cliff top into the raging sea below, unaware her guests had been led outside and had witnessed the whole thing. The Baroness claims that Estella jumped just as the Police arrive. Cruella survives the fall using a parachute built into her clothing and picked up in a row boat by Horace. She discards her Estella disguise before returning to witness the Baroness being arrested, as Cruella.

Having adopted the last name de Vil (inspired by her stolen Panther De Ville car), Cruella inherits Hellman Hall, shortening it to Hell Hall, as its rightful biological heir, and she, Jasper and Horace attend the funeral of Estella as the only mourners in attendance. Stay seated for the mid-credits sequence in which Cruella has delivered to Anita and Roger (now married since he got fired as the Baroness' lawyer) two Dalmatian puppies named Pongo and Perdita. Roger is now writing songs for a living and begins singing the lyrics to 'Cruella de Vil' while tapping away at his piano. 

I have to say that I enjoyed 'Cruella' a whole lot more than I was expecting. For a Disney film this is quite dark in places and wickedly entertaining in the process. Director Craig Gillespie has here fashioned a Disney origin story that we never knew we needed, and delivered the goods in spades. The production values are top notch; the set designs impressive; the make up artistry equally so; and as for the punk era costumes as worn by Cruella and the haute couture outfits as worn by the Baroness, well they are awards worthy in the own right and worth the price of your ticket alone. Both Emma's shine in their roles, underscored by a strong supporting cast and Paul Walter Hauser nails it with his London accent and is about as far removed from 'Richard Jewell' as you can get. For a live action remake of a beloved Disney animated classic this film is right up there with the best of them and as for the running time of two hours fourteen minutes - fear not, it flies by and never leaves you wanting.

'Cruella' merits four claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-