Showing posts with label Jacob Elordi. Show all posts
Showing posts with label Jacob Elordi. Show all posts

Friday, 4 September 2026

THE DOG STARS : Tuesday 1st September 2026.

I saw the MA15+ Rated 'THE DOG STARS' earlier this week, and this post-apocalyptic Sci-Fi film is Co-Produced and Directed by Ridley Scott, who I'm sure needs no introduction. Suffice to say some of his more acclaimed prior feature film making credits take in the likes of 'Alien' in 1979, 'Blade Runner' in 1982, 'Thelma & Louise' in 1992, 'Gladiator' in 2000, 'Black Hawk Down' in 2002, 'American Gangster' in 2007, 'Prometheus' in 2012, 'The Martian' in 2015, 'House of Gucci' in 2021, 'Napoleon' in 2023, and 'Gladiator II' in 2024. This film is based on the 2012 novel of the same name by Peter Heller, was released last week too in the USA, has so far recovered US$21M at the Box Office from its US$70M production budget and has generated mixed or average critical reviews. 

Set in 2035 many years after a devastating flu pandemic almost wiped out all of the human race, Hig (Jacob Elordi), a former mechanic, lives in a self contained heavily fortified compound in Erie, Colorado, with his dog named Jasper, and Bangley (Josh Brolin), a hardened former Marine turned survivalist. Hig from time to time pilots a small single prop Cesna light aircraft into an abandoned and desolate Denver to gather supplies of fuel, food and medical stores. To Bangley's chagrin, Hig also supplies a nearby Mennonite community, led by Aaron (Benedict Wong) with food and occasional mechanical repairs.

When two opportunistic teenage strangers approach uninvited (referred to affectionately as 'roaches') Bangley shoots them dead in quick succession from his distance look-out point, creating a conflict with the more sympathetic Hig. They douse the bodies with petrol and burn them. 

While out flying his plane one day with Jasper, Hig picks up a distorted radio signal originating from Grand Junction, Colorado, that suggests human life there. Hig has picked up this signal on various occasions over recent years, but always quickly lost contact.

While sleeping outside one night under the stars Hig and Jasper are awakened by a larger group trying to ambush their home. The pair fight them off until Bangley appears and finishes them off. The next morning they douse the bodies with fuel and burn them. Jasper, however dies in the attack, spurring Hig to visit Denver to bury him next to his deceased wife Melissa (Sai Bennett) at their former home. 

Heartbroken and distraught, Hig decides he must find the source of the Grand Junction radio signal, believing there to be more to life out there than the confines of their compound. Bangley, who does not approve of the journey, stays behind in Erie, seemingly bringing an end to their five years partnership. After experiencing a mechanical failure, Hig lands his Cesna in a valley bringing the plane to an abrupt halt within inches of a stand of trees. Within a few minutes there is a stampede of wild buffalo that causes minor damage to the plane while Hig takes cover under the fuselage. Dusting himslef off he spies a donkey in the distance with a bell around its neck. He follows the donkey and comes to a remote farmstead where a father and daughter, Pops (Guy Pearce) and Cima (Margaret Qualley), live. The two form an uneasy alliance with Hig, as he repairs his plane and cuts down trees to make a runway, using the donkey to pull out the tree stumps. Hig starts a romantic relationship with Cima, who asks him to stay with them.

After their farm is raided in an attack by a marauding group of roaches on horseback Hig, Cima, and Pops flee on Hig's plane. They make it to Grand Junction Regional Airport, where the radio operator hesitantly allows them to land and enter their community unarmed. Upon arrival, they feel a sense of unease. Darlene (Allison Janney), a former flight attendant who is the leader of the community, orders Cima to marry a soldier, due to her previous medical education, making her a most welcome catch. Hig, Cima and Pops escape, having discovered the community's cannibalism, as evidenced by the dismembered corpses hanging in plastic bags in a walk-in freezer through which they make their escape. As they fly away, they bomb Grand Junction with grenades from the air, which Bangley had handed to Hig when he left, as a precautionary measure in the event that he ran into any trouble.

The three fly back to Erie to check on Bangley, where they discover a major attack occurred at the compound and much of it had been wiped out. There is no sign of Bangley but there are plenty of dead roaches strewn around the place, which are already being picked on by carrion birds. Bangley is found injured but alive, and welcomes the group with fresh brewed coffee, after which nurse Cima stitches up his wounds. He then reluctantly joins them at the Mennonite (which he refers to as Mormons) community in the mountains to establish a new settlement there.

'The Dog Stars'
is hardly going to go down as Ridley Scott's finest film in his fifty or so year long film making career, or his best entry into the Sci-Fi canon for that matter too, but there are some moments nonetheless when the Ridley Scott magic shines through. Such as the sweeping vistas of river valleys and looming mountain terrain, the snow capped peaks, the desolate cityscape that once was Denver, and the Grand Junction airport terminal that looks as though it was lifted straight out of 'Blade Runner'. That said there's nothing new here in the story that we haven't seen before in other post apocalyptic dystopian thrillers such as '28 Days Later', 'The Last of Us', 'I Am Legend' and countless others. The performances of Josh Brolin and Allison Janney (as brief as her screen time is) are on point, but I found Jacob Elordi and Margaret Qualley's undercooked and too sugar coated. And to cap it off there are a couple of glaring plot holes that I will not expand on here, but see if you can spot them for yourselves.

'The Dog Stars' merits three claps of the Odeon Online clapperboard from a possible five claps. 
-Steve, at Odeon Online-

Friday, 24 November 2023

SALTBURN : Tuesday 21st November 2023

I saw the MA15+ Rated 'SALTBURN' at my local independent movie theatre this week, and this psychological thriller drama film is Written, Co-Produced and Directed by Emerald Fennell in her second feature film outing following the highly acclaimed 'Promising Young Woman' in 2020 which reaped 116 award wins and another 193 nominations from around the awards and festivals circuit. This film saw its World Premiere showcasing at the Telluride Film Festival in late August and was released in the US, the UK and here in Australia last week having so far generated mostly favourable reviews and grossed US$1.7M at the Box Office. 

The films open up in 2006 with a collar, tie and blazer wearing Oliver Quick (Barry Keoghan) walking across the quad at Oxford University and into his ground floor dormitory as a first year freshman. He is looked upon with some disdain by many of the other jeans and T-shirt wearing students, some of which mildly abuse his attire. On his first night over dinner in the packed refectory he struggles to find a place to sit, and ends up opposite another equally displaced student Michael Gavey (Ewan Mitchell) who introduces himself as another 'Nigel Nofriends'. Oliver observes Felix Catton (Jacob Elordi), a charming, handsome, popular and clearly very well off student, who is attending Oxford with his American cousin, Farleigh Start (Archie Madekwe), and who happens to be attending the same college. 

One day just before the summer break of 2007 Oliver lends Felix his bicycle so Felix can attend a class to which he is already running ten minutes late, as Felix's own bicycle has a punctured wheel. Felix is extremely grateful. As a result of this gesture, the two become fast friends and is invited into Felix's and Farleigh's inner circle of friends, which sees Oliver turn his back on Michael. Oliver becomes increasingly obsessed with Felix. Oliver tells Felix he is an only child with an alcoholic mother and a drug dependent father, and grew up in Prescot, near Liverpool. One day he announces that his father has suddenly died. Oliver's story garners Felix's sympathy, and so he invites Oliver to spend the summer with him and Farleigh at Saltburn, his wealthy family's sprawling estate in the country. Oliver accepts, albeit reluctantly at first.

Oliver arrives at Saltburn where he is greeted by the Butler of the house, Duncan (Paul Rhys), and after a whistle stop tour of the household Felix introduces him to his father, Sir James (Richard E. Grant), his mother, Lady Elspeth (Rosamund Pike), and his sister, Venetia (Alison Oliver). Also at Saltburn is 'Poor Dear' Pamela (Carey Mulligan), Elspeth's friend, whom the family believes has now outstayed her welcome and actively encourage her to leave when she reveals that she has rented a new flat. Despite the family's initial eccentricities and over indulgent living standards, Oliver clearly relishes his time at Saltburn. Oliver begins lying to curry favour with the family so they can grow even more fond of him, firstly implying to Elspeth that Pamela made up her bizarre, tragic stories for the attention it brought her. Later in the summer, the family learns that Pamela has died, though Elspeth in nonplussed by the news.

Late one evening Oliver secretly watches Felix masterbating while taking a bath in their shared bathroom to which their bedrooms both adjoin. After Felix has brushed his teeth and bid his friend goodnight, Oliver drinks the last of the draining water from the bathtub and licks the plughole clean. Another night, he sees Venetia outside his bedroom window wearing a see through night gown. He performs oral sex on Venetia despite it being her time of the month to which Oliver retorts that its just as well he's a vampire. Farleigh observes this from his bedroom window overlooking the gardens. Farleigh tells Felix who is upset with Oliver, since a former friend of Felix's had also slept with Venetia last summer. Oliver convinces him that Farleigh was lying and that he was only comforting the moody Venetia, who he claims is interested in him. Later, Oliver overhears an argument between Felix and Farleigh over the latter milking Sir James' for financial support for his university studies. On another occasion during a party with a karaoke machine, Farleigh retaliates by tricking Oliver into performing the Pet Shop Boys song 'Rent' (whose lyrics mirror Oliver's current situation at Saltburn) to everyone. Later that night, Oliver threatens Farleigh and initiates a sexual encounter. The next morning, Farleigh is asked to leave Saltburn when he is said to have attempted to sell rare ceramic antique plates from Sir James' collection to Sotheby's. 

With Oliver's birthday approaching Elspeth and Sir James plan a fancy dress party for two hundred or so guests to celebrate. On the morning of his birthday Felix surprises Oliver with a road trip. Upon nearing their destination Oliver panics when Felix tells him that they are going to see his mother in Prescot in an attempt to mend their fractured relationship. However, it is revealed that Oliver's family lives in the upper-middle-class suburbs, his father is alive and very well, both his parents are kind and not substance abusers, and he is not an only child and in fact has two sisters. Felix is mortified by Oliver's deception, telling him to leave after the party that evening, while Oliver states that he only lied so Felix would be his friend. That evening, the party commences at Saltburn with numerous guests in attendance, including Farleigh, who threatens Oliver. Inside Saltburn's maze, Oliver attempts to reconcile with Felix, but Felix outright rejects him. The next morning, Felix is found dead in the maze.

Oliver and the Catton family mourn Felix's death, but Elspeth and Sir James try to put a brave face on the matter. Sir James cuts Farleigh off from his financial support, saying that he will not inform the Police but that is the last thing he will do for him, and forces him to leave Saltburn for good when Oliver suggests that Farleigh doing lines of coke at the party last night contributed to Felix's death. After Felix's funeral, Oliver privately breaks down as he strips down and penetrates Felix's newly dug gravesite in the driving rain. When Elspeth demands Oliver stay at Saltburn, Venetia later confronts him when Oliver barges in on her while she is taking a bath. It dawns on her that he has successfully latched himself onto her family and that Felix's death was a result. Venetia is found dead the following morning having apparently slashed her wrists in the bathtub, leaving Elspeth and Sir James in further despair. Fearing that Elspeth is growing too attached to him and becoming suspicious of his insistence on staying, Sir James opens his cheque book and asks Oliver how much does he want to leave Saltburn. Oliver responds that he can't leave Elspeth while she needs him most, but Sir James is insistent, and Oliver leaves having agreed a price. 

A number of years later and Oliver reads about the recent death of Sir James in the newspaper. Sometime shortly afterwards and Oliver is sat in a cafe typing away at his laptop when Elspeth walks in to buy a takeaway coffee. They are both surprised to see each other and Elspeth comments to Oliver how grown up he is and how pleasing it is to see him again. Oliver gives his condolences to Elspeth over the passing of her husband to which she responds that he never really recovered following the death of Felix and Venetia. She urges him to return with her her to Saltburn. 

Soon afterwards and Elspeth becomes fatally ill. On her deathbed, looking very proud of himself, Oliver reveals that he was responsible for all the tragic events that have fallen upon Saltburn having orchestrated his initial meeting with Felix, Oliver then murdered him by poisoning the bottle of Champagne that he drank from that night in the maze. He also subtly manipulated Venetia into killing herself by placing razor blades on the side of her bath, and sent the email that resulted in Farleigh's fast exit from Saltburn. Finally, he planned his encounter with Elspeth in the cafe, with flashbacks revealing that she subsequently left all of her financial assets to Oliver, including ownership of Saltburn. Oliver then kills Elspeth by forcefully removing her life support tube. Having now taken over the Saltburn estate and the Catton fortune and seemingly dismissed the Butler, maids and footmen, Oliver dances naked around the house to 'Murder on the Dancefloor' by Sophie Ellis-Bextor. 

'Saltburn'
is a slow-burn thriller about those born with not one but two silver spoons firmly planted in their mouths, and those hangers-on who aspire to such dizzy heights and those even fewer who make it - by fair means or in this case by foul. Writer and Director Emerald Fennell has here delivered us a film of modern day British aristocracy that is conflicted by the out-of-touch staid and overly quirky mannerisms of the parents versus the next generation keen to mark its place in the world, and on that note Richard E. Grant, Rosamund Pike, Jacob Elordi and Barry Keoghan are all expertly cast in their roles of old school versus new school. The very black and often bleak humour is rendered with a deft touch that if you blink you'll surly miss some of the zingers that come hurtling by. Barry Keoghan gives a fearless performance in every respect from the mild mannered unassuming student we first meet at Oxford University to the cold calculating murderer we see at the end who relishes in his ill gotten gains - one for the ages for sure. 

'Saltburn' merits four claps of the Odeon Online clapperboard from a potential five claps. 
-Steve, at Odeon Online-