SALTBURN : Tuesday 21st November 2023

I saw the MA15+ Rated 'SALTBURN' at my local independent movie theatre this week, and this psychological thriller drama film is Written, Co-Produced and Directed by Emerald Fennell in her second feature film outing following the highly acclaimed 'Promising Young Woman' in 2020 which reaped 116 award wins and another 193 nominations from around the awards and festivals circuit. This film saw its World Premiere showcasing at the Telluride Film Festival in late August and was released in the US, the UK and here in Australia last week having so far generated mostly favourable reviews and grossed US$1.7M at the Box Office. 

The films open up in 2006 with a collar, tie and blazer wearing Oliver Quick (Barry Keoghan) walking across the quad at Oxford University and into his ground floor dormitory as a first year freshman. He is looked upon with some disdain by many of the other jeans and T-shirt wearing students, some of which mildly abuse his attire. On his first night over dinner in the packed refectory he struggles to find a place to sit, and ends up opposite another equally displaced student Michael Gavey (Ewan Mitchell) who introduces himself as another 'Nigel Nofriends'. Oliver observes Felix Catton (Jacob Elordi), a charming, handsome, popular and clearly very well off student, who is attending Oxford with his American cousin, Farleigh Start (Archie Madekwe), and who happens to be attending the same college. 

One day just before the summer break of 2007 Oliver lends Felix his bicycle so Felix can attend a class to which he is already running ten minutes late, as Felix's own bicycle has a punctured wheel. Felix is extremely grateful. As a result of this gesture, the two become fast friends and is invited into Felix's and Farleigh's inner circle of friends, which sees Oliver turn his back on Michael. Oliver becomes increasingly obsessed with Felix. Oliver tells Felix he is an only child with an alcoholic mother and a drug dependent father, and grew up in Prescot, near Liverpool. One day he announces that his father has suddenly died. Oliver's story garners Felix's sympathy, and so he invites Oliver to spend the summer with him and Farleigh at Saltburn, his wealthy family's sprawling estate in the country. Oliver accepts, albeit reluctantly at first.

Oliver arrives at Saltburn where he is greeted by the Butler of the house, Duncan (Paul Rhys), and after a whistle stop tour of the household Felix introduces him to his father, Sir James (Richard E. Grant), his mother, Lady Elspeth (Rosamund Pike), and his sister, Venetia (Alison Oliver). Also at Saltburn is 'Poor Dear' Pamela (Carey Mulligan), Elspeth's friend, whom the family believes has now outstayed her welcome and actively encourage her to leave when she reveals that she has rented a new flat. Despite the family's initial eccentricities and over indulgent living standards, Oliver clearly relishes his time at Saltburn. Oliver begins lying to curry favour with the family so they can grow even more fond of him, firstly implying to Elspeth that Pamela made up her bizarre, tragic stories for the attention it brought her. Later in the summer, the family learns that Pamela has died, though Elspeth in nonplussed by the news.

Late one evening Oliver secretly watches Felix masterbating while taking a bath in their shared bathroom to which their bedrooms both adjoin. After Felix has brushed his teeth and bid his friend goodnight, Oliver drinks the last of the draining water from the bathtub and licks the plughole clean. Another night, he sees Venetia outside his bedroom window wearing a see through night gown. He performs oral sex on Venetia despite it being her time of the month to which Oliver retorts that its just as well he's a vampire. Farleigh observes this from his bedroom window overlooking the gardens. Farleigh tells Felix who is upset with Oliver, since a former friend of Felix's had also slept with Venetia last summer. Oliver convinces him that Farleigh was lying and that he was only comforting the moody Venetia, who he claims is interested in him. Later, Oliver overhears an argument between Felix and Farleigh over the latter milking Sir James' for financial support for his university studies. On another occasion during a party with a karaoke machine, Farleigh retaliates by tricking Oliver into performing the Pet Shop Boys song 'Rent' (whose lyrics mirror Oliver's current situation at Saltburn) to everyone. Later that night, Oliver threatens Farleigh and initiates a sexual encounter. The next morning, Farleigh is asked to leave Saltburn when he is said to have attempted to sell rare ceramic antique plates from Sir James' collection to Sotheby's. 

With Oliver's birthday approaching Elspeth and Sir James plan a fancy dress party for two hundred or so guests to celebrate. On the morning of his birthday Felix surprises Oliver with a road trip. Upon nearing their destination Oliver panics when Felix tells him that they are going to see his mother in Prescot in an attempt to mend their fractured relationship. However, it is revealed that Oliver's family lives in the upper-middle-class suburbs, his father is alive and very well, both his parents are kind and not substance abusers, and he is not an only child and in fact has two sisters. Felix is mortified by Oliver's deception, telling him to leave after the party that evening, while Oliver states that he only lied so Felix would be his friend. That evening, the party commences at Saltburn with numerous guests in attendance, including Farleigh, who threatens Oliver. Inside Saltburn's maze, Oliver attempts to reconcile with Felix, but Felix outright rejects him. The next morning, Felix is found dead in the maze.

Oliver and the Catton family mourn Felix's death, but Elspeth and Sir James try to put a brave face on the matter. Sir James cuts Farleigh off from his financial support, saying that he will not inform the Police but that is the last thing he will do for him, and forces him to leave Saltburn for good when Oliver suggests that Farleigh doing lines of coke at the party last night contributed to Felix's death. After Felix's funeral, Oliver privately breaks down as he strips down and penetrates Felix's newly dug gravesite in the driving rain. When Elspeth demands Oliver stay at Saltburn, Venetia later confronts him when Oliver barges in on her while she is taking a bath. It dawns on her that he has successfully latched himself onto her family and that Felix's death was a result. Venetia is found dead the following morning having apparently slashed her wrists in the bathtub, leaving Elspeth and Sir James in further despair. Fearing that Elspeth is growing too attached to him and becoming suspicious of his insistence on staying, Sir James opens his cheque book and asks Oliver how much does he want to leave Saltburn. Oliver responds that he can't leave Elspeth while she needs him most, but Sir James is insistent, and Oliver leaves having agreed a price. 

A number of years later and Oliver reads about the recent death of Sir James in the newspaper. Sometime shortly afterwards and Oliver is sat in a cafe typing away at his laptop when Elspeth walks in to buy a takeaway coffee. They are both surprised to see each other and Elspeth comments to Oliver how grown up he is and how pleasing it is to see him again. Oliver gives his condolences to Elspeth over the passing of her husband to which she responds that he never really recovered following the death of Felix and Venetia. She urges him to return with her her to Saltburn. 

Soon afterwards and Elspeth becomes fatally ill. On her deathbed, looking very proud of himself, Oliver reveals that he was responsible for all the tragic events that have fallen upon Saltburn having orchestrated his initial meeting with Felix, Oliver then murdered him by poisoning the bottle of Champagne that he drank from that night in the maze. He also subtly manipulated Venetia into killing herself by placing razor blades on the side of her bath, and sent the email that resulted in Farleigh's fast exit from Saltburn. Finally, he planned his encounter with Elspeth in the cafe, with flashbacks revealing that she subsequently left all of her financial assets to Oliver, including ownership of Saltburn. Oliver then kills Elspeth by forcefully removing her life support tube. Having now taken over the Saltburn estate and the Catton fortune and seemingly dismissed the Butler, maids and footmen, Oliver dances naked around the house to 'Murder on the Dancefloor' by Sophie Ellis-Bextor. 

'Saltburn' is a slow-burn thriller about those born with not one but two silver spoons firmly planted in their mouths, and those hangers-on who aspire to such dizzy heights and those even fewer who make it - by fair means or in this case by foul. Writer and Director Emerald Fennell has here delivered us a film of modern day British aristocracy that is conflicted by the out-of-touch staid and overly quirky mannerisms of the parents versus the next generation keen to mark its place in the world, and on that note Richard E. Grant, Rosamund Pike, Jacob Elordi and Barry Keoghan are all expertly cast in their roles of old school versus new school. The very black and often bleak humour is rendered with a deft touch that if you blink you'll surly miss some of the zingers that come hurtling by. Barry Keoghan gives a fearless performance in every respect from the mild mannered unassuming student we first meet at Oxford University to the cold calculating murderer we see at the end who relishes in his ill gotten gains - one for the ages for sure. 

'Saltburn' merits four claps of the Odeon Online clapperboard from a potential five claps. 

-Steve, at Odeon Online-

RADIOACTIVE : Tuesday 10th November 2020.

'RADIOACTIVE' which I saw earlier in the week is an M Rated British biographical film Directed by Marjane Satrapi, the Iranian born French graphic novelist, cartoonist, illustrator, children's book author and film maker whose previous feature film outings take in 2007's 'Persepolis', 2011's 'Chicken with Plums' and 2014's 'The Voices'. This film is based on the 2010's graphic novel 'Radioactive : Marie & Pierre Curie - A Tale of Love and Fallout' by Lauren Redniss, and saw its World Premier screening as the Closing Night film at TIFF back in September 2019, before its scheduled release due in March this year, which was subsequently cancelled due to COVID-19 and released digitally in mid-June, and in cinemas around Australia a couple of weeks ago now. The film has garnered mixed or average Reviews so far and taken just over US$2.5M at the Box Office.

The film opens up with an ageing Marie Curie (Rosamund Pike) collapsing in her Paris laboratory in 1934. Her lab assistants come to her aid and she is rushed to hospital. While being stretchered in she remembers her life going back to 1893 when she was studying physics, chemistry and mathematics at the University of Paris, France. Gabriel Lippmann (Simon Russell Beale) presided over the faculty and held the purse strings and the head strong and outspoken Curie often collided with him over funding for her research, for the interference in her laboratory, and probably because she was female in very much a mans world. She is ousted from her laboratory by Lippmann and his panel of colleagues, and so is forced to find alternative accommodation and a place to conduct her experiments and research. 

One evening by chance she literally stumbles into Pierre Curie (Sam Riley). In time the pair develop a close relationship, after Pierre invites Marie to share his own laboratory space which she agrees to albeit reluctantly, saying that she prefers to work alone without the distraction of others, or sharing the fruits of her experiments. However, she soon relents and in time the couple are married, ultimately having two children - Irene (Indica Watson as the six year old, and then Anya Taylor-Joy as the grown woman) and Eve, the younger sister (Cara Bossom).

Soon afterwards Marie announces her discovery of two new elements - radium and polonium and with it radioactivity which completely revolutionises physics and chemistry. Within a couple of years radium, which glows bright green, is being used in a number of commercial applications from matches, to toothpaste and playing cards. Pierre even takes Marie to a seance (under the guise that it's science after all) where radium is used to attempt to contact the dead, but Marie disapproves of spiritualism and any notion of a life after this one following the death of her mother in Poland

In 1903 Pierre is nominated to receive the Nobel Prize for Physics in Stockholm, and insists that it be shared in joint names with his wife Marie. On the occasion of his visit to Stockholm just before he is about to make his acceptance speech he coughs up blood, having developed a hacking cough in the lead up to the ceremony which he has been unable to shake off. Upon returning home Marie has become agitated that he attended without her (she didn't want to go) and accepted the prize in his own right (which he did not), and the pair fight. Later having made up, Pierre is becoming increasingly sick with anaemia as a result of his ongoing research into radioactivity, and one night, in the rain, while crossing the busy Rue Dauphine he slips on the cobble stones and falls under a heavy horse drawn cart. He is killed outright instantly when one of the wheels runs over his head, fracturing his skull. It was the 19th April 1906 and Pierre was 46 years of age. 

Marie is devastated by the death of her Pierre. She originally dismissed the idea that her elements are toxic, even though ever increasing numbers of people were dying from serious health conditions after exposure to radium. Depressed, she begins an affair with her colleague Paul Langevin (Aneurin Barnard). She is subsequently invited by Lippmann to apply for Pierre's Professorship at the Sorbonne, and tells the gathered panel that she will not apply and that if they choose to give her the position she will gladly accept on the basis that her work speaks for itself and that this should be their key decision making factor. She gets the job needless to say and is the first female Professor at the University of Paris. At around the same time the French nationalist press reports on the details of her affair with Langevin, including personal and intimate letters sent between the two. She is harassed in the street and at home by xenophobic mobs due to her Polish origins, with the press taunting her as a Jewish home wrecker even though Langevin had been estranged from his wife during their affair. Langevin caves into the pressure and goes back to his wife ending his year long relationship with Marie.

In 1911 she is nominated to receive the Nobel Prize for Chemistry. She defies the Committee's instructions not to travel to Stockholm because of the bad press surrounding her affair, and is greeted enthusiastically by the local dignitaries and audience in attendance at the awards ceremony, many of whom are women. 

In 1914, with the outbreak of the World War, her daughter Irene convinces her to run X-Ray units from the back of ambulances on the Western Front in order to determine whether or not amputation is needed for wounded soldiers. Marie offers to fund the X-Ray diagnostic units by selling her gold Nobel Prize medals to the government, but they reject this notion and reluctantly agree to put up the funding following a very persuasive argument. 

Irene begins dating Frederic Joliot (Edward Davis), but Marie disapproves of their relationship because they have been researching artificial radioactivity and warns Irene not to see him or research radioactivity anymore because it is so life threateningly dangerous. Although she refuses to obey her, they go to the Western Front together to run the X-Ray machine.

Throughout the film we see scenes of the negative impact of her discoveries upon humanity. First off there is the dropping of the two Atomic Bombs on Hiroshima and Nagasaki in 1945 effectively ending WWII, then there is experimental external beam radiotherapy on a young lad in a hospital in Cleveland in 1956, then a nuclear bomb test in the Nevada desert in 1961, and finally the 1986 Chernobyl nuclear power plant disaster. Fast forwarding to 1934 we see Marie in hospital coming round with visions of her cradled in her dying mothers arms in Poland as a young child, and the events played out in flash-forwards to those negative impacts. Pierre arrives to collect her and they leave the hospital together. She died on 4th July 1934 from aplastic anaemia from exposure to radiation in the course of her scientific research and in the course of her radiological work at field hospitals during WWI. She was 66 years of age. 

As the closing credits roll, we learn that the Curies' X-Ray unit saved over a million lives during the war, that their research would be used to create radiotherapy, and that the Joliot-Curies would discover artificial radioactivity in 1935 for which they would both receive the Nobel Prize for Chemistry that year. 

Having read the very mixed Reviews of 'Radioactive', I went into my local multiplex with my expectations set none too highly. That said, I was pleasantly surprised when the final credits rolled. Rosamund Pike gives a compelling performance as Marie Curie with her staunchly opinionated view of the world, her ahead of her time feminist beliefs and her outspoken fearless and highly educated manner with just about anyone and everyone. Sam Riley is equally on fine form here as the foil to Pike's Marie - as the put upon scientist who cannot believe he's bagged a woman more intelligent, more educated and perhaps more committed to science than he is, and is prepared to stand up for what she believes in. Whilst Marjane Satrapi has crafted a film that looks great and on the surface does contain many elements that played out in the real lives of the Curie's, there are some obvious moments of poetic license and dramatic effect that dilute the impact of the film and relegate it from what it truly could have been to what it simply is. In the final analysis the film serves as an important reminder of what a great scientist Marie Curie was, and how the influence of her groundbreaking work still radiates to this day. 

'Radioactive' merits three claps of the Odeon Online clapperboard from a possible five claps.

    

-Steve, at Odeon Online-

BEIRUT : Tuesday 31st July 2018.

'BEIRUT' which I saw earlier in the week is an American espionage thriller offering that received its Premier screening at the Sundance Film Festival back in January this year and was released Stateside in early April. Directed by Brad Anderson whose credits include numerous television series episodes and feature films including 'The Machinist', 'Transsiberian', 'The Call' and 'Stonehearst Asylum', and is Co-Produced and Written by Tony Gilroy of the 'Bourne' series fame amongst many other notable scripting credits including 'Rogue One', 'Michael Clayton', 'Duplicity' and 'State of Play'. The film has received generally favourable Reviews and has so far taken US$7M at the Box Office. This release has also received much online and press criticism for its stereotypical portrayal of the Lebanese people, Arabs and Muslims; depicting a confusing misrepresentation of the history of Beirut; ignoring the political complexities of the region; and for not using any Lebanese Actors in the Production. The Lebanon has called for its boycott on social media channels. I guess you'll just have to decide for yourself.

Set in 1982, in Beirut, Mason Skiles (Jon Hamm) was a former U.S. diplomat to Lebanon who ten years previously was living in Beirut with his Lebanese wife, Nadia, who was killed in a gunfight during a party at their home. That gunfight involved Rami Abu Rajal, the older brother of thirteen year old allegedly orphaned Palestinian Karim (Yoav Sadian) who had been taken in by Mason and his wife and who were in the throes of arranging sponsorship papers for him and his full time education. Rami it transpires was linked to the recent Munich Olympics massacre and was believed to be in Beirut although unconfirmed. Mason's good friend CIA Agent Cal Riley (Mark Pellegrino) interrupts the party stating to Mason that he wishes to question Karim about his brother, whom Mason nor Nadia had no knowledge of, and about whom Karim was very evasive. Just at that point, all Hell breaks loose during the party resulting in the bloody carnage.

Fast forward to 1982 and Skiles has crawled inside a bottle and is working as an industrial relations arbitrator in New England. However, out of the blue, as he is rounding out another tough day at the office at some local dive bar, he is approached by a former client acting on behalf of the US Government. After quickly renewing acquaintances the man states that he is on official business and that Skiles has been asked to attend an academic lecture in Beirut. The man then hands over an envelope containing US$6,000 cash, a first class plane ticket, hotel reservation and a new passport. Mason states that he would never step foot inside Beirut again. The man leaves, so allowing Mason the chance to ponder his decision.

Needless to say, Mason doesn't need much convincing and he travels to Beirut. There he meets a select number of State Department officials - Donald Gaines (Dean Norris), Gary Ruzak (Shea Whigham), and Frank Shalen (Larry Pine) together with CIA Field Agent Sandy Crowder (Rosamund Pike) and learns that Cal Riley has been abducted in Lebanon, and his kidnappers specifically asked for Mason Skiles to negotiate his release.

Now the gathered group of negotiators meet with the kidnappers where they discover that Karim (Idir Chender), now approaching his mid 20's, is leading the group. Karim demands the release of his brother Rami, whom he believes is being held captive by the Americans, in exchange for Cal Riley. Skiles protests that they do not have Rami, but suspects that he is being held by the Israelis. So Skiles and Ruzak travel to meet with an Israeli governmental official, who also announces that they do not have Rami.

The next day, while Skiles is finalising the lecture that was his 'official' business reason for visiting Beirut, a car bomb explodes directly outside the building. In the carnage that follows immediately afterwards, Skiles is bundled into a truck and blindfolded and taken to a secret location to meet Karim. Karim takes him to Riley as proof of life. Riley, beaten, bruised but not down, covertly tells Skiles that the Palestinian Liberation Organisation (PLO) that he refers to in code as 'Peace, Love, Only', is holding Rami, and that Gaines should not be trusted, and a photograph back in his apartment will provide the evidence. Before releasing Skiles, Karim gives him an ultimatum for later the same night to return Rami by 2:30am, or he will sell Riley to Iran. Skiles goes to Riley's apartment to search for the photographic clue, where he encounters Crowder. After a brief standoff, she reveals that Gaines had been stealing money from the US Embassy, and that Riley had been preparing to draft a report shortly before he was kidnapped. Crowder had located the photograph previously and removed it, knowing that Gaines would also be searching for it.

Skiles convinces Crowder that the PLO is holding Rami. She steals US$4M from the CIA office in order to trade Rami for Riley. Skiles sets up the trade for Rami having parted company with US$3.9M to buy Rami from the Israeli's, and at 2:30am brings him to the exchange with Karim. After exchanging Riley for Rami, Rami is shot and killed by a Mossad sniper from a nearby bombed out building. The Americans narrowly escape with Skiles sustaining a non life threatening shot to his arm courtesy of Karim's henchmen, who needless to say are none too pleased with the sudden turn of events.

Before leaving Beirut, Skiles learns that Gaines has unexpectedly retired, and Ruzak has left Beirut. Crowder announces her intention to apply for the newly-vacant jobs, and Skiles offers his services as a negotiator. Riley and Skiles part company with a smile and a handshake saying that they should not leave it so long next time between drinks. 

'Beirut' is a well crafted old school type thriller that shows a war ravaged city at its knees and the governmental wranglings on going between the US, Lebanon, Israel and Palestine as each vie for a piece of the action and to gain the upper hand through almost any means necessary. Jon Hamm is well cast in the role as the leading man for once, and delivers Tony Gilroy's script with a world weary alcohol fuelled realism and believability that keeps the story grounded, and very much of the era in which it is set. Rosamund Pike, whilst having a lesser role is no less convincing as the undercover agent tasked with keeping Skiles alive and ensuring the mission is a success - she's one of the good guys here, and she doesn't turn corrupt at the end either which is a bit of a refreshing twist. At times the film drags its heels a little, but this is only a minor criticism and this is certainly worth the price of cinema entry.

'Beirut' merits three claps of the Odeon Online clapperboard, from a possible five.

-Steve, at Odeon Online-

What's new in Odeon's this week : Thursday 31st May 2018.

In May, the world bid a fond farewell to number of stars of the silver screen and the small screen. In brief, shown below, is my passing tribute to those stars who leave an indelible mark on the entertainment industry, and in particular the world of film and television. May you all Rest In Peace, and thanks for the memories.

* Clint Walker : Norman Eugene 'Clint' Walker was born on May 30th 1927 and died on May 21st 2018, aged 90. He was an American Actor and Singer who gained his first big screen role in an uncredited appearance in the 1954 film 'Jungle Gents' as a Tarzan type character. Thereafter he came to the attention of Cecil B. DeMille who cast him alongside Charlton Heston, Yul Brynner and Edward G. Robinson in the epic 'The Ten Commandments'. Next up he was cast in the role for which he is perhaps best remembered as Cheyenne Bodie in 1957 in two episodes of hit Western television series 'Cheyenne' edited together too make a feature length film 'The Travellers'. The TV series 'Cheyenne' ran over seven series from 1955 through to 1963 with Walker playing the title character in all 108 episodes. He also appeared as that same character in a 1960 episode of 'Maverick', in the 1991 made for television film 'The Gambler Returns : The Luck of the Draw' and in a single episode of 'King Fu : The Legend Continues' in 1995. The Actor would go on to star in many Westerns over the following years including 'Fort Hobbs', 'Yellowstone Kelly', 'Requiem to Massacre', 'Gold of the Seven Saints', 'The Night of the Grizzly', 'More Dead Than Alive', 'Sam Whiskey', 'The Great Bank Robbery', 'Yuma', 'Hardcase', 'The Bounty Man', 'Baker's Hawk', 'The White Buffalo' and in a single episode of the epic television series of 1978's 'Centennial'. In the meantime, he also starred in Frank Sinatra's only Directorial effort, the WW2 actioner 'None But The Brave' in 1965, and then there was also his role as Samson Posey in the classic wartime 'The Dirty Dozen' in 1967 with an all star cast; the short-lived TV series spanning just thirteen episodes in the title role of 'Kodiak' as Alaskan State Patrolman Cal 'Kodiak' McKay, and his last screen role lending his voice to the character of Nick Nitro in 1997's 'Small Soldiers'. All up Walker had 42 Acting credits to his name in a career spanning five decades. He was inducted into the Hall of Great Western Performers at the National Cowboy and Western Heritage Museum in Oklahoma City in 2004.

* Margot Kidder : Margaret Ruth Kidder was born on October 17th 1948 and died on May 13th 2018, aged 69. She was an American/Canadian Actress and a political, environmental and anti-war Activist. Kidder gained her big screen debut in the 1969 docudrama 'The Best Damn Fiddler from Calabogie to Kalahari'. This was followed up a year later by Norman Jewison's 'Gaily, Gaily' and then Brian de Palma's 'Sisters' in 1973, slasher horror flick 'Black Christmas' in 1974 and 'The Great Waldo Pepper' alongside Robert Redford in 1975. However, it was to be her role cast as Lois Lane in the 1978 'Superman' movie alongside Christopher Reeve as Clark Kent (aka 'Superman') that really propelled Kidder into the limelight. She reprised the role alongside Reeve in 1980's 'Superman II', 1983's 'Superman III' and 1987's 'Superman IV : The Quest for Peace'. 1979 saw another big ticket outing in the shape of the 'The Amityville Horror' in which Kidder starred alongside James Brolin as real life Kathy and George Lutz respectively. That film recouped US$87M from its US$5M Production Budget and spawned numerous sequels and reboots over the years. Following her mainstream success with the 'Superman' franchise and 'Amityville' her career took a somewhat stagnant pause although she remained active in feature films and television throughout the '80's, '90's and 2000's up until last year, but mostly in B-Grade features, made for television films, guest appearances on single or several episodes of TV series and the theatre. Her last four films were for Writer and Director Frank D'Angelo - these being 2014's 'The Big Fat Stone', 2015's 'No Deposit', 2016's 'The Red Maple Leaf' and 2017's 'The Neighbourhood' which was to be her final acting role. All up Kidder amassed 135 Acting credits to her name, and was the recipient of seven award wins and a further eight nominations.

This week there are just three new release movies coming to your local Odeon. We kick off with the second Directorial outing for this Aussie jobbing stuntman that also features his younger brother and an all star cast in a comedy crime offering about an unassuming businessman who gets into a spot of bother down Mexico way with the local drug cartel while learning that his wife back home is carrying on with one of his bosses who has hired his ex-Mercenray brother to keep him safe. We then move to a French foreign language biographical film about a famed painter at the turn of the last century who takes a leave of absence to escape Paris for the far flung remote reaches of Tahiti to rediscover his mo-jo . . . and that he does in more ways than one! And the week wraps up with a historical retelling of a 1976 passenger aeroplane hijacking that had the world on the edge of its seat before it all ended abruptly in a hail of bullets one week later.

Whatever your taste in big screen film entertainment is this week - be it any of the three latest release new movies as Previewed below, or those doing the rounds currently on general release and as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are here warmly invited to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the week ahead.

'GRINGO' (Rated MA15+) - here Aussie Stuntman, Actor and only second time Director of a full length feature film, Nash Edgerton brings us this American comedy crime caper, which he also Co-Produced. Nash Edgerton is the older brother of Actor, Director, Writer and Producer Joel Edgerton. Nash's previous feature length Directing credit was the 2008 Australian thriller 'The Square', and he has worked as Stunt Coordinator or Stuntman in numerous Hollywood movies over the years and occasionally acts too.  For this film Nash has assembled an all star cast that takes in David Oyelowo, Charlize Theron, Amanda Seyfried, Thandie Newton, Sharlto Copley, Harry Treadaway, Paris Jackson and brother Joel amongst others. The film was released in the US in early March, has received mixed or average Reviews, and has so far taken US$6M at the Box Office.

Here, mild-mannered U.S. businessman Harold Soyinka (David Oyelowo) works for a medical technology firm that has developed the 'weed pill' (a medical marijuana that has been simplified into a pill format.) Harold's bosses, Elaine Markinson (Charlize Theron) and Richard Rusk (Joel Edgerton), travel with him to Mexico to handle the mass production of the product. Harold fakes his own kidnapping in order to reap benefit from the company policy of paying out US$2M if anything was to happen to him in Mexico during a business trip. He learns too that his wife has left him as she is having an affair with Richard. While out drunk, Harold gets kidnapped for real by the cartel, who hold a grudge against his bosses and the company for cutting them out of their plans. Richard hires his brother Mitch (Sharlto Copley), who just happens to be an ex-mercenary, to keep Harold safe. Crossing the line from law-abiding citizen to wanted criminal, Harold must survive an increasingly dangerous situation that asks the question whether he is in over his head, or two steps ahead?

'GAUGUIN' (Rated M) - this biographical French foreign language offering is Directed and Co-Written by Edouard Deluc and recounts the story of French post-impressionist artist Paul Gauguin (Vincent Cassel) who lived from 1848 until 1903. Here, it is Paris, 1891 and feeling decidedly smothered by the political and bourgeois atmosphere underlying Paris at the time, with everything seemingly artificial and conventional, the artist decided that he needed to review his motivation and find a realism to renew his art. Failing to convince his wife Mette (Pernille Bergendorff) and his five children to follow him to the island paradise of Tahiti, he sets out alone. Upon arrival, he elects to settle down in Mataiera, a village far from Papeete, debunking himself to a native straw and mud hut. He soon finds his mo-jo, painting and carving in a style close to the primitive art specific to the island. During his two-year stay (he came and went over a ten year period during his latter life) Gauguin experienced solitude, poverty, heart problems and other trials and tribulations, but also happiness in the arms of Tehura (Tuhei Adams), a beautiful young, thirteen year old, native girl who helped regenerate his zest for life and had a lasting impact on his art.

'ENTEBBE' (Rated CTC) - aka '7 Days In Entebbe' in the US, this is an American crime drama Directed by Brazilian Jose Padilha (also known for the Brazilian crime drama films 'Elite Squad' and 'Elite Squad : The Enemy Within' and the 2014 'RoboCop' reboot.) This film concerns 'Operation Entebbe' - a successful counter terrorist hostage rescue mission carried out by Commandos of the Israel Defence Forces at Entebbe Airport in Uganda on 4th July 1976. The events of this hostage situation have been committed to film on three previous occasions - 1976's 'Victory at Entebbe', 1977's 'Raid on Entebbe' and the Israeli 1977 film 'Operation Thunderbolt'. Here, in this dramatisation, two Palestinian and two German terrorists, Brigitte Kuhlmann (Rosamund Pike) and Wilfried Bose (Daniel Bruhl) hijacked Air France Flight 139 en route from Tel Aviv, Israel to Paris, France via Athens, Greece. They held the 248 passengers and crew hostage at Entebbe Airport and demanded a ransom of US$5M for the aeroplane and the release of 53 Palestinian and pro-Palestinian militants, forty of whom were prisoners in Israel. After relocating all hostages to a disused airport building, the hijackers separated all Israelis and several non-Israeli Jews from the larger group and forced them into a separate room. Over the following two days, 148 non-Israeli hostages were released and flown out to Paris. Ninety-four, mainly Israeli passengers along with the twelve Air France crew, remained hostage and were threatened with death. The rescue operation mounted by the Israel Defence Force took a week to plan and just ninety minutes to execute. This that true story. Also starring Eddie Marsan as Shimon Peres, Lior Ashkenazi as Yitzhak Rabin and Angel Bonanni as Yonatan Netanyahu and Nonso Anomie as Idi Amin. The film has generated mixed or average Reviews at best and grossed so far US$7M since its release in the US in mid-March.

With three new release films out this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. Meanwhile, I'll see you sometime somewhere in the week ahead at your local Odeon.

-Steve, at Odeon Online-

Birthday's to share this week : 22nd - 28th January 2017.

Do you celebrate your Birthday this week?

Rosamund Pike does on 27th January - check out my tribute to this Birthday Girl turning 38, at the end of this feature.

Do you also share your birthday with a well known, highly regarded & famous Actor or Actress; share your special day with a Director, Producer, Writer, Cinematographer, Singer/Songwriter or Composer of repute; or share an interest in whoever might notch up another year in the coming seven days? Then, look no further! Whilst there will be too many to mention in this small but not insignificant and beautifully written and presented Blog, here are the more notable and noteworthy icons of the big screen, and the small screen, that you will recognise, and that you might just share your birthday with in the week ahead. If so, Happy Birthday to you from Odeon Online!

Sunday 22nd January

• Piper Laurie - Born 1932, turns 85 - Actress
• Linda Blair - Born 1959, turns 58 - Actress
• Diane Lane - Born 1965, turns 52 - Actress
• John Hurt - Born 1940, turns 77 - Actor
• Jim Jarmusch - Born 1953, turns 64 - Director | Producer | Writer | Actor | Editor | Composer  

Monday 23rd January

• Shin'ichi (Sonny) Chiba - Born 1939, turns 78 - Actor | Producer | Director | Stuntman
• Rutger Hauer - Born 1944, turns 73 - Actor | Producer | Director
• Richard Dean Anderson - Born 1950, turns 67 - Actor | Producer
• Richard Roxburgh - Born 1962, turns 55 - Actor | Writer | Producer | Director
• Ewen Bremner - Born 1972, turns 45 - Actor | Producer  

Tuesday 24th January

• Adrian Edmondson - Born 1957, turns 60 - Actor | Writer | Director
• Ed Helms - Born 1974, turns 43 - Actor | Writer | Producer | Singer
• Nastassja Kinski - Born 1961, turns 56 - Actress | Producer  

Wednesday 25th January

• Tobe Hooper - Born 1943, turns 74 - Director | Producer | Writer | Actor | Composer
• Whit Stillman - Born 1952, turns 65 - Director | Producer | Writer  

Thursday 26th January

• Scott Glenn - Born 1941, turns 76 - Actor
• David Strathairn - Born 1949, turns 68 - Actor
• Ellen DeGeneres - Born 1958, turns 59 - Television Personality | Actress | Writer | Producer  

Friday 27th January

• Mimi Rogers - Born 1956, turns 61 - Actress | Producer
• Bridget Fonda - Born 1964, turns 53 - Actress
• Rosamund Pike - Born 1979, turns 38 - Actress
• James Cromwell - Born 1940, turns 77 - Actor | Producer
• Frank Miller - Born 1957, turns 60 - Writer | Producer | Director | Actor
• Alan Cumming - Born 1965, turns 52 - Actor | Writer | Producer | Director | Singer  

Saturday 28th January

• Alan Alda - Born 1936, turns 81 - Actor | Writer | Producer | Director
• Frank Darabont - Born 1959, turns 58 - Writer | Producer | Director | Actor
• Elijah Wood - Born 1981, turns 36 - Actor | Producer | Singer
• Will Poulter - Born 1993, turns 24 - Actor | Writer  

Rosamund Mary Ellen Pike was born in London, England, to mother Caroline and father Julian Pike - both opera singers. Her father currently works at the Birmingham Conservatoire as Professor of Music and Head of Operatic Studies. Her parents work commitments saw the family travel extensively across Europe in Rosamund's earlier years up until when she was seven or so years of age. She won a scholarship to the  acclaimed independent Badminton Girls School, near Bristol, and while appearing in a production of 'Romeo and Juliet' as Juliet at the National Youth Theatre was noticed by a talent agent, who aided her in her early professional acting career aspirations. She eventually secured a place to study English Literature at Wadham College, at Oxford University from where she graduated. She took a year off to pursue her acting, gaining stage appearances in 'Skylight', 'All My Sons' and several Shakespeare plays. She graduated with a degree in 2001.

While still studying at Oxford she acted and Directed various stage plays, and from 1998 gained work on television. These included appearances on the Sci-Fi pilot for 'Seven Days' as a CIA Agent, the made for TV movie 'A Rather English Marriage', on three episodes of the BBC four part mini-series 'Wives and Daughters', on one episode of the Police procedural drama series 'Trial and Retribution' and then the two part 'Love in a Cold Climate'. In 2002 however, Pike gained her big screen debut playing Bond girl Miranda Frost, an undercover MI6 Agent and double agent to Pierce Brosnan's James Bond in Lee Tamahori's 'Die Another Day' - the twentieth film in the forty year running franchise. Whilst the film gained mixed critical reviews it did bring in US$432M and was the highest grossing Bond film of all-time, up to that point.

From here Pike has rarely been very far away from our big screens. In 2004 she starred in the Israeli film 'Promised Land', and then 'The Libertine' with Johnny Depp and John Malkovich. 2005 followed with Joe Wrights adaptation of 'Pride & Prejudice' with Keira Knightley, Matthew Macfadyen, Donald Sutherland and Judi Dench and then a complete change of pace and genre with the Sci-Fi action horror offering 'Doom' with Karl Urban and Dwayne Johnson. 'Fracture' came next in 2007 with Anthony Hopkins, Ryan Gosling and David Strathairn, then 'Fugitive Pieces', 'An Education' with Carey Mulligan, Peter Sarsgaard, Dominic Cooper and Emma Thompson and then a return to Sci-Fi action mystery with Jonathan Mostow's 'Surrogates' with Bruce Willis, Ving Rhames, and James Cromwell seeing out the decade. In the meantime, there had been further small screen appearances too on 'Foyle's War', 'The Tower' and made for television film 'Freewill'.

As the decade turned over there was the satirical thriller 'Burning Palms', comedy drama 'Barney's Version' with Paul Giamatti, Dustin Hoffman and Minnie Driver, the British film 'Made in Dagenham' with Bob Hoskins and then the Bond spoof 'Johnny English Reborn' with Rowan Atkinson which was a commercial success raking in US$160M from its US$45M budget outlay, but less of a critical one. 'The Big Year' with Jack Black, Steve Martin and Owen Wilson came along in 2011 and bombed at the Box Office, unlike Pike's follow up film as Queen Andromeda in the epic adventure action fantasy 'Wrath of the Titans' with an all star cast featuring Sam Worthington, Bill Nighy, Ralph Fiennes, Liam Neeson, Edgar Ramirez, Danny Huston and Toby Kebbel. That film made US$306M at the global Box Office from its US$150M budget but fared well less well critically too.

The first instalment in big screen adaptation of Lee Child's character 'Jack Reacher' was released in 2012 with Pike starring as defence lawyer Helen Rodin opposite Tom Cruise as former US Military Police Officer turned drifter and righter or wrongs Jack Reacher.  The film recovered US$219M from its US$60M outlay, and has so far spawned one sequel - last years 'Jack Reacher : Never Go Back'. 'The Devil You Know' and then Edgar Wright's end of the world Sci-Fi comedy 'The World's End' with Simon Pegg, Nick Frost, Martin Freeman, Pierce Brosnan, Eddie Marsan and Paddy Considine was released in 2013 to widespread critical acclaim. Pike teamed up with Brosnan for the third time in Nick Hornby's black comedy adaptation of 'A Long Way Down'. She also paired up with Simon Pegg again in 'Hector and the Search for Happiness' which also starred Toni Collette - her Co-Star from 'A Long Way Down'.

'What We Did On Our Holiday' was her third film offering of 2014, and closing out that year was David Fincher's acclaimed psychological thriller 'Gone Girl' in which Pike starred as Amy Dunne the missing and deranged wife opposite Ben Affleck's Nick Dunne. The film grossed US$370M from its US$61M budget, and garnered Pike her first Best Actress Academy Award nomination, as well as Golden Globe, BAFTA, SAG, and AACTA nods. All up the film received 64 award wins and a further 171 nominations.



2015 saw 'Return to Sender' with 'A United Kingdom' released just before Christmas and in the US not until early February. Here Pike stars opposite David Oyelowo in this biographical romantic drama film set in the late '40's when Seretse Khama, the Prince of Bechuanaland meets and falls in love with Ruth Williams, a London office clerk, and the couple have to deal with the fall out from their frowned upon inter-racial, mixed colour union.




Since 2015 Pike has voiced the characters of Lady Penelope Creighton-Ward and Captain Ridley O'Bannon in the remake of the cult '60's Gerry and Sylvia Anderson television series 'Thunderbirds' with this updated telling 'Thunderbirds Are Go' across two seasons so far and 39 episodes. Next up and due for release in 2017 are 'Hostiles', a Western with Christian Bale, Jesse Plemons, Stephen Lang and Ben Foster; 'High Wire Act', an action thriller with Jon Hamm; 'Entebbe' based on the 1976 terrorist hijacking of a passenger plane forced to land in Entebbe, Uganda, also starring Daniel Bruhl; and 'The Man with the Iron Heart' (formerly known as 'HHhH') with Mia Wasikowska, Jason Clarke and Jack O'Connell. Then due in 2018 and currently in pre-production is 'The Bends' another action thriller.

All up Pike has 42 Acting credits under her belt, excluding a number of stage acting roles, has one Academy Award, BAFTA, Golden Globe, SAG and AACTA nomination for her role in 'Gone Girl' and all told has so far accumulated 29 award wins and a total 51 other nominations. She was previously engaged to Director and Producer Joe Wright, and has since been in a steady relationship with mathematical researcher Robie Uniacke since 2009 and they have two sons together - Solo (born in 2012) and Atom (born in 2014).

Rosamund Pike - an English rose, never typecast and plays to her strengths, has been awarded as a Bond Girl and for 'Gone Girl', plays the cello and the piano, speaks both French and German, has the looks and increasingly the star power, and is very clearly in demand on stage, television and the big screen. Happy Birthday to you Rosamund, from Odeon Online.

-Steve, at Odeon Online-