HAUNTED MANSION : Tuesday 12th September 2023

I saw the PG Rated 'HAUNTED MANSION' this week, and this American supernatural horror comedy film is Directed by Justin Simien in only his third feature film making outing following his debut in 2014 with 'Dear White People' and then 'Bad Hair' in 2020. This is the second cinematic adaptation of Walt Disney's theme park attraction 'The Haunted Mansion' following the 2003 film of the same name which although it was panned by critics at the time grossed US$183M off the back of a production budget of US$90M. This film has however, done the opposite garnering mixed reviews and having so far grossed US$106M off the back of a US$157M production budget making it a Box Office failure. It saw its World Premiere screening at the Anaheim Disneyland theme park in California in mid-July before its release in the US at the end of July and here in Australia from the end of August.

The film opens with Ben Matthias (LaKeith Stanfield), an astrophysicist who has worked on the development of a camera to film dark matter. He meets and marries Alyssa, a ghost tour guide, and becomes captivated by her belief in the supernatural, although he remains a firm non-believer himself. After Alyssa dies in a car accident, Ben gives up his career and continues to run her ghost tour in New Orleans, although his mind and his heart is barely in the work which he does mostly for the money.

Fast forward a few years and recently widowed doctor Gabbie (Rosario Dawson) and her nine year old son Travis (Chase W. Dillon) move from New York into the run down Gracey Manor in New Orleans with plans to renovate and upgrade it in order to turn it into a bed and breakfast, only to learn on the first night that it is haunted with an array of ghosts. 

Ben is later visited by priest and exorcist Father Kent (Owen Wilson) who hires him to photograph the ghosts at Gracey Manor. Ben is initially reluctant but goes through the motions for an upfront cash payment from Gabbie of US$2K, until he returns to his home and is followed there by a ghost Mariner who forces him to return to Gracey Manor. Upon his re-arrival Ben learns that Gabbie, Travis, and Kent have also fallen victim to hauntings, forcing them to also stay in the mansion. 

Ben and Kent go off in search of a medium and recruit Harriet (Tiffany Haddish), a psychic with seemingly genuine abilities, and steal blueprints to the mansion from haunted house historian Prof. Bruce Davis (Danny DeVito). Upon examining the blueprints back at the manor the assembled group locate a hidden seance room. Harriet is able to contact the spirit of Gracey (J. R. Adduci) who leaves a written message instructing them to talk to the legendary medium Madame Leota. Upon trying to do so, a mysterious entity forces Harriet out of the house and when Bruce arrives shortly afterwards he too is ousted from the house in the same manner as Harriet, resulting in him being admitted to hospital for a pre-existing heart condition he has. When a number of ghosts run amok at the hospital, Bruce, Gabbie and Ben get the hell outta there and make back to the manor. 

The group stays at the manor where they proceed to look for Leota's ghost. Ben ventures up into the roof space which contains all manner of old relics, ornaments and bric-a-brac where he runs into conflict with a ghostly bride, but finds a locked trunk that is shaking violently. Upon exiting the attic very unceremoniously and thereafter examining the contents of said trunk, they find a large crystal ball in which is trapped Madame Leota (Jamie Lee Curtis). 

Leota explains that William Gracey purchased the mansion and recruited Leota to try and contact the spirit of his dead wife Eleanor every night for a full year, releasing hundreds of wayward ghosts into the manor. An evil entity then tricked Gracey into taking his own life and trapped Leota inside her crystal ball. Harriet attempts to perform a reverse seance for more answers but winds up giving Ben an out of body experience in which he comes across Gracey and the evil entity, known as the Hatbox Ghost (Jared Leto). 

After Ben returns to the here and now, the next day Bruce takes Ben to get a Police sketch artist to draw up the Hatbox Ghost. He is identified as Alistair Crump, a rich heir who was abused by his father after his mother's death and eventually expelled from the home. Upon reaching adulthood and becoming successful himself, he killed his socialite friends out of revenge for being shunned by society, before being beheaded himself by his team of rebellious servants. 

The ghost of Crump proceeds to lock the mansion down but Ben, Kent, and Travis are able to escape. They find Crump Manor which is located only about an hour away, which has become a historical site and they join a tour of the house hoping to find an artifact that actually belonged to Crump. They learn from the Mariner (who followed them) that Crump needs someone to sacrifice their life and become the mansion's one-thousandth spirit in order to escape the mansion. Travis locates Crump's hat in a makeshift graveyard under the floorboards of the mansion, which they need to use as part of a ritual to banish Crump back to the afterlife.

The three make it back to the Gracey Manor where Ben and Kent rescue Gabbie, Harriet, and Bruce, but Crump burns the hat and plans to use Travis' grief over the death of his father to have him come to the other side and be the one-thousandth spirit. Ben finds Travis and manages to convince him to let go of his father as they and Gabbie confront Crump in the graveyard. 

Kent manages to convince the other ghosts to turn on Crump and join forces with them, and Bruce hands a remnant of the hat plucked from the fire to Harriet, who recites Leota's incantation to banish Crump, but needs to do so several times as Crump is not going down easily. Crump, as he is gradually getting sucked down into the depths of hell, attempts to get Ben to give up his life willingly to see Alyssa again, but Ben says that he is at peace with losing Alyssa before kicking Crump in the face and sending him back to the underworld. Many of the ghosts decide to remain at the mansion, now living in harmony with Gabbie and Travis. Harriet regains her full psychic abilities, Kent is ordainment as a real priest, and Bruce maintains his new friendships. Ben goes back to teaching and adopts a stray cat named Tater Tot, a nod to his wife's love for the Burger King snack. The group all join together the following Halloween for a party at the manor with the merry ghosts. 

'Haunted Mansion' is a mediocre offering from the Mouse House at best and at worst it failed to raise any laughs, has a half baked storyline, and has visual effects that seem plucked out of the 1980's 'Ghostbusters' movies and Peter Jackson's 1996 offering 'The Frighteners'. To me it seemed that in spite of the best intentions by Director Justin Simien and a top notch cast, this film seemed like a cash grab for Disney Studio's looking for a big pay day off the back of one of their more successful theme park rides while targeting a whole new audience of tweens and teens unfamiliar with the 2003 film or the ride itself, which perhaps in the final analysis will sell more tickets to Disneyland, and hence job done as a lost leader!

'Haunted Mansion' merits two claps of the Odeon Online clapperboard from a potential five claps.

-Steve, at Odeon Online-

 

HALLOWEEN ENDS : Tuesday 8th November 2022.

I finally got around to seeing 'HALLOWEEN ENDS' - the MA15+ Rated American slasher horror film which is Directed and Co-Written once again by David Gordon Green and is a sequel to the 2021 film 'Halloween Kills'. It is the thirteenth instalment in the 'Halloween' film franchise, and the final film in the 'H40' trilogy that commenced with the 2018 film 'Halloween' and which serves as a continuation of the original 1978 film's storyline disregarding all the other screen offerings that came in between up to 2018. The 2018 and 2021 films generated a combined worldwide Box Office haul of US$387M off the back of a total US$30M production budget, making this final instalment a no brainer. This film saw its World Premier screening in Los Angeles on 11th October before its worldwide release on 13th October, cost US$33M to produce and has so far grossed US$103M and has garnered mixed critical reviews. 

The film opens up on Halloween night in 2019 with Corey Cunningham (Rohan Campbell) arriving at the home of Theresa and Roger Allen (Candice Rose and Jack William Marshall respectively) to babysit their young son Jeremy (Jaxon Goldberg), whilst the parents go out to a Halloween party. While watching John Carpenter's 'The Thing' on TV, Corey goes through to the kitchen to get himself something to drink, and then Jeremy disappears. Corey searches the house and the gardens but there is no sign of the young boy, although strange sounds and shadows are evident in the background. Corey ventures upstairs and into the roof space, when suddenly the door is locked behind him. Panic stricken Corey thumps on the door repeatedly and eventually kicks the door down with Jeremy stood directly behind it. Jeremy is sent backwards by the force of the door and falls over the stairs to his death two storeys below just as his parents come home to see their young son come crashing down. Corey is accused of intentionally killing Jeremy but is cleared of manslaughter. 

Fast forward three years and in Haddonfield, Illinois Michael Myers has not been seen since his last killing rampage in 2018. Laurie Strode (Jamie Lee Curtis) is in the midst of writing her memoir and has purchased a house and is now living with her granddaughter Allyson (Andi Matichak) who now works as a nurse at a local medical centre. Corey in the meantime, has started working at his stepfathers car salvage business. On his way home one day after work he stops off a petrol station to buy a drink. Outside he is confronted by four high school bullies who pester Corey to buy them alcohol because they are all underage. Corey refuses and gets into a scuffle resulting in him sustaining a deep glass cut to his hand. Laurie observes this having pulled up to fill up with petrol, and takes Corey to the doctors surgery where Allyson works. Allyson is immediately attracted to Corey when she tends to his wound, and the pair form a fast relationship. 

A few nights later they attend a Halloween party together and dance the night away until Corey is confronted by Jeremy's mother, at which he flees the party venue leaving Allyson, who later catches up with him. The pair have an argument outside, and Corey storms off. Walking home, the same four high school bullies pull up in their convertible car and begin to taunt Corey, resulting in him being thrown off a bridge and landing unconscious on the ground below. He is then dragged into a sewer where he comes round sometime later. He fumbles around in the dank and dark space and is then grabbed by the throat in a strangle hold by Michael Myers (James Jude Courtney), who after a short time releases him. As he crawls out of the sewer pipe into daylight he is threatened by an old homeless man living under the bridge, and in the ensuing struggle Corey stabs him to death, and the flees the scene, leaving the man where he fell. 

Corey finds Allyson later the next day to apologise for his actions the previous night, and the pair go on a dinner date to a local diner. During their dinner, they are interrupted by Allyson's ex-boyfriend, Police officer Doug Mulaney (Jesse C. Boyd) who obviously still has feelings for her, and who harasses them both. Corey stands his ground with Mulaney who afterwards follows Corey to the scene of the earlier stabbing of the old homeless man. Corey lures the cop into the sewer, where Michael emerges and stabs Mulaney multiple times in the chest while Corey holds him down. 

Meanwhile, Allyson is passed over for a promotion at work in favour of a fellow nurse Deb (Michele Dawson) who is having an affair with Dr. Mathis (Michael O'Leary). Later that evening at Dr. Mathis house Corey kills Dr. Mathis while Michael pins Deb to the wall with a kitchen knife. Unknowingly, Allyson prepares to leave Haddonfield with a persuasive Corey because of their past traumas, and to make a fresh start. Laurie though has become increasingly suspicious of Corey. After finding him sleeping in the spot where Jeremy died in the now abandoned Allen house, Laurie offers to help him if he agrees to separate himself from Allyson. Corey responds by blaming her for the events that have unfolded in Haddonfield over the years and concludes by saying that if he cannot have Allyson, then no one can.

On 31st October, Halloween night, Corey returns to the sewers and fights with Michael, successfully knocking him out and stealing his mask. Meanwhile, Laurie and Allyson argue as she plans to leave that night with Corey. She also blames Laurie for Michael's actions. That night, Corey embarks on a murderous rampage, killing the four bullies after luring them to his stepfathers salvage yard, one of whom accidentally shoots his stepfather right between the eyes. Corey then goes on to kill his overbearing mother, as well as DJ Willy the Kid (Keraun Harris) at the local radio station WURG FM, who had taunted him previously.

At the Strode house, Laurie calls the Police to report her suicide in an attempt to lure Corey to her. Wearing Michael's mask Corey confronts her whom she fires two shots into his chest sending him falling backwards down the staircase. Corey, still conscious, then stabs himself in the neck to frame Laurie for his death in front of Allyson just as she walks through the front door. Allyson storms out of the house distraught while Laurie sobs. Michael then appears and kills Corey by snapping his neck, before putting back on his mask and hunting down Laurie who has now regained her composure. 

A fight ensues in Laurie's kitchen, and Laurie manages to pin Michael to the wooden cooking island, by stabbing each hand with a long cooks knife and bringing down the fridge/freezer to trap his legs. Laurie takes out a kitchen knife from the drawer and stabs Michael through the side before drawing the blade across his throat. He begins to bleed out. In a last ditch attempt to dispose of Laurie, Michael rips his hand through the blade and grabs her by the throat. Allyson arrives back home and grabs his arm and snaps it on the bench top. Holding his arm out, Laurie slices open his wrist. Laurie and Allyson strap his lifeless body to the roof of their car and take his body to the salvage yard by Police escort, attracting the residents of Haddonfield, who follow behind in a long procession. The body of Michael is tipped into a commercial shredding machine where Laurie gives it a final kick to send it on its way when Allyson turns on the switch. In the ensuing days, Allyson and Laurie reconcile, and Allyson leaves Haddonfield while Laurie finalises her memoir and seeks to reignite her relationship with Deputy Frank Hawkins (Will Patton).

In 'Halloween Ends' Michael Myers is finally put through the mincer (literally), make no mistake, and so after thirteen instalments and forty four years this surely has to be the 'end' of this overcooked franchise! Or is it? I guess if they can bring back James Bond after he carked it at the end of 'No Time To Die', then they can still resurrect Michael Myers . . . only time will tell! All that said, this final offering in this latest threequel sits below 2018's 'Halloween' and only just a nudge above 2021's 'Halloween Kills' and is less of a slasher horror movie and more of a psychological thriller film. Jamie Lee Curtis who, after seven appearances in these 'Halloween' films over the last four+ decades gives a stoic performance who finally overcomes the maniacal marauding masked mass murderer Michael Myers, but she is no beefed-up Sarah Connor, or Wonder Woman or Black Widow and so how she managed to muster up the strength, courage and fortitude when push comes to shove to dispense with The Shape is anyone's guess! Pure adrenalin one would assume, and who's to say there's anything wrong in that. All of that said 'Halloween Ends' is sure to divide audiences, but I'm guessing that in ten years from now this closing trilogy will enjoy a cult following of die hard fans and a new audience of emerging horror hounds keen to dine out on the Myers/Strode story.

'Halloween Ends' merits three claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

EVERYTHING EVERYWHERE ALL AT ONCE : Tuesday 3rd May 2022.

I saw the MA15+ Rated 'EVERYTHING EVERYWHERE ALL AT ONCE' earlier this week, as Written, Directed and Co-Produced by 'Daniels' - aka Daniel Kwan and Daniel Scheinert whose only other feature film credit together is 2016's 'Swiss Army Man' with Daniel Radcliffe and Paul Dano. This American Sci-Fi comedy film saw its World Premier screening at the South by Southwest film festival in mid-March before going on wide release in the US in early April and in Australia from 14th April, having so far returned US$43M at the Box Office from a production budget of US$25M and has garnered widespread critical acclaim. Jay and Anthony Russo also serve as Co-Producers here.

Evelyn Wang (Michelle Yeoh) is a first generation Chinese-American woman who runs a large laundromat with her husband, Waymond (Ke Huy Quan). Tensions are running at fever pitch because the laundromat is being audited by the IRS. As well, Waymond is trying to serve Evelyn divorce papers; Evelyn's demanding father, Gong Gong (James Hong), has just arrived from China; Evelyn's daughter, Joy (Stephanie Hsu), has been trying to get her mother to accept her girlfriend, Becky (Tallie Medel), and there's a party planned for later that evening to celebrate Chinese New Year to which all the regular customers are invited.

While at the IRS building for a meeting with IRS inspector Deirdre Beaubeirdra (Jamie Lee Curtis), Waymond's personality changes when his body is briefly taken over by Alpha Waymond, a version of Waymond from the Alpha Universe aka 'Alphaverse'. Alpha Waymond explains to Evelyn that many parallel universes exist, since every choice made creates a new universe. The people of the Alphaverse, led by the late Alpha Evelyn, developed 'verse-jumping' technology that allows people to access the skills, memories, and body of their alternate universe counterparts by fulfilling specific conditions. 

He goes on to further explain that the multiverse is being threatened by Jobu Tupaki, formerly Alpha Joy. Her mind was splintered after Alpha Evelyn pushed her to extensively verse-jump. Jobu Tupaki now experiences all universes at once and can verse-jump and manipulate matter as she sees fit. With her godlike power she has created a black hole-like 'everything bagel' that has the potential to destroy the multiverse.

Evelyn is given verse-jumping technology, which she is very reluctant to accept at first, to fight Jobu Tupaki's verse-jumping goons, who converge on the IRS building. Evelyn learns of Waymond's plans to divorce her and discovers other lives where she made different choices and was successful, such as by becoming a kung fu master and movie star instead of leaving China with Waymond, who becomes a successful but lonely businessman. Alpha Waymond comes to believe that Evelyn, as the greatest failure of all Evelyns of the multiverse, has the untapped potential to defeat Jobu Tupaki. Alpha Gong Gong instructs Evelyn to kill Joy to hinder Jobu Tupaki, but Evelyn refuses. She decides she must face Jobu Tupaki by gaining the same powers as her, so she verse-jumps repeatedly while battling Jobu Tupaki's henchmen and Alpha Gong Gong's soldiers. Evelyn's mind splinters and she discovers other, bizarre universes such as one in which humans have hot dogs for fingers and she is in a romantic relationship with Deirdre, and another where she works alongside a teppanyaki chef who is secretly puppeteered by a raccoon. She learns that Jobu Tupaki created the everything bagel not to destroy everything, but to destroy herself, and has been searching for an Evelyn who can understand her. Jobu Tupaki feels that because there are so many vast universes and unending chaos, nothing really matters.

In other universes, the Wangs are about to lose their laundromat due to errors in the tax returns; Alpha Waymond is killed by Jobu Tupaki; and businessman Waymond rejects movie star Evelyn after decades apart. Evelyn is nearly swayed to Jobu Tupaki's cause and stabs her universe's Waymond. She almost joins Jobu Tupaki in entering the bagel, but stops when she hears Waymond's calls to be kind and have hope. 

Evelyn defeats Jobu Tupaki's goons by using her multiverse knowledge to find what is hurting each of them and gives them joy and happiness instead. Evelyn reaches Jobu Tupaki and tells her that she is not alone and that Evelyn will always choose to be with her, despite everywhere else she could be. Meanwhile, in parallel universes, Evelyn confronts Gong Gong and reconciles with Waymond and Joy, and Waymond convinces Deirdre to let the Wangs resubmit their taxes. Jobu Tupaki initially rejects Evelyn, but returns to her, and they hug.

And so the family's relationships has improved, Becky is now part of the family, and they return to the IRS building on a second chance to file their taxes. As Deirdre talks, Evelyn's attention is momentarily drawn to her alternate selves and the multiverse, before she is brought back to the here and now by Deirdre who explains that she is pleased that their taxes now seem to be in order, although there remains one problem . . . fade to black!

'Everything, Everywhere All at Once' is certainly a unique, inventive and original film, albeit weird, peculiar, absurd and confusing, wacky and witty all at the same time. This is a frenetically paced film that defies genre pigeon-holing with stand-out performances by Yeoh, Quan and Curtis (donning a fat suit) especially, who with the Daniels have delivered a story about the struggle of living the best life you can yet still finds hope in living the worst life even if you have to travel through various multiverses to come full circle. Whilst this film didn't really do it for me, I'm sure that for those who did this will offer up something that viewers will be able to latch onto and ultimately relate to that successfully melds Sci-Fi, fantasy, martial arts action, comedy, emotion and family drama all at once. 

'Everything, Everywhere All at Once' merits three claps of the Odeon Online clapperboard from a potential five claps. 

-Steve, at Odeon Online-

KNIVES OUT : Monday 2nd December 2019

Here with a change of pace and genre compared to his last mega budget space opera epic that was 2017's 'Star Wars : The Last Jedi', Rian Johnson here writes, Directs and Co-Produces this M Rated throw back to the murder mystery whodunit's of yesteryear with 'KNIVES OUT', which I saw at my local multiplex earlier this week. Aside from the aforementioned 'Star Wars' instalment, Johnson has also Directed and Written 'Brick' (his big screen debut in 2005), then 'The Brothers Bloom', 'Looper' and helmed several episodes of 'Breaking Bad' in between. In wanting to craft an Agatha Christie inspired type film, Johnson sought the influences from such classic comedic murder mystery crime stories as 'Murder on the Orient Express', 'Murder by Death', 'Death on the Nile', 'The Mirror Crack'd', 'Evil Under the Sun', 'Deathtrap' and 'Clue'. With a budget of US$40M, the film saw its World Premier at TIFF in early September, went on general release last week, has so far grossed US$76M and has generated widespread Critical acclaim.

And so, here we have renowned and wealthy crime novelist Harlan Thrombey (Christopher Plummer) who invites his extended dysfunctional family to his remote mansion on his 85th birthday in hopes of reuniting them all. However, the morning after the birthday party, Harlan is found dead by Harlan's housekeeper - the loyal Fran (Edie Patterson), with his throat slit, and the knife still in his hand - allegedly suicide.

A few days later, following the funeral, an anonymous figure has hired a successful and well regarded private detective Benoit Blanc (Daniel Craig) to support the local Police Dept. consisting of Detective Lieutenant Elliot (Lakeith Stanfield) and Trooper Wagner (Noah Segan) in their investigations. Elliot and Wagner begin questioning the individual members of the family unit who were all present in the house the night before for the birthday celebrations, with Blanc looking on, observing and taking mental notes.

They start with Linda Drysdale (Jamie Lee Curtis) Harlan's eldest daughter and a real estate guru who runs her own company, and according to her a self made woman, even though she started with a $1M loan from her father. They then move to Richard Drysdale (Don Johnson) Harlan's son-in-law and Linda's husband, who helps run his wife's company. We learn early on that Harlan had photographic evidence of Richard in a compromising position with another woman, and how Harlan had intended to expose his infidelity to Linda the next day. In discussion with the Detectives Richard puts another spin on this tale entirely.

We then move to Walt Thrombey (Michael Shannon), Harlan's youngest son, and the acting CEO of his Dad's publishing company. Walt had always wanted to sell the film and television rights to Harlan's extensive back catalogue of publications, but Harlan had always intervened and strictly forbidden it. At the party, Harlan effectively fires Walt from his position at the publishing company, saying that it is time for him to go his own way in life and find the niche with which to make his own fortune - much to Walt's chagrin.

Then there is Joni Thrombey (Toni Collette), Harlans daughter-in-law and the wife of Harlan's deceased son Neil (who died fifteen years previously). She is a lifestyle guru and influencer and mother to Meg (Katherine Langford) who studies at a liberal arts college funded by Harlan to the tune of $100K a year. Harlan has discovered that Joni was double dipping the money meant for his granddaughter's tuition over the last four years, amounting to $400K, and as such cuts off her allowance. Needless to see when questioned, Joni also puts a different spin on this conversation.

And then there is Hugh Ransom Drysdale (Chris Evans) - the adult son of Linda and Richard, who is a rebellious spoiled and lazy playboy - although Harlan has a soft spot for Ransom, and sees himself in the young man. Ransom is the only member of the family who did not attend the funeral, but was overheard arguing with Harlan the night of his birthday party by Jacob Thrombey (Jaeden Martell) Harlan's teenage grandson, Walt and Donna's son, who holds alternative rightwing opinions and is constantly on the Internet on his phone.

On the periphery sits Wanetta 'Great Nana' Thrombey (K. Callan), Harlan's 100+year old mother who sits silently observing, taking it all in, and Donna Thrombey (Riki Lindhome) - Harlan's daughter-in-law and Walt's wife.

Finally, there is Marta Cabrera (Ana de Armas) - Harlan's private nurse and caretaker who was the closest to him, more so than any other member of his family. She is living with her mother and are migrants from a South American country. Marta is very well regarded by the other family members who all see her as part of the Thrombey family for her deep heartfelt care and compassion shown everyday day towards Harlan. Blanc has come to learn that Marta's good conscience means she cannot lie without vomiting, and so trusting that she will tell the truth, Blanc asks her to accompany him in his investigations. They search the property and its grounds for clues.

Over the next couple of days, the whole family gathers for the reading of the Will. They are all expecting to become rich beneficiaries of Harlan's estate which consisted of the grand house they are all presently sat in, a holiday home, and $60M in cash. When Alan Stevens (Frank Oz), Harlan's lawyer arrives to read the Will, the family are shocked to hear that he left everything to Marta. The whole family almost in unison turn on her immediately, all expect for Ransom, who make his exit laughing. The other Thrombeys realise that, under the slayer rule (preventing a person inheriting property from a person he or she murders) they will regain their inheritance if they can prove Marta killed Harlan, and insist Blanc continue the investigation, suspecting that she had ulterior motives.

And so Blanc does continue with his investigation, piecing together the puzzle that leads him down the path of toxicology reports, another attempted murder, a torched medical examiners office, a car chase, and foul play where everyone is a suspect. But Blancs investigative work is closing in on the prime suspect who is suspected of being Marta right up until just before the end, but the toxicology report proves otherwise, revealing another suspect amongst the family ranks who had the motive and the opportunity. To reveal anymore would be giving the game away. Needless to say, in the final analysis, the money grabbing Thrombey clan all get their comeuppance and vacate their former family home having inherited less than a brass razoo, whilst seeing one of their own carted off for murder and attempted murder.

'Knives Out' is an honest to goodness throwback to those cliched whodunit films of yesteryear but dusted off, shaped up, polished and brought beautifully up to date with a fine cast, a cracking storyline, top notch production values, social and cultural commentary, and enough malice, twists and turns to satisfy the appetite of any die hard genre fan. Daniel Craig shines with his deep southern drawl and his old school methods of deduction, Ana de Armas is compelling as the kind hearted good natured caring nurse thrust into the limelight for all the wrong reasons, Chris Evans fresh from his turn as Captain America hams it up as the devilish young buck and looks to be having a blast, and Jamie Lee Curtis, Toni Collette, Don Johnson and Michael Shannon all add depth in their roles for the limited screen time they enjoy. This modern murder mystery tinged with black humour is smart, stylish, witty, very entertaining and very well made and I think you'll be hard pressed to not enjoy this cinematic treat. Let's hope this isn't the last we've seen of Benoit Blanc, and Rian Johnson's love letter to the whodunit genre.

'Knives Out' warrants four claps of the Odeon Online clapperboard, from a potential five.

-Steve, at Odeon Online-