Showing posts with label Kristofer Hivju. Show all posts
Showing posts with label Kristofer Hivju. Show all posts

Friday, 22 May 2026

IN THE GREY : Tuesday 19th May 2026

I saw the MA15+ Rated 'IN THE GREY' earlier this week, and this American action thriller film is Written, Co-Produced and Directed by Guy Ritchie, best known for his feature films including 'Lock, Stock and Two Smoking Barrels' his 1998 Directorial debut, then 'Snatch' in 2000, 'Sherlock Holmes' in 2009 and 'Sherlock Holmes : A Game of Shadows' in 2011, 'The Man from U.N.C.L.E.' in 2015, 'The Gentlemen' in 2019, 'Operation Fortune : Ruse de Guerre' in 2023, 'The Ministry of Ungentlemanly Warfare' in 2024 and 'Fountain of Youth' in 2025. This film was released in the USA and Australia last week, has so far grossed US$5M, and has generated mixed or average critical reviews. 

The film opens up with a SUV driving down a road hugging the side of a mountain, before it pulls off. Inside the car is Braxton (Darrell D'Silva), his henchman and Axel Olsson (Kristofer Hivju). Braxton takes a call and asks the two to leave the vehicle and step out side momentarily. Braxton says to the caller that he has the signed paperwork, and that Salazar agreed to pay the US$1B debt that he owes. Axel then shoots dead the henchman, and Braxton who by now now has exited the SUV in a panic. He too is shot dead, and Axel leans over his corpse, retrieves the letter, and calls Salazar, who tells him to destroy it. In the meantime, Rachel Wilde (Eiza Gonzalez) a street smart, tough as nails specialist lawyer, whose particularly adept at recovering large sums of money from those who aren't supposed to have it, visits New York banking Executive Bobby Sheen (Rosamund Pike), whose employer is wanting to recover the US$1B it loaned to criminal dictator Manny Salazar (Carlos Bardem), who has successfully evaded capture over recent years by adopting numerous aliases. Rachel says she can do the job, but wants a commission for her troubles of 20%, but Bobby negotiates her quickly down to 15%, with US$10M upfront payment in addition bargains Rachel, which Bobby accepts. 

Rachel has at her disposal a crack team of other lawyers, plus various other experts in surveillance, computer hacking, cyber security etc. plus a pair of assets in Bronco (Jake Gyllenhaal) and Sid (Henry Cavill) who in turn have a team of mercenaries for hire at their disposal. They are armed to the teeth with the latest gadgets, vehicles, weapons, covert surveillance gear and the wherewithal to take out a small country - which is exactly what they need to do, as Salazar owns and rules over a small island off the coast of Portugal, which they need to infiltrate. 

And so Bronco travels to Salazar's island with his team, while Sid travels to Jeddah and is met by his contact there with the aim of shutting down Salazar's construction of a major hotel development. And so Sid bribes the building engineer to the tune of US$25K, and in the process laying off some 400 Saudi construction workers and costing Salazar millions each week in lost productivity. Next up Rachel targets Salazar's private jet and then his ocean going super yacht which she has forfeited, and then a giant oil rig waiting dockside to be imminently commissioned. Meanwhile, Salazar's own lawyer William Horowitz (Fisher Stevens) is beside himself at Rachel's doggedness at pursuing Salazar and has to front up to his boss every time there is another development to explain away her actions. Needless to say Salazar is becoming increasingly frustrated and anxious, and unusually demands a face to face meeting with Rachel. 

And so Rachel flies onto the island and is flanked by Sid and Bronco who join her at her cosy little meeting at Salazar's private villa. Salazar says that he is prepared to pay US$400M of the debt and not a penny more, and if she doesn't agree she can fuck off. The meeting ends there with Rachel walking away. The plan was then to extract Rachel off the island by using one of three planned escape routes which Bronco and Sid had meticulously planned and rehearsed multiple times over the previous several weeks, and covering off on all possible scenarios. 

As a consequence Rachel digs in hard and goes after Salazar's business interests by having court injunctions taken out on all of his known company's, thereby having them effectively closed down with the front doors chained, padlocked and guarded. This naturally causes Salazar more financial pain and anguish, so he calls another face to face meeting with Rachel, at which he offers her US$800M to pay off his debt. Rachel won't budge however, and replies that she knows every last detail of every shell company he has dotted all around the world, and will happily expose his nefarious deeds to the very long arm of the law. Salazar relents and agrees to pay back the US$1B on the condition that all of his assets are returned to him and that his various business interests are freed up. Rachel agrees.

Upon leaving, Salazar orders Axel to hunt them down and kill them. And so begins an all guns blazing chase as Sid and Bronco and their four mercenary colleagues attempt to extract Rachel off the island, against Salazar's team of Police and his own militia of about fifty men try to thwart their enemy. Needless to say it doesn't end well for Salazar's small army that may have the numbers of boots on the ground, but they don't have Sid and Bronco's latest technical wizardry, military grade weapons, specialist vehicles or pre-set booby traps which are all used to great effect, including taking down Alex with a bazooka as he fires on our two likely lads and Rachel from a helicopter. 

As Rachel is taken off the island by boat, Sid and Bronco remain behind to attend to some last minute business, saying that they'll catch them up. And so the pair return to Salazar's villa posing as maintenance men. Salazar appears and orders them to leave, but Bronco steps up behind him and injects him with a serum that knocks him old cold. Wrapping him up in cling film leaving only his mouth and nose exposed, they load him into a shipping container and send him off to Miami, Florida. There, the FBI converge on the container to find a battered and bruised Salazar sat on the floor sucking on a cigar. The FBI Officer calls out Salazar's name to which he responds, my name is Smith. 

In the opening voiceover Rachel comments that she and her team exist somewhere between what is legal and illegal, between what is moral and immoral, and between what is black and what is white - in the grey! And so it is with scribe and film maker Guy Ritchie who has crafted a film which is full of exposition like he's spoon feeding the audience with his on-screen graphics of what's about to play out. The action sequences are all reasonably well staged but offer up nothing we haven't seen a hundred times before; the banter and the quips between Sid and Bronco come thick and fast with some landing and others falling by the wayside; and the cast are all beautifully coiffed and kitted out in designer wear that wouldn't look out of place in 'The Devil Wears Prada 2'. As for the plot, well you can leave your brain in neutral and go along for the ride, which exists 'in the grey' - it's neither that good, nor that bad either, and at a brisk 98 minute run time doesn't outstay its welcome.

'In the Grey' merits three claps of the Odeon Online clapperboard from a possible five claps.
-Steve, at Odeon Online-

Saturday, 20 December 2025

AFTERBURN : Tuesday 16th December 2025

I saw the MA15+ Rated 'AFTERBURN' earlier this week at my local multiplex, and this American post-apocalyptic action film is Directed by J.J. Perry in only his third Directorial outing following 'Day Shift' in 2022 and 'The Killer's Game' in 2024, although he has acted and performed stunt work and co-ordinated stunts and fight scenes in numerous feature films, TV movies and TV series over the years. This film is based on the Red 5 Comics graphic novel of the same name by Scott Chitwood, Paul Ens, and Wayne Nichols. The film has languished in development hell since 2008 when it was first announced that Tobey Maguire would Co-Produce 'Afterburn', and since then Antoine Fuqua, Tommy Wirkola and Jung Byung-gil have all been attached to Direct with J.J. Perry hired to Direct in early 2024. It was released in the USA in mid-September, cost US$57M to produce and has so far grossed US$833K.

Here, then we learn through the opening credits that six years ago a solar flare decimated the worlds technology, turned cities into gang ridden wastelands, toppled governments, and the rule of law no longer exists as we once knew it. We are first introduced to Jake (Dave Bautista) who pre-flare days was quite possibly the world's most acclaimed treasure hunter - there was nothing that he couldn't find, track down, and retrieve from land and sea. Then when the flare hit, he turned his very particular set of skills to working for the wealthy elite to continue his treasure hunting exploits for a hefty fee, with which he could fund his eventual escape from all the worlds ills on a sailing boat which he would live on, and sail around the world at his leisure. 

One such client is August Valentine (Samuel L. Jackson), the self-proclaimed King of England, retrieving valuable pre-flare objects, which as the film opens sees Jake retrieving a prized Stradivarius Violin dating back to the late 17th or early 18th centuries from an abandoned and overgrown penthouse somewhere in London. As he blows open the vault to retrieve the violin and exits he is greeted by five men all dressed in Police uniforms, who threaten him unless he hands over the case. Jake says joking, 'you're not the real Police are you?' to which the goons respond with a definitely not. A fight ensues and Jake takes them all out without breaking a sweat. 

In exchange for having his men finish the necessary repairs to Jakes dream boat, August requests him to travel into France to retrieve the Mona Lisa with the help of Drea (Olga Kurylenko), a member of a rebellion against the tyrannical warlord General Volkov (Kristofer Hivju) who rules over part of northern France with an iron fist, aided by his right hand man Gorynych (Daniel Bernhardt). Whist Jake is initially very reluctant, he agrees and is parachuted into lawless France and is left to locate Drea. 

He locates Drea and she escorts him to a makeshift church inside an old warehouse led by Father Samson (Kevin Eldon), who is also a member of the rebellion. Meanwhile, one of Volkov's henchmen Bird Skull (Phil Zimmerman) has spotted two very dodgy looking characters weaving through the crowd and track down Jake and Drea to the church. Bird Skull pulls up with a small army in tow, and demands that whoever is inside, come out. Father Samson tells Jake and Drea to take his specially modified all terrain buggy that is fully bullet proofed and get the hell outta dodge, while he goes outside. Needless to say Father Samson is gunned down, while Jake and Drea escape and successfully evade numerous goons on motorbikes, in pursuit vehicles and in tanks. Later, Bird Skull is standing in the town square being questioned by Volkov and Gorynych, and is summarily executed on the spot for allowing two people to evade capture from his small army, and the might of his military hardware.

Chased by Volkov's forces, the two discover it in a vault at Ouvrage Simserhof, a fort on the Maginot Line. It's revealed that the Mona Lisa that Jake is after is actually an American atomic bomb, sister to Fat Man (the atomic device detonated over the Japanese city of Nagasaki) and Little Boy (used in the bombing of Hiroshima), sought by both August and Volkov. 

As Drea and her men are loading up Mona Lisa onto the back of a truck, they are approached by Volkov and Gorynych aboard their train which pulls up outside the vault. Opening fire and killing almost everyone, Volkov has Mona Lisa hauled up on to his train. 

After Volkov captures the Mona Lisa, Jake boards his train, and sets about killing most of Volkov's henchmen single handedly and with relative ease it seems. He steals the bomb's stop plug, as Drea detonates several blocks of C4 explosive to the support structure of a viaduct, causing the railway bridge to collapse as the train is on it. Drea looks on from a safe distance as the train collapses into the valley below and explodes in several balls of flame killing Volkov, and his remaining goons. Drea mourns the loss of Jake, as he appears behind her and the pair embrace. 

Jake brings the stop plug to August and urges him not to recover the bomb from the gorge where it had ended up. August keeps up his end of the deal and Jake sets sail with Drea with whom he had fallen in love. In a mid-credits scene, August visits a vault where he keeps his prized artefacts, and hangs the stop plug on the frame of the real Mona Lisa.

'Afterburn'
is just like any other post-apocalyptic man on a mission who gets the girl in the end, action spectacle thrill ride that we have seen countless times before. The characters are cardboard cut outs, the CGI effects are questionable, the performances are exactly what you would expect, the script is mediocre at best, and the plot formulaic. At a run time of 145 minutes, if there is nothing better to see at your local Odeon you can opt for this one, leave your brain at the door, and sit in an empty theatre (as my movie buddy and I did) and be reasonably entertained, but be prepared to forget about it as soon as you exit the theatre. 

'Afterburn' merits two claps of the Odeon Online clapperboard from a possible five claps. 
-Steve, at Odeon Online-