THE AMATEUR : Tuesday 15th April 2025

I saw the M Rated 'THE AMATEUR' earlier this week at my local independent movie theatre, and this American vigilante action spy thriller film is Directed by James Hawes and is based on the 1981 novel of the same name by Robert Littell, which was previously adapted into a Canadian film that same year with John Savage, Christopher Plummer and Marthe Keller. James Hawes previous feature film making effort was 'One Life' in 2023, although he has Directed numerous TV series since the early 2000's, including multiple episodes of 'Doctor Who', 'Merlin', 'Penny Dreadful', 'Black Mirror', 'Snowpiercer' and 'Slow Horses'. The film was released in the US last week too, has so far grossed US$35M from a production budget of US$60M and has garnered mixed or average reviews. 

Here then, Charles 'Charlie' Heller (Rami Malek, who also Co-Produces here), is a brilliant yet deeply introverted CIA cryptographer, who as the film opens up is seen carefully unwrapping parts to restore an old Cessna single prop plane that was gifted to him by his wife Sarah (Rachel Brosnahan). Later that same day Sarah departs for London where she is attending a four day conference. She asks him to join her, but as usual he declines saying that he has too much important work to do at Langley. At the CIA's Decryption and Analysis division, Charlie has befriended a field agent nicknamed 'the Bear' (Jon Bernthal), and an anonymous source codenamed 'Inquiline'. 

Inquiline sends Charlie highly classified and heavily encrypted files that reveal Special Activities Centre Director and Charlie's boss Alex Moore (Holt McCallany) altered politically-motivated drone strikes as suicide bombings. Later that evening Charlie tries calling Sarah but he only goes through to her voicemail. The next morning Charlie subsequently is brought to CIA Director Samantha O'Brien (Julianne Nicholson), who informs him that Sarah has been killed in a terrorist attack in London. Charlie is disbelieving until he sees raw footage displayed on a TV screen in her office downloaded from a security camera in close proximity to the hotel where Sarah was shot execution style.

A grieving Charlie soon afterwards presents his own findings to Moore and his CIA Deputy Caleb Horowitz (Danny Sapani). After an arms deal gone wrong, four assailants took Sarah and others hostage, killing her before escaping. Charlie identifies the suspects, Belarusian criminal Mishka Blazhic (Marc Rissmann), South African ex-special forces operative Ellish (Joseph Millson), former Armenian intelligence officer Gretchen Frank (Barbara Probst), and elusive mastermind Horst Schiller (Michael Stuhlbarg), Sarah's killer. However, Moore and Horowitz insist they are working to take down Schiller's entire network, and as such tell Charlie to keep out. Determined to avenge Sarah, Charlie confronts Moore and Horowitz with his incriminating orders, which caused hundreds of civilian and allied casualties. Initially Moore brushes off the evidence laid before him, but Charlie then threatens to leak the information to the CIA Director and then the news channels. Charlie demands the available CIA resources to personally hunt down the four terrorists.

And so Charlie is sent off to train with Col. Robert Henderson (Laurence Fishburne) at Camp Peary. The gun-shy Charlie excels at bomb-making, but Henderson lays it out clearly on the line that he is simply not capable of killing anyone. Meanwhile, Moore and Horowitz mobilise a team of CIA operatives to search Charlie's home, office and anywhere he may have visited recently. They discover a CD he hid in a bar's jukebox, but realise he was bluffing when the CD is examined. Henderson is ordered to eliminate Charlie, who bugged the files he left in Moore's office, but he had already vacated his room and was on his way out of the country on a flight bound for London and then a train to Paris, using the fake ID documents he had been given by the CIA.

Charlie tracks down Gretchen Frank in Paris, following an on-line lock-picking tutorial to break into her apartment. He discovers Gretchen's appointment at an asthma and allergy clinic and takes a gun, but cannot bring himself to shoot her when she returns to her home. The next day he buys up all the lilies at a street florist shop, and he traps Gretchen at the clinic in a hypobaric chamber that he fills with the pollen extracted from the lilies. Charlie demands to know Schiller's location, but is unwilling to let Gretchen die and releases her. The pair fight, but she escapes to the street, followed in hot pursuit by Charlie, and is fatally struck by a passing van. Taking Gretchen's phone, Charlie catches a bus to Marseille where Henderson corners him in a bar, but he sets off an explosion in the mens rest room and escapes. 

He requests Inquiline's help and is smuggled to Istanbul, where Inquiline (Caitriona Balfe) reveals herself as the Russian widow of a murdered ex-KGB officer, having taken his place as Charlie's source some six years prior. They trace Blazhic to a luxury hotel in Madrid, while O'Brien learns Moore has sent Henderson after Charlie, and sends her own operative.

In Madrid, Charlie confronts Blazhic as he swims alone in the hotel's rooftop infinity pool perched sixteen storey's up between two towers. He has rigged scuba equipment to decompress the air between the pool's sheets of glass. When Blazhic refuses to answer any questions, Charlie at the press of a button shatters the glass and sends him plummeting to his death. He is nearly apprehended once again by Henderson, who is attacked by O'Brien's operative. In the ensuing struggle, Henderson is shot but kills the operative, allowing Charlie to escape once more. Horowitz realises that Charlie is communicating with someone by spotting an earpiece he is wearing in CCTV footage from the hotel. He tracks down Inquiline and sends a strike team from the CIA Field Office in Istanbul, and Inquiline is killed in a hail of rapid gun fire as she flees with Charlie in a car.

Charlie tracks down Ellish in Romania under the pretence of selling him missiles and traps him with an improvised explosive device that has a remotely activated motion sensor, forcing him to reveal that Schiller operates from a ship on the Baltic Sea. He takes Ellish's phone and leaves him to die in the explosion. Charlie arrives in Primorsk to spy on Schiller's operation. Bear confronts him in a dock side cafe, but Charlie refuses to end his personal vendetta, and so he leaves Charlie pondering his fate.

Charlie is captured and is taken aboard Schiller's ship, coming face-to-face with Sarah's killer. Schiller offers him a loaded gun and the chance to take his revenge. Standing over Schiller with the pistol pointed squarely at Schiller's head and within point blank range, he drops the gun and takes a seat. Charlie reveals that he just had to keep talking long enough as he hacked the ships control systems, steering it to the Gulf of Finland where Schiller and his crew are taken into custody by Finnish Police and Interpol. O'Brien goes public with her revelations about Moore and Horowitz who are later arrested for their unsanctioned operations. After being visited by a recovered Henderson, Charlie is seen taking his restored Cessna plane for its first flight.

With 'The Amateur' Director James Hawes has here delivered a fairly predictable by the numbers spy action thriller that is straight out of the Bourne, or Bond or M:I playbook, with locations spread far and wide, well choreographed action set pieces, but a plot that leaves a lot to be desired. That said it is still entertaining enough and Malek does his best at his portrayal of the CIA computer nerd thrust into a world that he is ill equipped to handle but nonetheless his very particular set of skills at the keyboard enable him to win the day over those bad terrorist types. It has a strong supporting cast with Holt McCallany and Laurence Fishburne as dependable as ever, but Jon Bernthal is wasted with about as much as three minutes in total of screen time out of a total run time of just a nudge over two hours. You can either choose to watch it at your local big screen Odeon or wait to catch it via streaming - either way you could do worse!

'The Amateur' warrants three claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

MEGALOPOLIS : Tuesday 15th October 2024

I finally got around to seeing the M Rated 'MEGALOPOLIS' this week, which was released here in Australia on 26th September. This American epic Sci-Fi film is Written, Co-Produced and Directed by Francis Ford Coppola, whose previous film making credits take in the classic 'The Godfather Parts I, II and III' in 1972, 1974 and 1990, 'The Conversation' in 1974, 'Apocalypse Now' in 1979, 'The Cotton Club' in 1984, 'Peggy Sue Got Married' in 1986, 'Gardens of Stone' in 1987, 'Bram Stoker's Dracula' in 1992, 'The Rainmaker' in 1997 with 'Twixt' in 2011 his most recent film before this one. Coppola spent US$120M off his own money to fund the production of this passion project which he first began considering in 1977 and for which he began script ideas in 1983. Production of the film has been on-again off-again over the years with him returning to the film in earnest in 2019. The film was selected to compete for the Palme d'Or at this years Cannes Film Festival, where it Premiered in mid-May, and has proven divisive amongst critics with mixed or average reviews. Costing in the region of US$130M to produce, the film has so far grossed just over US$11M.

Set in an alternate USA, New Rome is dominated by an elite group of aristocratic families. Although the Roman elite professes to live by a strict moral code, these aristocrats decadently enjoy forbidden pleasures including wild parties, a lavish lifestyle and all the trappings of their wealth and social standing, while ordinary Romans live on the poverty line. Among this elite group is idealist and forward thinking architect Cesar Catilina (Adam Driver) who wins the Nobel Prize for inventing the revolutionary building material Megalon. In addition, he secretly has the ability to stop time. He treats his superpower as a metaphor for his artistic workings - when Cesar stops time and space, everyone and everything else remains frozen.

Despite Cesar's success, he has fallen into bouts of alcoholism. Years earlier, his wife mysteriously disappeared, and District Attorney Franklyn Cicero (Giancarlo Esposito) prosecuted him for murdering her. Although Cesar was exonerated, he remains wracked by guilt, believing that his wife committed suicide because he was too wrapped up in his work. Cesar still longs for his wife, prompting his jealous mistress, TV presenter Wow Platinum (Aubrey Plaza), to leave him. 

Later at a live broadcast event, Cesar and Mayor Cicero offer different visions for the city's future. Cesar proposes using Megalon to build 'Megalopolis' - a utopian urbanist community, while Cicero argues that a casino will provide immediate tax revenue and jobs. During the event, Cesar meets Cicero's well educated, but directionless, daughter Julia (Nathalie Emmanuel). They initially have a disliking for each other, but after showing her his vision for Megalopolis, Julia intrigues Cesar by showing that she is the only person who can still move when Cesar stops time. They become lovers.

Wow marries Cesar's uncle Hamilton Crassus III (Jon Voight) the world's richest man and the CEO and owner of the Crassus Bank. Although Crassus likes his nephew, his mind and health are in decline, and he is easily manipulated by individuals like his other nephew, Clodio Pulcher (Shia LaBeouf) who has his own designs on inheriting the Crassus Bank. At the lavish wedding reception of the happy couple, the headline musical act is pop star Vesta Sweetwater (Grace VanderWaal). 

In an attempt to discredit Cesar, Pulcher leaks a paparazzi video of Cesar having sex with the alleged sixteen year old Vesta, prompting Cicero to condemn Cesar publicly. Although Cicero arrests Cesar for statutory rape, Julia vindicates Cesar by discovering that Vesta faked her age and is actually twenty-three years of age. 

After a redundant Russian satellite crashes to Earth and destroys large swathes of New Rome, Cesar begins construction of Megalopolis from the ruins, financing the project with his family fortune. However, the high cost of building Megalopolis contrasts with the level of poverty on the streets. Pulcher becomes a populist politician, encouraging ordinary Romans to oppose Megalopolis as an expensive folly. The draw of power leads Pulcher from populism to fascist agitator.

Julia, now pregnant, tries to broker a peace accord between Cesar and her father by taking her father to see the Megalopolis construction site. However, Cicero is unimpressed with Cesar's utopianism, although his wife Teresa (Kathryn Hunter) feels the opposite. Cicero begs Cesar to leave Julia - in exchange for which, he offers Cesar valuable blackmail material - a written confession that Cicero knew Cesar's wife committed suicide and maliciously prosecuted Cesar anyway. Cicero gives Cesar three days to decide, but needless to say Cesar declines.

Wow tries to force Cesar to leave Julia and marry her instead by saying that when she has inherited the vast Crassus fortune, she would give it all to him. When Cesar outright rejects her, she freezes his account at the Crassus Bank. She enlists Pulcher to manipulate Crassus into handing over control of the bank. When Crassus learns of Pulcher's duplicity, he has a stroke and collapses. Pulcher hires an assassin in the form of a nine year old boy to kill Cesar, who shoots Cesar in the head at point blank range, while he is signing an autograph for the seemingly innocent young lad. Cesar's doctors use Megalon to rebuild his skull, and repair his severely damaged tissue. 

Cesar and Cicero become allies after rioting Pulcher supporters attempt to storm Megalopolis and City Hall. Pulcher and Wow taunt the seemingly bedridden Crassus, but Crassus kills Wow and injures Pulcher with a hidden bow and arrow shooting a arrow directly into Wow's chest and firing off two arrows into Pulcher's arse. Cesar confronts the rioters, pleading with them to believe in his vision of a better future. His speech wins over the crowd, whose followers hang Pulcher and his right hand man Aram Kazanjian (Balthazar Getty) upside down from a scaffold.

With renewed financial support from Crassus, Cesar finally completes Megalopolis. Cicero, holding Julia and Cesar's baby daughter, Sunny Hope, promises to help Cesar build a better future. On New Year's Eve, as the clock counts down the seconds to midnight, Cesar turns to Julia and asks that she stop time. She does so, freezing them both and all around them leaving only Sunny Hope unaffected by the time stop . . . and she's way too young to click her fingers to resume normal service like her dad would have done!

The film also stars Laurence Fishburne, Talia Shire, Jason Schwatrzman, James Remar, D.B.Sweeney and Dustin Hoffman.  

The film opens up with the words 'Francis Ford Coppola's Megalopolis : A Fable' etched in stone. In other words it is a short story that tells a general truth or is only partly based on fact, and so it is here with references aplenty to real characters and their goings on from ancient Rome transplanted into a future world where those characters play out much as their ancestors might of done in the days of the Roman Empire. And in that respect I guess the film delivers showcasing the wild parties, the sex, the back stabbing, the murders and the political intrigue all wrapped up in a utopian vision of a future city where everyone lives in harmony and happily ever after. Visually the film is rewarding enough but that's just about where the positives end, as the cast of top notch A-list talent appear almost bewildered by what the Director is asking of them except for Shia LaBoeuf who chews up the scenery and his dialogue with reckless abandon, while others - Hoffman, Schwartzman, Shire and Fishburne are underutilised. As for the story - it goes around in circles and never seems to go anywhere leaving you with the feeling that after almost two-and-a-half hours of viewing it is seriously undercooked. It's a real shame because from Coppola I would have expected a whole lot more, but then perhaps his long gestating opus is his last hurrah, he ploughed his own hard earned cash into it, and he finally got to realise his passion project on the big screen, and all the naysayers be damned!

'Megalopolis' merits two claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

JOHN WICK : CHAPTER 4 - Tuesday 28th March 2023.

I saw the MA15+ Rated 'JOHN WICK : CHAPTER 4' this week, and here we have the continuing saga in the 'John Wick' franchise that is once again Directed and Co-Produced by Chad Stahelski following his earlier successes with the 2014 debut in the series 'John Wick', then 2017's 'John Wick : Chapter 2' and 2019's 'John Wick : Chapter 3 - Parabellum'. Those first three films grossed globally a total US$587M off the back of combined production budgets of US$145M. Originally set for worldwide cinematic release on 21st May 2021, 'John Wick 4' was delayed first due to the COVID-19 pandemic and then Keanu Reeves's commitments with 2021's 'The Matrix Resurrections'. This film saw its World Premier in London on 6th March and was released worldwide from last week, having garnered positive critical reviews and grossed so far US$153M off the back of a US$100M production budget. 

The film opens up with the Bowery King (Laurence Fishburne) returning to his underground hideaway where John Wick (Keanu Reeves who also Executive Produces here) has been recovering after being shot by Winston (Ian McShane) at the end of the last film, and is in training to get back into shape so that he is best prepared to exact his revenge on the High Table. We next see John riding horseback across the desert sands of Morocco chasing after three horsemen, whom he eventually guns down, before meeting with the Elder, who sits above the High Table, and whom he also shoots dead. 

Responding to this development, the Marquis Vincent de Gramont (Bill Skarsgard), a senior member of the High Table, summons the New York Continental Hotel Manager Winston and his concierge, Charon (Lance Reddick) to his very plush offices overlooking the city skyline and down across to the Continental. De Gramont explains to Winston that the High Table has given him unlimited resources to find and kill John Wick. He berates Winston for his failure to assassinate John when he had the chance to do so. As a consequence, De Gramont strips Winston of his duties as Manager, declares him as 'excommunicado', destroys the Continental, and shoots Charon in the chest, killing him. We next see De Gramont in Paris where he enlists Caine (Donnie Yen), a blind, retired High Table assassin, to kill his old friend John, threatening to murder his daughter if he declines, or fails to do so.

John takes refuge at the Osaka Continental Hotel, run by his long term friend Shimazu Koji (Hiroyuki Sanada). De Gramont's right-hand man Chidi (Marko Zaror), supported by many High Table assassins and Caine, arrive to investigate the hotel, looking for John. Koji's daughter Akira (Rina Sawayama), the hotel's concierge, evacuates the hotel just before Chidi announces that the High Table have 'deconsecrated' it, resulting in a battle royale between Chidi's men, Koji's men, John and Akira. 

John fights through waves of armoured assassins, and a showdown with Caine is interrupted by a bounty hunter who calls himself 'Mr. Nobody' (Shamier Anderson). He helps John's escape after determining the contract money for killing him falls short of his expectations. Caine allows a wounded Akira to flee after killing her father, but upon leaving she swears to exact her revenge on Caine, to which he responds with 'I'll be waiting'. 

John returns to a snow covered New York and meets with Winston at Charon's gravesite. Winston advises John to invoke an old High Table tradition and challenge De Gramont to a duel. Winning will free him of all obligations to the High Table. The over rider is that John can only request a duel on behalf of a crime family. And so John travels to the Berlin headquarters of Ruska Roma, with whom he had severed all ties, to request readmission. His adoptive sister Katia (Natalia Tena) allows John to rejoin in exchange for dispensing with Killa (Scott Adkins), a High Table senior who murdered her father. Although Killa sets up an ambush at his nightclub with both Caine and Nobody there too, John still manages to kill him, but not before taking a beating himself, and wins back his status within Ruska Roma.

Winston takes John's formal challenge to De Gramont, who is initially dismissive of the notion but then reluctantly accepts when he realises he has no choice. As part of the deal he asks that the New York Continental be rebuilt funded in totality by the High Table, with him being reinstated as Manager, should John win, to which De Gramont reluctantly agrees.

In Paris, John and De Gramont decide the parameters of their duel in a meeting moderated by the Harbinger (Clancy Brown), the Table's emissary. De Gramont nominates Caine to fight in his place. The duel is to take place with duelling pistols on the following sunrise just after 6:00am at Sacre-Coeur, with John and Winston being executed should either fail to appear on time. 

The Bowery King arrives in Paris and meets with Winston and John to give John a weapon and a new ballistic three piece suit.

De Gramont hatches a plan to prevent John from arriving at the duel in time by placing a US$26M bounty on his head, which leads to a frenetic sequence around the Arc de Triomphe with John fighting off hordes of assassins on his way to Sacre-Coeur, including Nobody, who negotiates a bounty increase to US$40M with De Gramont when it looks as though his plan is failing. During their confrontation, John prevents Chidi from killing Nobody's dog, and so a stunned Nobody decides to abandon his pursuit of John, and subsequently kills Chidi on the steps leading up to the Sacre-Coeur. 

After Caine and Nobody assist John in the 220 steps that leads to Sacre-Coeur by taking out another horde of assassins and De Gramont's henchmen, they reach the summit just in time for the duel. Caine takes his place opposite John for the duel, while Nobody watches on from the sidelines with his trusted dog by his side. Each inflicts serious wounds on the other through two rounds of duelling, first at a distance of thirty paces then twenty paces. The third round at a distance of just ten paces, comes to a halt when Caine mortally wounds John with a shot to the gut. Demanding the right to administer the coup de grace, De Gramont immediately steps up and swaps places with Caine. However, as Gramont stands over John pointing the loaded pistol at him, Winston perks up with 'you idiot, he didn't fire his third bullet', with which John shoots and kills an unsuspecting De Gramont with his single pistol bullet cleanly in his forehead. 

The Harbinger grants Caine and John their freedoms from all obligations to the High Table, Winston is reinstated as the Continental Hotel Manager and the hotel will be rebuilt at the High Table's expense. John stands, and turns to Winston and asks that he takes him home. After collapsing on the staircase, John has a vision of his life and marriage before peacefully succumbing to his wounds. Later, back in New York, Winston and the Bowery King say their farewells to John at a gravesite where he is buried next to his late wife, Helen, with the tombstone reading John Wick, Loving Husband, next to his wife's which reads Helen Wick, Loving Wife. 

'John Wick : Chapter 4' certainly ups the ante on the action set pieces, the majestically choreographed fight sequences, the bullet ballet and the trademark gun fu that our titular action hero is renowned for. The body count, which must stretch well into the couple of hundred here all at the hands of one single man, is relentless and I have to say repetitive, with my mind wandering towards the end and thinking when will all this wrap up? And despite John getting thrown off high balconies, crashing through a second storey window and landing on a car roof below, getting hit by various cars and hurled against others and being thrown down 220 steps to land in a crumpled heap at the bottom, he seems to get up, dust himself down, and carry on with killing the bad guys with nary a scratch to show for it - like he's Superman - and maybe he is, until he's not! Including the credits (which you have to sit through if you want to catch the end credits scene) this film borders on three hours, which is easily thirty minutes longer than it needed to be, but that said it never leaves you wanting as it lurches from one action sequence to the next, to the next and so on right up to the satisfactory conclusion that for now at least, seems to put a lid on this franchise that has redefined the action genre and set the standard by which all other films of the ilk will be judged. 

'John Wick : Chapter 4' merits four claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

APOCALYPSE NOW : FINAL CUT - Friday 26th July 2019.

'APOCALYPSE NOW : FINAL CUT' which I saw late last week is rated MA15+, and this 1979 and now a classic American epic war film about the Vietnam War was Directed, Produced and Co-Written by Francis Ford Coppola and now gets it's 40th anniversary re-release in the manner that Coppola had seemingly always intended. Starring Marlon Brando, Robert Duvall, Martin Sheen, Harrison Ford, Sam Bottoms, Laurence Fishburne, Scott Glenn and Dennis Hopper with the Screenplay, Co-Written by Coppola and John Milius was loosely based on the 1899 novella 'Heart of Darkness' by Joseph Conrad. 'Apocalypse Now' was honoured with the Palme d'Or at the 1979 Cannes Film Festival, where it premiered unfinished before it was finally released on August 15, 1979. The film is today considered to be one of the greatest films ever made. It was nominated for eight Oscars at the 52nd Academy Awards, including Best Picture, Best Director, and Best Supporting Actor for Robert Duvall, and went on to win for Best Cinematography and Best Sound among its total awards haul of twenty wins and another 31 nominations. The film took US$150M at the global Box Office off the back of a US$32M Budget. With a running time of 183 minutes, backed up by a 4k restoration and all the technological advancements in sound design, Coppola reportedly said that it now 'looks better than it has ever looked, and sounds better than it has ever sounded', and that he's 'thrilled beyond measure to present the best version of the film to the world.' 

In Vietnam in 1969, Captain Benjamin Willard (Martin Sheen) a veteran U.S. Army special operations officer is sitting in his Saigon hotel room locked up and gradually going insane without a mission to satisfy his hunger to be on the front line. He drinks and smokes heavily and sleeps for days on end reminiscing about his former marriage, his previous tours of duty, the stupefying heat of Vietnam and the sheer boredom of being holed up in the confines of his hotel room. Then there is a knock on the door. With his hand bleeding profusely from where he smashed a plate glass mirror and drunk too, he is manhandled into a cold shower by the two officers who came knocking. Next up he is in a room with Colonel Lucas (Harrison Ford), Lieutenant General Corman (G.D. Spradlin) and a plain clothed mystery man Jerry (Jerry Ziesmer). They have a mission for Willard - to head up river into Cambodia and 'terminate with extreme prejudice' the highly decorated United States Army Special Forces Colonel Walter E. Kurtz (Marlon Brando) who has gone rogue and supposedly completely insane at an outpost in Cambodia, is running his own military unit based there and is feared as much by the U.S. military as by the North Vietnamese and Vietcong.

Willard with little choice but to accept the mission, joins a Navy River Patrol Boat crew captained by Chief Petty Officer George 'Chief' Phillips (Albert Hall) with young crewmen Gunner's Mate 3rd Class Lance B. Johnson (Sam Bottoms) a former professional surfer from Orange County; Engineman 3rd Class Jay 'Chef' Hicks (Frederick Forrest), a former chef from New Orleans; and Gunner's Mate 3rd Class Tyrone 'Mr. Clean' Miller (Laurence Fishburne), a seventeen-year-old street smart South Bronx-born crew member.

They rendezvous with seemingly fearless and mad keen surfing enthusiast Lieutenant Colonel Bill Kilgore (Robert Duvall), 1st Squadron, 9th Cavalry Regiment commander, to discuss going up the Nung River. Kilgore is at first offhandish but befriends Lance after discovering he is a famous surfer and agrees to escort them through the Nung's Viet Cong-held coastal mouth which is tidal and the lads can get in a long overdue surf. The helicopter squadron raids at dawn, with Kilgore ordering a napalm strike on the local hostiles practically wiping them all out but not without suffering casualties also, and at the same time muttering those immortal words 'I love the smell of napalm in the morning'.

As Willard continues the journey up river studying the extensive dossier he has on Kurtz, he learns that a Captain Richard Colby (Scott Glenn) was previously assigned Willard's current mission before he defected to Kurtz's private army and sent a message to his wife, intercepted by the U.S. Army, telling her that he was never coming back and to sell everything they owned. As the crew read letters from home, Lance activates a smoke grenade, attracting the attention of an enemy hiding in the dense undergrowth along the riverbank, and Mr. Clean is shot dead. Further upriver, Chief is impaled by a spear thrown by the natives and killed too. Willard reveals the purpose of their mission to Chef, and in spite of Chef's anger towards their end game, he rejects Willard's offer for him to continue alone and insists that they complete the mission together.

Continuing along their journey, the remaining crew members come across a French family holed up on their remote rubber plantation living the colonial lifestyle, and they spend the night having been welcomed by their well to do hosts dining on good food, fine wine, cognac and cigars. The next day the crew arrives at Kurtz's outpost, and the surviving crew are greeted by an American freelance photojournalist (Dennis Hopper), who crazily praises Kurtz's genius. As they wander through the camp, they come across a near-comatose Colby, along with other US servicemen now in Kurtz's renegade army. Learning that Kurtz is not at the camp at that time, Willard returns to the boat later taking Lance with him back to the camp and instructing Chef to stay behind and call in an air strike of the compound if they do not return within a certain time.

After Willard's initial introduction to Kurtz in a darkened temple he is subdued, bound and then tortured and imprisoned for several days during which time Kurtz drops Chefs severed head into the lap of Willard while he is tied up. Willard is subsequently released and allowed to freely roam the compound. Kurtz lectures him on his theories of war, the human psyche and civilisation, while praising the ruthlessness and dedication of the Viet Cong. 

That night, as the locals ceremonially slaughter a water buffalo, Willard stealthily enters Kurtz's chamber as he is making a recording and attacks him with a machete. Mortally wounded, Kurtz utters 'The horror, The horror' and dies. As the sun rises all in the compound see Willard departing the temple covered in blood spatter, carrying a collection of Kurtz's writings, and bow down to him. Willard then leads Lance to the boat and they depart unhindered.

The original shoot for 'Apocalypse Now' was fraught with challenges, including Marlon Brando arriving on set completely unprepared and overweight; entire sets being wiped out by Typhoon Olga in May 1976; Martin Sheen suffering a mental breakdown and a near fatal heart attack whilst on location; a production schedule that was due to last five months ran to over a year; the initial budget estimations of US$15M blowing out to closer to US$32M; the entire payroll being stolen overnight whilst under the watchful eye of bodyguards; and the final release of the film being delayed several times while Coppola edited over one million feet of film. All of that said, these challenges faced now over forty years ago will have dimmed into the far recesses of cinematic history and gave way ultimately to a classic Vietnam War film that has stood the test of time in all its visceral, hallucinatory, surreal and at times bizarre glory. The original film had a running time of 153 minutes, 2001's 'Apocalypse Now Redux' ran for 202 minutes and this version 'Apocalypse New : Final Cut' has a running time of 183 minutes and has been remastered frame by frame in stunning 4K quality, with the sound production enhanced by Dolby Atmos. This is the complete package and deserves to be either revisited or viewed for the first time on the big screen while you still can in selected theatres - you won't be disappointed by the experience as a chance to see one of the greatest films of all time just as Coppola had originally intended.

'Apocalypse Now : Final Cut' merits five claps of the Odeon Online clapperboard out of a potential five.

-Steve, at Odeon Online-