Showing posts with label Vietnam War. Show all posts
Showing posts with label Vietnam War. Show all posts

Friday, 16 August 2019

DANGER CLOSE : THE BATTLE OF LONG TAN - Tuesday 13th August 2019.

'DANGER CLOSE : THE BATTLE OF LONG TAN' is an MA15+ Rated Australian Vietnam War film, which I saw earlier this week, and is Directed by Kriv Stenders whose previous film making credits include 'Red Dog', 'Kill Me Three Times', 'Red Dog : True Blue', 'Australia Day' and the made for TV movie remake of 'Wake in Fright' most recently. Made for US$35M the film charts the story of of the Battle of Long Tan on 18th August 1966 which took place in a rubber plantation near Long Tan, in South Vietnam, during the Vietnam War. The action was fought between the Viet Cong and People's Army of Viet Cong units and elements of the 1st Australian Task Force, with both sides claiming victory in the aftermath. The operation had ended by 21st August. The film has garnered mixed Reviews since its release last week. The term 'danger close' is a military term which refers to close air, artillery, mortar, and naval gunfire support and is included in the method of engagement of a call for supporting fire from a distance which indicates that friendly forces are within close proximity of the target.

As the film opens up it is mid-August 1966 with career officer Major Harry Smith (Travis Fimmel) of Delta Company, 6th Battalion, Royal Australian Regiment, on operation in Nui Dat, Phuoc Tuy Province in South Vietnam. He is distracted from writing a letter presumably to his wife and young family back home somewhere in Australia, by mortar and rocket attacks on his camp in the early hours of the morning. Smith we soon learn is an ex-Special Forces man, and is seemingly done with babysitting green, still wet behind the ears young conscripts from Australia and New Zealand most of whom are no older than twenty-one years of age.

Smith ventures into the tent of his commanding officer Brigadier David Jackson (Richard Roxburgh) seeking a transfer to the frontline and his former regiment but his request is given short shrift and instantly rejected, instead sending him out the next morning to locate enemy positions. Before he goes, Smith calls in to his tent a recently arrived and cocky private, Paul Large (Daniel Webber), and quite literally almost throttles him, for inadvertently firing off a single round from his rifle while on watch that night, and therefore running the risk of revealing their location.

Other soldiers including Sergeant Bob Buick (Luke Bracey) command more respect from Smith than the young Private, and as soon as Smith separates the company into patrolling scouting platoons, Buick finds himself under fierce enemy gunfire and in command, pinned down with a useless shot out radio. Meanwhile, the men on patrol are all mightily hacked off because they're missing out on a concert back at base camp featuring the specially flown in none other than Col Joye (Geoffrey Winter) and Little Pattie (Emmy Dougall) who all have to be flown out pretty damn quick smart when the ensuing exchange of mortar bombs and gunfire gets a little too close for comfort.

The story then goes back and forth tracing the skirmishes between four separated and isolated platoons all coming under intense gunfire from a relentless enemy while attempting to establish radio contact with each other; their HQ base where Brigadier Jackson and his subordinate officer Lieutenant Colonel Colin Townsend (Anthony Hayes) argue over whether to dispatch reinforcements which would potentially leave their HQ base exposed to attack; and a crew of artillery men overseen by Bombadier Ray Ngatai (Uli Latukefu) manning short range mortars and responding to shit scared radio operators in the field with coordinates with which to bomb the advancing enemy forces with pin point accuracy and so preventing our boys from being overwhelmed.

There's an air of disobeying orders that seems to be a recurring theme throughout the film. Tensions between Smith and Private Large come to an apex when Smith calls down an artillery bombardment on Buick's position as they face off against overwhelming Viet Cong odds, and, when the dust has settled and the platoon are all presumed dead Large shoves his commanding officer to the ground, enraged that he could give such an order. Smith, in turn, refuses an order to withdraw from Lt. Col. Townsend because it would mean leaving his men behind and as far as Smith is concerned it's one in, all in! Lt. Col. Townsend in turn refuses a direct order from Brigadier Jackson to remain at the camp and safeguard it against enemy attack, instead making a secret getaway to aid those succumbing to an ever advancing Viet Cong in the final contact. And six men make a swift getaway in two helicopters during a monsoonal downpour while risk getting shot down to deliver much needed back-up ammunition to Smith and his men, much to the chagrin of Townsend and Jackson. 

And so as the final battle of Long Tan rages over almost four hours of monsoon drenched blood and guts in a rubber plantation on 18th August as 108 largely inexperienced, Australian infantry men fight for their very existence against almost overwhelming odds, and a 1000+ strong battle hardened and relentless Viet Cong and North Vietnamese soldiers that advance in wave after wave. With their ammunition running out, their casualties mounting and the enemy amassing for a final assault, the whole thing came to an abrupt climax just as night was falling, when a fleet of armoured personnel carriers came barrelling through the woods three hours after the bloody battle had begun and ninety minutes after Smith had requested reinforcements. With their machine guns blazing, the Vietnamese fled, those that didn't perish in the rapid gunfire that is.

The next day, the men are seen clearing the Long Tan battlefield of their dead and wounded and taking a roll call of the survivors. We learn that eighteen Australian soldiers were killed during those intense four hours but casualties on the Vietnamese side ran into the many hundreds, with three taken prisoner. However, both sides claimed victory that day. Smith is told by one of his subordinates that he should head back to HQ for a debrief, but he stoically replies with no, I'm staying . . . to aid in attending to his men - the living, the wounded and the dead.

As the end credits roll, we learn that in May 1968 the members of Delta Platoon were awarded the US Presidential Unit Citation for gallantry by Lyndon B Johnson for extraordinary heroism in action against an armed enemy. South Vietnam awarded them the equivalent. The Australian military hierarchy however, took until 2016 to fully acknowledge the actions of the soldiers by honouring for the first time ten men and upgrading awards for the three previously honoured - an act of vindication lobbied for twenty years by Smith himself.

'Danger Close : The Battle of Long Tan' is probably the most significant Australian battle of the Vietnam War, known by the soldiers who were down in the mud that day clinging to their lives, by their families and loved ones, and by those others serving on the periphery, but to those back home in Australia and watching from much further afield, it has little or no significance in reality. However, don't let this fact detract you from seeing this film, which will no doubt please the veterans from that intense firefight that finally after some fifty years their story has finally been told, and with a high degree of accuracy with the real Major Harry Smith, now aged 86, consulting to the film throughout the production process. Kriv Stenders has here crafted an authentic looking film with Queensland's Gold Coast studios and hinterland towns doubling up as the Vietnamese jungle, the staged battle scenes are intense and effectively realised, and the performances are grounded and believable. This film reflects pure and simply the Australian perspective of Long Tan, and does nothing to portray the faceless yet relentless Vietnamese enemy, the reasons for being there, and the conflicts, disputes and interpretations aired subsequently by the Vietnamese as to their numbers of soldiers who fought and their subsequent body count remains a subject of some conjecture. Some of the dialogue and the emotional heft behind it is by the numbers, and exactly as to be expected from a film such as this, but nonetheless this is a movie that needed to be told and should resonate with audiences as an accurate account of a telling moment in Australian war time history. Also starring Stephen Peacocke, Matt Doran, Alexander England, Nicholas Hamilton, Aaron Glenane and Lasarus Ratuere.

'Danger Close : The Battle of Long Tan' merits three claps of the Odeon Online clapperboard from a possible five.
-Steve, at Odeon Online-

Monday, 29 July 2019

APOCALYPSE NOW : FINAL CUT - Friday 26th July 2019.

'APOCALYPSE NOW : FINAL CUT' which I saw late last week is rated MA15+, and this 1979 and now a classic American epic war film about the Vietnam War was Directed, Produced and Co-Written by Francis Ford Coppola and now gets it's 40th anniversary re-release in the manner that Coppola had seemingly always intended. Starring Marlon Brando, Robert Duvall, Martin Sheen, Harrison Ford, Sam Bottoms, Laurence Fishburne, Scott Glenn and Dennis Hopper with the Screenplay, Co-Written by Coppola and John Milius was loosely based on the 1899 novella 'Heart of Darkness' by Joseph Conrad. 'Apocalypse Now' was honoured with the Palme d'Or at the 1979 Cannes Film Festival, where it premiered unfinished before it was finally released on August 15, 1979. The film is today considered to be one of the greatest films ever made. It was nominated for eight Oscars at the 52nd Academy Awards, including Best Picture, Best Director, and Best Supporting Actor for Robert Duvall, and went on to win for Best Cinematography and Best Sound among its total awards haul of twenty wins and another 31 nominations. The film took US$150M at the global Box Office off the back of a US$32M Budget. With a running time of 183 minutes, backed up by a 4k restoration and all the technological advancements in sound design, Coppola reportedly said that it now 'looks better than it has ever looked, and sounds better than it has ever sounded', and that he's 'thrilled beyond measure to present the best version of the film to the world.' 

In Vietnam in 1969, Captain Benjamin Willard (Martin Sheen) a veteran U.S. Army special operations officer is sitting in his Saigon hotel room locked up and gradually going insane without a mission to satisfy his hunger to be on the front line. He drinks and smokes heavily and sleeps for days on end reminiscing about his former marriage, his previous tours of duty, the stupefying heat of Vietnam and the sheer boredom of being holed up in the confines of his hotel room. Then there is a knock on the door. With his hand bleeding profusely from where he smashed a plate glass mirror and drunk too, he is manhandled into a cold shower by the two officers who came knocking. Next up he is in a room with Colonel Lucas (Harrison Ford), Lieutenant General Corman (G.D. Spradlin) and a plain clothed mystery man Jerry (Jerry Ziesmer). They have a mission for Willard - to head up river into Cambodia and 'terminate with extreme prejudice' the highly decorated United States Army Special Forces Colonel Walter E. Kurtz (Marlon Brando) who has gone rogue and supposedly completely insane at an outpost in Cambodia, is running his own military unit based there and is feared as much by the U.S. military as by the North Vietnamese and Vietcong.

Willard with little choice but to accept the mission, joins a Navy River Patrol Boat crew captained by Chief Petty Officer George 'Chief' Phillips (Albert Hall) with young crewmen Gunner's Mate 3rd Class Lance B. Johnson (Sam Bottoms) a former professional surfer from Orange County; Engineman 3rd Class Jay 'Chef' Hicks (Frederick Forrest), a former chef from New Orleans; and Gunner's Mate 3rd Class Tyrone 'Mr. Clean' Miller (Laurence Fishburne), a seventeen-year-old street smart South Bronx-born crew member.

They rendezvous with seemingly fearless and mad keen surfing enthusiast Lieutenant Colonel Bill Kilgore (Robert Duvall), 1st Squadron, 9th Cavalry Regiment commander, to discuss going up the Nung River. Kilgore is at first offhandish but befriends Lance after discovering he is a famous surfer and agrees to escort them through the Nung's Viet Cong-held coastal mouth which is tidal and the lads can get in a long overdue surf. The helicopter squadron raids at dawn, with Kilgore ordering a napalm strike on the local hostiles practically wiping them all out but not without suffering casualties also, and at the same time muttering those immortal words 'I love the smell of napalm in the morning'.

As Willard continues the journey up river studying the extensive dossier he has on Kurtz, he learns that a Captain Richard Colby (Scott Glenn) was previously assigned Willard's current mission before he defected to Kurtz's private army and sent a message to his wife, intercepted by the U.S. Army, telling her that he was never coming back and to sell everything they owned. As the crew read letters from home, Lance activates a smoke grenade, attracting the attention of an enemy hiding in the dense undergrowth along the riverbank, and Mr. Clean is shot dead. Further upriver, Chief is impaled by a spear thrown by the natives and killed too. Willard reveals the purpose of their mission to Chef, and in spite of Chef's anger towards their end game, he rejects Willard's offer for him to continue alone and insists that they complete the mission together.

Continuing along their journey, the remaining crew members come across a French family holed up on their remote rubber plantation living the colonial lifestyle, and they spend the night having been welcomed by their well to do hosts dining on good food, fine wine, cognac and cigars. The next day the crew arrives at Kurtz's outpost, and the surviving crew are greeted by an American freelance photojournalist (Dennis Hopper), who crazily praises Kurtz's genius. As they wander through the camp, they come across a near-comatose Colby, along with other US servicemen now in Kurtz's renegade army. Learning that Kurtz is not at the camp at that time, Willard returns to the boat later taking Lance with him back to the camp and instructing Chef to stay behind and call in an air strike of the compound if they do not return within a certain time.

After Willard's initial introduction to Kurtz in a darkened temple he is subdued, bound and then tortured and imprisoned for several days during which time Kurtz drops Chefs severed head into the lap of Willard while he is tied up. Willard is subsequently released and allowed to freely roam the compound. Kurtz lectures him on his theories of war, the human psyche and civilisation, while praising the ruthlessness and dedication of the Viet Cong. 

That night, as the locals ceremonially slaughter a water buffalo, Willard stealthily enters Kurtz's chamber as he is making a recording and attacks him with a machete. Mortally wounded, Kurtz utters 'The horror, The horror' and dies. As the sun rises all in the compound see Willard departing the temple covered in blood spatter, carrying a collection of Kurtz's writings, and bow down to him. Willard then leads Lance to the boat and they depart unhindered.

The original shoot for 'Apocalypse Now' was fraught with challenges, including Marlon Brando arriving on set completely unprepared and overweight; entire sets being wiped out by Typhoon Olga in May 1976; Martin Sheen suffering a mental breakdown and a near fatal heart attack whilst on location; a production schedule that was due to last five months ran to over a year; the initial budget estimations of US$15M blowing out to closer to US$32M; the entire payroll being stolen overnight whilst under the watchful eye of bodyguards; and the final release of the film being delayed several times while Coppola edited over one million feet of film. All of that said, these challenges faced now over forty years ago will have dimmed into the far recesses of cinematic history and gave way ultimately to a classic Vietnam War film that has stood the test of time in all its visceral, hallucinatory, surreal and at times bizarre glory. The original film had a running time of 153 minutes, 2001's 'Apocalypse Now Redux' ran for 202 minutes and this version 'Apocalypse New : Final Cut' has a running time of 183 minutes and has been remastered frame by frame in stunning 4K quality, with the sound production enhanced by Dolby Atmos. This is the complete package and deserves to be either revisited or viewed for the first time on the big screen while you still can in selected theatres - you won't be disappointed by the experience as a chance to see one of the greatest films of all time just as Coppola had originally intended.

'Apocalypse Now : Final Cut' merits five claps of the Odeon Online clapperboard out of a potential five.

-Steve, at Odeon Online-