Birthday's to share this week : 2nd-8th October 2016

Do you celebrate your Birthday this week?

Jesse Eisenberg does on 5th October - check out my tribute to this Birthday Lad turning 33, at the end of this feature.

Do you also share your birthday with a well known, highly regarded & famous Actor or Actress; share your special day with a Director, Producer, Writer, Cinematographer, Singer/Songwriter or Composer of repute; or share an interest in whoever might notch up another year in the coming seven days? Then, look no further! Whilst there will be too many to mention in this small but not insignificant and beautifully written and presented Blog, here are the more notable and noteworthy icons of the big screen, and the small screen, that you will recognise, and that you might just share your birthday with in the week ahead. If so, Happy Birthday to you from Odeon Online!

Sunday 2nd October

• Sting (aka Gordon Sumner) - Born 1951, turns 65 - Singer | Songwriter | Composer | Actor | Producer

Monday 3rd October

• Clive Owen  - Born 1964, turns 52 - Actor | Producer  
• Denis Villeneuve - Born 1967, turns 49 - Director | Writer
• Sean William Scott - Born 1976, turns 40 - Actor | Producer 
• Neve Campbell - Born 1973, turns 43 - Actress | Producer | Writer
• Alicia Vikander - Born 1988, turns 28 - Actress | Producer

Tuesday 4th October

• Susan Sarandon - Born 1946, turns 70 - Actress | Producer | Singer
• Alicia Silverstone - Born 1976, turns 40 - Actress | Producer 
• Dakota Johnson - Born 1989, turns 27 - Actress
• Armand Assante - Born 1949, turns 67 - Actor | Producer
• Christoph Waltz - Born 1956, turns 60 - Actor | Writer | Producer | Director
• Liev Schreiber - Born 1967, turns 49 - Actor | Writer | Producer | Director  

Wednesday 5th October

• Bob Geldof - Born 1951, turns 65 - Singer | Songwriter | Actor | Writer | Humanitarian  
• Guy Pearce - Born 1967, turns 49 - Actor | Singer
• Jesse Eisenberg - Born 1983, turns 33 - Actor | Writer | Producer | Director
• Jacob Tremblay - Born 2006, turns 10 - Actor 
• Karen Allen - Born 1951, turns 65 - Actress
• Kate Winslet - Born 1975, turns 41 - Actress 

Thursday 6th October

• Britt Ekland - Born 1942, turns 74 - Actress
• Elisabeth Shue - Born 1963, turns 53 - Actress | Producer
• Ioan Gruffudd - Born 1973, turns 43 - Actor  

Friday 7th October

• Marco Beltrami - Born 1966, turns 50 - Composer | Songwriter | Musician
• Tim Minchin - Born 1975, turns 41 - Singer | Songwriter | Musician | Writer | Actor | Producer | Director  

Saturday 8th October

• Paul Hogan - Born 1939, turns 77 - Actor | Writer | Producer
• Chevy Chase - Born 1943, turns 73 - Actor | Writer | Producer | Singer
• Edward Zwick - Born 1952, turns 64 - Director | Producer | Writer
• Matt Damon - Born 1970, turns 46 - Actor | Producer | Writer
• Sigourney Weaver - Born 1949, turns 67 - Actress | Producer
• Kristanna Loken - Born 1979, turns 37 - Actress | Producer  

Jesse Adam Eisenberg was born in Queens, New York to mother Amy Fishman, a teacher of cultural sensitivity in hospitals and before that a children's party clown, and father Barry Eisenberg, a one time taxi driver before becoming a sociology college professor. He has two sisters - Hallie Kate and Kerry Lea - both of whom have worked in acting. Eisenberg had a secular Jewish upbringing in East Brunswick Township, New Jersey. He attended the East Brunswick Public Schools, then East Brunswick High School, and then moved to the High School of Performing Arts in New York, upon which the 1980 hit film 'Fame' was set. While in his senior year he secured his big screen debut in 2002 in 'Roger Dodger'. He went onto The New School in New York s Greenwich Village where he studied anthropology and contemporary architecture eventually majoring in liberal arts.

He first appeared on stage at age seven in a children's theatre production of 'Oliver', and at twelve he understudied for a 1996 Broadway Production of 'Summer and Smoke', and a year later he played the young Scrooge in a musical version of 'A Christmas Carol' at The Paramount Theatre. His first professional play came in 1999 at age sixteen in 'The Gathering' in an off-Broadway production at Playhouse 91.  His first small screen role came as Kenny Green in all 22 episodes of comedy drama series 'Get Real' from 1999 to 2000, and then made for television movie 'Lightning : Fire from the Sky' in 2001. 'Roger Dodger' came next in 2002 - his big screen debut opposite Campbell Scott, with 'The Emperor's Club' that same year with Kevin Kline, Emile Hirsch, Paul Dano and Patrick Dempsey.

In 2004 Eisenberg secured a small role in M.Night Shyamalan's 'The Village'. He followed this up with the Noah Baumbach Written and Directed 'The Squid and The Whale' in 2005; Wes Craven's horror-comedy 'Cursed'; 'The Education of Charlie Banks' with Jason Ritter; 'The Hunting Party' with Richard Gere; 'Adventureland' with Kristen Stewart, and then probably his breakout role in 'Zombieland' - a horror-comedy with Woody Harrelson, for which a sequel is currently in the works.

The new decade saw four films in 2010 starting with 'Holy Rollers' in  which he starred alongside his sister Hailee, 'Camp Hell', 'Solitary Man' with Michael Douglas, and then as Mark Zuckerberg in David Fincher's highly acclaimed and commercially successful 'The Social Network' for which Eisenberg received Academy Award, Golden Globe and BAFTA nominations.



The next year he voiced the lead character of Blu in the animated feature 'Rio' - a voice he would reprise again in 2014 in 'Rio 2', and then '30 Minutes or Less'. 2012 saw 'Why Stop Now', 'Free Samples', Woody Allen's ensemble cast in 'To Rome With Love', 'He's More Famous Than You' and 'Now You See Me' with an all star cast a year later in 2013. He would also reprise his role as one of The Four Horsemen, Danny Atlas in the 2016 sequel 'Now You See Me 2', with a third film already announced.

In between there has been 'Night Moves', 'The Double' with Mia Wasikowska, 'The End of the Tour', 'Louder Than Bombs', 'American Ultra' with Kristen Stewart again, and as Lex Luthor in this years Zack Snyder production of the DC Extended Universe in 'Batman v. Superman : Dawn of Justice' with Ben Affleck as Batman and Henry Cavill back again as Superman. He has also had some guest television appearances on 'Saturday Night Live', 'The Newsroom', 'Modern Family' and 'Top Gear' as well as a number of theatre productions which he has also Written.

Next up is Woody Allen's 'Cafe Society' due for its Australian release later this year with Kristen Stewart once more, and DC's 'Justice League : Part One' currently filming for Zack Snyder with Batman, Wonder Woman, The Flash and Aquaman, with Eisenberg reposing his role as Lex Luthor again. Over the years he has also narrated numerous audiobooks as well as being the author of numerous short stories published in The New Yorker and in McSweeney's. His debut novel 'Bream Gives Me Hiccups' was released one year ago and includes these previously published pieces and more, and is being adapted for a television series with filming currently ongoing with Eisenberg Directing, Producing and Writing.

Eisenberg suffers from several forms of anxiety - obsessive compulsive disorder, separation anxiety, social anxiety and depression which he still suffers from but was more pronounced in him during his childhood years. He has found that acting helped him cope. He is a vegetarian, has been involved in animal fostering programmes and has financially supported Middle Way House - a shelter for women and children fleeing domestic violence. He also supports 'Keep America Beautiful' and 'The Shoe Revolt' aimed at empowering youth to take up the fight against domestic sex trafficking. He also took part in the United Nations High Commissioner for Refugees Agency video to increase awareness of the global refugee crisis.

All up Eisenberg has 38 Acting credits to his name, and one for Director, Producer and Writer on the upcoming 'Bream Gives Me Hiccups'. All up he has garnered twenty awards wins and a another 56 nominations with many of those being for his work on 'The Social Network'. He dated Anna Strout from 2002 to 2012 - a crew member and assistant on 'The Emperor's Club' when they first got together. They broke off in 2012 when Eisenberg dated his 'The Double' Co-Star Mia Wasikowska until 2015. He has since reunited with Anna Strout.

Jesse Eisenberg - trade mark curly hair, and often plays fast talking introverted shy anti-social neurotic characters. Certainly not one to be typecast having played across all genres and continuing to keep us entertained with his diverse roles - some real and some fictitious and always convincing. Happy Birthday to you Jesse and Best Wishes, from Odeon Online.

-Steve, at Odeon Online-

BATMAN v SUPERMAN : DAWN OF JUSTICE - TUESDAY 22nd March 2016

I was lucky enough to see the Australian Premier of 'BATMAN v SUPERMAN : DAWN OF JUSTICE' at a local Multiplex two days ahead of its official Australian release date on Tuesday last week. This much hyped, long awaited, eagerly anticipated and initially controversial next instalment in the DC Extended Universe is finally here, as Directed by Zack Snyder and made for a cool US$250M. This is the second instalment in the DC Extended Universe following 2013's 'Man of Steel' also Directed by Zack Snyder and which made US$668M off its US$225M production budget, and sees once again Henry Cavill reprising his role as Superman/Clark Kent. This film features some big name acting talent and also unites for the first time on the big screen in a live action movie a number of favoured characters from the DC canon - some of whom will get their own big picture outing in future years. All that said, it seems that this film is already dividing critics the world over with some making a scathing attack on the movie and others rating it well. Ultimately you will have to decide, and while the fate of the world rests in the hands of Batman and Superman, the fate of Batman and Superman rests in yours.

As the film opens we see Superman battling it out above the city skyline with an alien foe assumed to be the tail end of his epic battle with General Zod as seen at the end of 'Man of Steel'. There is mass destruction everywhere and innocent lives lost including those close to Bruce Wayne as he tears through the city streets gazing in disbelief at the sight of crumbling buildings and collateral damage in front of his very eyes, and all at the hands of Superman. All around him the citizens stare in disbelief at the carnage all around, and flee to safety, fearful for their own lives. Fast forward two years or so after these events and many of Metropolis's inhabitants, and indeed the world, are left feeling helpless, angry and fearful that Superman is not everything he is cracked up to be and in fact that he may even be a threat to humanity, especially if he continues to go unchecked. Equally though there are those who consider Superman as God like and their saviour given his superhuman powers. The media is in a frenzy as the debate rages on, and often on the front page of The Daily Planet newspaper where Clark Kent works with the love of his life Lois Lane (Amy Adams) and supervised by Editor Perry White (Laurence Fishburn).

Those who doubt Superman and see him as a threat include billionaire Bruce Wayne aka Batman (Ben Affleck) who takes it upon himself to wage a one man war against Superman to rid the Earth of him, so that its citizens can rest easy once more. This Batman however, is an ageing Superhero whom we learn through trusty and loyal Butler Alfred (Jeremy Irons) is 'too old to die young' and has been battling villains for over twenty years now. We are beyond the Nolan films, the age of Robin here, and Wayne Manor is a derelict abandoned wreck of a building now and a fading memory of what it used to stand for. Wayne is still a rugged handsome man about town and astute businessman loaded with more wealth than you can imagine, but his focus has shifted from capturing villains and locking them up (a reference here to the upcoming 'Suicide Squad' perhaps) to thwarting Superman once and for all. Affleck plays it well, looks the part with his chiseled features and lends a certain gravitas to this ageing Batman knocking on the door of fifty, and still living with his trusted family Butler, who has been seriously up-skilled from his former film appearances to a role much more emotionally advanced and tech. savvy.

In the wings however, watching and waiting is Lex Luthor (Jessie Eisenberg) who also has plans for Superman, and is working on weaponising Kryptonite which he has come to possess from the downed alien spacecraft carrying General Zod some two years earlier. He wants to create an intergalactic warning system that acts as a deterrent to potential invading alien kind, but he needs to get it through the Senate, and Senator Finch (Holly Hunter) ain't gonna let that happen for fear that such a weapon may be used for less noble means than intended. Angry that this is likely to be the case Luthor takes out his revenge on the Senate just as Superman descends to give evidence for the first time in a landmark hearing. It doesn't end well for anyone, and as a result Superman goes into hiding believing he was the root cause for the death of hundreds.

When Clark Kent and Bruce Wayne come together at a charity event hosted by Lex Luthor their initial reception is less than warm, as they both go on the defensive about their alter-egos, whilst not knowing yet who and what those alter-egos are. At this event, Wayne attempt to tap into LexCorp's mainframe and does so successfully only for the drive to be 'stolen' before he can reclaim it by a sultry mystery antiques dealer Diana Prince (Gal Gadot). Later tracked down by Wayne who confronts her, she explains that she has returned the drive to the glove box of his car, but that she believed that Luthor also was in possession of files relating to herself, which she wanted to retrieve. Later that day Wayne decrypts the drive and whilst scouring its contents learns that Diane Prince is some kind of immortal warrior as evidenced by photographs of her taken from the early 20th Century.

Meanwhile Luthor ramps up his activities to bring down Superman and is successful in retrieving a sizable rock of Kryptonite which he brings into Metropolis under cover of night. Batman is watching Luthor's every move and uncovers the impending shipment and so lays in wait to intercept the cargo for his own means to ultimately thwart Superman. Following a well executed action chase sequence through the docks of Gotham in which Batman follows the Kryptonite truck in his Batmobile, the dark knight is halted in his tracks when he comes face to face with Superman, who gives him a warning to cease his one man vigilante activities immediately or face the consequences of his wrath.

Eventually, while Luthor is caught napping, Batman retrieves the Kryptonite and sets about building himself a powerful new exoskeleton Batsuit and waeponises the Kryptonite to use against Superman. Cue the obligatory training montage of a ripped Batman prepping himself for the ultimate standoff. 'Who Will Win' indeed?? In the meantime, Luthor must revert to 'Plan B' and with access granted to General Zod's downed scout ship which rests in Metropolis, he splices his own DNA with that of General Zod in the ships Genesis Chamber. Still intent on destroying Superman, Luthor brings Lane to the helipad on top of LexCorp as a means of luring Superman there with a blackmailed threat that leads him to face off against Batman in an epic battle that sees one rise victorious . . . well almost, and potentially!

Whilst that battle royale is going on, the mutated creature that Luthor has concocted in the Genesis Chamber using his own DNA and that of Zod's together with some alien reproductive technology is coming to life, and larger than it! With the power to outdo Superman, 'Doomsday' as Luthor affectionally has called it, engage in head to head combat that sees whole city blocks destroyed, land laid to waste, and a nuclear war head pound straight into them both far above the Earth's atmosphere from which they both recover quickly only to return to the ground where Batman and now Wonder Woman (aka Diana Prince aka Gal Gadot) join the fight. Needless to say, good overcomes evil, but, at a cost!

As the story draws to an end we see Bruce Wayne and Diana Prince talking about the formation of a 'Justice League' that unites the other metahumans seen by him in Luthor's decrypted files - those being Aquaman, The Flash and Cyborg, and now their attention must turn to tracking them down and helping to protect the world from further threats. With Luthor safely locked up in maximum security for all of his criminal activities, he is visited by Batman who says that he will now be forever watching him should he ever step out of line.

As of 27th March, the film has grossed of US$424M setting it at the fourth biggest opening of all time and the biggest Superhero movie opening of all time, with the film needing to take as a minimum US$800M to make it the commercial success needed to recover its US$250M production budget and its US$150M or so marketing & promotion costs. Those 'experts' claim that it is likely to take US$1B given the media frenzy and what its has done so far in its first four days since opening. As far as this Blogger is concerned, I hope it does well. I was pleasantly surprised by the film and think it deserves better than many critics are citing. The lead performances are strong and considered (Affleck, Cavill, Gadot, Eisenberg), the story is solid enough, the action set pieces are well executed, and the film maintains the attention for all of its 151 minutes running time. Chris Nolan was on board as an Executive Producer and he gave it the thumbs up.

This film is not as dark and brooding as any of Nolan's hugely successful trilogy, but we do see Batman and Superman in a different light here and for me that was refreshing, and we are introduced to a new character, and fleetingly, some new ones too in readiness for the next instalment. Despite many of the naysayers, this film is worthy of your attention and it's a must see on the big screen, and it stands up well as a singular offering, and as a follow on from Nolan's films (albeit some years later given that Affleck's Batman is ageing and not afraid to admit it) but without the intensity. I saw it in 3D which is unnecessary in my opinion, but give the film a go and you decide - you could do a lot worse with your $20 spent on the cost of entry.

-Steve, at Odeon Online-