Showing posts with label Maria Bakalova. Show all posts
Showing posts with label Maria Bakalova. Show all posts

Friday, 12 May 2023

GUARDIANS OF THE GALAXY VOLUME 3 : Tuesday 9th May 2023.

I saw the M Rated 'GUARDIANS OF THE GALAXY VOLUME 3' at my local Odeon earlier this week. This hotly anticipated American superhero film is based on the Marvel Comics superhero team Guardians of the Galaxy, and is the sequel to 2014's 'Guardians of the Galaxy' and 2017's 'Guardians of the Galaxy Vol. 2' and serves as the 32nd film in the Marvel Cinematic Universe, the second film in Marvel's Phase Five and more than likely the final instalment in this particular series. Written and Directed once again by James Gunn who recently jumped ship and now heads up, with Peter Safran, DC Studios as Co-Chairpersons and joint CEO's. Gunn's next Directorial outing is slated to be 'Superman : Legacy' due in July 2025. The film saw its World Premier screening at Disneyland, Paris on 22nd April and was released in the US, China, here in Australia and other territories last week. It has garnered generally positive critical reviews and has so far grossed US$366M off the back of a production budget of US$250M. 

At their new home base on Knowhere, the Guardians of the Galaxy (Chris Pratt, Pom Klementieff, Dave Bautista, Karen Gillan, Bradley Cooper and Vin Diesel) are attacked by Adam Warlock (Will Poulter), a Sovereign warrior created by their High Priestess Ayesha (Elizabeth Debicki) who seems to answer to the High Evolutionary (Chukwudi Iwuji). After Adam overpowers them and seriously wounds Rocket (voiced by Bradley Cooper), he is stabbed by Nebula (Karen Gillan) and forced to flee the scene. The Guardians are unable to tend to Rocket's wounds due to a kill switch attached to his heart, made by the company Orgocorp. They travel to Orgocorp's headquarters to find the override code, having at best 48 hours before Rocket dies. 

As Rocket lies unconscious, memories of his past life come flooding back. As a baby raccoon, he was experimented on by the High Evolutionary, an alien geneticist who sought to take what he viewed as lower life forms and enhance them into a perfect anthropomorphic species in order to create a Counter-Earth. 

After being modified Rocket befriended the High Evolutionary's other test animals: the otter Lylla, the rabbit Floor and the walrus Teefs. The High Evolutionary perfected the anthropomorphisation process with Rocket's advice but ordered Rocket's brain to be extracted for further research, and his friends incinerated. Rocket was able to free Lylla with an improvised electronic key card, only for the High Evolutionary to kill her, upon walking in and discovering Rocket's ruse. Rocket, enraged, mauled the High Evolutionary face and head and shot his guards, but Teefs and Floor were killed in the exchange of gunfire. Alone, angry and despondent Rocket steals a spaceship and flees. 

Meanwhile, the alternate version of Gamora (Zoe Saldana) who has joined the Ravagers led by the high ranking Stakar Ogord (Sylvester Stallone), helps the Guardians infiltrate Orgocorp, which is owned by the High Evolutionary. 

They retrieve Rocket's file, but discover that the code has been removed. The group speculates that Theel (Nico Santos), one of the High Evolutionary's advisors, has it, so they depart for Counter-Earth. They are followed by Ayesha and Adam, who are ordered by their creator, the High Evolutionary, to capture at all costs Rocket for his brain.

Arriving on Counter-Earth the Guardians are helped by a family of local residents in tracing Theel to the High Evolutionary's ship. Drax (Dave Bautista) and Mantis (Pom Klementieff) remain with Gamora and Rocket as Peter Quill (Chris Pratt), Groot (voiced by Vin Diesel), and Nebula (Karen Gillan) travel to the High Evolutionary's ship. Nebula is forced to wait outside by guards as Quill and Groot board. Drax and Mantis chase after Quill's group. 

The High Evolutionary sets off the destruction and planned recreation of Counter-Earth, which ultimately kills all life on the planet, including Ayesha. As his ship enters orbit, Quill and Groot leap off with Theel, landing back on Counter-Earth and retrieving the code from the computer implanted into the side of his head, just as Gamora arrives with their ship. In the meantime, Nebula, Mantis, and Drax board the High Evolutionary's ship in order to rescue Quill and Groot, not knowing that had recently and literally jumped ship. As Quill's group attempts to access the code, Rocket flatlines and has a near-death experience, where he is reunited with Lylla, Teefs, and Floor. Lylla tells him that his time has not yet come and that he still has work to do, as Quill uses the code to disable the kill switch and save Rocket's life. 

On the High Evolutionary's ship, Nebula, Mantis, and Drax come across hundreds of imprisoned humanoid children, before being captured. Quill's group sets out to rescue the three, who are placed in a chamber with monstrous Abilisks. Mantis connects with the Abilisks saying they only eat batteries, and so allowing the group to escape and reunite with Quill's group, together overcoming the High Evolutionary's army. Kraglin (Sean Gunn) and Cosmo the Spacedog (voiced by Maria Bakalova) arrive back on Knowhere, and Cosmo creates a telekinetic bridge connecting Knowhere to the High Evolutionary's ship to free the captured children. Rocket discovers imprisoned animals on the ship before being attacked by the High Evolutionary, but the rest of the Guardians help subdue him, remove his mask revealing the seriously disfigured face of the man and leaving him to die on his ship. The Guardians rescue the animals and lead them aboard Knowhere. Quill nearly dies by freezing in deep space trying to cross over but is saved by Adam, who had a change of heart after being saved by Groot. 

Once the dust has settled, Quill announces that he intends to leave the Guardians, bestowing the captaincy to Rocket before leaving for Earth to reunite with his grandfather Jason. Mantis embarks on a journey of self-discovery with the Abilisks, Gamora reunites with the Ravagers and is welcomed back by Stakar Ogord, and Nebula and Drax remain on Knowhere to raise the saved children. 

There is no doubt that Director James Gunn has wrapped up his final instalment of the 'Guardians' trilogy with a lot of heart, a good dose of emotion, action set pieces aplenty, some witty dialogue, a thumping soundtrack, all the colour and grandeur of the galaxy that you could ever imagine, plus a whole zoo load of animals that would make any self respecting PETA advocate squirm in horror. And for the rag tag bunch of space heroes Gunn sees them all go off in their own directions to seek out new challenges and adventures, and as for some of them if you remain in your seat for a mid-credits sequence and right until the end credits have rolled you'll catch a glimpse of what the future (possibly) holds. My only criticism of this film, and it seems that thirty-two films in now, of the MCU at large, is that the CGI action spectacles are often so beautifully rendered that their screen busyness leaves the viewer wondering where to focus the attention for fear of missing out on something happening on another part of the screen. 

'Guardians of the Galaxy Volume 3' warrants three claps of the Odeon Online clapperboard from a potential five claps.
-Steve, at Odeon Online-

Friday, 23 September 2022

BODIES BODIES BODIES : Tuesday 20th September 2022.

I saw the MA15+ Rated American black comedy horror film 'BODIES BODIES BODIES' earlier this week at my local multiplex, as Directed by the Dutch Actress, Writer and film maker Halina Reijn in her English language debut, and only her second feature film after 'Instinct' in 2019. The film saw its World Premier screening at the South by Southwest Film Festival in mid-March this year before its release in the US from early August, having so far taken US$13M at the Box Office and generated largely positive reviews.

The films opens up with a close up shot of Bee (Maria Bakalova), a working class young woman from somewhere in Eastern Europe, engaged in a very passionate kiss with her wealthy girlfriend Sophie (Amandla Stenberg). Soon enough the pair are travelling in Sophie's SUV to the home of David (Pete Davidson) Sophie's childhood friend whose father is the owner of the lavish mansion hidden away in the woods for a 'Hurricane Party'. The other guests are David himself and his girlfriend and aspiring actress Emma (Chase Sui Wonders), a podcaster named Alice (Rachel Sennott) and her forty year old boyfriend Greg (Lee Pace) and Jordan (Myha'la Herrold). Max (Conner O'Malley), another guest, left the night before after getting into a fight with David. 

After spending the afternoon and early evening getting high on drink, drugs and dancing, the hurricane blows in and so the gathered guests decide to play a game of 'Bodies, Bodies, Bodies' - a murder in the dark kind of game. The initial game comes to an abrupt halt when Greg announces that he is going off to bed early and David leaves after an altercation with Emma. The hurricane starts to take hold and suddenly all the lights go out and the power supply is lost. Bee subsequently finds David outside under the verandah in the pouring rain with his throat slashed open and a bloodied Gurkha machete knife close by. En masse the girls all run to Sophie's car to alert the local authorities but find that her car battery is dead, so their not going anywhere, and they have no signal on any of their mobile phones to call in 911. 

Greg is suspected as being David's killer and so the group go up to his room to confront him, expecting to find him asleep. But his bed is empty. They search the room for clues as to his possible whereabouts and come across a survival kit containing a map of the local area with a red circle drawn around the estate, and a knife, amongst a back pack containing all manner of other survival type gear. The girls eventually track down Greg on the floor of the gym sleeping wearing a UV face mask with his ear buds in, which explains why he didn't hear them when they were calling out his name. They confront him with various weapons, including his own knife, and after realising they are serious with their accusations towards him, he returns their hostile attitude. Following a struggle, Bee hits him over the head from behind with a kettle bell, not once, but twice, just to ensure that he is dead, and he is! The group further discuss Greg and doubt that he was the killer and Emma surmises that Max, who had confessed feelings for Emma, in fact returned to kill David. Sophie, a sober addict, relapses. Emma kisses her, to Sophie's chagrin, before accepting drugs. Alice later finds Emma dead at the bottom of the stairs, and believes the group is being killed off one by one. Jordan and Alice cast their doubts about the validity of Bee's background, revealing that no one with her name is on record as having graduated from her college, and so they force Bee out of the house and into the gale force winds and torrential rain. 

Taking shelter from the pouring rain and howling wind in Sophie's car, Bee while searching for something dry and warm to wear finds underwear that matches Jordan's bra in the backseat. She goes back to the house looking to gain entry and sees Jordan holding David's father's revolver through a conservatory window. She then crawls back into the mansion through a dog door. Bee then confronts the group, stating that she dropped out of college after one semester to take care of her ailing mother, who has borderline personality disorder. An angry verbal fight breaks out between the group. Jordan, revealed to have been the 'murderer' in the Bodies Bodies Bodies game, expresses bitterness for Sophie due to her drug addiction and using David to get access to her trust fund, and claims Sophie cheated on Bee with Jordan. Sophie says why she would not date Jordan, that she avoids her friends because their behaviour challenges her sobriety, and reveals that Jordan only really 'hate-listens' to Alice's podcast. After Alice responds by insulting Jordan's insecurities, Jordan shoots Alice in the leg, and then points the gun at Sophie. A struggle for the gun follows resulting in Alice being fatally shot in the throat. As Sophie and Jordan fight, Bee pushes Jordan over the staircase bannister, with her crashing onto a glass table on the ground floor. With her dying breath, Jordan fires off the remaining rounds of the gun and tells Bee to check Sophie's text messages. Bee runs and hides from Sophie.

As daylight breaks through the next morning and the hurricane has blown over Sophie tearfully confesses to Bee that she relapsed and witnessed Emma falling down the stairs to her death. However, Bee holds her at gunpoint, demanding to see her texts. Sophie tosses her phone away and they struggle, inadvertently picking up David's phone in the process, which shows that David accidentally slashed his own throat trying to use the Gurkha machete knife to open a Champagne bottle for a TikTok video, so revealing that there never was a real murderer. As Bee and Sophie realise the night's bloodshed was all in vain, a confused Max returns to the mansion, sees the corpse of David and asks what happened here? To which the girls turn to each other with a stunned expression on their faces as the power comes back on, and Bee's mobile phone starts pinging, stating that she now has reception. Alleluia!

I have to say that in 'Bodies Bodies Bodies' if this microcosm of the young adulthood in the third decade of the 21st Century is anything to go by, then we are all doomed. Forget climate change, forget financial crisis, forget wars and political unrest, forget COVID because this group of wealthy, nihilistic, self-centred, over privileged drug and alcohol addled social-media wannabe twenty somethings are indeed a force to be reckoned with . . . and all for the wrong reasons! But maybe that's the point that Director Halina Reijn is trying to make, and in that respect she succeeds on all levels. The dialogue is quick witted, sharp and right out of the Gen Z dictionary, with aspects of social commentary coming to the fore upended with plenty of blood and gore and a rising body count, and the cast of young actors here land their roles well enough, but this film for me failed to land as either a horror or a comedy. It's all style over substance which may suit the Gen Z demographic this film is undoubtedly aimed at, but for this older film goer, I'm looking for something more!

'Bodies Bodies Bodies' merits three claps of the Odeon Online clapperboard from a potential five claps.
-Steve, at Odeon Online-