GUARDIANS OF THE GALAXY VOLUME 3 : Tuesday 9th May 2023.

I saw the M Rated 'GUARDIANS OF THE GALAXY VOLUME 3' at my local Odeon earlier this week. This hotly anticipated American superhero film is based on the Marvel Comics superhero team Guardians of the Galaxy, and is the sequel to 2014's 'Guardians of the Galaxy' and 2017's 'Guardians of the Galaxy Vol. 2' and serves as the 32nd film in the Marvel Cinematic Universe, the second film in Marvel's Phase Five and more than likely the final instalment in this particular series. Written and Directed once again by James Gunn who recently jumped ship and now heads up, with Peter Safran, DC Studios as Co-Chairpersons and joint CEO's. Gunn's next Directorial outing is slated to be 'Superman : Legacy' due in July 2025. The film saw its World Premier screening at Disneyland, Paris on 22nd April and was released in the US, China, here in Australia and other territories last week. It has garnered generally positive critical reviews and has so far grossed US$366M off the back of a production budget of US$250M. 

At their new home base on Knowhere, the Guardians of the Galaxy (Chris Pratt, Pom Klementieff, Dave Bautista, Karen Gillan, Bradley Cooper and Vin Diesel) are attacked by Adam Warlock (Will Poulter), a Sovereign warrior created by their High Priestess Ayesha (Elizabeth Debicki) who seems to answer to the High Evolutionary (Chukwudi Iwuji). After Adam overpowers them and seriously wounds Rocket (voiced by Bradley Cooper), he is stabbed by Nebula (Karen Gillan) and forced to flee the scene. The Guardians are unable to tend to Rocket's wounds due to a kill switch attached to his heart, made by the company Orgocorp. They travel to Orgocorp's headquarters to find the override code, having at best 48 hours before Rocket dies. 

As Rocket lies unconscious, memories of his past life come flooding back. As a baby raccoon, he was experimented on by the High Evolutionary, an alien geneticist who sought to take what he viewed as lower life forms and enhance them into a perfect anthropomorphic species in order to create a Counter-Earth. 

After being modified Rocket befriended the High Evolutionary's other test animals: the otter Lylla, the rabbit Floor and the walrus Teefs. The High Evolutionary perfected the anthropomorphisation process with Rocket's advice but ordered Rocket's brain to be extracted for further research, and his friends incinerated. Rocket was able to free Lylla with an improvised electronic key card, only for the High Evolutionary to kill her, upon walking in and discovering Rocket's ruse. Rocket, enraged, mauled the High Evolutionary face and head and shot his guards, but Teefs and Floor were killed in the exchange of gunfire. Alone, angry and despondent Rocket steals a spaceship and flees. 

Meanwhile, the alternate version of Gamora (Zoe Saldana) who has joined the Ravagers led by the high ranking Stakar Ogord (Sylvester Stallone), helps the Guardians infiltrate Orgocorp, which is owned by the High Evolutionary. 

They retrieve Rocket's file, but discover that the code has been removed. The group speculates that Theel (Nico Santos), one of the High Evolutionary's advisors, has it, so they depart for Counter-Earth. They are followed by Ayesha and Adam, who are ordered by their creator, the High Evolutionary, to capture at all costs Rocket for his brain.

Arriving on Counter-Earth the Guardians are helped by a family of local residents in tracing Theel to the High Evolutionary's ship. Drax (Dave Bautista) and Mantis (Pom Klementieff) remain with Gamora and Rocket as Peter Quill (Chris Pratt), Groot (voiced by Vin Diesel), and Nebula (Karen Gillan) travel to the High Evolutionary's ship. Nebula is forced to wait outside by guards as Quill and Groot board. Drax and Mantis chase after Quill's group. 

The High Evolutionary sets off the destruction and planned recreation of Counter-Earth, which ultimately kills all life on the planet, including Ayesha. As his ship enters orbit, Quill and Groot leap off with Theel, landing back on Counter-Earth and retrieving the code from the computer implanted into the side of his head, just as Gamora arrives with their ship. In the meantime, Nebula, Mantis, and Drax board the High Evolutionary's ship in order to rescue Quill and Groot, not knowing that had recently and literally jumped ship. As Quill's group attempts to access the code, Rocket flatlines and has a near-death experience, where he is reunited with Lylla, Teefs, and Floor. Lylla tells him that his time has not yet come and that he still has work to do, as Quill uses the code to disable the kill switch and save Rocket's life. 

On the High Evolutionary's ship, Nebula, Mantis, and Drax come across hundreds of imprisoned humanoid children, before being captured. Quill's group sets out to rescue the three, who are placed in a chamber with monstrous Abilisks. Mantis connects with the Abilisks saying they only eat batteries, and so allowing the group to escape and reunite with Quill's group, together overcoming the High Evolutionary's army. Kraglin (Sean Gunn) and Cosmo the Spacedog (voiced by Maria Bakalova) arrive back on Knowhere, and Cosmo creates a telekinetic bridge connecting Knowhere to the High Evolutionary's ship to free the captured children. Rocket discovers imprisoned animals on the ship before being attacked by the High Evolutionary, but the rest of the Guardians help subdue him, remove his mask revealing the seriously disfigured face of the man and leaving him to die on his ship. The Guardians rescue the animals and lead them aboard Knowhere. Quill nearly dies by freezing in deep space trying to cross over but is saved by Adam, who had a change of heart after being saved by Groot. 

Once the dust has settled, Quill announces that he intends to leave the Guardians, bestowing the captaincy to Rocket before leaving for Earth to reunite with his grandfather Jason. Mantis embarks on a journey of self-discovery with the Abilisks, Gamora reunites with the Ravagers and is welcomed back by Stakar Ogord, and Nebula and Drax remain on Knowhere to raise the saved children. 

There is no doubt that Director James Gunn has wrapped up his final instalment of the 'Guardians' trilogy with a lot of heart, a good dose of emotion, action set pieces aplenty, some witty dialogue, a thumping soundtrack, all the colour and grandeur of the galaxy that you could ever imagine, plus a whole zoo load of animals that would make any self respecting PETA advocate squirm in horror. And for the rag tag bunch of space heroes Gunn sees them all go off in their own directions to seek out new challenges and adventures, and as for some of them if you remain in your seat for a mid-credits sequence and right until the end credits have rolled you'll catch a glimpse of what the future (possibly) holds. My only criticism of this film, and it seems that thirty-two films in now, of the MCU at large, is that the CGI action spectacles are often so beautifully rendered that their screen busyness leaves the viewer wondering where to focus the attention for fear of missing out on something happening on another part of the screen. 

'Guardians of the Galaxy Volume 3' warrants three claps of the Odeon Online clapperboard from a potential five claps.

-Steve, at Odeon Online-

TENET : Tuesday 1st September 2020.

'TENET' which I saw this week is an M Rated much hyped eagerly awaited spy drama film Directed, Written and Co-Produced by Christopher Nolan, who I'm sure needs no further introduction, other than his film Directing credits have amassed global Box Office returns of about US$4.7B and he has won 137 awards and been nominated 228 other times, so I guess he must be doing something right! Originally slated for a 17th July release, this was subsequently pushed back because of COVID-19 to 31st July, then 12th August and saw its release in seventy countries from last week, before its release in the US and China this week. Costing somewhere in the region of US$220M to make, the film has garnered mostly favourable Reviews from Critics, and has so far recouped US$54M. Riffing off James Bond with exotic locations, extravagant action set pieces, international espionage, a Russian bad guy hell bent on bringing about the end of the world as we know it, and the good guys working for a covert secret outfit this is sure to please . . . if you can get your head around the premise.

The film opens up with all guns blazing setting the scene for the action set pieces to follow. A CIA Agent takes part in an undercover SWAT mission at the Kyiv National Opera in the Ukraine, where he rescues an exposed spy and recovers a strange artefact, but not before members of the performing orchestra are shot and killed and the entire audience is put to sleep with gas. Another masked soldier with a red tag on his back pack rescues the Agent from being shot, but at this point it remains unclear as to their identities. The Agent (John David Washington) comes around tied to a chair on a railway line with a colleague also bound, with a bunch of nasty looking henchmen counting down the time until a train comes hurtling down the tracks to kill them both.

The Agent swallows a cyanide capsule, bur he later wakes to be told that the capsule was fake, his colleagues are all dead, and congratulations, he passed the test - no others before him have got that far. The Agent's superior, Victor (Martin Donovan) tells him that one word 'Tenet' will open doors for him, but to be wary because other doors will be slammed in his face with potentially life threatening consequences, and he is to use several markers to begin his journey.

His journey eventually leads him to Laura (Clemence Poesy), a scientist studying bullets and other retrieved artefacts whose make up has been 'inverted' so that they move backwards through time, demonstrated when the Agent catches the bullet in the chamber of the gun, rather than discharging it. Studying the make up of the bullets, the Agent traces the bullets to Priya (Dimple Kapadia), an arms trafficker living in Mumbai, and also affiliated to Tenet.

Now simply going by the handle of the Protagonist, The Agent is supported by a local named Neil (Robert Pattinson) and they both successfully infiltrate Priya's heavily guarded high rise home, by reverse bungee jumping up the tower, and learn that the bullets are supplied by Andrei Sator (Kenneth Branagh) a Russian Oligarch who is able to communicate with the future. The Protagonist meets with Sator's estranged wife Kat (Elizabeth Debicki), an art auctioneer. He learns that Sator is blackmailing her over a forged Goya painting that she sold him for US$10M, but he discovered her ruse and threatened to hand her over to the authorities if she doesn't comply with his wishes, and at the same time keeping her at arms length from her beloved young son. Kat comments that the last time the couple were truly happy together was on board his super yacht in Vietnam, from which she saw a mystery woman dive when she was leaving on a motor tender with her son.

The Protagonist and Neil work with fixer Mahir (Himesh Patel) to steal the fake Goya painting from the Freeport storage facility (a tax free haven used by investors to secretly store their art works that is heavily fortified, securely guarded and tightly controlled) at Oslo Airport, by crashing a cargo jet into the adjoining hangar as a diversion. By doing so Sator would no longer have a hold over Kat, and she would effectively be free. Inside the facility, they locate a machine from which two masked men emerge, one of which is inverted. After unmasking the normal one, Neil stops the Protagonist from killing the inverted one. Priya later explains that the machine was a 'Turnstile', a time inversion device developed in the future, and that the two masked men were in fact the same person.

The Protagonist subsequently tells Kat that the painting was destroyed in the resultant fire at the Freeport, and she arranges a meeting with Sator who reveals that he had the painting moved before the crash. Sator by now is on to the Protagonist and has him captured, and threatens to kill him. However, the Protagonist mentions the events at the Ukranian Opera, at which Sator has a change of heart - for now. Kat attempts to drown Sator during a boat race but the Protagonist jumps in and saves him. Sator now feels indebted to the Protagonist and so the Protagonist offers to steal a case of plutonium that Sator desires in exchange for Kat's freedom.

The Protagonist and Neil steal the plutonium in an intricately planned and executed highway heist from an armoured convoy in Estonia, but realise upon opening the carry case that it is in fact another artefact. An inverted Sator captures both the Protagonist and Kat, and shoots her with an inverted bullet, forcing him to reveal where the artefact is. A team of Tenet operatives led by Ives (Aaron Taylor-Johnson) frees the Protagonist forcing Sator to flee. To save Kat's life (for being shot by an inverted bullet is far more deadly that being shot by a conventional bullet), the Protagonist and Neil take her through Sator's Turnstile. They travel back to the Oslo Freeport crash the previous week to un-invert themselves inside the Turnstile there. As they re-infiltrate the airport, the inverted Protagonist fights his non-inverted self, before reaching the Turnstile and un-inverting himself.

Travelling back to Mumbai, Priya explains the artefacts (of which there are nine in total) are parts of a future-developed 'Algorithm' capable of catastrophically inverting the entire world, and that future humans are using Sator to activate it in order to prevent the effects of global warming. Kat advises that Sator is dying from inoperable pancreatic cancer. They conclude that he aims to trigger the Algorithm through suicide and through a dead man's switch, believing the world should die when he does. Kat has suspicions that Sator will choose to die on that day on his yacht in Vietnam when they were last at their happiest together.

Kat inverts back in time to delay Sator's death, while Tenet tracks the assembled Algorithm to an abandoned Soviet closed city and commences a 'temporal pincer movement', meaning that half of their troops move forward in time to the blast zone (the red team led by the Protagonist and Ives), while the other half moves backwards (the blue team led by Neil and Wheeler (Fiona Dourif)). The Protagonist and Ives are prevented from reaching the Algorithm stored underground by a locked gate, until an inverted masked corpse with a red tag on its rucksack springs to life, saving the Protagonist from a gunshot and unlocking the gate. The pair fight with a henchmen, who is intent on sending the assembled component parts of the Algorithm into a chasm below and detonating it, but is prevented from doing so with a bullet to the head. Neil driving an armed vehicle above ground drops a line down into the hole in the ground directly above where the pair are located. Clinging on the assembled Algorithm device they are winched up by Neil, just as the ground below them explodes. 

Meanwhile Kat has lured Sator into a false sense of well being and security on board his yacht in Vietnam. She shoots Sator in the chest and then drops him off the side of the yacht from an upper deck as he tumbles end over end crashing against the side of the boat before landing face down in the sea. Kat then dives from the yacht's deck, where she is witnessed by her past self. Kat calls the Protagonist to let him know that she shot and killed her husband prematurely, hoping that they rescued the Algorithm in time, to which he responds with a yes. The Protagonist, Neil and Ives break up the Algorithm's component into three equal sections each vowing to store them away secretly and without the knowledge of anyone else. The Protagonist notices a familiar red tag on Neil's rucksack, and asks him how he came to be recruited by Tenet. Neil reveals that a future version of the Protagonist recruited him to Tenet years earlier, and this mission is the end of a long friendship that the Protagonist has yet to experience. Neil and Ives depart in a helicopter, leaving the Protagonist on the ground.

Sometime later, and in London, Priya attempts to kill Kat while she is picking her son up from school, but is killed by the Protagonist in the passenger seat of the car where she sat.

I liked 'Tenet' a lot, and this is one film that you need to watch on the big cinema screen where you can immerse yourself in the never before seen stunning visuals, the action set pieces, the surround sound while trying to get your head around the meaning of the inversion of time, that is the core of this films premise. Here Christopher Nolan, who allegedly spent the past two decades or so mulling over the story and his Screenplay, has crafted perhaps his most ambitiously bold and audacious film yet; the lead characters all do a fine job with particular nods to John David Washington, Robert Pattinson, Elizabeth Debicki and Kenneth Branagh in perhaps his most evil and villainous role yet. The physics of inversion aren't fully explained and as Clemence Poesy's character Laura explains 'don't try to understand it, feel it', you'll leave the cinema having been wowed by the sheer size and spectacle this film offers up, but scratching your head trying to grapple with the science behind it. This epic film is supposedly going to re-establish the movie going experience in a Post-COVID world, and in this respect Nolan has delivered a wildly entertaining thrill ride of a movie that deserves all the success it can muster, and repeat viewings to understand it.

'TENET' meets four claps of the Odeon Online clapperboard from a possible five.

-Steve, at Odeon Online-

THE BURNT ORANGE HERESY : Tuesday 28th July 2020.

'THE BURNT ORANGE HERESY' which I saw earlier in the week is an MA15+ Rated drama thriller Directed by Giuseppe Capotondi who has helmed numerous music videos over the years, television commercials and a small number of TV series and feature films. This film adaptation is based on the 1971 book of the same name by Charles Willeford and was chosen as the closing film for last years Venice International Film Festival and went on release in the US on 6th March and was then pulled when the world went into COVID-19 lockdown. It was re-released a couple of weeks ago now in Australia and is scheduled for a re-run in US theatres from 7th August, has generated mixed or average Reviews and has so far grossed US$208K.

The film opens up with ambitious and charming art critic, James Figueras (Claes Bang) who has fallen from grace somewhat and now spends his time lecturing rich American tourists into the why's and wherefore's of the art world around many Italian cities famed for their artworks.  He's happy to bend the truth by incorporating a series of convincingly told fabrications to demonstrate the power that art critics can have upon the unsuspecting admirer or purchaser, but comes clean in the end with his rouse when the lecture is over and his American customers are bidding their thanks and farewells.

All except Berenice Hollis (Elizabeth Debicki) who hangs back because of the free chips on offer, and because they seem to share a chemistry. That chemistry soon lands the pair in the sack together in Figueras' Milan apartment. Having learnt that Figueras was a failed art student who was advised to go into art journalism by his teacher, and that Hollis hails from a small town south of Duluth, Minnesota where an indiscretion with a married teacher has meant she is on forced leave for an extended period, there is little else we know about their back stories.

Following their night of passion Figueras invites his new love interest to the Lake Como home of wealthy art dealer Joseph Cassidy (Mick Jagger), who has contacted Figueras and extended an invitation for him to spend the weekend, for reasons that are as yet unclear. Upon arrival at the palatial home, the pair are escorted up to their room and told to make themselves available in one hour for lunch. Over lunch the three get acquainted, and taking coffee out on the verandah overlooking Lake Como, Cassidy announces that residing in a small cottage on the edge of the estate is renowned and very reclusive artist Jerome Debney (Donald Sutherland) who has not been interviewed for the past fifty years. Cassidy invites Figueras to break that drought, on one condition.

And that one condition, is that Figueras 'procures' a Debney artwork for his own collection, no questions asked, otherwise Figueras goes home empty handed and Cassidy will expose some dirt he has on the art critic from his past. Figueras reluctantly agrees although has no idea how is going to get his hands on a Debney painting without paying a princely sum for, or without the artist knowing about it. The first hurdle however, is getting the reclusive artist to agree to an interview.

The next morning while idling by the pool, along saunters Debney and the three strike up a conversation. By now Cassidy has had to fly out of town leaving Figueras and Hollis to make the most of the weekend and have the run of the estate. Debney is instantly taken with Hollis, and he agrees to let Figueras interview him if he can swim two lengths of the swimming pool under water, which he does, of course. Debney then sets out his agenda for the day which includes a boat ride later that afternoon and dinner that evening in his cottage, during which time they will engage in conversation rather than a formal interview.

For the boat ride across the lake Figueras makes his apologies saying that he needs to rest up, so deputising to Hollis to accompany Debney. Figueras has an ulterior motive naturally, and while the pair are away enjoying each others company, he attempts to break in to Debney's very secure cottage, albeit unsuccessfully. We have also learned subsequently that Debney has no surviving art works from his earlier years as these were all destroyed in two fires - the first at his home, and the second years later at a gallery which housed his collection. He then went into self imposed hiding and barely no one has seen him, or his paintings, for the past fifty years.

Later that evening having talked and eaten Figueras asks Debney if he can see his art work collection. Debney at first is offended by the request stating that it is his choice not to show the world his paintings and they are private works, but Figueras counters this with better the world to see his collection while he is still alive, than to have free rein when he is dead and ransack his work when he is no longer around to defend it. Reluctantly Debney agrees and takes them into a secure locked studio fitted out with unopened tubes of paint, brushes, blank canvases, easels, more blank canvases and more still. There is not a single painting in the whole room. Figueras, who was hoping to 'procure' a painting in an unguarded moment when on cue Hollis would drop her drink glass, is left dumbfounded and astounded by this revelation. Hollis happens to notice on the reverse side of a canvas the title of the supposed painting 'The Burnt Orange Heresy', and upon enquiring Debney responds that the title is just meant to fool anyone who comes looking. Figueras goes outside to catch his breath, and is joined by Hollis and Debney moments later. Debney takes his leave saying that he has a date with an older lady and he cannot leave her waiting and so bids them both farewell.

In walking back to the villa Figueras realises that he has left his laptop and satchel back at the cottage. He tells Hollis to pack their bags as they are leaving immediately. He walks back to the cottage to retrieve his laptop and satchel alone. There he forcibly breaks in, and re-enters Debney's studio. He bundles a whole bunch of paint tubes into his satchel, together with some brushes. He then takes the blank canvas with the inscription 'The Burnt Orange Heresy' written on the reverse and wraps this inside a towel. Next he upturns all the blank canvases, easels, rips up sheets of paper and then squirts a flammable paint thinner all around the room and then sets light to the room. He makes a quick exit as the cottage is very quickly engulfed in flames. He arrives back at the villa before Hollis appears with their bags, by which time he has bundled the blank canvas into the boot of his Range Rover out of sight. They then drive through the night back to Milan.

Hollis slumps exhausted on the bed, while Figueras says he going to start work on his interview notes while its still fresh in his memory. While Hollis sleeps Figueras retrieves the paints, brushes and blank canvas from his car, and sets them up in his office. The phone rings and it is Cassidy enquiring about the fire at his property and whether he was successful in securing a Debney painting before the place burnt to the ground. Figueras answers in the affirmative and Cassidy responds asking him to describe the painting to him which is called 'The Burnt Orange Heresy'. Cassidy much to his joy further adds that he is now the owner of the only Debney painting anywhere in existence since all of his other works burnt in the fire. When Cassidy hangs up, Figueras begins painting his own interpretation of 'The Burnt Orange Heresy' duly signing it with Debney's signature once complete.

Hollis wakes up later and ventures into the office and sees the still wet painting, touching the wet paint with her fingertip. She goes into the bathroom and confronts Figueras. Running a bath, the pair argue, and needless to say it doesn't end well for Hollis. Shortly after the fire, the art world mourns the loss of Debney who died of a heart attack. Sometime later, Figueras has written a book - a retrospective of Debney which is selling like hot cakes, and in New York at Cassidy's Gallery, the pair are seen schmoozing with the who's who of the art world and celebrating 'The Burnt Orange Heresy' which is there on display for all the world to see as Debney's sole surviving painting. One art critic remarks to Figueras that she finds it amazing that Debney had the foresight to leave his fingerprint slap bang in the middle of his artwork, which he had overlooked completely and reels away in horror. Cassidy makes some comments about the whereabouts of Hollis, who has mysteriously disappeared and states that Debney was found in the swimming pool of the villa, face down, drowned. Cassidy also tells Figueras that shortly before his death, Debney sent a sketch to Hollis' mother in Duluth, but as it wasn't signed it is worthless. The film closes out with the sketch of Hollis on her mothers fridge at their home in Duluth, beside newspaper clippings reporting on the first anniversary since her disappearance, and the camera comes to rest on Debney's signature.

Milan with its stunning architecture and Lake Como with its plush lakeside residences provide the smart sexy locations; the glamorous world of works of art, galleries, collectors, artists and critics sets the scene; intelligent dialogue; top notch performances from the four lead characters (even if Mick Jagger comes across as being out of his depth in the company of the other three acclaimed Actors) and a plot that has more surprises in store than you can keep track of, verging on the ridiculous by the time the end credits roll. The first two acts move along a good pace and will keep you riveted, but by the time the third act comes to be the imagination is stretched, all realism is lost and the believability of the pay day is forced to bring the films conclusion to a hastily delivered ending. The film certainly looks the part and there is a real chemistry between Debicki, Bang and Sutherland on screen - it's just a shame that their characters are not more fleshed out from their brief initial introduction, and the film will leave you hanging with plenty of unanswered questions.

'The Burnt Orange Heresy' merits three claps of the Odeon Online clapperboard, out of a possible five claps.

-Steve, at Odeon Online-  

WIDOWS : Wednesday 28th November 2018.

'WIDOWS' which I saw earlier in the week at my local multiplex, is an American heist drama film based on the 1983 and 1985 British television series of the same name that was written by Lynda La Plante, and which ran for two series each of six episodes. Now in 2018 that earlier inspiration has been given a makeover some thirty years later and this time is written for the screen by Gillian Flynn, the author of the acclaimed novel and later film 'Gone Girl'. Directed by Steve McQueen whose previous Directorial credits include 'Hunger', 'Shame' and '12 Years a Slave', here he has amassed an ensemble cast for a Production Budget of US$42M and what has so far received widespread Critical praise. The film saw its Premier screening at TIFF back in September, was released in the UK early in November, the US and Australia mid-November, has so far grossed US$42M and has been Critically praised.

The story here surrounds a Police shootout that leaves four career thieves and partners in crime dead during an explosive armed robbery attempt in Chicago that goes horribly wrong for the gang of four. Those men were Harry Rawlins (Liam Neeson), Carlos Perelli (Manuel Garcia-Rulfo), Florek Gunner (Jon Bernthal) and Jimmy Nunn (Coburn Goss). We see the four men in the lead up to their fateful robbery living the domestic life with their wives, children, pets, jobs and each man leaving their domestic situation on the morning of the daring heist . . .  never to return. We then cut to the funerals of each one in turn - mostly small & private, expect for Harry's which was a much grander affair attended by many guests and a few dignitaries. The widows left behind are Veronica Rawlins (Viola Davis), Linda Perelli (Michelle Rodriguez), Alice Gunner (Elizabeth Debicki) and Amanda Nunn (Carrie Coon). At Harry's funeral, after his body is lowered into the ground, Veronica is approached by Jack Mulligan (Colin Farrell) who is running for election for the position of Alderman in the South Side Ward of Chicago, offering his deepest sympathies and his support, if ever she needs anything.

Meanwhile Jamal Manning (Brian Tyree Henry) is also running for election as Alderman of the South Side Ward against Mulligan, and there is a fierce rivalry between the two. Mulligan believing that as his father and grandfather before him occupied that seat, that he has a divine right to it having been born into the role, and Manning believes that he is a man of the people and is their voice at a grassroots level. However, Manning is also a crime boss, and has his younger brother Jatemme (Daniel Kaluuya) to do his dirty work for him, including dispensing with ruthless efficiency with those that would cross the pair or stand in the way of them getting what they want. We quickly learn that Harry and his gang robbed Jamal of US$2M which went up in smoke, and now the Manning's are wanting their money back, as this money was to fund Manning's electoral campaign against Mulligan. The pair look on menacingly from a distance at Harry's funeral.

Harry's trusted long time driver Bash (Garret Dillahunt) while driving Veronica around, hands her a small package containing a key and a handwritten note with the location of a safety deposit box. Recovering the box she opens it up to reveal a note book, in which are contained copious detailed notes of Harry's former robberies, and those planned. In it are contained notes of a future robbery worth US$5M in cash. Meanwhile, Jamal has visited Veronica in her home, demanding repayment of the US$2M that her husband stole from him, and gives her one month to pay up in full or suffer the consequences. Veronica claims to have known nothing about her husbands criminal activities and doesn't have that sort of money, despite the facade of living in a plush apartment with all the trappings of success. Despite what she may or may not claim to know about her husbands 'business', she has one month.

Veronica, realising the seriousness with which Jamal speaks and the threats made against her, decides to carry out the plan as laid out in Harry's note book in order to repay her debt to Jamal. She sets up a secret meeting with the three other widows whom she has never met before, and whose details she coerced out of Bash. Veronica is successful in recruiting both Alice and Linda to assist execute her plan, but this is completely new territory to the widows and they are each pretty clueless about what's involved - they just know they've gotta complete the task now in hand, and live with the consequences whatever they might be. The fourth widow however, Amanda, does not show to their initial meeting. Veronica outlines the plan in brief and says that if the girls are 'in' to meet tomorrow night at 11:30pm at a secret location which turns out to be Harry's former warehouse and and centre of operations, which remains just as the gang left it before their last job.

At that meeting, after some soul searching and weighing up their options, Alice and Linda are both in. Veronica charges Alice to buy the getaway van and three Glock pistols, while Linda is tasked with deciphering a blueprint in Harry's plan that is the location of the planned heist. Alice purchases a van from a used vehicle auction house, and the three pistols from a gun fair. Linda however, struggles to locate the whereabouts of the building depicted on the photocopied blueprint. Meanwhile, Alice has become an 'escort' at her mother Agnieska (Jacki Weaver) suggestion, to raise some much needed cash and all the trappings that go with it. On her first 'date' she falls into a transactional relationship with David (Lukas Haas) a real estate developer. She uses David's knowledge to trace the origin of the blueprint and the location of the building depicted thereon. He comes back some days later stating that it is a safe room within Jack Mulligan's home. As for Amanda, Veronica visits her and learns that she has a four month old newborn baby, and so decides not to mention their upcoming heist or to seek her involvement. 

Bash is visited unannounced in his home by Jatemme and his henchmen seeking the whereabouts of the notebook, realising the value contained in its detailed handwritten pages. When Bash claims no knowledge of its whereabouts he is promptly beaten to a pulp and murdered while Jatemme looks on. Still with no driver to provide their getaway, Linda recruits Belle (Cynthia Erivo), her children’s babysitter, and a hairdresser in a Salon underpinned by funding from Mulligan. Veronica is reluctant, but with six days only remaining on the month long deadline to pay up, she agrees to take Belle on, and it seems like she is made of sterner stuff, and can drive. Veronica visits the Mulligan home to ask Jack for protection from Manning, to which he politely declines, and to scout out the building in advance of the heist, while Belle scans the external security systems. Veronica also successfully acquires the code to the Mulligan safe by blackmailing the CEO of the Mulligans' security company, Ken (Matt Walsh) using explicit photographs of him of a sexual nature left in Harry's notebook.

The group commences the heist at night by creating a distraction down the street to divert police attention. The house is believed to be empty save for a lone Security Guard whom they taser and incapacitate. Jack Mulligan is away at an election debate between him and Jamal Manning. Having gained access to the safe and loaded up with US$5M in cash, in making their exit they are interrupted by Tom Mulligan (Robert Duvall), father of Jack and the current sitting Alderman, who shoots and wounds Alice. Linda returns fire and kills him. They escape with the money, but are caught by Jamal's brother Jatemme who is holding Belle at gunpoint and who in turn steals it from them, leaving the four girls standing on the side of the road penniless. 

Thinking he is clear Jatemme relaxes with a big smile on his dial behind the wheel of the girls getaway van, only to be heavily shunted from behind by a station wagon with the four widows giving chase and Belle at the wheel. Jatemme looses control of the vehicle and smashes into a crash barrier head-on killing him instantly. The girls retrieve the money and make their getaway. Linda takes Alice to the nearest hospital for medical attention to her gun shot wound and remains with her. Veronica drops Belle off at home before returning to the hideout with the stash of cash. Upon leaving the hideout having taken care of some final business, Veronica torches their getaway car, before loading up the final bag of swag into her own car. 

A few days later it is announced on the radio that Jack Mulligan won the election on a wave of public sympathy following his father's murder. Linda reacquires the store she lost upon her husband's death due to his gambling debts, Alice sets up her own business, and Belle moves out of town with her own children. Out of danger of Manning, Veronica donates much of her share to endow a library building in her and Harry's deceased son's memory and name at the school he attended.

I enjoyed 'Widows' but not as much as I thought I would, and I felt let down by the glowing Critical acclaim that seemingly has been bestowed upon McQueen's heist actioner. The performances are top rate - especially Viola Davis and Elizabeth Debicki, the film looks good enough, but for a heist movie set in Chicago of all places, the actual and only heist takes place in the final ten minutes of a two hour+ long movie, and there are plot holes aplenty too. Four dead career criminal husbands, four grieving and at a complete loss desperate wives, political power play, father and son machinations, gangsters making demands, violence, death and emotional turmoil are all at play here, together with a seemingly completely incompetent Chicago PD. The film moves along at a goodly pace, but some of the scenes felt rushed, especially towards the end leaving questions unanswered and plot holes uncovered, and some of the characters were left hanging without any real sense of closure. Critics seems to be raving about 'Widows' but audiences less so, and I'm in the camp with the audience I must say. Despite this the film has plenty of redeeming features too and is worth a look - it's good, but it's not great!

'Widows' merits three claps of the Odeon Online clapperboard, from a potential five.

-Steve, at Odeon Online-