THE BEEKEEPER : Tuesday 23rd January 2024.

I saw the MA15+ Rated 'THE BEEKEEPER' at my local multiplex earlier this week, and this American action thriller film is Co-Produced and Directed by David Ayer, whose prior feature film making credits take in the likes of his Directing debut in 2005 with 'Harsh Times' then 'Street Kings' in 2008, 'End of Watch' in 2012, 'Fury' in 2014, 'Suicide Squad' in 2016 and 'Bright' in 2017. This film was released in the US and here in Australia from the 11th January, has garnered generally positive critical reviews, and has so far grossed US$79M. 

The film opens up in rural Massachusetts and the rather grand looking country home of Eloise Parker (Phylicia Rashad), a retired schoolteacher who lives by herself, but she has a tenant in her barn, a man named Adam Clay (Jason Statham, who also Co-Produces here) who leads a quiet life as a beekeeper and who harvests the honey religiously. On this particular day, Clay is returning from another barn with a rogue hive he has bagged, and stops for a brief conversation with Eloise - thanking her for looking after him. 

She invites him in for dinner that evening. Later that same day, Eloise falls victim to a phishing scam and is robbed of over US$2M which belongs to a children's charity organisation she manages, and all of her life savings from several bank accounts. Devastated, she takes her own life with a pistol.

After Clay finds her body, he is immediately arrested by FBI agent Verona Parker (Emmy Raver-Lampman), Eloise’s daughter. After Eloise's death is ruled a suicide, Clay is released. Verona later tells Clay that the group that robbed Eloise has been on the FBI's radar for a while, but is almost impossible to track down, and even harder to get an indictment. She is pessimistic that they will ever be brought to justice even if they are found. Wanting justice for Eloise, Clay re-establishes contact with the Beekeepers, a mystery organisation, to find the scammers responsible.

Clay is later provided with an address for the scammers: a call centre known as UDG, run by Mickey Garnett (David Witts). Clay goes into UDG's building armed with two jerry cans of petrol, and after easily fending off the employees and taking down a handful of Garnett's men, blows up the building. Garnett informs his boss, technology executive Derek Danforth (Josh Hutcherson). Danforth orders Garnett to track down and kill Clay. 

Garnett and his thugs by chance locate Clay at Eloise's place and follow him to his barn, but not before shooting up his six beehives. There, Clay quickly kills them all except for Garnett, whose four fingers of his right hand he cuts off with a band saw before releasing him. Garnett in a panic and nursing his injured hand, calls Danforth while stopped at a bridge, informing him that Clay is just a beekeeper. Clay, having followed Garnett, kills him while Danforth listens over the phone, and then warns Danforth that he is coming after him.

Danforth talks with Wallace Westwyld (Jeremy Irons) about Clay. Wallace, the former head of the CIA, is currently running security for Danforth Enterprises at the request of Derek's mother, Jessica (Jemma Redgrave), and does everything in his power to keep Danforth out of trouble, out of prison and out of the spotlight. Concerned, Wallace contacts the Director Howard of the CIA (Minnie Driver) in the hope of stopping Clay. The Director contacts the Beekeepers, and learns that Clay has since retired from the organisation. However, a Beekeeper is sent to kill Clay, who catches up with him while he is refuelling his car at a petrol station. Following a vicious fight, Clay burns the agent to death, causing the petrol station to explode in the process. In the aftermath, the Beekeepers inform Director Howard who in turn informs Westwyld that they will remain neutral and not pursue Clay.

In the meantime, Verona and her partner, Matt Wiley (Bobby Naderi), have been closely following the trail of destruction left behind at the crime scenes. They determine that Clay’s next target must be the Nine Points Center in Boston, which is the central hub for all of Danforth's call centres around the world, including UDG. After informing FBI Deputy Director Prigg (Don Gilet) that Clay is a Beekeeper, they receive full funding without hesitation.

Wallace meanwhile coordinates a group of ex-special forces personnel, telling them that the Beekeepers are a clandestine organisation tasked with keeping the USA safe and that they operate above and beyond governmental jurisdiction. To have any chance at stopping Clay, he orders the group to secure the inside of the Nine Points Building, while the FBI places their own SWAT team around the perimeter. Despite the special forces’ leader's insistence that the employees should be removed from the building first, Danforth tells them to keep working. This allows Clay to quickly defeat the FBI SWAT team in close quarter hand to hand combat, and infiltrate the building, taking down the manager, who reveals to Clay and the FBI, after having multiple staples plugged into his hands and forehead, that Derek Danforth is his boss.

Verona advises FBI Deputy Director Prigg that Derek Danforth actually runs both companies and that both are owned by Danforth Enterprises, which is used by several US government agencies, including their own. Verona also brings up the point that not only will Clay attempt to kill Derek, but he may also kill Jessica, who just so happens to be the President of the USA, using the Queenslayer analogy from the science of beekeeping. Prigg gives them a blank cheque to take whatever steps and use all necessary resources to prevent Clay from finalising his mission, and then signs off to inform the President. 

Wallace, upset that Clay has again evaded being taken out, suggests that Danforth stay with his mother for the time being for his own protection and taking advantage of the Secret Service presence at her beachside residence over the coming weekend. Wallace hires a group of mercenaries, who with Danforth, all congregate at the President's beachside retreat for the weekend where she is hosting a lavish party. Close by to the entrance to the President’s residence, Clay climbs aboard the underside of a truck, switching places with a Secret Service agent in order to blend in at the party. Once inside the house, Verona notices Clay, who by this time has dispensed with his Secret Service gear and is more appropriately dressed, but as he is about to be shot at close range by one of Wallace's hired mercenaries, he activates several bombs he planted on Secret Service trucks as a distraction in order to track down Danforth in hiding in the house.

Inside the house, Prigg tells Jessica about her son's multi-billion dollar scam operations. Danforth reminds his mother that during her Presidential campaign, that she lagged behind in the polls in fifteen out of twenty key counties and needed funding to keep her campaign afloat. He used a CIA programme to locate wealthy financial targets and scam them out of their money. Jessica decides that if and when Clay approaches, she will tell him and the world the truth about her sons use of the programme. Enraged, Danforth kills Prigg and takes his mother hostage. Clay in the meantime fights his way to the President's office taking out anyone who stands in his way. He eventually reaches her office by blowing the door open, and is quickly followed by Verona and the rest of the FBI agents. Verona tries to discourage Clay from killing Jessica and Danforth, who attempts to kill his mother, but Clay shoots his in the head first killing him outright. Clay then jumps out of a nearby window. Verona having a clear shot of Clay as he heads across the garden, but she decides not to shoot him. They give a parting nod to each other and he flees the scene and swims away into the ocean with the aid of the scuba gear he had buried in the sand on the beach close by. 

With 'The Beekeeper' Jason Statham's Adam Clay does what he absolutely does best and that is wipe out the bad guys in all manner of inventive and creative ways, and ratcheting the body count up to the nth degree. David Ayer knows how to lay on the action spectacle, and does so with aplomb, but in the end the script is hardly going to win any literary awards, and the plot in run-o-the-mill and leave your brain at the door type stuff. That said, if you get past all the bee puns, including several references to 'protecting the hive', seeing Statham kick butt relentlessly and violently backed up by a strong supporting cast, and liked the premise of 'John Wick', 'Taken' and 'The Kingsmen' franchises, then this movie is for you, and you won't be disappointed. 

'The Beekeeper' merits three claps of the Odeon Online clapperboard from a potential five claps.

-Steve, at Odeon Online-

CREED III : Tuesday 7th March 2023.

I saw the M Rated 'CREED III' at my local multiplex earlier this week, and this American sports drama film stars and is Co-Produced and Directed by Michael B. Jordan in his feature film making debut. This is a sequel to 2015's 'Creed' and 2018's 'Creed II' and is the ninth instalment in the 'Rocky' film franchise, although this is the first time that series creator Sylvester Stallone does not have a role in the film, albeit he does have a Producer credit. 'Creed III' had its World Premiere showcasing in Mexico City on 9th February and was released in the US and internationally last week. The film cost US$75M to produce, has so far grossed US$117M and has garnered generally positive critical reviews. In early February Michael B. Jordan confirmed that 'Creed IV' was going to happen and that potential spin-offs were also under consideration.

The film opens up in Los Angeles back in 2002 with a young Adonis 'Donnie' Creed (Thaddeus J. Mixon) sneaks out late one night with his best friend and Golden Gloves champion Damian 'Diamond Dame' Anderson (Spence Moore II), to see him compete in an underground boxing match. After Dame's victory, he tells Donnie about his dream to turn professional and become a world champion. During a stop off at a liquor store, Donnie impulsively attacks a man named Leon punching him repeatedly to the head, before Dame arrives and pulls a gun ordering Leon's men to stand clear.

We then fast forward fifteen years and Donnie (Michael B. Jordan) is in the ring fighting Ricky Conlon (Tony Bellew), recently released from his sentence and working his way back to be a contender for a championship fight, in a rematch and ultimately wins. After this Donnie retires from boxing as a World Champion, to concentrate his efforts on his music producer wife Bianca (Tessa Thompson) and their young daughter Amara (Mila Davis-Kent). Fast forward again to the present day and Donnie runs Delphi Boxing Academy with his coach Tony 'Duke' Evers Jr. (Wood Harris), and is promoting his protege, World Champion Felix Chavez (Jose Benavidez Jnr.), in a match against Viktor Drago (Florian Munteanu). Donnie and Bianca maintain a watchful eye over the declining health of Donnie's adoptive mother Mary-Anne (Phylicia Rashad), while Amara seems intent on following in her fathers footsteps to become a boxer, which gets her into trouble at school for punching another student.

Dame (Jonathan Majors) meanwhile has recently been released from his eighteen year prison sentence for pulling a gun at the liquor store back in 2002 and for various other priors, and reconnects with Donnie outside his gym. The pair go to a local diner for a bite to eat, during which Dame shares his wish to continue his boxing career, saying that despite his age he has continued to train and maintain in shape during his time inside. Donnie reluctantly invites him to the gym to spar with Chavez, however, his aggressive style draws contempt from Chavez and Duke. Later Dame is invited to Donnie's home for dinner, where he meets his family and shares with Bianca their time together at a group home when they were young boys, which Bianca was clueless about. Privately, Dame asks for a title shot against Chavez, giving Donnie's previous one-in-a-million shot as an example of how it is possible, which Donnie refuses.

Dame is invited to a party for Bianca's record label, during which he cryptically tells Bianca about Leon and that Donnie was keeping it a secret from her. At the party, Drago is attacked by an unknown assailant, and becomes too injured to participate in his match against Chavez, which is scheduled for about ten days time. With there being no way of Drago healing in time and not wanting to lose the money spent on the event, Donnie suggests Dame as an opponent to Chavez, pitching an underdog fight much like Rocky Balboa's first title shot, which Chavez accepts. During the fight, Dame fights dirty but is let off with a warning, but knocks out Chavez, so becoming the undisputed heavyweight champion of the world.

Following the match, Donnie visits Mary-Anne, who shows him letters Dame wrote to Donnie over the years while in prison that she kept from him due to believing that he was a bad influence. One letter contained a photograph showing Dame with his fellow inmates, one of which Donnie recognised as the one who assaulted Drago. Realising that Dame orchestrated the attack, Donnie confronts him in a park where he is celebrating his win with his homies. An angry Dame reveals that he manipulated all their encounters to set him up as a champion, before punching him and giving him a black eye. Donnie is unable to confide to Bianca about his guilt over Dame, who revels in his newfound fame and publicly slanders Donnie as a fake who deserted him.

Mary-Anne has another stroke and subsequently dies. After her funeral, Donnie confesses to Bianca the truth, that Leon was the abusive caregiver in the group home he and Dame lived in before he was adopted. After Donnie attacked Leon at the liquor store, Dame pulled out a gun just as the Police arrived. Donnie fled the scene, but Dame was arrested, which led to his eighteen year jail term. In an attempt to wipe out the memory, Donnie never once contacted Dame out of shame and guilt. Knowing Dame would not stop defaming him, Bianca tells him there's only one way to bring him down.

Donnie goes on live TV broadcast 'First Take', where Dame calls in to goad Donnie over the phone. Donnie there and then decides to come out of retirement and challenge Dame for the championship, which he accepts. Following the obligatory training montage with Duke and a recovered Drago, Donnie faces Dame in the 'Battle of Los Angeles' at Dodger Stadium in front of a capacity crowd. 

Donnie faces Dame in an exhausting, evenly matched bout during which Donnie has visions of his abusive foster home and Dame's life in jail, leading to a knockdown in the twelfth and final round. Donnie sees his family in the crowd and lets go of his fear and guilt, as advised by Duke. Adonis rises and intimidates a tired Dame, delivering a knockout in the closing minute or so to win the match and the World Championship. Afterwards, Donnie walks into Dame's changing room and reconciles with a dejected Dame, with both men admitting it was not the other's fault. 

With 'Creed III' Director, Co-Producer and lead Actor here Michael B. Jordan more than ably demonstrates his deft touch here both behind and in front of the camera. All the touchstones are in place here from the original 'Rocky' franchise to the more recent 'Creed' spin-offs, and Jordan has proven that you don't need Sylvester Stallone in the picture to continue with the legacy that he first created some 46 years ago now. This film more than stands on its own two feet and punches well above its weight with both the emotional heft of a compelling back story coupled with the trademark fight sequences culminating (as always) with the big pay off for our titular hero who wins the day against the odds. Whilst its all familiar territory and previously well trodden ground, 'Creed III' serves to embellish the 'Rocky' franchise with a film of powerful performances (both Jordan and Majors are excellent as pugilistic adversaries with a connecting back story), shifting family elements, and well choreographed fight scenes that help propel the drama along at a steady pace.

'Creed III' merits four claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

A FALL FROM GRACE : Monday 13th April 2020.

In these very trying and testing times for us all that has seen many cinema's, Odeon's, and movie theatres around the world close their doors for the foreseeable future because of the escalating threat of the COVID-19 Coronavirus taking an ever increasing hold on the world at large, many film and television productions halted in their tracks indefinitely, and new film releases pushed back to some future date when some sense of movie going normalcy is expected to resume, I have, needless to say, had to adapt to this new world order. And so with my usual Reviews of the latest cinematic releases being curtailed, instead I will post my Review of the latest release movies showing on Netflix until such time as the regular outing to my local multiplex or independent theatre can be reinstated.

In the last few weeks then, a number of new feature films have landed at Netflix - of which I review as below 'A Fall from Grace' which I saw from the comfort of my sofa at home on Monday 13th April.

'A FALL FROM GRACE' - is an American thriller offering Directed, Written, Co-Produced and starring Tyler Perry which landed on Netflix in the US as an original film on 17th January 2020. The film was shot over the course of just five days, and as a consequence has been criticised for its lack of continuity and extras staring straight at the camera (case in point - observe two diners in the background as the main lead couple in the film enjoy their first date together at a restaurant). The film has garnered generally unfavourable reviews, and was according to Netflix statistics viewed by an audience of 26 million in its first week of screening on the streaming service.  

The film opens up with Police Officer on the beat Jordan Bryant (Matthew Law) who is seen one night attempting to coax an elderly woman down from the roof of a house where she is threatening to throw herself from. A helicopter emerges, shining a bright light on the woman, which prompts her to jump to her death. Early the next morning as day breaks, he climbs into bed and snuggles up to his wife, Jasmine (Bresha Webb), just as she wakes up to seize the day as a 26 year old recently graduated from law school attorney working for the Public Defenders Office.

Upon arriving at her place of work she is summonsed into the office by her boss, Rory Garraux (Tyler Perry) and handed a case file for one Grace Waters (Crystal Fox) who wants to plead guilty to the murder of her husband Shannon DeLong (Mehcad Brooks). Jasmine, who up until this point has only taken plea deals in her small town Virginia, visits Grace in prison to confirm her wish to plea bargain, and then to raise the necessary paperwork to that effect and to gain her signature. Grace's only request is that she be housed in a local prison so that she can remain close to her son Malcolm (Walter Fauntleroy) and his newborn child.

Jasmine, who is a bit of a wet blanket of a defence lawyer who has never tried a case before and lacks the fortitude, the resilience, and seemingly any ounce of experience is ready to roll over and push for the plea bargain, but the prosecuting lawyer Bradley Tankerton (Adrian Pasdar) will have none of it, claiming that she is guilty 110%, has confessed to the murder, and rightly deserves to be locked up for life. When confronted with a number of road blocks in the case all stacking up against Grace, she retreats within herself, cries like some spoiled child, seeks solace in her husband who basically tells her to toughen up, and is ready to give up her law career before it's even started!

As Jasmine digs deeper in to the case she is troubled by the pattern of blood pooling at the bottom of the stairs leading down to Grace's basement, plus the fact that Shannon's body was never recovered. Rory meanwhile, becomes increasingly agitated by Jasmine's belief that Grace may in fact be innocent after all, but presses the young attorney to pursue the signed confession so that the case can be wound up. His office does not have the funding to pursue a court case, and doesn't need the media frenzy who already by the court of public opinion has found Grace guilty as all hell. He visits Grace in prison with Jasmine to push for her to sign, by which time, Grace has made up her mind to have her day in court at the hands of the inexperienced still wet behind the ears Jasmine.

Jasmine, visits the home of Grace's best friend Sarah Miller (Phylicia Rashad), who recounts in flashbacks that following Grace's divorce she became more introverted, withdrawn and sorrowful for her current circumstances as a middle aged woman. Sarah urged Grace to get out, live a little and maybe she'll meet someone new. This leads her to the opening night of a photographic exhibition at a local art gallery where she meets Shannon, the exhibitor of his photographic works of Ethiopia. He almost immediately homes in on Grace, with his suave, sophisticated words and compliments. At first Grace keeps her distance, but Shannon showers her with roses, photos from his exhibit, wine, dinner, constant compliments, and eventually she falls for his charming ways. In three months the pair get married and for a short while their lives are all sunshine and rainbows.

Gradually Shannon's charming ways give way to cruelty as he seemingly keeps secrets from her. Grace is fired instantly from her long standing and respected job at the bank when it is discovered that some US$350K is missing from the accounts she manages. Thinking someone has stolen her identity, Grace soon discovers that Shannon has stolen from her accounts using her passwords, and has also mortgaged her house to the tune of US$370K with forged documents. When confronted with this, Shannon's retorts that he needed the money to pay off some debts, and that Grace's house is now their house, and in this State, when a couple are married all wealth and assets pass into joint names and as such he had every right to remortgage the house. When Grace and Sarah visit a lawyer seeking advice and guidance about prosecuting Shannon, they are told that any case will take years to come to court, cost a small fortune, with no certainty over the outcome.

The last straw comes when Grace arrives home to find Shannon in their bed with another woman, and he forces Grace out of the room asking for their privacy. He parades the young woman down the stairs in front of Grace like some trophy, with the woman saying that she never realised that your mother would be home, and next time to make sure she is out of the house. That evening as Shannon is sat in the lounge talking smugly at Grace with his back to her, Grace becomes increasingly angry and beats Shannon with a baseball bat multiple times over the head splattering his blood all over the place and all over her too. She then throws his limp lifeless body down the stairs into her basement. Grace then drives for hours into the middle of nowhere to call her friend Sarah and tell her she killed her husband.

Sarah further explains that following that phone call she went to Grace's house and witnessed her son Malcolm leaving the house. She found Shannon's body to be missing, believing that Malcolm helped Grace dispose of it somewhere in remote bushland. In court, Jasmine fails miserably at proving that Grace is innocent. Calling Sarah as a witness backfires because the prosecution reveals phone records showing numerous phone calls between the women on the night of the murder. Jasmine tries to claim that the phone records are inadmissible because she had no prior knowledge of their existence, but the prosecutor alleges that she did and that she just overlooked them. A decision that the Judge upholds in favour of the prosecutor. Sarah finally admits in the witness box after repeated questioning that Grace confessed to killing Shannon to her. Grace is found, hardly surprisingly, guilty by the jury.

Feeling sorry for herself, Jasmine stops by Sarah's house which also doubles as a residence for old ladies and notices that an elderly frail and confused woman named Alice (Cicely Tyson) is trying to flee from the house. Alice wants to leave, but Jasmine ushers her back inside. Alice reveals that other women have died there, including Shane Fieldman (Jordan's victim from the beginning of the film, and the real photographer behind the exhibition where Grace first met Shannon). Jasmine hears a sound coming from the basement and goes off to investigate. There she discovers there are numerous elderly women all shackled and chained up in the basement. She is grappled from behind, tied up and gagged and locked in a small room. Jordan meanwhile is sent various files to his patrol cars on board computer revealing Sarah's criminal history, and hurriedly goes off in search for his wife. Shannon turns out to be alive and further that he is Sarah's son. Jordan bursts into the house, grapples with Sarah, handcuffs her and then searches for Jasmine as Sarah makes her obvious getaway, albeit cuffed. Jordan and Shannon fight in the darkened basement as Jasmine tries to break free. Shannon is shot at close range three times in the chest by Jasmine who has broken free from her restraints, and is presumably dead, second time around, as a result.

Shortly after, the Police arrive and the elderly ladies are all freed. Grace is released from jail with a full pardon and an apology from the court, and is reunited with her son Malcolm. Jasmine's work on the case is applauded by her colleagues, the media and her boss Rory. Sarah and Shannon’s real names are revealed to be Betty and Maurice Mills, and or the past twenty years the two have been conning older women out of their money and social security across numerous States, and that Maurice is wanted in various States for bigamy.

'A Fall from Grace' certainly grabs the attention from the get go, but, for all the wrong reasons! Jasmine is so half baked, so lacking in confidence, so unwise and unknowing to the point that her ineptitude and just go with the flow attitude is laughable. The story twists and turns verge from the sublime to the ridiculous as Perry seems intent on throwing every conceivable obstacle and plot development at his cast of largely downtrodden Black characters who must have been racing against the clock every time the camera rolled to complete their lines so that the Writer/Director could shout 'cut'. And as for the courtroom drama at the centre of this film, that is delivered in a predictable by the numbers manner that anyone could see coming from ten miles away - there are certainly no surprises here. When the end finally comes it's a hurried affair that quickly lunges into horror territory without delivering on any scares, but by the end of its two hour run time, it can't really come quickly enough. And lets not mention the extras again in the background, or the shonky set design, or the lack of attention to detail that is all heightened by Perry's desire to wrap this shoot in under a week - and it shows!

'A Fall from Grace' merits two claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

CREED II : Tuesday 4th December 2018.

I saw 'CREED II' earlier this week, and this sports drama film probably needs little introduction. After all it is the sequel to 2015's highly acclaimed 'Creed' film as Directed and Written by Ryan Coogler and Co-Produced and starring Sylvester Stallone in his seventh turn as our titular pugilist hero Rocky Balboa. That film cost US$40M to make, grossed US$174M and picked up a whole slew of awards and nominations along the way. Now the team reunite for 'Creed II' the eighth film in the 'Rocky' franchise, but this time Directing duties are given over to Steven Caple Jnr. in only his second feature film outing as Director. Ryan Coogler takes an Executive Producer credit and Sylvester Stallone takes on the role once more as Rocky Balboa, Co-Wrote the Screenplay and also Co-Produces. Released in the US on 21st November, the film has so far recovered US$100M from its US$50M Budget investment, and has generated generally positive Reviews.

The film opens up somewhere in a drab and dreary Ukraine. It is early morning, and woken up from his slumber on the sofa is Viktor Drago (Florian Munteanu). The man who did the wake up call is his father Ivan Drago (Dolph Lundgren) as he looks out of his apartment window on to the grey city scape before him. We then cut to Las Vegas and a bout at the MGM Grand involving Adonis Creed (Michael B. Jordan) and Danny 'Stuntman' Wheeler (Andre Ward) for the WBC (World Boxing Council) World Heavyweight Championship title. His trainer Rocky Balboa (Sylvester Stallone) gives Adonis a final pep talk, before his girlfriend Bianca Taylor (Tessa Thompson) has the final word. Needless to say Adonis wins the title and is crowned World Heavyweight Boxing Champion.

With his new found fame, Adonis decides to propose marriage to Bianca, which she accepts. Bianca later suggests to Adonis that they move away from Philadelphia and return to Los Angeles where she can concentrate on her escalating singing career, and he can still train and be based there. However, Philadelphia has been good to him, he is established, is known, and furthermore, and perhaps most importantly, Rocky lives there, and there is a great sense of loyalty between the pair.

In the meantime, Ivan Drago, a former Russian boxer who killed Adonis's father, Apollo Creed (Carl Weathers seen in flashback), in the ring thirty-three years earlier, sees a chance to regain the glory that was taken from him as a result of his loss to Rocky Balboa in Moscow later that same year by pitting his son, Viktor Drago, against Adonis. Boxing Promoter Buddy Marcelle (Russell Hornsby) has been maintaining a watchful eye on Viktor's progress in the ring in recent times, and when he feels that Viktor is ready, he pitches the idea to both sides.

Ivan and Viktor both arrive in Philadelphia even though the bout has not yet been agreed to. Ivan visits Rocky in his restaurant one evening unannounced. The pair eye off against each other for the first time in more than thirty years. Ivan says that he returned to Russia a broken man after his fight in which he lost to Rocky, and that Russia turned its back on him. He has nothing . . . . except his son now. Ivan goads Rocky by saying that his son Viktor will break his boy. When Adonis mentions the idea to Rocky, he refuses to support the notion, and says that he'll be going into the ring without him therefore. Feeling betrayed and dejected, Adonis leaves with Bianca for LA where they take out a luxurious apartment overlooking the city skyline, and close to Apollo's widow and Adonis' adoptive mother Mary Anne Creed (Phylicia Rashad).

The day of the bout with Drago is quickly upon them. Adonis has been training in LA with Tony 'Little Duke' Evers (Wood Harris), the son of Apollo's, and later Rocky's, trainer. Bianca meanwhile has announced that she is pregnant. With so much going on his life - marriage proposal, baby on the way, recently relocated to LA, newly crowned World Champ, new trainer, no Rocky - Adonis rushes into his world title defence bout with Drago.

Drago is clearly the far superior Boxer, in terms of his height, weight, reach, strength and build. Adonis is ill prepared and comes off worse, and badly injured as well. Maintaining a bedside vigil, Bianca and Little Duke receive news that the Boxing Governing Body has upheld the decision to disqualify Drago for punching Adonis while he was still down, so allowing the World Champ to still retain his crown. Viktor and Ivan return to Russia where their popularity soon grows on a wave of national support.

Afters several weeks of recuperation in hospital Adonis is released with a frenzy of the media in waiting. Back at his apartment over the following weeks and months he becomes increasingly distant from Bianca. His body is still hurting, his confidence has taken a blow, and his mind is on other things. Mary Anne reaches out to Rocky in the hope that with his support and advice he will pull through his personal crisis. Rocky arrives at Mary Anne's palatial house, and waits for Adonis to arrive expecting to meet with his mother. Instead the pair say a few candid words to each other and make up their differences. Rocky agrees to train Adonis in preparation for a rematch with Drago which the Boxing Governing Body are putting pressure on Adonis to name an opponent or forfeit his title, due to the time that has now lapsed between world title contests.

Meanwhile back in Russia at a grand dinner at which Viktor and Ivan are the centre of attention by the gathered guests and dignitaries, in waltzes Ludmilla Drago (Brigitte Neilsen), the former wife of Ivan and mother to Viktor, who deserted them both soon after Ivan's loss to Rocky. Viktor can hardly contain himself out of anger towards seeing his mother all proud, glamorous and clearly well off while they have nothing. He walks out of the dinner quickly followed by Ivan, much to the chagrin of the other guests. Meanwhile back in LA Bianca has given birth to a girl, whom they name Amara.

Viktor continues to goad Adonis, while Ivan puts his son through a relative pedestrian albeit fairly brutal training regime. Rocky, on the other hand, drives Adonis out to the middle of the Californian desert to a run down dust bowl of an outdoor gym with makeshift equipment and a boxing ring. Rocky tells Adonis, that it is a place where fighters come to be 'reborn'.

What follows is the obligatory training montage that sees Adonis beating the sand and the dust with a sledgehammer with all his might, running to keep up with Rocky driving the car ahead, getting pummelled to the stomach with a medicine ball, strengthening his neck by lifting weights with his head, shadow boxing with the camp fire at dusk and sparring with an opponent in the ring with each man having to maintain a foot inside a tyre. This brutal regime goes on for seemingly a few weeks, but eventually Adonis has got his mojo back, he's in great shape and ready for the fight of his life (predictably).

The rematch is staged in Moscow, amidst all the glitz and glamour that Russia can muster and in front of a capacity crowd all cheering on Drago. Early on Adonis, in a more controlled and focused manner that his first bout against Drago, is on an equal footing with the Russian, exchanging blows one for one. Drago wins the second round by punches landed and the number of times Adonis falls to the mat.

And so it continues, into Rounds three, four, five and six. Drago has always won his fights by a knock out early on, and so is unaccustomed to going the distance with a worthy adversary, and someone who can take a pummelling and still keep coming back. A fact that Adonis plays to his advantage. In Round 10, after being floored again, Adonis gets mightily pissed off at himself and barely rising up off the mat musters the strength and the inner rage to let his punches rain down on Drago, sending him to the mat twice.

Ludmilla, who had been sitting ringside with other supporters of Viktor, departs when the fortunes of this title bout start leaning very much in Adonis' favour. Viktor sees this and is caught off-balance emotionally. Ivan also noted her prompt departure, but has now seemingly reconciled the fair-weathered nature of those supporters who had run Ivan out of Russia originally thirty years before. With Viktor cornered and Adonis landing multiple strikes without any retaliation by his opponent, Rocky watches in disbelief as Ivan steadily inches his way to where his son is cornered and throws in the towel, conceding the fight to Adonis to ensure his son isn’t seriously injured or worse.

Though Viktor is ashamed by his defeat, Ivan embraces his son motioning that it's OK that he lost and that he put up an admirable fight. Bianca, also watching from a ringside seat enters the ring to celebrate with Adonis who motions for Rocky to join them. Rocky stops himself from joining the celebrations telling Adonis that it is 'his time' and so he takes a seat and watches them from outside the ring. Sometime after the fight and back in LA, Adonis visits the gravesite of his father to make peace with him and for carrying the heavy burden of his legacy. Ivan and Viktor are seen jogging through the streets back in Ukraine. Rocky visits his estranged son Robert (Milo Ventimiglia) in Vancouver and meets with his young grandson Logan, for the first time. 

For the eighth film in the 'Rocky' franchise this instalment is light on genuine surprises and follows a tried and tested, and predictable, formula. Champion Boxer has crisis of confidence, check; has inner demons he must overcome, check; gets beaten up, loses and has a rematch, check; must face off against a formidable opponent against the odds, check; undergoes a brutal training regime seen in montage, check; goes the full ten rounds in the World Title fight despite being battered, bruised, bloody and broken, check; slo-mo body and facial blows, check; but wins the day and is victorious, check; and the principle characters all have their own little side story to deal with along the way too, check! Despite the predictable formulaic nature of this franchise as described, it is nonetheless a well executed sequel to 'Creed' that has strong performances from Jordan and Stallone once more especially, the fight scenes are well choreographed and excitingly shot from a myriad of angles, and the film has heart and conviction that invests you in the characters, their lives, challenges, triumphs and emotions. Certainly worth the price of your ticket.

'Creed II' warrants three claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-