The Reviews and the Previews, the News, and the Views of what's hot and what's not at the movies, at your cinema and at your local Odeon!
Friday, 25 April 2025
SINNERS : Tuesday 22nd April 2025
Wednesday, 16 April 2025
What's new at Odeon's this week : Thursday 17th April 2025.
Turning back to this weeks five hottest new release movies gracing a big screen Odeon close to your home, we launch with a supernatural horror film about twin brothers who return to their hometown but are faced with a greater evil. Next up is a modern telling of war as a surveillance mission goes south for a platoon of American Navy SEAL's in insurgent territory in Iraq. Then we turn to a mystery thriller in which a widowed mother's first date takes a terrifying turn when she's bombarded with anonymous threatening messages on her phone, leaving her questioning if her charming date is behind the harassment. This is followed by a biographical drama offering telling the story of the arrest, trial and imprisonment of an Australian journalist, who while reporting on the Arab Spring uprising becomes entangled in a deadly game of rivalries. And closing out the week we have a comedy drama about an Englishman who experiences personal and political changes after adopting a penguin during a turbulent time in Argentina's history.
Whatever your taste in big screen film entertainment is this week - be it any of the five latest release new films as Previewed below, or those doing the rounds currently on general release or as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the week ahead.
'SINNERS' (Rated MA15+) - is an American period supernatural horror film Written, Co-Produced and Directed by Ryan Coogler, whose former feature film output includes his big screen debut with 'Fruitvale Station' in 2013, which he would follow up with 'Creed' in 2015, 'Black Panther' in 2018 and 'Black Panther : Wakanda Forever' in 2022. The film is released this week too in the US and had a production budget of US$90M. Here then, set in the 1930's in the Southern United States during the height of the Jim Crow era, the film follows twin brothers Smoke and Stack (both played by Michael B. Jordan) who are attempting to leave their troubled lives behind, as they return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back. Also starring Hailee Steinfeld, Jack O'Connell, Jayme Lawson and Delroy Lindo.
'WARFARE' (Rated MA15+) - this war action film is Written and Directed by Ray Mendoza and Alex Garland and is based on Mendoza's experiences during the Iraq War as a former US Navy SEAL. Alex Garland's prior feature film making credits take in his debut with 'Ex Machina' in 2014, then 'Annihilation' in 2018, 'Men' in 2022 and 'Civil War' most recently last year. Here then, a platoon of Navy SEAL's embark on a dangerous surveillance mission in Ramadi, Iraq in 2006, with the chaos and brotherhood of war retold through their memories of the event. Starring D'Pharaoh Woon-A-Tai as Ray Mendoza with Will Poulter, Cosmo Jarvis, Joseph Quinn, Kit Connor, Michael Gandolfini, Charles Melton, Noah Centineo, Henry Zaga and Alex Brockdorff. The film saw its World Premiere showcasing in mid-March, was released in the USA last week, here and in the UK this week, has garnered generally favourable critical press and has so far grossed US$8.5M from a production budget of US$20M.
'DROP' (Rated MA15+) - is an American mystery thriller film Directed by Christopher Landon who made his feature film Directing debut with 'Burning Palms' in 2010 and would follow this up with 'Paranormal Activity : The Marked Ones' in 2014, then 'Scouts Guide to the Zombie Apocalypse' in 2015, 'Happy Death Day' in 2017, 'Happy Death Day 2U' in 2019, 'Freaky' in 2020 and 'We Have a Ghost' in 2023. Here then, Violet (Meghann Fahy), a widowed mother, is on a date with Henry (Brandon Sklenar) when she is terrorised by a series of anonymous messages to her mobile phone. The caller instructs her to tell nobody, and follow increasingly malicious instructions, or her younger sister, Jen (Violett Beane), and her son, Toby (Jacob Robinson) will be killed, culminating with her being told to kill Henry. The film had its premiere at the SXSW in early March, was released in the US last week, has received positive reviews from critics and has so far grossed US$11M from a production budget of US$11M.
'THE CORRESPONDENT' (Rated M) - this biographical legal thriller film is Directed by Kriv Stenders whose prior feature film output includes 'The Illustrated Family Doctor' in 2005, 'Boxing Day' in 2007, 'Lucky Country' in 2009, 'Red Dog' in 2011, 'Kill Me Three Times' in 2014, 'Red Dog : True Blue' in 2016, 'Australia Day' in 2017 and 'Danger Close : The Battle of Long Tan' in 2019. This film is based on the 2017 memoir 'The First Casualty' by Peter Greste. The film is based on the real-life story of Australian foreign correspondent and journalist Peter Greste (Richard Roxburgh), who was arrested in Cairo, Egypt after being accused of spreading false news and aiding the Muslim Brotherhood. Imprisoned for seven years despite his innocence, he survives on wits alone before being released in 2015. The film saw its World Premiere screening at the Adelaide Film Festival back in September last year and is released this week here in Australia.
'THE PENGUIN LESSONS' (Rated M) - is a comedy drama film Directed by Peter Cattaneo who made his feature film Directorial debut with 1997's 'The Full Monty' and which he would follow up with 'Lucky Break' in 2001, 'Opal Dream' in 2006, 'The Rocker' in 2008 and 'Military Wives' in 2019. This film is based on the 2015 memoir of the same name by Tom Michell. Inspired by the true story of a disillusioned Englishman, Tom Michell (Steve Coogan) who went to work in a school in Argentina in 1976. Expecting an easy ride, Tom discovers a divided nation and a class of unteachable students. However, after he rescues a penguin from an oil-slicked beach at a Uraguayan resort, his life is turned upside-down, as the penguin then kept following him and so he took it back to the school, where it became a popular pet. Also starring Jonathan Pryce as the school Headmaster. It premiered as a gala presentation at the Toronto International Film Festival in September last year, was released in the US in late March and is released in the UK, Ireland and here in Australia this week. It has so far grossed almost US$3M and has generated mixed or average reviews.
Friday, 18 November 2022
BLACK PANTHER : WAKANDA FOREVER - Monday 14th November 2022.
Wednesday, 9 November 2022
What's new in Odeon's this week : Thursday 10th November 2022.
In the International Film Competition for first or second feature films, there are eight films competing for the award of a prize of £7,000 to the Director of the Best Film, alongside Jury Prizes for Outstanding Craft Contribution and Breakout Performance of £1,500 each. Those eight films are :-
* 'Blue Jean' - from the UK and Written and Directed by first timer Georgia Oakley. England, 1988 - and Prime Minister Margaret Thatcher's Conservative government is about to pass a law stigmatising gays and lesbians, forcing Jean, a gym teacher, to live a double life. As pressure mounts from all sides, the arrival of a new girl at school where Jean works, catalyses a crisis that will challenge Jean to her core.
* 'Unrest' - from Switzerland and Written and Directed by Cyril Schaublin. This is the story of young watchmaker, Josephine (Clara Gostynski), in 1877 Switzerland, who gets involved with the rising anarchist movement as new technologies begin to transform money, time and labor in a small town.
* 'Beautiful Beings' - from Iceland and Written and Directed by Guomundur Arnar Guomundsson. Here, Addi (Birgir Dagur Bjarkason), who is being raised by a clairvoyant mother and an absent father, decides to take pitiful, beaten-up Balli (Askell Einar Palmason) under his wing and into his little band of outsiders. The gang's comradeship gives them an escape from troubled, often abusive home situations, but their bonds of teenage brotherhood will be sorely tested by a toxic tide of systemic, cyclical male aggression that almost ceaselessly seeks to turn frightened boys into violent men.
* 'Falcon Lake' - from Canada and Co-Written and Directed by Charlotte Le Bon in her feature film making debut. Fourteen-year-old Bastien (Joseph Engel) and his family are on holiday at a lakeside cabin in Quebec with an old friend of his mother's. More importantly, with her sixteen-year-old daughter, Chloe (Sara Montpetit), an unsmiling teen with a morbid sense of humour, on whom Bastien immediately crushes very hard.
* 'Tommy Guns' - from Portugal and Angola and Written and Directed by Carlos Conceicao. In 1974, after years of civil war, the Portuguese and their descendants fled the colony of Angola where groups of independents gradually claimed their territory back. A tribal girl discovers love and death when she crosses paths with a young Portuguese soldier. Meanwhile, another group of Portuguese soldiers is barracked inside an infinite wall from which they will have to escape once the past comes out of the grave to claim its long-awaited justice.
* 'Carajita' - from the Dominican Republic and Argentina, and Co-Written and Co-Directed by Ulises Porra and Silvina Schnicer. Sara (Cecile van Welie) and her nanny Yarisa (Magnolia Nunez) have a relationship that seems to transcend their class conditions. They are the closest thing to a daughter-mother, but an accident will test their intimate loyalty and the innocent illusion that nothing can separate them.
* 'A Room of My Own' - from Georgia and Co-Written and Directed by Ioseb 'Soso' Bliadze. Tina (Taki Mumladze), a young woman who has lost her way in life, rents a room from the vibrant Megi (Mariam Khundadze), thanks to whom she gradually starts to discover what it's like to be free and to be able to make her own decisions without being reliant on men.
* 'Return to Seoul' - from France and South Korea and Written and Directed by Davy Chou. A twenty-five-year-old French woman, Freddie (Park Ji-Min) returns to Korea, the country she was born in before being adopted by a French couple, for the very first time. She decides to track down her biological parents, but her journey takes a surprising turn.
For the full details of the other film and presentation strands taking place at this years Belfast Film Festival, you can go to the official website at : https://belfastfilmfestival.org/
Turning the attention then back to this weeks three new movies coming to a big screen Odeon near you in the coming week, we kick off with the 30th film in the MCU and the sequel to a massive hit in 2018 that this time sees the nation of Wakanda pitted against intervening world powers as they mourn the loss of their king T'Challa. This is followed up by a doco set in the heart of the Tibetan highlands, where an award-winning photographer guides a writer in his quest to document the infamously elusive snow leopard; before closing out the week with a celebration song and dance film marking the 30th anniversary of a classic Christmas story as told by a renowned English contemporary choreographer.
Whatever your taste in big screen film entertainment is this week - be it any of the three latest release new films as Previewed below, or those doing the rounds currently on general release or as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the week ahead.
'BLACK PANTHER : WAKANDA FOREVER' (Rated M) - this American Superhero film is based on the Marvel Comics character of Black Panther, as portrayed by Chadwick Boseman in the 2018 film 'Black Panther', and who tragically died from colon cancer in 2020. This is the sequel to that 2018 film and is the thirtieth film in the Marvel Cinematic Universe, and is once again Directed and Co-Written by Ryan Coogler. The film saw its World Premier screening in Hollywood on 26th October, is set for a worldwide release from this week, and is the final film in Phase Four of the MCU.Queen Ramonda (Angela Bassett), Shuri (Letitia Wright), M'Baku (Winston Duke), Okoye (Danai Gurira) and the Dora Milaje fight to protect their nation from intervening world powers in the wake of King T'Challa's death, and a new threat emerges from the hidden undersea nation of Talokan and its king, Namor (Tenoch Huerta). As the Wakandans strive to embrace their next chapter, the heroes must band together with the help of War Dog Nakia (Lupita Nyong'o) and Everett Ross (Martin Freeman) and forge a new path for the kingdom of Wakanda.
'THE VELVET QUEEN' (Rated M) - this French documentary film is Written and Directed by Vincent Munier and Marie Amiguet and is set in the heart of the Tibetan highlands amongst unexplored and inaccessible valleys, where multi-award-winning nature photographer Vincent Munier guides adventurer and novelist Sylvain Tesson on his quest to document the infamously elusive snow leopard. Munier introduces Tesson to the subtle art of waiting from a blind spot, tracking animals, and finding the patience to catch sight of the beasts. Through their journey in the Tibetan peaks, inhabited by invisible presences, the two men ponder humankind's place amongst the magnificent creatures and glorious landscapes they encounter along the way.
'MATTHEW BOURNE'S NUTCRACKER!' (Rated CTC) - to celebrate its 30th anniversary with family-sized helpings of Bourne’s trademark wit, pathos, and magical fantasy, Nutcracker! follows Clara’s bittersweet journey from a darkly comic Christmas Eve at Dr. Dross’ Orphanage, through a shimmering, ice-skating winter wonderland to the scrumptious candy kingdom of Sweetieland, influenced by the lavish Hollywood musicals of the 1930's. Tchaikovsky’s glorious score and Anthony Ward’s newly-refreshed delectable sets and costumes combine with Bourne’s dazzling choreography to create a fresh and charmingly irreverent interpretation of the classic production. This film is Directed for the screen by Ross MacGibbon.
Friday, 7 December 2018
CREED II : Tuesday 4th December 2018.
I saw 'CREED II' earlier this week, and this sports drama film probably needs little introduction. After all it is the sequel to 2015's highly acclaimed 'Creed' film as Directed and Written by Ryan Coogler and Co-Produced and starring Sylvester Stallone in his seventh turn as our titular pugilist hero Rocky Balboa. That film cost US$40M to make, grossed US$174M and picked up a whole slew of awards and nominations along the way. Now the team reunite for 'Creed II' the eighth film in the 'Rocky' franchise, but this time Directing duties are given over to Steven Caple Jnr. in only his second feature film outing as Director. Ryan Coogler takes an Executive Producer credit and Sylvester Stallone takes on the role once more as Rocky Balboa, Co-Wrote the Screenplay and also Co-Produces. Released in the US on 21st November, the film has so far recovered US$100M from its US$50M Budget investment, and has generated generally positive Reviews.
The film opens up somewhere in a drab and dreary Ukraine. It is early morning, and woken up from his slumber on the sofa is Viktor Drago (Florian Munteanu). The man who did the wake up call is his father Ivan Drago (Dolph Lundgren) as he looks out of his apartment window on to the grey city scape before him. We then cut to Las Vegas and a bout at the MGM Grand involving Adonis Creed (Michael B. Jordan) and Danny 'Stuntman' Wheeler (Andre Ward) for the WBC (World Boxing Council) World Heavyweight Championship title. His trainer Rocky Balboa (Sylvester Stallone) gives Adonis a final pep talk, before his girlfriend Bianca Taylor (Tessa Thompson) has the final word. Needless to say Adonis wins the title and is crowned World Heavyweight Boxing Champion.
With his new found fame, Adonis decides to propose marriage to Bianca, which she accepts. Bianca later suggests to Adonis that they move away from Philadelphia and return to Los Angeles where she can concentrate on her escalating singing career, and he can still train and be based there. However, Philadelphia has been good to him, he is established, is known, and furthermore, and perhaps most importantly, Rocky lives there, and there is a great sense of loyalty between the pair.In the meantime, Ivan Drago, a former Russian boxer who killed Adonis's father, Apollo Creed (Carl Weathers seen in flashback), in the ring thirty-three years earlier, sees a chance to regain the glory that was taken from him as a result of his loss to Rocky Balboa in Moscow later that same year by pitting his son, Viktor Drago, against Adonis. Boxing Promoter Buddy Marcelle (Russell Hornsby) has been maintaining a watchful eye on Viktor's progress in the ring in recent times, and when he feels that Viktor is ready, he pitches the idea to both sides.
Ivan and Viktor both arrive in Philadelphia even though the bout has not yet been agreed to. Ivan visits Rocky in his restaurant one evening unannounced. The pair eye off against each other for the first time in more than thirty years. Ivan says that he returned to Russia a broken man after his fight in which he lost to Rocky, and that Russia turned its back on him. He has nothing . . . . except his son now. Ivan goads Rocky by saying that his son Viktor will break his boy. When Adonis mentions the idea to Rocky, he refuses to support the notion, and says that he'll be going into the ring without him therefore. Feeling betrayed and dejected, Adonis leaves with Bianca for LA where they take out a luxurious apartment overlooking the city skyline, and close to Apollo's widow and Adonis' adoptive mother Mary Anne Creed (Phylicia Rashad).
The day of the bout with Drago is quickly upon them. Adonis has been training in LA with Tony 'Little Duke' Evers (Wood Harris), the son of Apollo's, and later Rocky's, trainer. Bianca meanwhile has announced that she is pregnant. With so much going on his life - marriage proposal, baby on the way, recently relocated to LA, newly crowned World Champ, new trainer, no Rocky - Adonis rushes into his world title defence bout with Drago.
Drago is clearly the far superior Boxer, in terms of his height, weight, reach, strength and build. Adonis is ill prepared and comes off worse, and badly injured as well. Maintaining a bedside vigil, Bianca and Little Duke receive news that the Boxing Governing Body has upheld the decision to disqualify Drago for punching Adonis while he was still down, so allowing the World Champ to still retain his crown. Viktor and Ivan return to Russia where their popularity soon grows on a wave of national support.Afters several weeks of recuperation in hospital Adonis is released with a frenzy of the media in waiting. Back at his apartment over the following weeks and months he becomes increasingly distant from Bianca. His body is still hurting, his confidence has taken a blow, and his mind is on other things. Mary Anne reaches out to Rocky in the hope that with his support and advice he will pull through his personal crisis. Rocky arrives at Mary Anne's palatial house, and waits for Adonis to arrive expecting to meet with his mother. Instead the pair say a few candid words to each other and make up their differences. Rocky agrees to train Adonis in preparation for a rematch with Drago which the Boxing Governing Body are putting pressure on Adonis to name an opponent or forfeit his title, due to the time that has now lapsed between world title contests.
Meanwhile back in Russia at a grand dinner at which Viktor and Ivan are the centre of attention by the gathered guests and dignitaries, in waltzes Ludmilla Drago (Brigitte Neilsen), the former wife of Ivan and mother to Viktor, who deserted them both soon after Ivan's loss to Rocky. Viktor can hardly contain himself out of anger towards seeing his mother all proud, glamorous and clearly well off while they have nothing. He walks out of the dinner quickly followed by Ivan, much to the chagrin of the other guests. Meanwhile back in LA Bianca has given birth to a girl, whom they name Amara.
Viktor continues to goad Adonis, while Ivan puts his son through a relative pedestrian albeit fairly brutal training regime. Rocky, on the other hand, drives Adonis out to the middle of the Californian desert to a run down dust bowl of an outdoor gym with makeshift equipment and a boxing ring. Rocky tells Adonis, that it is a place where fighters come to be 'reborn'.What follows is the obligatory training montage that sees Adonis beating the sand and the dust with a sledgehammer with all his might, running to keep up with Rocky driving the car ahead, getting pummelled to the stomach with a medicine ball, strengthening his neck by lifting weights with his head, shadow boxing with the camp fire at dusk and sparring with an opponent in the ring with each man having to maintain a foot inside a tyre. This brutal regime goes on for seemingly a few weeks, but eventually Adonis has got his mojo back, he's in great shape and ready for the fight of his life (predictably).
The rematch is staged in Moscow, amidst all the glitz and glamour that Russia can muster and in front of a capacity crowd all cheering on Drago. Early on Adonis, in a more controlled and focused manner that his first bout against Drago, is on an equal footing with the Russian, exchanging blows one for one. Drago wins the second round by punches landed and the number of times Adonis falls to the mat.
And so it continues, into Rounds three, four, five and six. Drago has always won his fights by a knock out early on, and so is unaccustomed to going the distance with a worthy adversary, and someone who can take a pummelling and still keep coming back. A fact that Adonis plays to his advantage. In Round 10, after being floored again, Adonis gets mightily pissed off at himself and barely rising up off the mat musters the strength and the inner rage to let his punches rain down on Drago, sending him to the mat twice.
Ludmilla, who had been sitting ringside with other supporters of Viktor, departs when the fortunes of this title bout start leaning very much in Adonis' favour. Viktor sees this and is caught off-balance emotionally. Ivan also noted her prompt departure, but has now seemingly reconciled the fair-weathered nature of those supporters who had run Ivan out of Russia originally thirty years before. With Viktor cornered and Adonis landing multiple strikes without any retaliation by his opponent, Rocky watches in disbelief as Ivan steadily inches his way to where his son is cornered and throws in the towel, conceding the fight to Adonis to ensure his son isn’t seriously injured or worse.
Though Viktor is ashamed by his defeat, Ivan embraces his son motioning that it's OK that he lost and that he put up an admirable fight. Bianca, also watching from a ringside seat enters the ring to celebrate with Adonis who motions for Rocky to join them. Rocky stops himself from joining the celebrations telling Adonis that it is 'his time' and so he takes a seat and watches them from outside the ring. Sometime after the fight and back in LA, Adonis visits the gravesite of his father to make peace with him and for carrying the heavy burden of his legacy. Ivan and Viktor are seen jogging through the streets back in Ukraine. Rocky visits his estranged son Robert (Milo Ventimiglia) in Vancouver and meets with his young grandson Logan, for the first time.
For the eighth film in the 'Rocky' franchise this instalment is light on genuine surprises and follows a tried and tested, and predictable, formula. Champion Boxer has crisis of confidence, check; has inner demons he must overcome, check; gets beaten up, loses and has a rematch, check; must face off against a formidable opponent against the odds, check; undergoes a brutal training regime seen in montage, check; goes the full ten rounds in the World Title fight despite being battered, bruised, bloody and broken, check; slo-mo body and facial blows, check; but wins the day and is victorious, check; and the principle characters all have their own little side story to deal with along the way too, check! Despite the predictable formulaic nature of this franchise as described, it is nonetheless a well executed sequel to 'Creed' that has strong performances from Jordan and Stallone once more especially, the fight scenes are well choreographed and excitingly shot from a myriad of angles, and the film has heart and conviction that invests you in the characters, their lives, challenges, triumphs and emotions. Certainly worth the price of your ticket.'Creed II' warrants three claps of the Odeon Online clapperboard from a possible five claps.












































