SPENCER : Monday 24th January 2022

I saw the M Rated 'SPENCER' at the Open Air Cinema at Mrs. Macquarie's Chair, in Sydney earlier this week. This work of historical fiction is a psychological drama film Directed and Co-Produced by Pablo Larrain, whose prior film making credits include his 2006 debut 'Fuga' and then 'No' in 2012, 'Neruda' in 2016 and the critically acclaimed 'Jackie' in 2016 also, with 'Ema' in 2019. The film saw its World Premier screening at the Venice International Film Festival in early September last year before its release in the US and UK in early November. Having generated largely positive Critical Reviews, 'Spencer' has so far recovered US$16M from its US$18M budget outlay, and has picked up thirty-four awards and a further 106 nominations (many of which are still pending an outcome) from around the awards and festival circuit. 

Set during the Christmas holiday 1991 with the royal family all gathering at the Queen's Sandringham estate in Norfolk, England. Among the invited guests are Diana, Princess of Wales (Kristen Stewart), whose ten year old marriage to Prince Charles (Jack Farthing) has reached the point of no return because of his affair with Camilla Parker Bowles (Emma Darwall-Smith). As the staff of the Sandringham Estate prepare for the imminent arrival of the royal family and their entourage, led by the very capable Major Alistair Gregory (Timothy Spall), Diana drives around the Norfolk countryside in a haze. Being on the verge of a nervous breakdown, she avoids driving into the grounds of the Estate until she meets Royal Head Chef Darren McGrady (Sean Harris) claiming that she got lost en route. 

Diana duly arrives to a less than warm greeting on Christmas Eve. Her sons William (Jack Nielen) and Harry (Freddie Spry) are excited to see her, but she does not attempt to mix with the royal family, who for the most part ignore her. Diana's only friend at the Estate is Royal Dresser Maggie (Sally Hawkins), who encourages her to combat the royal family and fulfil the obligations expected of her. Diana finds a book on Anne Boleyn in her designated bedroom. She begins to have dreams about Boleyn, eventually coming to believe that Boleyn's ghost (Amy Manson) is haunting her in her capacity as a fellow betrayed and abandoned royal wife. Diana tries to visit her now abandoned and boarded up childhood home of Park House, which neighbours the Sandringham Estate, but is stopped by the royal security, who initially mistake her for an intruder.

On Christmas morning, Diana joins the service at St Mary Magdalene Church, Sandringham, where she observes Camilla among the attendees and is photographed by hundreds of gathered paparazzi. She later has a stilted conversation with Charles, who rejects her concern over William and Harry's joining in a pheasant shoot the next day. Charles secretly arranges for Maggie to be sent back to London and spreads rumours that she had planted the Boleyn book in Diana's room and made critical comments about her mental health, to which McGrady denies that she had done so when questioned by Diana. 

Major Gregory attempts to encourage Diana to observe the pressures of royal life by reminding her that the soldiers of the British Army die attempting to protect the interests of the Crown, and therefore her also. Diana responds by stating that she never asked anyone to die for her. After imagining wounding herself with a pair of wire cutters given to her by McGrady, Diana avoids the formal Christmas Day dinner, instead running to her childhood home and gaining access to it with the wire cutters. Memories of her happier childhood overtake her, and she dances from room to room while imagining her younger selves. She considers committing suicide by throwing herself down a flight of stairs, but the hallucination of Boleyn prevents her from doing so. 

On Boxing Day morning, Diana awakens in her room to find that Maggie had been called back from London. The pair drive on to a nearby deserted beach and walk along the sand where Diana talks about her mental and marital challenges. Maggie responds by confessing that she is in love with Diana. After leaving the beach, Diana rushes to the pheasant shoot and walks out in front of the crowd of royal shooters, imitating the movements of the birds. She tells Charles that she is leaving the royal entourage and taking William and Harry to London, an arrangement to which Charles reluctantly agrees. 

Diana bids farewell to Maggie and McGrady and Major Gregory returns the Boleyn book to the library. As they drive away, in the distance, a scarecrow that Diana had created when she was younger is seen, now dressed in clothes from her early adulthood. After stopping en route for some fast food, Diana drives to London, where she begins the process of raising her children independently. She looks out over the River Thames in the shadow of Tower Bridge as the boys chow down on a bucket of KFC, uncertain of her future but no longer burdened by memory or the responsibilities of being a royal.

I have to say that I came away from 'Spencer' feeling a little nonplussed. I neither loved it, nor did I hate it. There is no doubt that Kristen Stewart nails her depiction of Princess Diana to a tee from her vocal inflections, her ticks and foibles, her mannerisms and the way in which she would tilt her head - an Oscar contender here for sure for Best Actress I would think. And Timothy Spall also gives a strong, stoic, stiff upper lip performance as the Queen's Equerry, as does Sally Hawkins as Diana's dresser in the all too brief screen time she enjoys. But for me the film is all too repetitive with Head Chef Darren telling us what every meal over the three days comprises of, from sandwiches on arrival on Christmas Eve to the lavish picnic in the grounds of Sandringham during the pheasant shoot on Boxing Day and every mealtime in between; to Diana chundering into the toilet bowl after every meal she consumes; to what Diana had to wear to every meal and to every occasion throughout her three day stay; and that she is being portrayed as some spoiled brat of a woman who only want's her way in life and bursts into tears when she doesn't get it, which I'm not entirely sure rang true of the Princess. And as for the soundtrack, the first half is so off kilter with all its clanking cello's, violins and oboe's that it really grated on me, before the second half which moves into more classical territory which I guess is fine, but I would have thought that a more modern soundtrack would be in keeping with the depiction of a more modern Princess, despite her anxiety over her circumstances. Diana Spencer was a Princess who just wanted the fairy tale, and instead she got the nightmare!

'Spencer' merits three claps of the Odeon Online clapperboard from a potential five claps. 

-Steve, at Odeon Online-

What's new in Odeon's this week : Thursday 20th January 2022.

The honourees of this years National Board of Review Awards were due to be held at a special gala event on Tuesday evening 11th January, but that event was postponed due to the ongoing ravages of the COVID-19 pandemic and the ever tightening grip that the Omicron variant seems to have on our world. That said, the winners of the 93rd National Board of Review Awards honouring the best in film from 2021, were announced on 2nd December 2021, and in case you missed it, those proud recipients of an award are as given below :-

* Best Film - awarded to 'Licorice Pizza'.

* Best Director  - awarded to Paul Thomas Anderson for 'Licorice Pizza'.

* Best Actor - awarded to Will Smith for 'King Richard'.

* Best Actress - awarded to Rachel Zeglar for 'West Side Story'.

* Best Supporting Actor - awarded to Ciaran Hinds for 'Belfast'.

* Best Supporting Actress - awarded to Aunjanue Ellis for 'King Richard'.

* Best Original Screenplay - awarded to Asghar Farhadi for 'A Hero'.

* Best Adapted Screenplay - awarded to Joel Coen for 'The Tragedy of Macbeth'.

* Best Animated Feature - awarded to 'Encanto'.

* Breakthrough Performance - awarded to Alana Haim and Cooper Hoffman for 'Licorice Pizza'. 

* Best Directorial Debut - awarded to Michael Sarnoski for 'Pig'. 

* Best Foreign Language Film - awarded to 'A Hero'. 

* Best Documentary - awarded to 'Summer of Soul ( . . . Or When the Revolution Could Not Be Televised).

* Best Ensemble - awarded to 'The Harder They Fall'.

* Outstanding Achievement in Cinematography - awarded to Bruno Delbonnel for 'The Tragedy of Macbeth'.

* NBR Freedom of Expression - awarded to 'Flee'.

* The Top Ten Films of the Year were given as 'Belfast', 'Don't Look Up', 'Dune', 'King Richard', 'The Last Duel', 'Licorice Pizza', 'Nightmare Alley', 'Red Rocket', The Tragedy of Macbeth' and 'West Side Story'.

* The Top Ten Independent Films of the Year were given as 'The Card Counter', 'C'mon C'mon', 'CODA', 'The Green Knight', 'Holler', 'Jockey', 'Old Henry', 'Pig', 'Shiva Baby' and 'The Souvenir Part II'. 

* The Top Five Foreign Langauge Films of the Year were given as 'Benedetta', 'Lamb', 'Lingui : The Sacred Bonds', 'Titane' and 'The Worst Person in the World'.

* The Top Five Documentaries of the Year were given as 'Ascension', 'Attica', 'Flee', 'The Rescue' and 'Roadrunner : A Film About Anthony Bourdain'. 

For the full details of the 93rd NBR Awards plus a whole lot more, you can go to the official website at : https;//www.nationalboardofreview.org/

Turning attention to this weeks five new releases, we kick off with a film inspired Princess Diana's decision to end her marriage to Prince Charles and leave the British royal family. This is followed up with a story of an ambitious carny with a talent for manipulating people with a few well-chosen words who hooks up with a female psychiatrist who is even more dangerous than he is. Next up is a Chinese offering about a film fan who escapes from a labour camp and befriends a homeless female vagabond and possibly the best movie projectionist for miles around. We then close out the week with two animated feature films which couldn't be more different - the first is a new take on a classic story that sees a studious marmoset embarking on a wild adventure to travel around the planet in 80 days after accepting a challenge from a greedy frog, before closing out the week with a Japanese animated offering about a high school student who becomes a globally beloved singer after entering a fantastic virtual world, and soon embarks on an emotional and epic quest to uncover the identity of a mysterious beast.

Whatever your taste in big screen film entertainment is this week - be it any of the five latest release new films as Previewed below, or those doing the rounds currently on general release or as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the week ahead.

'SPENCER' (Rated M) - this work of historical fiction is a psychological drama film Directed and Co-Produced by Pablo Larrain, whose prior film making credits include his 2006 debut 'Fuga' and then 'No' in 2012, 'Neruda' in 2016 and the critically acclaimed 'Jackie' in 2016 also with 'Ema' in 2019. The film saw its World Premier screening at the Venice International Film Festival in early September last year before its release in the US and UK in early November. Having generated largely positive Critical Reviews, 'Spencer' has so far recovered US$15M from its US$18M budget outlay, and has picked up twenty-eight awards and a further ninety-six nominations (many of which are still pending an outcome) from around the awards and festival circuit. 

Set during the Christmas holiday 1991 with the royal family at the Queen's Sandringham estate in Norfolk, England, where there's eating and drinking, shooting and hunting aplenty - Diana Spencer (Kristen Stewart) knows the game. But this year, things will be profoundly different. Diana, struggling with mental health issues and anxiety decides to end her decade-long marriage to Prince Charles (Jack Farthing). 'Spencer' is an imagining of what might have happened during those few fateful days. Also starring Timothy Spall, Sean Harris and Sally Hawkins. 

'NIGHTMARE ALLEY' (Rated MA15+) - is an American neo-noir psychological thriller film that is Directed, Co-Written for the screen and Co-Produced by Guillermo del Toro whose previous film making credits take in 'Hell Boy', 'Pacific Rim', 'Crimson Peak' and the Academy Award winning 'Pan's Labyrinth' and 'The Shape of Water'. This film is based on the 1946 novel of the same name by William Lindsay Gresham, and is the second feature film adaptation following the 1947 film starring Tyrone Power. Set in 1940's era New York, down-on-his-luck Stanton Carlisle (Bradley Copper) endears himself to a clairvoyant Zeena Krumbein (Toni Collette) and her mentalist husband Pete (David Strathairn) at a traveling carnival owned by Clem Hoately (Willem Dafoe). Using newly acquired knowledge, Carlisle crafts a golden ticket to success by swindling the elite and wealthy. Hoping for a big score, he soon hatches a scheme to con a dangerous tycoon with help from a mysterious psychiatrist Lilith Ritter (Cate Blanchett) who might be his most formidable opponent yet. Also starring Richard Jenkins, Rooney Mara, Ron Perlman, Mary Steenburgen, Holt McCallany and Tim Blake Nelson. The film has garnered generally positive Reviews and has recovered US$9M in Box Office receipts from its US$60M production budget so far, having been released Stateside in mid-December last year. 

'ONE SECOND' (Rated M) - is a Chinese drama film that is Directed and and written for the screen by Zhang Yimou whose previous film making credits include his debut 'Red Sorghum' in 1987, 'Raise the Red Lantern' in 1991, 'Hero' in 2002, 'House of Flying Daggers' in 2004, 'The Flowers of War' in 2011, 'The Great Wall' in 2016 and 'Shadow' in 2018. Towards the end of the Cultural Revolution (circa 1976), when movies were one of the few cultural experiences available to China’s masses, the film’s nameless hero (Zhang Yi) is sent to a remote labour camp for taking part in a fight. He escapes, but instead of returning to crime, his one aim is to see a screening of a newsreel where his daughter has been captured briefly on screen, immortalised as a model student and worker. In this journey towards a fleeting, cinematic reunion with his beloved daughter, his unexpected companions include a scruffy orphan girl named Liu (Liu Haocun) — pursuing her own secret search for celluloid, and Fan (Fan Wei), who goes by Mr. Movie and is widely known as the best projectionist around. The film was released in its native China in November 2020, has generated mostly positive Critical acclaim and has grossed US$20M so far at the Box Office. 

'AROUND THE WORLD IN 80 DAYS' (Rated PG) - this French and Belgian Co-Produced animated feature film is Directed by Samuel Tourneux in his feature film making debut, and is based on the much adapted Jules Verne novel of the same name from 1872. Passepartout (voiced by Julien Crampon) is a young and scholarly marmoset who always dreams of becoming an explorer. One day, he crosses paths with Phileas (Damien Frette), a reckless and greedy frog, eager to take on a bet to circumnavigate the globe in 80 days and earn 10 million clams in the process. Seizing the opportunity of a lifetime to explore the world, Passepartout embarks with his new friend on a crazy and exhilarating adventure full of twists and surprises.

'BELLE' (Rated PG) - is a Japanese animated science fantasy film that is Directed and written for the screen by Mamoru Hosoda and is based on and inspired by the 1756 French fairy tale 'Beauty and the Beast' by Jeanne-Marie Leprince de Beaumont. The film saw its World Premiere showcase in mid-July last year at the 2021 Cannes Film Festival, where it was well-received by critics with a standing ovation that lasted fourteen minutes, the longest of any film shown at the festival. It was released in its native Japan a day after Cannes, and has so far grossed US$59M before its release in the US this week too and the UK in early February. Suzu Naito (Kaho Nakamura) is a 17-year-old high school student living in a rural village with her father (Koji Yakusho). For years she has only been a shadow of herself. One day, she enters 'U', a virtual world of five billion subscribers on the Internet. There, she is not Suzu anymore but Belle, a world-famous singer. She soon meets with a mysterious dragon creature (Takeru Satoh) that is being pursued by vigilantes. Together, they embark on a journey of adventures, challenges, and love, in their quest of becoming who they truly are.

With five new release movie offerings this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. In the meantime, I'll see you sometime somewhere at your local Odeon in the coming week.

-Steve, at Odeon Online-